Chords for Master The Secrets Of Harmony | Alain Merville
Tempo:
117.05 bpm
Chords used:
Eb
Bb
C
F
Gm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Bb] [E] [B] [E] [F]
[Eb] Hey, I've come across a lot of [Ab] amazing professional and inspiring musicians from all across the
[Gm] world who are great at what they do.
But [Eb] as every musician knows, beginner [D] or advanced, [Gm] there's that moment where we all feel [Ebm] like
we've [G] plateaued and just [Eb] aren't really sure what to [C] do.
I mean it happens [Fm] to all of us, but have you [C] ever wondered [D] about the different patterns
[Cm] that take place in [D] harmony and in music?
[Gm]
[Eb] [Gm] [Am] [C] Or [Bb] maybe you're the musician that [A] watches a [Cm] movie [Dm] and pays [Ebm] more attention [D] to the film
[Eb] score [Bb] than what's actually going on, but you've [Gm] always wondered how you could apply what you're
hearing and feeling to your playing?
[F]
[Gm] [Eb] [Dm]
[Eb] [G] [Eb] Whether you're having trouble transitioning what you [F] know from theory to [Db] real life scenarios,
or you're just tired of playing the same ideas, [Gm]
the goal is to help [Ab] bring back [Eb] the fun and
excitement [F] in your playing [G] and help you explore [C] new musical ideas, like [Eb] the secret behind
using harmony from different modes, [Cm] or [A] using [Bb] counterpoint and [Gm] different arranging techniques
[Abm] to make your playing [Gm] sound more [F] orchestrated.
[Bb] [Eb] [B]
[Abm] [Ebm]
[Dm] [Gb] [Em] [Eb] [Abm] [Gb] [Gb]
[Db] [Gb] [B] [Ebm] [Dbm] [Gb]
[B] [Bbm] [Gb]
[Bb] Or pivot [A] modulation.
[Bb] [Eb] [Bb] There's over three [Cm] hours of content, [F] so we're covering a ton [Eb] of different [Bb] topics.
So if you're tired of playing the [C] same songs the same way, if [Bb] you're a [C] producer, [Dm] arranger,
music [F] director, [Dm] and you're looking to [F] not just create music [A] but to have [Gm] better [Am] control
over what you create [Dm]
and over your musical ideas, [C] then this [G] masterclass will [F] help you
not only [G] find [Dm] but cultivate your [C] voice in music.
[Eb]
[Db] [Eb] [Am]
[D] And the cool thing is that [C] the concepts [G] and ideas [C] we discuss translates over to every [Em] harmonic instrument.
So whatever [G] your instrument is, [E] join me in [C] rediscovering your voice in music.
[E] [G] [F] [E] [Am] [Bb]
[Eb] Hey, I've come across a lot of [Ab] amazing professional and inspiring musicians from all across the
[Gm] world who are great at what they do.
But [Eb] as every musician knows, beginner [D] or advanced, [Gm] there's that moment where we all feel [Ebm] like
we've [G] plateaued and just [Eb] aren't really sure what to [C] do.
I mean it happens [Fm] to all of us, but have you [C] ever wondered [D] about the different patterns
[Cm] that take place in [D] harmony and in music?
[Gm]
[Eb] [Gm] [Am] [C] Or [Bb] maybe you're the musician that [A] watches a [Cm] movie [Dm] and pays [Ebm] more attention [D] to the film
[Eb] score [Bb] than what's actually going on, but you've [Gm] always wondered how you could apply what you're
hearing and feeling to your playing?
[F]
[Gm] [Eb] [Dm]
[Eb] [G] [Eb] Whether you're having trouble transitioning what you [F] know from theory to [Db] real life scenarios,
or you're just tired of playing the same ideas, [Gm]
the goal is to help [Ab] bring back [Eb] the fun and
excitement [F] in your playing [G] and help you explore [C] new musical ideas, like [Eb] the secret behind
using harmony from different modes, [Cm] or [A] using [Bb] counterpoint and [Gm] different arranging techniques
[Abm] to make your playing [Gm] sound more [F] orchestrated.
[Bb] [Eb] [B]
[Abm] [Ebm]
[Dm] [Gb] [Em] [Eb] [Abm] [Gb] [Gb]
[Db] [Gb] [B] [Ebm] [Dbm] [Gb]
[B] [Bbm] [Gb]
[Bb] Or pivot [A] modulation.
[Bb] [Eb] [Bb] There's over three [Cm] hours of content, [F] so we're covering a ton [Eb] of different [Bb] topics.
So if you're tired of playing the [C] same songs the same way, if [Bb] you're a [C] producer, [Dm] arranger,
music [F] director, [Dm] and you're looking to [F] not just create music [A] but to have [Gm] better [Am] control
over what you create [Dm]
and over your musical ideas, [C] then this [G] masterclass will [F] help you
not only [G] find [Dm] but cultivate your [C] voice in music.
[Eb]
[Db] [Eb] [Am]
[D] And the cool thing is that [C] the concepts [G] and ideas [C] we discuss translates over to every [Em] harmonic instrument.
So whatever [G] your instrument is, [E] join me in [C] rediscovering your voice in music.
[E] [G] [F] [E] [Am] [Bb]
Key:
Eb
Bb
C
F
Gm
Eb
Bb
C
[Bb] _ [E] _ _ _ [B] _ [E] _ _ [F] _
[Eb] Hey, I've come across a lot of [Ab] amazing professional and inspiring musicians from all across the
[Gm] world who are great at what they do.
But [Eb] as every musician knows, beginner [D] or advanced, [Gm] there's that moment where we all feel [Ebm] like
we've [G] plateaued and just [Eb] aren't really sure what to [C] do.
I mean it happens [Fm] to all of us, but have you [C] ever wondered [D] about the different patterns
[Cm] that take place in [D] harmony and in music?
[Gm] _ _
[Eb] _ [Gm] _ [Am] [C] Or [Bb] maybe you're the musician that [A] watches a [Cm] movie [Dm] and pays [Ebm] more attention [D] to the film
[Eb] score [Bb] than what's actually going on, but you've [Gm] always wondered how you could apply what you're
hearing and feeling to your playing?
[F] _
[Gm] _ _ _ _ [Eb] _ [Dm] _ _ _
[Eb] _ [G] _ _ [Eb] Whether you're having trouble transitioning what you [F] know from theory to [Db] real life scenarios,
or you're just tired of playing the same ideas, [Gm]
the goal is to help [Ab] bring back [Eb] the fun and
excitement [F] in your playing [G] and help you explore [C] new musical ideas, like [Eb] the secret behind
using harmony from different modes, [Cm] or [A] using [Bb] counterpoint and [Gm] different arranging techniques
[Abm] to make your playing [Gm] sound more [F] orchestrated.
_ [Bb] _ [Eb] _ _ [B] _
_ _ _ [Abm] _ _ _ _ [Ebm] _
_ [Dm] _ [Gb] _ [Em] _ [Eb] _ [Abm] _ [Gb] _ [Gb] _
_ [Db] _ _ [Gb] _ [B] _ [Ebm] _ [Dbm] _ [Gb] _
_ _ [B] _ _ [Bbm] _ _ [Gb] _ _
_ [Bb] Or pivot [A] modulation. _ _ _
[Bb] _ _ [Eb] _ _ [Bb] There's over three [Cm] hours of content, [F] so we're covering a ton [Eb] of different [Bb] topics.
So if you're tired of playing the [C] same songs the same way, if [Bb] you're a [C] producer, [Dm] arranger,
music [F] director, [Dm] and you're looking to [F] not just create music [A] but to have [Gm] better [Am] control
over what you create [Dm]
and over your musical ideas, [C] then this [G] masterclass will [F] help you
not only [G] find [Dm] but cultivate your [C] voice in music.
_ _ _ [Eb] _
_ [Db] _ [Eb] _ [Am] _ _ _ _ _
[D] And the cool thing is that [C] the concepts [G] and ideas [C] we discuss translates over to every [Em] harmonic instrument.
So whatever [G] your instrument is, [E] join me in [C] rediscovering your voice in music.
[E] _ _ [G] _ _ [F] _ _ [E] _ _ [Am] _ _ _ [Bb] _ _
[Eb] Hey, I've come across a lot of [Ab] amazing professional and inspiring musicians from all across the
[Gm] world who are great at what they do.
But [Eb] as every musician knows, beginner [D] or advanced, [Gm] there's that moment where we all feel [Ebm] like
we've [G] plateaued and just [Eb] aren't really sure what to [C] do.
I mean it happens [Fm] to all of us, but have you [C] ever wondered [D] about the different patterns
[Cm] that take place in [D] harmony and in music?
[Gm] _ _
[Eb] _ [Gm] _ [Am] [C] Or [Bb] maybe you're the musician that [A] watches a [Cm] movie [Dm] and pays [Ebm] more attention [D] to the film
[Eb] score [Bb] than what's actually going on, but you've [Gm] always wondered how you could apply what you're
hearing and feeling to your playing?
[F] _
[Gm] _ _ _ _ [Eb] _ [Dm] _ _ _
[Eb] _ [G] _ _ [Eb] Whether you're having trouble transitioning what you [F] know from theory to [Db] real life scenarios,
or you're just tired of playing the same ideas, [Gm]
the goal is to help [Ab] bring back [Eb] the fun and
excitement [F] in your playing [G] and help you explore [C] new musical ideas, like [Eb] the secret behind
using harmony from different modes, [Cm] or [A] using [Bb] counterpoint and [Gm] different arranging techniques
[Abm] to make your playing [Gm] sound more [F] orchestrated.
_ [Bb] _ [Eb] _ _ [B] _
_ _ _ [Abm] _ _ _ _ [Ebm] _
_ [Dm] _ [Gb] _ [Em] _ [Eb] _ [Abm] _ [Gb] _ [Gb] _
_ [Db] _ _ [Gb] _ [B] _ [Ebm] _ [Dbm] _ [Gb] _
_ _ [B] _ _ [Bbm] _ _ [Gb] _ _
_ [Bb] Or pivot [A] modulation. _ _ _
[Bb] _ _ [Eb] _ _ [Bb] There's over three [Cm] hours of content, [F] so we're covering a ton [Eb] of different [Bb] topics.
So if you're tired of playing the [C] same songs the same way, if [Bb] you're a [C] producer, [Dm] arranger,
music [F] director, [Dm] and you're looking to [F] not just create music [A] but to have [Gm] better [Am] control
over what you create [Dm]
and over your musical ideas, [C] then this [G] masterclass will [F] help you
not only [G] find [Dm] but cultivate your [C] voice in music.
_ _ _ [Eb] _
_ [Db] _ [Eb] _ [Am] _ _ _ _ _
[D] And the cool thing is that [C] the concepts [G] and ideas [C] we discuss translates over to every [Em] harmonic instrument.
So whatever [G] your instrument is, [E] join me in [C] rediscovering your voice in music.
[E] _ _ [G] _ _ [F] _ _ [E] _ _ [Am] _ _ _ [Bb] _ _