Chords for Mark Knopfler - Tracker - A Film By Henrik Hansen
Tempo:
128.5 bpm
Chords used:
F
C
Eb
Bb
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[G]
[Em]
[D] [G]
[Em] [D] [G]
[Bm] [E] [G] [D]
[G] I am.
[C] [D]
[G] [N] My [F] position as a songwriter is [C] just to try to make a good recording of a [F] good song.
There's so many songs I'll never get around to [Db] recording.
Five [Am] cigarettes [Em] and two [F] silver half [A] crowns.
Three decibelisation.
[F] I'm a Jack [C] and a lad.
[F] And I'm
I'm a Jack [C] and a lad.
[F]
And I'm up [C] for the world.
[F] I've kissed [C] the [F] gate's head.
With Basil, the song about Basil Bunting.
[Am] When I was 14 or so, in a copy boy.
He calls for [C] a copy boy, [F] grumpy as hell.
There was a rather [Dm] forbidding figure who worked there.
Poets [F] have to eat as well.
He wrote an epic poem called Break Flats.
What he [Am] wouldn't give [C] just to walk [F] out today.
It was really in many [C] ways a meditation [Dm] on time.
To have [F] time, to think about time.
Which all poetry [Dm] is.
Basil, Basil, [G] Basil.
There he was.
I think a lot of these songs, they are connected by time.
[Eb]
So long ago, but still he wants to know.
[Bb] Anyone has seen her?
If you've got a little bit of [Eb] time, it's kind of nice to take it.
[Bb] And he's sitting out in the night.
[Eb] Looking down upon [F] the lights [Bb] of Tamiya.
[F] Whoops, he's even forgotten that one.
[Bb] What we're trying to do is preserve the best of the old.
[Eb] Keep it working with the best of the new.
[Bb]
Some of the old stuff just sounds beautiful.
[Eb] We've pushed harder [Ab] to experiment more.
As much with old gear [Bb] as with new gear.
And finding combinations that you wouldn't necessarily have instinctively gone to.
Just different pieces of equipment reacting with each other.
Okay, let's go.
And made some nice discoveries.
On [Eb] this album, Mark wanted to use [Bb] tape for everything.
Literally everything.
[Gm] The [F] smell of tape.
[Eb] We often find ourselves spending most of the day playing with microphones.
[Bb] It's like when you give a microphone [Eb] amp or a microphone the right voltage.
[Bb] It's a happy microphone.
[Eb] [Gm] It's like you can apply it to cars in [Bb] particular.
[G] If the engine's not over revving,
[C] it's a happy engine.
[G]
[D] [E] But [B] you really need an awful lot of desire to do this.
[E]
Once more.
I'd be trying to [F] write a good song.
[B] Then to try to make a good record of [Db] it.
Here we go.
[B] The whole package [E] makes it all an extremely pleasurable [Gb] experience to make records.
Wonderful, hi.
[B]
[E] And then the song walks out the door [Gb] and goes off to have a life of its own.
[B]
[E] And then to go out and maybe play it for people.
[Gb] To complete the circuit.
[B]
And [E] that's what keeps it exciting.
[B]
If I'd had to make a living [E] as a guitar player, I don't know whether I would have managed that very [Gb] much.
I think the [Eb] band let me get away with [B] stuff because I'm [Gb] the guy who wrote the [E] song.
Why did I do that?
Because it's [Gb] alright.
[Em] Oh, I'm late.
It's not quite the same as [Cm] being a musician.
That's a whole other thing.
[Am] Basil puts on his [C] old duffel [F] and scarf
[Dm] [F] Goes out into the dark
[C] [F]
[C] [F]
[C]
[F]
[Em]
[D] [G]
[Em] [D] [G]
[Bm] [E] [G] [D]
[G] I am.
[C] [D]
[G] [N] My [F] position as a songwriter is [C] just to try to make a good recording of a [F] good song.
There's so many songs I'll never get around to [Db] recording.
Five [Am] cigarettes [Em] and two [F] silver half [A] crowns.
Three decibelisation.
[F] I'm a Jack [C] and a lad.
[F] And I'm
I'm a Jack [C] and a lad.
[F]
And I'm up [C] for the world.
[F] I've kissed [C] the [F] gate's head.
With Basil, the song about Basil Bunting.
[Am] When I was 14 or so, in a copy boy.
He calls for [C] a copy boy, [F] grumpy as hell.
There was a rather [Dm] forbidding figure who worked there.
Poets [F] have to eat as well.
He wrote an epic poem called Break Flats.
What he [Am] wouldn't give [C] just to walk [F] out today.
It was really in many [C] ways a meditation [Dm] on time.
To have [F] time, to think about time.
Which all poetry [Dm] is.
Basil, Basil, [G] Basil.
There he was.
I think a lot of these songs, they are connected by time.
[Eb]
So long ago, but still he wants to know.
[Bb] Anyone has seen her?
If you've got a little bit of [Eb] time, it's kind of nice to take it.
[Bb] And he's sitting out in the night.
[Eb] Looking down upon [F] the lights [Bb] of Tamiya.
[F] Whoops, he's even forgotten that one.
[Bb] What we're trying to do is preserve the best of the old.
[Eb] Keep it working with the best of the new.
[Bb]
Some of the old stuff just sounds beautiful.
[Eb] We've pushed harder [Ab] to experiment more.
As much with old gear [Bb] as with new gear.
And finding combinations that you wouldn't necessarily have instinctively gone to.
Just different pieces of equipment reacting with each other.
Okay, let's go.
And made some nice discoveries.
On [Eb] this album, Mark wanted to use [Bb] tape for everything.
Literally everything.
[Gm] The [F] smell of tape.
[Eb] We often find ourselves spending most of the day playing with microphones.
[Bb] It's like when you give a microphone [Eb] amp or a microphone the right voltage.
[Bb] It's a happy microphone.
[Eb] [Gm] It's like you can apply it to cars in [Bb] particular.
[G] If the engine's not over revving,
[C] it's a happy engine.
[G]
[D] [E] But [B] you really need an awful lot of desire to do this.
[E]
Once more.
I'd be trying to [F] write a good song.
[B] Then to try to make a good record of [Db] it.
Here we go.
[B] The whole package [E] makes it all an extremely pleasurable [Gb] experience to make records.
Wonderful, hi.
[B]
[E] And then the song walks out the door [Gb] and goes off to have a life of its own.
[B]
[E] And then to go out and maybe play it for people.
[Gb] To complete the circuit.
[B]
And [E] that's what keeps it exciting.
[B]
If I'd had to make a living [E] as a guitar player, I don't know whether I would have managed that very [Gb] much.
I think the [Eb] band let me get away with [B] stuff because I'm [Gb] the guy who wrote the [E] song.
Why did I do that?
Because it's [Gb] alright.
[Em] Oh, I'm late.
It's not quite the same as [Cm] being a musician.
That's a whole other thing.
[Am] Basil puts on his [C] old duffel [F] and scarf
[Dm] [F] Goes out into the dark
[C] [F]
[C] [F]
[C]
[F]
Key:
F
C
Eb
Bb
G
F
C
Eb
[G] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Em] _
_ _ _ [D] _ _ _ [G] _ _
_ [Em] _ _ _ [D] _ [G] _ _ _
[Bm] _ _ [E] _ _ [G] _ _ [D] _ _
[G] I am.
[C] _ _ _ [D] _ _
[G] _ _ _ _ _ [N] _ My _ _ [F] _ position as a songwriter is [C] just to try to make a good recording of a [F] good song. _ _ _
_ _ _ _ _ There's so many songs I'll never get around to _ [Db] recording.
Five [Am] cigarettes [Em] and two [F] silver half [A] crowns.
Three _ decibelisation. _ _ _
_ _ _ [F] I'm a Jack [C] and a lad.
_ _ _ [F] _ _ And I'm_
_ _ _ I'm a Jack [C] and a lad.
_ _ [F] _ _
And I'm up [C] for the _ world. _
[F] _ _ I've kissed [C] the _ [F] gate's head.
_ _ With Basil, the song about Basil Bunting.
[Am] When I was 14 or _ so, in a copy boy.
He calls for [C] a copy boy, [F] grumpy as hell.
There was a rather [Dm] forbidding figure who worked there.
Poets [F] have to eat as well.
He wrote an epic poem called Break Flats.
What he [Am] wouldn't give _ [C] just to walk [F] out today.
It was really in many [C] ways a meditation [Dm] on time.
To have _ [F] time, to think about time.
Which all poetry [Dm] is.
Basil, Basil, [G] Basil.
There he was.
_ _ I think a lot of these songs, they are connected by time.
_ _ [Eb] _ _
So long ago, but still he wants to know.
_ [Bb] Anyone has seen her?
If you've got a little bit of [Eb] time, it's kind of nice to take it.
[Bb] And he's sitting out in the night.
[Eb] Looking down upon [F] the lights [Bb] of Tamiya.
_ _ [F] Whoops, he's even forgotten that one.
[Bb] What we're trying to do is preserve the best of the old.
[Eb] Keep it working with the best of the new.
_ [Bb] _ _ _ _
Some of the old stuff just sounds beautiful. _ _ _
[Eb] We've pushed harder [Ab] to experiment more.
As much with old gear [Bb] as with new gear.
_ And finding combinations that you wouldn't necessarily have instinctively gone to. _
_ _ _ _ _ Just different pieces of equipment reacting with each other.
Okay, let's go.
And made some nice discoveries. _ _
_ _ _ _ On [Eb] this album, Mark wanted to use [Bb] tape for everything.
_ _ Literally everything.
_ _ _ _ _ _ _ _
_ [Gm] _ The _ _ [F] smell of tape. _ _ _ _ _ _
[Eb] We often find ourselves spending most of the day playing with microphones.
_ _ [Bb] It's like when you give a microphone [Eb] amp or a microphone the right voltage.
[Bb] It's a happy microphone.
_ [Eb] _ _ _ [Gm] It's like you can apply it to cars in [Bb] particular. _ _ _ _ _ _ _
_ [G] If the engine's not over revving, _ _ _
_ [C] _ it's a happy engine.
[G] _ _ _
_ [D] _ _ [E] But _ _ _ [B] you really need an awful lot of desire to do this.
_ _ _ _ _ [E] _ _
Once more.
I'd be trying to [F] write a good song.
[B] Then to try to make a good record of [Db] it.
Here we go.
[B] _ _ _ The whole package [E] makes it all an extremely pleasurable [Gb] experience to make records.
Wonderful, hi.
_ _ _ _ [B] _ _
_ [E] _ _ And then the song walks out the door [Gb] and goes off to have a life of its own.
[B] _ _
_ [E] _ And then to go out and maybe play it for people.
[Gb] To complete the circuit.
_ _ [B] _
And [E] that's what keeps it exciting.
_ [B] _ _ _
_ _ _ _ _ _ If I'd had to make a living [E] as a guitar player, I don't know whether I would have managed that very [Gb] much.
I think the [Eb] band let me get away with [B] stuff because I'm [Gb] the guy who wrote the [E] song.
_ Why did I do that?
Because it's [Gb] alright.
[Em] Oh, I'm late.
_ It's not quite the same as [Cm] being a musician.
That's a whole other thing. _ _
_ [Am] Basil puts _ on his [C] old duffel [F] and scarf _ _ _
[Dm] _ _ _ [F] Goes out into the dark
_ _ _ _ _ _ [C] _ _ _ _ _ [F] _ _ _ _
_ [C] _ _ _ _ _ _ [F] _
_ _ _ [C] _ _ _ _ _
_ [F] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Em] _
_ _ _ [D] _ _ _ [G] _ _
_ [Em] _ _ _ [D] _ [G] _ _ _
[Bm] _ _ [E] _ _ [G] _ _ [D] _ _
[G] I am.
[C] _ _ _ [D] _ _
[G] _ _ _ _ _ [N] _ My _ _ [F] _ position as a songwriter is [C] just to try to make a good recording of a [F] good song. _ _ _
_ _ _ _ _ There's so many songs I'll never get around to _ [Db] recording.
Five [Am] cigarettes [Em] and two [F] silver half [A] crowns.
Three _ decibelisation. _ _ _
_ _ _ [F] I'm a Jack [C] and a lad.
_ _ _ [F] _ _ And I'm_
_ _ _ I'm a Jack [C] and a lad.
_ _ [F] _ _
And I'm up [C] for the _ world. _
[F] _ _ I've kissed [C] the _ [F] gate's head.
_ _ With Basil, the song about Basil Bunting.
[Am] When I was 14 or _ so, in a copy boy.
He calls for [C] a copy boy, [F] grumpy as hell.
There was a rather [Dm] forbidding figure who worked there.
Poets [F] have to eat as well.
He wrote an epic poem called Break Flats.
What he [Am] wouldn't give _ [C] just to walk [F] out today.
It was really in many [C] ways a meditation [Dm] on time.
To have _ [F] time, to think about time.
Which all poetry [Dm] is.
Basil, Basil, [G] Basil.
There he was.
_ _ I think a lot of these songs, they are connected by time.
_ _ [Eb] _ _
So long ago, but still he wants to know.
_ [Bb] Anyone has seen her?
If you've got a little bit of [Eb] time, it's kind of nice to take it.
[Bb] And he's sitting out in the night.
[Eb] Looking down upon [F] the lights [Bb] of Tamiya.
_ _ [F] Whoops, he's even forgotten that one.
[Bb] What we're trying to do is preserve the best of the old.
[Eb] Keep it working with the best of the new.
_ [Bb] _ _ _ _
Some of the old stuff just sounds beautiful. _ _ _
[Eb] We've pushed harder [Ab] to experiment more.
As much with old gear [Bb] as with new gear.
_ And finding combinations that you wouldn't necessarily have instinctively gone to. _
_ _ _ _ _ Just different pieces of equipment reacting with each other.
Okay, let's go.
And made some nice discoveries. _ _
_ _ _ _ On [Eb] this album, Mark wanted to use [Bb] tape for everything.
_ _ Literally everything.
_ _ _ _ _ _ _ _
_ [Gm] _ The _ _ [F] smell of tape. _ _ _ _ _ _
[Eb] We often find ourselves spending most of the day playing with microphones.
_ _ [Bb] It's like when you give a microphone [Eb] amp or a microphone the right voltage.
[Bb] It's a happy microphone.
_ [Eb] _ _ _ [Gm] It's like you can apply it to cars in [Bb] particular. _ _ _ _ _ _ _
_ [G] If the engine's not over revving, _ _ _
_ [C] _ it's a happy engine.
[G] _ _ _
_ [D] _ _ [E] But _ _ _ [B] you really need an awful lot of desire to do this.
_ _ _ _ _ [E] _ _
Once more.
I'd be trying to [F] write a good song.
[B] Then to try to make a good record of [Db] it.
Here we go.
[B] _ _ _ The whole package [E] makes it all an extremely pleasurable [Gb] experience to make records.
Wonderful, hi.
_ _ _ _ [B] _ _
_ [E] _ _ And then the song walks out the door [Gb] and goes off to have a life of its own.
[B] _ _
_ [E] _ And then to go out and maybe play it for people.
[Gb] To complete the circuit.
_ _ [B] _
And [E] that's what keeps it exciting.
_ [B] _ _ _
_ _ _ _ _ _ If I'd had to make a living [E] as a guitar player, I don't know whether I would have managed that very [Gb] much.
I think the [Eb] band let me get away with [B] stuff because I'm [Gb] the guy who wrote the [E] song.
_ Why did I do that?
Because it's [Gb] alright.
[Em] Oh, I'm late.
_ It's not quite the same as [Cm] being a musician.
That's a whole other thing. _ _
_ [Am] Basil puts _ on his [C] old duffel [F] and scarf _ _ _
[Dm] _ _ _ [F] Goes out into the dark
_ _ _ _ _ _ [C] _ _ _ _ _ [F] _ _ _ _
_ [C] _ _ _ _ _ _ [F] _
_ _ _ [C] _ _ _ _ _
_ [F] _ _ _ _ _ _ _