Chords for Matthew Sweet & Susanna Hoffs UGO Interview (2006)
Tempo:
129.75 bpm
Chords used:
G
D
C
A
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[D]
the rain, let you down,
cause I'm gonna make it sunny in the morning.
[A]
[E] [G] [D] Matthew and I have known [A] each other a long time.
Neither [E] of us can exactly remember how [G] we [D] [Am] first met, I guess.
Probably [F] through Fred [F#] Marr.
Yeah, through Fred [G] Marr, Charlotte [Am] Caffey, there was definite connections
there [E] with different musicians and producers [G] and things in any way.
[D] Then, more [A] recently,
Matthew just mentioned to me that he would [Em] like to work on a record with me.
And that led to [F#] going into Shout Factory and just thinking up some [G#] ideas of what we could do
and coming up with [D] this idea of 60s covers.
We felt like with the Ming-T kind of history of us performing in the Austin Powers movies
with Mike [F] Myers and stuff, we [A] thought it just [Dm] fit pretty well as something to [D] do.
It's our favorite era of music.
What was really cool is when we got together to talk about the songs to do,
we just had so many of the same ones, it made it really easy.
It was [A] surprisingly easy to pick the songs.
[B] It was almost bizarre that the first song we both picked
was a very obscure [E] Left Bank song [G] called She May Call You Up.
[F] It was very [A] odd.
We were like, [E] okay, this is going to be easy and [G] good [Dm] picking [D] these songs.
[A] [G] The [Dm] [G]
[C] [D]
[G] [C]
[D] sort [G] of balance between [Am] the more [Em] obscure songs and the more known songs just kind of [E] came about on that [G] first day.
We really just decided, let's not do things that are known just because we're afraid it has to all be really obscure or whatever.
Even some of the songs that are more well-known that are on the record, a lot of people might not really know that well.
Young people of today.
People don't know Andy [C] Burd can sing even though it's a really well-known Beatles song.
[G] It's not the best known.
There are a few things we just wanted to try.
I have been obsessed with the Mamas and the Papas forever,
so we did Monday Monday [C] even though it's kind of really well-known.
We just wanted to hear us singing it.
[G]
The [C]
whole [G] idea was it would be a fun thing for us.
It was supposed to be a really non-record industry.
Although we really ended up doing all the normal stuff [Em] for it.
At the time [D] it was just like, it will be fun, we'll do it in my house.
No promo, no pressure.
It [G] was fun in that way because [Em] we really got to feel free and not be hassled by [G] anything when we made the records.
Part of the fun was trying to figure out where the feel of that original song came from and what the excitement was like.
How it was recorded.
We could try to figure out how to get in that mode.
[C] [G]
[C] [G] There's talk about doing another one.
The label really named it Volume 1.
We thought it was sort of amusing, especially if we never made another one.
It's so funny when things are called Volume 1 and there's no volume.
It's done pretty well so far and we get the vibe that maybe we'll do a [C] 70s [G] Go
[Em] [G]
[C]
[G]
[D] [C]
Insane.
I [Dm] don't know that [G#] one.
Go Insane, Like I Always Do.
It was a huge hit.
[D]
the rain, let you down,
cause I'm gonna make it sunny in the morning.
[A]
[E] [G] [D] Matthew and I have known [A] each other a long time.
Neither [E] of us can exactly remember how [G] we [D] [Am] first met, I guess.
Probably [F] through Fred [F#] Marr.
Yeah, through Fred [G] Marr, Charlotte [Am] Caffey, there was definite connections
there [E] with different musicians and producers [G] and things in any way.
[D] Then, more [A] recently,
Matthew just mentioned to me that he would [Em] like to work on a record with me.
And that led to [F#] going into Shout Factory and just thinking up some [G#] ideas of what we could do
and coming up with [D] this idea of 60s covers.
We felt like with the Ming-T kind of history of us performing in the Austin Powers movies
with Mike [F] Myers and stuff, we [A] thought it just [Dm] fit pretty well as something to [D] do.
It's our favorite era of music.
What was really cool is when we got together to talk about the songs to do,
we just had so many of the same ones, it made it really easy.
It was [A] surprisingly easy to pick the songs.
[B] It was almost bizarre that the first song we both picked
was a very obscure [E] Left Bank song [G] called She May Call You Up.
[F] It was very [A] odd.
We were like, [E] okay, this is going to be easy and [G] good [Dm] picking [D] these songs.
[A] [G] The [Dm] [G]
[C] [D]
[G] [C]
[D] sort [G] of balance between [Am] the more [Em] obscure songs and the more known songs just kind of [E] came about on that [G] first day.
We really just decided, let's not do things that are known just because we're afraid it has to all be really obscure or whatever.
Even some of the songs that are more well-known that are on the record, a lot of people might not really know that well.
Young people of today.
People don't know Andy [C] Burd can sing even though it's a really well-known Beatles song.
[G] It's not the best known.
There are a few things we just wanted to try.
I have been obsessed with the Mamas and the Papas forever,
so we did Monday Monday [C] even though it's kind of really well-known.
We just wanted to hear us singing it.
[G]
The [C]
whole [G] idea was it would be a fun thing for us.
It was supposed to be a really non-record industry.
Although we really ended up doing all the normal stuff [Em] for it.
At the time [D] it was just like, it will be fun, we'll do it in my house.
No promo, no pressure.
It [G] was fun in that way because [Em] we really got to feel free and not be hassled by [G] anything when we made the records.
Part of the fun was trying to figure out where the feel of that original song came from and what the excitement was like.
How it was recorded.
We could try to figure out how to get in that mode.
[C] [G]
[C] [G] There's talk about doing another one.
The label really named it Volume 1.
We thought it was sort of amusing, especially if we never made another one.
It's so funny when things are called Volume 1 and there's no volume.
It's done pretty well so far and we get the vibe that maybe we'll do a [C] 70s [G] Go
[Em] [G]
[C]
[G]
[D] [C]
Insane.
I [Dm] don't know that [G#] one.
Go Insane, Like I Always Do.
It was a huge hit.
[D]
Key:
G
D
C
A
E
G
D
C
[D] _ _ _ _ _ _ _ _
_ _ the rain, let you _ down,
_ cause I'm gonna make it sunny in the morning.
[A] _ _ _
[E] _ _ _ [G] _ [D] _ Matthew and I have known [A] each other a long time.
Neither [E] of us can exactly remember how [G] we [D] _ [Am] first met, I guess.
Probably [F] through Fred [F#] Marr.
Yeah, through Fred [G] Marr, Charlotte [Am] Caffey, there was definite connections
there [E] with different musicians and producers [G] and things in any way.
[D] Then, more [A] recently,
Matthew just mentioned to me that he would [Em] like to work on a record with me.
And that led to [F#] going into Shout Factory and just thinking up some [G#] ideas of what we could do
and coming up with [D] this idea of 60s covers. _ _
We felt like with the Ming-T kind of history of us performing in the Austin Powers movies
with Mike [F] Myers and stuff, we [A] thought it just [Dm] fit pretty well as something to [D] do.
It's our favorite era of music.
What was really cool is when we got together to talk about the songs to do,
we just had so many of the same ones, it made it really easy.
It was [A] surprisingly easy to pick the songs.
[B] It was almost _ bizarre that the first song we both picked
was a very obscure [E] Left Bank song [G] called She May Call You Up.
_ _ [F] It was very [A] odd.
We were like, [E] okay, this is going to be easy and [G] good [Dm] picking [D] these songs.
_ [A] _ _ [G] _ The _ _ [Dm] _ _ [G] _ _ _ _
_ _ _ _ _ [C] _ [D] _ _
_ _ [G] _ _ _ _ _ [C] _
[D] _ sort [G] _ _ of balance between [Am] the more [Em] obscure songs and the more known songs just kind of [E] came about on that [G] first day.
We really just decided, let's not do things that are known just because we're afraid it has to all be really obscure or whatever.
_ _ _ Even some of the songs that are more well-known that are on the record, a lot of people might not really know that well.
Young people of today.
People don't know Andy [C] Burd can sing even though it's a really well-known Beatles song.
[G] It's not the best known.
_ There are a few things we just wanted to try.
I have been obsessed with the Mamas and the Papas forever,
so we did Monday Monday [C] even though it's kind of really well-known.
We just wanted to hear us singing it.
_ _ _ [G] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
The [C] _ _ _ _ _ _ _
whole [G] idea was it would be a fun thing for us.
It was supposed to be a really non-record _ industry.
Although we really ended up doing all the normal stuff [Em] for it.
At the time [D] it was just like, it will be fun, we'll do it in my house.
No promo, no pressure.
It _ [G] _ _ _ was fun in that way because [Em] we really got to feel free and not be hassled by [G] anything when we made the records. _ _ _ _ _ _ _
_ _ Part of the fun was _ trying to figure out where the feel of that original song came from and what the excitement was like.
How it was recorded.
We could try to figure out how to get in that mode.
_ _ _ _ _ _ _ _
[C] _ _ [G] _ _ _ _ _ _
_ _ _ _ _ _ _ _
[C] _ _ [G] _ _ _ _ There's talk about doing another one.
_ The label really named it Volume 1.
We thought it was sort of amusing, especially if we never made another one.
It's so funny when things are called Volume 1 and there's no volume.
_ _ It's done pretty well so far and we get the vibe that maybe we'll do a _ [C] 70s [G] Go _ _ _ _ _
_ [Em] _ _ _ _ _ _ [G] _
_ _ _ _ _ _ [C] _ _
_ _ _ _ [G] _ _ _ _
_ _ _ [D] _ [C] _ _ _
Insane.
I [Dm] don't know that [G#] one.
Go Insane, Like I Always Do.
_ It was a huge hit.
_ _ _ _ _ [D] _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ the rain, let you _ down,
_ cause I'm gonna make it sunny in the morning.
[A] _ _ _
[E] _ _ _ [G] _ [D] _ Matthew and I have known [A] each other a long time.
Neither [E] of us can exactly remember how [G] we [D] _ [Am] first met, I guess.
Probably [F] through Fred [F#] Marr.
Yeah, through Fred [G] Marr, Charlotte [Am] Caffey, there was definite connections
there [E] with different musicians and producers [G] and things in any way.
[D] Then, more [A] recently,
Matthew just mentioned to me that he would [Em] like to work on a record with me.
And that led to [F#] going into Shout Factory and just thinking up some [G#] ideas of what we could do
and coming up with [D] this idea of 60s covers. _ _
We felt like with the Ming-T kind of history of us performing in the Austin Powers movies
with Mike [F] Myers and stuff, we [A] thought it just [Dm] fit pretty well as something to [D] do.
It's our favorite era of music.
What was really cool is when we got together to talk about the songs to do,
we just had so many of the same ones, it made it really easy.
It was [A] surprisingly easy to pick the songs.
[B] It was almost _ bizarre that the first song we both picked
was a very obscure [E] Left Bank song [G] called She May Call You Up.
_ _ [F] It was very [A] odd.
We were like, [E] okay, this is going to be easy and [G] good [Dm] picking [D] these songs.
_ [A] _ _ [G] _ The _ _ [Dm] _ _ [G] _ _ _ _
_ _ _ _ _ [C] _ [D] _ _
_ _ [G] _ _ _ _ _ [C] _
[D] _ sort [G] _ _ of balance between [Am] the more [Em] obscure songs and the more known songs just kind of [E] came about on that [G] first day.
We really just decided, let's not do things that are known just because we're afraid it has to all be really obscure or whatever.
_ _ _ Even some of the songs that are more well-known that are on the record, a lot of people might not really know that well.
Young people of today.
People don't know Andy [C] Burd can sing even though it's a really well-known Beatles song.
[G] It's not the best known.
_ There are a few things we just wanted to try.
I have been obsessed with the Mamas and the Papas forever,
so we did Monday Monday [C] even though it's kind of really well-known.
We just wanted to hear us singing it.
_ _ _ [G] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
The [C] _ _ _ _ _ _ _
whole [G] idea was it would be a fun thing for us.
It was supposed to be a really non-record _ industry.
Although we really ended up doing all the normal stuff [Em] for it.
At the time [D] it was just like, it will be fun, we'll do it in my house.
No promo, no pressure.
It _ [G] _ _ _ was fun in that way because [Em] we really got to feel free and not be hassled by [G] anything when we made the records. _ _ _ _ _ _ _
_ _ Part of the fun was _ trying to figure out where the feel of that original song came from and what the excitement was like.
How it was recorded.
We could try to figure out how to get in that mode.
_ _ _ _ _ _ _ _
[C] _ _ [G] _ _ _ _ _ _
_ _ _ _ _ _ _ _
[C] _ _ [G] _ _ _ _ There's talk about doing another one.
_ The label really named it Volume 1.
We thought it was sort of amusing, especially if we never made another one.
It's so funny when things are called Volume 1 and there's no volume.
_ _ It's done pretty well so far and we get the vibe that maybe we'll do a _ [C] 70s [G] Go _ _ _ _ _
_ [Em] _ _ _ _ _ _ [G] _
_ _ _ _ _ _ [C] _ _
_ _ _ _ [G] _ _ _ _
_ _ _ [D] _ [C] _ _ _
Insane.
I [Dm] don't know that [G#] one.
Go Insane, Like I Always Do.
_ It was a huge hit.
_ _ _ _ _ [D] _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _