Making Of Aston Martin Music Chords

_ _ And that's what we pride ourselves in,
and just _ _ breaking the format _ of what's popular.
You know what I'm saying? _ _
_ _ _ _ _ _ _ _
[Db] _ _ _ _ _ _ _ [Bbm] _
_ [Ebm] _ _ _ _ [Gb] _ _ _
[Bbm] _ _ _ _ _ _ _ _
_ [Ebm] _ _ _ _ [Gb] _ _ _
[Bbm] _ _ _ _ _ _ _ _
_ [Gb] _ _ _ _ [Ab] _ _ [Bbm] _
_ _ _ _ _ _ _
Just [Gb] please.
When Russ started working on _
[Bbm] _ Teflon Dog,
we'd _ go [Gb] over to his house periodically,
[Ab] but _ [Bbm] _
we knew that there was something different
about the album, [Gb] you know what I'm saying?
Like it wasn't gonna be like [Bbm] True Love or Deep in the Rap.
You know what I'm saying?
So _ [Gb] _ _ with Aston Martin,
[Bbm] _
_ _ it was _ _ something that we [Gb] had for a few people,
but Ross was like the [Bbm] number one that we had in mind,
[F] because he always had a good [Gb] vision.
_ _ _ _ [Bbm] He pictures what he wants to do.
Like he'll say, I want this [Gb] person on the song.
I want, _ [Bbm] it's gonna be such and such _ [Gb] _ _
on the hook.
I'm gonna [Db] have this [Bbm] person on the bridge,
and [Gb] that's gonna be the song.
That's how he did with [Bbm] Maybach Music 1.
He's like, yo, he listened to the [Gb] beat.
He was like, _ _ _ [Ab] I [Bbm] already know what I'm gonna do with this song.
It's gonna be [Bb] called Maybach Music.
[Fm]
I'm [Gb] gonna have Jay-Z on this song,
[Bbm] and it's gonna be crazy.
I got the whole video for this.
Right when he first [Gb] heard the track,
_ [Bbm] in Tallahassee, Florida, that's where we were [Gb] staying at. _ _ _ _ _
_ _ [Bbm] _ _ _ _ _ _
_ _ [Gb] _ _ _ _ _ _
[Bbm] _ _ _ _ _ _ _ _
_ [Gb] I mean, I'll elaborate more,
[Bbm] but _ _ just to answer that question,
[Gb] _ _ like, you know, in [Bbm] general,
_ _ like I tend to handle the [Ebm] _ _ [Gb] _ melodic [Bbm] duties _ for the most part,
but [Ebm] like, I mean, [Gb] throughout the years,
the cool thing about having a team
is that you pick up [Gb] certain skills,
such _ _ team [Bbm] members, and that's exactly what goes [Fm] down
_ [Gb] _ in Justice League, so like,
[Bbm] whereas I was more melodically _ _ _ [Gb] inclined, you know,
when we first [Bbm] started, I picked up a lot of music,
a [Fm] lot of music, [Gb] and _ _ _ _
_ [Bbm] we can, like, _ fight the virus,
[Gb] so, _ _ you know, I can pretty [Bbm] much, like,
handle any part of the track,
so can my brother, [Gb] so can Cody,
_ and, but like, when it comes to this track,
Asta [Ab] Martin, _ [Ebm] I just [Gb] play the keys, _
[Bm] stick the little three [Cm] chords, and bam, end it off.
Asta Martin, _ when you're dealing with the Asta Martin beat,
you got [Bbm] the Rhodes, _ which is _ the _ _ meat and potatoes. _ _ _ _
[Gb] Without the Rhodes, you [Fm] wouldn't, like, have none,
that's, like, the main, [Bbm] main part,
that's that sexy right there.
_ _ It makes you feel like you ride somewhere,
_ _ _ _ and then, like, _ _ I'm not even getting to the drums right now. _
_ _ _ Under that, you got, like, a _ _ choir, _ _ _ _
_ _ kinda, like, _ _ softens it up a little bit, eerie, scary,
you know what I mean?
_ And this will make it hard right there.
_ _ _ _ Got a little synth, you know what I mean?
_ [Gb] _ _
_ _ _ [Bbm] _ _ _ _ _
[Bbm] You got that, _ [Gb] you got a little,
everybody knows this part,
[Bbm] _ _ that's what sits off that hook, _ [Gb] you know what I mean?
_ _ _ [Ab] _ _ [Bbm] _ That's all, _ melodically, you got [Gb] one, two, three, four,
[Ab] _ _ [Bbm] four elements, _ _ _ and that's, like,
_ [Ebm] that's, like, the key right [Db] there,
just simplicity, _ [Bbm] simple, sexy, like, really crazy shit.
_ [Gb] _ _
_ [Ab] _ _ [Bbm] You know what I'm saying?
As King explained, when you, [Ebm] like, a snare,
the snare is, like, basic,
_ [N] _ _ and that goes to show you that
you really don't need a lot to make hit music.
Like, you can really just _ have a home studio
and come up with, like, _ the best type of music there is.
You can have a number one hit
by just making music on your, [Bb] in your house. _
_ [Gb] _ And when it comes to the particulars of [Db] that beat,
_ you know, can you lay down the [Bbm] chords and whatnot,
and I started on the drums,
because we just wanted to give it a,
[Gb] like a cool 90s R&B feel. _
[Bbm] _ _ _ _ _ _ _ _
My boss [Gb] heard it, _ [Eb] loved [Bbm] it.
He got Chris and Michelle, he got Drake on it.
[Gb] _ _ When we heard it at his house,
we [Bbm] was like, yo, this is crazy, crazy, crazy, crazy.
_ [Gb] _ _ _ _ [Ab] _ [Bbm] It was funny, because we was at his house,
and then Drake actually hit me,
and he was like, [Gb] yo, this beat is crazy, [Bbm] I'm gonna kill it.
[Bb] You know what I'm saying?
Basically, _ _ _ he loved it so much
that [Bbm] he did his own version of the song, you know what I mean? _ _ _
[Gb] _ _ _ _ _ Which, I [Bbm] guess now, it's _ _ [Ab] the premium [Gb] version,
with Drake [Db] and [Bbm] Ross, the unique verses [Bb] and whatnot. _ _ _
And [Gb] that's what we pride ourselves in,
is just [Bbm] breaking the format _ of what's [Gb] popular,
you know what I'm saying?
_ [Db] Like, [Bbm] we did it, we made that music three,
there's [Bb] never been a rap song [F] ever
_ [Gb] _ sounding like that ever, we made that music [Bbm] three.
_ _ _ _ And with [Gb] Ask the Martin, _ it just [Ab] broke the mold
when [Bbm] it comes to the format of songs on the radio. _ _
_ [Gb] I'm Not a Star is just that [Bbm] _ club _ banger,
you know what I'm saying?
And [Gb] it's like, _ _ [Ab] you would never [Bbm] guess that,
just as Link did I'm Not a Star,
[Gb] made that music, and Ask the Martin [Bbm] music,
_ three completely _ _ _
_ [Gb] _ different sounds on each [Bbm] one,
you know what I'm saying?
And _ _ _ _
_ [Gb] I guess that's the benefit of the group.
_ [Bb] _ _ _ _ _ _ _
_ [Bbm] _ _ _ _ _ _ _
[Fm] _ _ _ _ _ _ _ _
_ [Bb] _ _ _ [Gb] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ But, Ask the _
[Gm] Martin music. _ _ _ _
_ Cut.
_ You got to cut this shit.
All right, cut.
Cut, I'm gonna edit it out.
All right, so, ask me something else, man.
Let's go off, I'm just [N] rambling on.