Chords for Oliver Schroer - Silence at the Heart of Things -- Camino

Tempo:
102.95 bpm
Chords used:

G

C

Em

D

F#

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Oliver Schroer - Silence at the Heart of Things -- Camino chords
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So a few years ago, 2004, I went on the longest hike of my life.
friends, and we walked the Camino de Santiago,
through France and Spain.
kilometers, you take the bare essentials,
the bare minimum of clothes, a violin, a portable recording studio,
the bare essentials.
the way.
had the full nine yards of camera equipment,
100%  ➙  103BPM
G
2131
C
3211
Em
121
D
1321
F#
134211112
G
2131
C
3211
Em
121
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_ So a _ few years ago, 2004, I went on the longest hike of my life.
It's a thousand kilometers, three friends, and we walked the Camino de Santiago,
which is a pilgrim trail that goes through France and Spain.
And _ when you walk a thousand kilometers, you take the bare essentials,
because every gram counts.
So I had the bare minimum of clothes, a violin, a portable recording studio,
so the bare essentials.
_ _ And I played in churches along the way.
Peter, Peter Kaufman, was more of a fool than me,
and he had the full nine yards of camera equipment,
and then we were both packed down and ready for this trip.
And I got to play in 25 churches, and out of it came an album called Camino.
And I'd like to play one of those tunes now. _ _
_ _ [C] _ _ _ _ _ [F#] _
_ _ _ _ _ [C] _ _ _
_ [F#] _ _ I went [Em] to walk.
[C] I didn't go to record an album.
But [F#m] I thought, what [Em] an amazing opportunity. _
_ _ _ _ _ _ _ _
_ [C] _ _ _ _ [G] _ [F] And [B] managed to [E] play in 25 churches.
_ [Em] _ _ _
[Am] Now some of those I got [F#] kicked out of.
_ [Am] _ _ [Em] _
[C] There was one I got kicked out of after 33 seconds of playing.
Two sweeping [F#] lines [E] and, out!
You need a [G] signed letter from the archbishop.
Out!
_ _ _ And it was an unusual experience because the playing was very front-end loaded,
because I never knew if I was [Em] going to be able to play for [G]
45 seconds or an hour.
So [D] I couldn't say, well, I'm going to just warm up and then play what I really want to play.
[G] If I wanted to play something, I thought, well, [C] maybe I'll get to play one tune,
so let me really [G] go for it, you know, and [Em] I'd have to just [G] put heart and soul into it.
_ _ _ _ _ [D] _
_ _ _ _ _ [Em] _ [G] _ _
[C] _ _ _ _ _ _ _ _
_ [D] _ _ _ [G] _ [Em] _ [G] _ _
[C] _ _ _ _ _ [D] _ _ _
_ [G] _ _ _ _ _ _ [Em] _
So [D] _ [C] _ _ _ _ [G] _
_ _ _ _ _ [D] _ _ _
_ _ _ [Em] _ _ _ _ [G] _
_ _ this whole album [D] is really an album of duets,
and it's an album of duets between violin [G] and buildings.
[C] _ _ _
[Em] Each building had its own signature [G] reverb and its own signature decay time and sound,
and the sonics were so [D] different in the different buildings. _
_ _ _ [Em] And [Bm] also, as I turned around, I had a stereo [C] microphone set up,
and as I turned around, the sound would kind of swirl around,
so it was [D] sonically unusual and [Em] quite beautiful.
[G] _ _ _ [C] _ _ _ [Am] _ _ _ [D] _ _
[C] _ _ _ _ [G] _ _ _ _
_ _ _ _ _ [C] _ _ _
_ _ _ _ _ _ [G] _ _
_ _ _ [Em] _ _ _ _ _
_ [C] _ _ _ _ _ [Em] _ _
_ _ _ [G] _ _ _ _ _
_ _ [Em] _ _ _ _ [G] _ _
_ [C] _ _ _ _ [G] _ _ _
_ _ [C] _ _ _ _ _ _
_ _ _ _ _ _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _

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