Chords for Marlon Williams on his flawless new album 'Make Way For Love'
Tempo:
72.75 bpm
Chords used:
B
A
F#m
F#
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[A]
[F#] I really first started [B] getting into country music when my dad brought home [E] a
Grand Parson CD when I [A] was about 13 or so and every week he'd [C#] bring home a new
CD for me to listen to [B] and then swap it out the next week and create it for
something else.
I [F#] was starting to really consider writing at the [G#] time, the timing
was right for [G#m] me.
[F#m]
[C#m] [F#m]
I [Em] [F#m] think it's the simplicity in country [E] music that really [A] grabbed me.
It was an easy way to communicate.
[F#]
Four chords, five chords [Em] maybe and just
really [B] classic tropes that [E] everyone knows.
The subject matter is really
[A] simply defined and it was just [F#] an easy way to communicate.
I was [B] really drawn to the allegorical side of storytelling.
[F#] So simple, but [G#] I've never really slept to the imagination of what [F#m] the layers are.
[C#m] [B] [F#m]
[B] I think the new album kind of undoes the [E] work of the first album.
[C#m] That [B] separation and that distance from [F#m] subject matter is [B] completely dissolved in this album.
It's full of my [E] own insecurities and ego and wants [A] and desires.
[F#] It's a personal album.
[B] [E] [G]
[A] Oh
[F#]
[B] [Em] Again [F#] and again
I know the shame and wasted [C#] all
You never really know when a songs [F#m] done.
You just have to make a call I guess and say this [C#m] is [B] enough.
I just want to [F#m] be making albums that I want to make at the time, [B] in 15-20 years time
and still be able to [E] tour them and still have an audience that'll listen to them
that can justify me doing more, you know.
I've used [A] music to get over things, [C#] but I've never written music [A] to get over things.
And yeah, it's a really crucial difference.
I'm as interested as anyone [G#m] in how it'll pan out.
[Em]
[A] Baby, I can't separate us [G#m] out [F#m] anymore.
[A] Baby, I can't separate [G#m] us out [A] anymore.
[F#] I really first started [B] getting into country music when my dad brought home [E] a
Grand Parson CD when I [A] was about 13 or so and every week he'd [C#] bring home a new
CD for me to listen to [B] and then swap it out the next week and create it for
something else.
I [F#] was starting to really consider writing at the [G#] time, the timing
was right for [G#m] me.
[F#m]
[C#m] [F#m]
I [Em] [F#m] think it's the simplicity in country [E] music that really [A] grabbed me.
It was an easy way to communicate.
[F#]
Four chords, five chords [Em] maybe and just
really [B] classic tropes that [E] everyone knows.
The subject matter is really
[A] simply defined and it was just [F#] an easy way to communicate.
I was [B] really drawn to the allegorical side of storytelling.
[F#] So simple, but [G#] I've never really slept to the imagination of what [F#m] the layers are.
[C#m] [B] [F#m]
[B] I think the new album kind of undoes the [E] work of the first album.
[C#m] That [B] separation and that distance from [F#m] subject matter is [B] completely dissolved in this album.
It's full of my [E] own insecurities and ego and wants [A] and desires.
[F#] It's a personal album.
[B] [E] [G]
[A] Oh
[F#]
[B] [Em] Again [F#] and again
I know the shame and wasted [C#] all
You never really know when a songs [F#m] done.
You just have to make a call I guess and say this [C#m] is [B] enough.
I just want to [F#m] be making albums that I want to make at the time, [B] in 15-20 years time
and still be able to [E] tour them and still have an audience that'll listen to them
that can justify me doing more, you know.
I've used [A] music to get over things, [C#] but I've never written music [A] to get over things.
And yeah, it's a really crucial difference.
I'm as interested as anyone [G#m] in how it'll pan out.
[Em]
[A] Baby, I can't separate us [G#m] out [F#m] anymore.
[A] Baby, I can't separate [G#m] us out [A] anymore.
Key:
B
A
F#m
F#
E
B
A
F#m
_ _ _ _ [A] _ _ _ _
[F#] I really first started [B] getting into country music when my dad brought home [E] a
Grand Parson CD when I [A] was about 13 or so and every week he'd [C#] bring home a new
CD for me to listen to [B] and then swap it out the next week and create it for
something else.
I [F#] was starting to really consider writing at the [G#] time, the timing
was right for [G#m] me.
[F#m] _ _
_ _ _ [C#m] _ _ _ _ [F#m] _
I [Em] _ _ [F#m] think it's the simplicity in country [E] music that really _ [A] grabbed me.
It was an easy way to communicate.
[F#]
Four chords, five chords [Em] maybe and just
really [B] classic tropes that [E] everyone knows.
The subject matter is really
[A] simply defined and it was just [F#] an easy way to communicate.
I was [B] really drawn to the allegorical side of storytelling.
[F#] So simple, but [G#] I've never really slept to the imagination of what [F#m] the layers are.
_ _ _ [C#m] _ _ [B] _ _ [F#m] _
_ _ _ [B] I think the new album kind of undoes the [E] work of the first album.
[C#m] That [B] separation and that distance from [F#m] subject matter is [B] completely dissolved in this album.
It's full of my [E] own insecurities and ego and wants [A] and desires.
[F#] It's a personal album. _
[B] _ _ _ _ [E] _ _ _ [G]
[A] Oh
_ _ _ [F#] _ _ _ _
[B] _ _ [Em] Again [F#] and again
I know the shame and wasted [C#] all
You never really know when a songs [F#m] done.
You just have to make a call I guess and say this [C#m] is [B] enough.
I just want to [F#m] be making albums that I want to make at the time, [B] in 15-20 years time
and still be able to [E] tour them and still have an audience that'll listen to them
that can justify me doing more, you know.
I've used [A] music to get over things, [C#] but I've never written music [A] to get over things.
And yeah, it's a really crucial difference.
I'm as interested as anyone [G#m] in how it'll pan out.
_ [Em] _
_ _ _ [A] _ _ Baby, I can't separate us [G#m] out _ _ [F#m] anymore.
_ _ _ [A] _ _ Baby, I can't separate [G#m] us out _ [A] anymore.
_ _ _ _ _ _ _ _
[F#] I really first started [B] getting into country music when my dad brought home [E] a
Grand Parson CD when I [A] was about 13 or so and every week he'd [C#] bring home a new
CD for me to listen to [B] and then swap it out the next week and create it for
something else.
I [F#] was starting to really consider writing at the [G#] time, the timing
was right for [G#m] me.
[F#m] _ _
_ _ _ [C#m] _ _ _ _ [F#m] _
I [Em] _ _ [F#m] think it's the simplicity in country [E] music that really _ [A] grabbed me.
It was an easy way to communicate.
[F#]
Four chords, five chords [Em] maybe and just
really [B] classic tropes that [E] everyone knows.
The subject matter is really
[A] simply defined and it was just [F#] an easy way to communicate.
I was [B] really drawn to the allegorical side of storytelling.
[F#] So simple, but [G#] I've never really slept to the imagination of what [F#m] the layers are.
_ _ _ [C#m] _ _ [B] _ _ [F#m] _
_ _ _ [B] I think the new album kind of undoes the [E] work of the first album.
[C#m] That [B] separation and that distance from [F#m] subject matter is [B] completely dissolved in this album.
It's full of my [E] own insecurities and ego and wants [A] and desires.
[F#] It's a personal album. _
[B] _ _ _ _ [E] _ _ _ [G]
[A] Oh
_ _ _ [F#] _ _ _ _
[B] _ _ [Em] Again [F#] and again
I know the shame and wasted [C#] all
You never really know when a songs [F#m] done.
You just have to make a call I guess and say this [C#m] is [B] enough.
I just want to [F#m] be making albums that I want to make at the time, [B] in 15-20 years time
and still be able to [E] tour them and still have an audience that'll listen to them
that can justify me doing more, you know.
I've used [A] music to get over things, [C#] but I've never written music [A] to get over things.
And yeah, it's a really crucial difference.
I'm as interested as anyone [G#m] in how it'll pan out.
_ [Em] _
_ _ _ [A] _ _ Baby, I can't separate us [G#m] out _ _ [F#m] anymore.
_ _ _ [A] _ _ Baby, I can't separate [G#m] us out _ [A] anymore.
_ _ _ _ _ _ _ _