Chords for Nick Shoulders | "Rather Low" | Western AF
Tempo:
89.3 bpm
Chords used:
E
A
B
C
C#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[N] [D#] I grew up on just enough [C] property in the Ozarks to have [D] room to learn how to yodel and do
bird call whistles and kind [C] of had my grandpa's gospel and country to work [C#] off of and then
just learned to [B] yell real loud [C#] and that's really all a yodel is, just [B] a controlled yell
as it turns out.
[C] [E]
[A]
[E]
Well [Em] my [E] eyes adjust, my joints are rusty, sheets are awful cold, and nasty roads well
for folks that must have spent another night on the [B] bend.
Kick rocks, slept in tongs, pooled on land, we washed couches, the kingdom in nice weather
and [E] bugs in my head.
Sick, sad, sentient, a penny saved, a penny spent to sleep at the wheels, you beached
me and awakened my [A] bed.
Last call to feel small, I [E] dread the sight of alcohol, I don't know [B] where this train
stops but [E] I want to spend [A] rather little out here [E] together.
I [B] reckon that we'll keep trying [E] if Ross Bottom it never shows.
You're not [A] alone if there's a [E] storm or weather, I ain't welcome at home, I don't know about you.
[A] [E]
[B] [E]
[A] [E]
Oh double takes and double stops, a double dare you, call the cops, I'll die where I
stand to fly here wagon wheel again.
[B] Forty days of foggy nights with or by the city lights, I don't remember existential
crisis being part of the [E] deal.
I told you once, I told you twice, steeped in verse, cursed and vice, traded my forty
acres for a [A] mountain of pain.
Hot damn [E] hands can't blind it in the promised land, don't mind if I do declare we're as
good as dead.
[A] Spend rather little out here [E] together.
I reckon that [B] we'll keep trying if [E] Ross Bottom it never shows.
You're not [A] alone if there's a storm or [E] weather, I ain't welcome at home, I don't know about [A] you.
[E]
[B] [E]
You're not [A] alone if there's a storm or [E] weather, I ain't welcome at home, I don't know about you.
[A]
[E] I ain't welcome at home, I don't know about [A] you.
[E]
Holler's got just enough space like I said [D#] to kind of like create this little antechamber
so [G] like basically my neighbors lived over here [E] and I lived over here and it was just
far enough that [C] we had to kind of yell across to each [C#] other so I figured out how to yodel
doing this like aah whoop kind of deal and that break is what became a yodel [A#] eventually
but yeah I think a holler makes you better at [C] this sort of thing just because you have
more [B] space and you get a little echo out of it which I think is encouraging to a young
bird call whistles and kind [C] of had my grandpa's gospel and country to work [C#] off of and then
just learned to [B] yell real loud [C#] and that's really all a yodel is, just [B] a controlled yell
as it turns out.
[C] [E]
[A]
[E]
Well [Em] my [E] eyes adjust, my joints are rusty, sheets are awful cold, and nasty roads well
for folks that must have spent another night on the [B] bend.
Kick rocks, slept in tongs, pooled on land, we washed couches, the kingdom in nice weather
and [E] bugs in my head.
Sick, sad, sentient, a penny saved, a penny spent to sleep at the wheels, you beached
me and awakened my [A] bed.
Last call to feel small, I [E] dread the sight of alcohol, I don't know [B] where this train
stops but [E] I want to spend [A] rather little out here [E] together.
I [B] reckon that we'll keep trying [E] if Ross Bottom it never shows.
You're not [A] alone if there's a [E] storm or weather, I ain't welcome at home, I don't know about you.
[A] [E]
[B] [E]
[A] [E]
Oh double takes and double stops, a double dare you, call the cops, I'll die where I
stand to fly here wagon wheel again.
[B] Forty days of foggy nights with or by the city lights, I don't remember existential
crisis being part of the [E] deal.
I told you once, I told you twice, steeped in verse, cursed and vice, traded my forty
acres for a [A] mountain of pain.
Hot damn [E] hands can't blind it in the promised land, don't mind if I do declare we're as
good as dead.
[A] Spend rather little out here [E] together.
I reckon that [B] we'll keep trying if [E] Ross Bottom it never shows.
You're not [A] alone if there's a storm or [E] weather, I ain't welcome at home, I don't know about [A] you.
[E]
[B] [E]
You're not [A] alone if there's a storm or [E] weather, I ain't welcome at home, I don't know about you.
[A]
[E] I ain't welcome at home, I don't know about [A] you.
[E]
Holler's got just enough space like I said [D#] to kind of like create this little antechamber
so [G] like basically my neighbors lived over here [E] and I lived over here and it was just
far enough that [C] we had to kind of yell across to each [C#] other so I figured out how to yodel
doing this like aah whoop kind of deal and that break is what became a yodel [A#] eventually
but yeah I think a holler makes you better at [C] this sort of thing just because you have
more [B] space and you get a little echo out of it which I think is encouraging to a young
Key:
E
A
B
C
C#
E
A
B
[N] _ [D#] I grew up on just enough [C] property in the Ozarks to have [D] room to learn how to yodel and do
bird call whistles and kind [C] of had my grandpa's gospel and country to work [C#] off of and then
just learned to [B] yell real loud [C#] and that's really all a yodel is, just [B] a controlled yell
as it turns out.
_ [C] _ _ _ _ [E] _ _
_ _ _ _ _ _ [A] _ _
[E] _ _ _ _ _ _ _ _
_ _ _ Well [Em] my [E] eyes adjust, my joints are rusty, sheets are awful cold, and nasty roads well
for folks that must have spent another night on the [B] bend.
_ _ Kick rocks, slept in tongs, pooled on land, we washed couches, the kingdom in nice weather
and [E] bugs in my head.
_ Sick, sad, sentient, a penny saved, a penny spent to sleep at the wheels, you beached
me and awakened my [A] bed.
_ _ Last call to feel small, I [E] dread the sight of alcohol, I don't know [B] where this train
stops but [E] I want to spend [A] rather little out here [E] together.
I _ _ [B] reckon that we'll keep trying [E] if Ross Bottom it never shows.
You're not [A] alone if there's a [E] storm or weather, _ I ain't welcome at home, I don't know about you. _
_ [A] _ _ _ _ _ [E] _ _
_ _ _ [B] _ _ [E] _ _ _
_ [A] _ _ _ _ [E] _ _ _
_ _ _ _ _ _ _ _
Oh double takes and double stops, a double dare you, call the cops, I'll die where I
stand to fly here wagon wheel again.
[B] _ _ Forty days of foggy nights with or by the city lights, I don't remember existential
crisis being part of the [E] deal. _
I told you once, I told you twice, steeped in verse, cursed and vice, traded my forty
acres for a [A] mountain of pain.
_ _ Hot damn [E] hands can't blind it in the promised land, don't mind if I do declare we're as
good as dead.
[A] Spend rather little out here [E] together. _
I reckon that [B] we'll keep trying if [E] Ross Bottom it never shows.
You're not [A] alone if there's a storm or [E] weather, _ I ain't welcome at home, I don't know about [A] you. _
_ _ _ _ _ _ [E] _ _
_ _ [B] _ _ _ [E] _ _ _
You're not [A] alone if there's a storm or [E] weather, _ I ain't welcome at home, I don't know about you.
[A] _
[E] I ain't welcome at home, I don't know about [A] you. _
_ _ _ [E] _ _ _ _ _
_ _ _ Holler's got just enough space like I said [D#] to kind of like create this little antechamber
so [G] like basically my neighbors lived over here [E] and I lived over here and it was just
far enough that [C] we had to kind of yell across to each [C#] other so I figured out how to yodel
doing this like aah whoop kind of deal and that break is what became a yodel [A#] eventually
but yeah I think a holler makes you better at [C] this sort of thing just because you have
more [B] space and you get a little echo out of it which I think is encouraging to a young
bird call whistles and kind [C] of had my grandpa's gospel and country to work [C#] off of and then
just learned to [B] yell real loud [C#] and that's really all a yodel is, just [B] a controlled yell
as it turns out.
_ [C] _ _ _ _ [E] _ _
_ _ _ _ _ _ [A] _ _
[E] _ _ _ _ _ _ _ _
_ _ _ Well [Em] my [E] eyes adjust, my joints are rusty, sheets are awful cold, and nasty roads well
for folks that must have spent another night on the [B] bend.
_ _ Kick rocks, slept in tongs, pooled on land, we washed couches, the kingdom in nice weather
and [E] bugs in my head.
_ Sick, sad, sentient, a penny saved, a penny spent to sleep at the wheels, you beached
me and awakened my [A] bed.
_ _ Last call to feel small, I [E] dread the sight of alcohol, I don't know [B] where this train
stops but [E] I want to spend [A] rather little out here [E] together.
I _ _ [B] reckon that we'll keep trying [E] if Ross Bottom it never shows.
You're not [A] alone if there's a [E] storm or weather, _ I ain't welcome at home, I don't know about you. _
_ [A] _ _ _ _ _ [E] _ _
_ _ _ [B] _ _ [E] _ _ _
_ [A] _ _ _ _ [E] _ _ _
_ _ _ _ _ _ _ _
Oh double takes and double stops, a double dare you, call the cops, I'll die where I
stand to fly here wagon wheel again.
[B] _ _ Forty days of foggy nights with or by the city lights, I don't remember existential
crisis being part of the [E] deal. _
I told you once, I told you twice, steeped in verse, cursed and vice, traded my forty
acres for a [A] mountain of pain.
_ _ Hot damn [E] hands can't blind it in the promised land, don't mind if I do declare we're as
good as dead.
[A] Spend rather little out here [E] together. _
I reckon that [B] we'll keep trying if [E] Ross Bottom it never shows.
You're not [A] alone if there's a storm or [E] weather, _ I ain't welcome at home, I don't know about [A] you. _
_ _ _ _ _ _ [E] _ _
_ _ [B] _ _ _ [E] _ _ _
You're not [A] alone if there's a storm or [E] weather, _ I ain't welcome at home, I don't know about you.
[A] _
[E] I ain't welcome at home, I don't know about [A] you. _
_ _ _ [E] _ _ _ _ _
_ _ _ Holler's got just enough space like I said [D#] to kind of like create this little antechamber
so [G] like basically my neighbors lived over here [E] and I lived over here and it was just
far enough that [C] we had to kind of yell across to each [C#] other so I figured out how to yodel
doing this like aah whoop kind of deal and that break is what became a yodel [A#] eventually
but yeah I think a holler makes you better at [C] this sort of thing just because you have
more [B] space and you get a little echo out of it which I think is encouraging to a young