Chords for Patterson Hood Performs "Depression Era" from THAT EVENING SUN
Tempo:
119.2 bpm
Chords used:
F
Dm
C
Am
Bb
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Start Jamming...
I first became involved in the film That Evening Sun through my friendship [F] with Ray McKinnon.
Ray had made a film a few years ago called The [Bb] Accountant, a short [Fm] film that actually
ended up [Am] winning the Academy Award for Best Short Film.
[Bb] It's my favorite short film [F] I've ever seen.
I like it better than most features I can think [Am] of.
[F] I became kind of obsessed with it when I first [Dm] saw the movie and ended up
[Bb] writing a
song inspired [Am] by that movie called Sinkhole.
Over [Bbm] the course of [F] the next couple of years, I became friends with Ray.
He first approached me about That Evening Sun to tell me about the screenplay a friend
[Bbm] of his named Scott Teams [Dm] had written [F] and that he wanted [Bb] to be involved in making it [F] into a movie.
I was very excited to see the movie and they sent me a copy of the screenplay and [Bb] it was absolutely stunning.
[F] The title came from a [Bb] Jimmy Rogers song called Blue Yodel Number [Am] Three that has the line
I hate to see [F] the evening sun go down.
[A] I kept really [F] thinking about the old man in the movie, the character that Hal Holbrook plays.
He's around the age of my grandparents [Dm] if they were still alive and my great uncle.
[Bb] I [Dm] felt like I kind of intimately knew him a little bit.
Our band was [F] touring in Europe and we were staying at a hotel in Oslo, Norway when this
song hit me.
I borrowed some stationery from the hotel and wrote the song down in the lobby of the hotel.
As soon as I got home, I recorded it on my computer and it's actually the version that
we ended up using in the movie.
[Bb] Fortunately, [D] Ray and Scott liked what I did [Dm] and decided to use it in the [G] film.
[F] I'm really honored to be part of such an [Fm] amazing film.
So I guess I'll [N] do the song for you now.
[D] [F]
Cornbread and [G] buttermilk, better clean your plate.
[Am] He lived through the Great [C] War and came back to his home state.
[Am] Married his young [C] sweetheart, never would complain.
[Am] The world, it keeps on changing, [C] but he ain't never changed.
[G] Depression era.
[C] Live to tell the tale, depression era.
He don't [F] ever fail.
The boy you called him daddy has grown in different ways.
The [Am] things that made him [G] happy have long since gone away.
Depression era.
[C] Caked in red clay mud, depression era.
Survivals in [Dm] his blood,
[C] [Dm]
[F] biscuits and gravy, eggs all the way.
Fought in the Navy and made it back this way.
Loved his beautiful wife, now he's full of hurt.
Methodist all his life, but he don't go to church.
[C] Depression era.
Some things never fade, he's depression era.
In the modern [Dm] age, in the modern age.
[C]
[Dm] [G]
[F] [G]
He [Am] always rose above [G] it, but nothing's as it [F] seems.
Anger has its pitfalls, like living in your dreams.
His dreams, they are a fate, he'll make a final stand.
He'd never hit a lady, [C] but he just might kill a man.
Depression era.
If to tell the tale, he's depression era.
[F] He don't ever fail.
He don't ever fail.
He don't ever fail.
[C] [Dm]
[D]
[N]
Ray had made a film a few years ago called The [Bb] Accountant, a short [Fm] film that actually
ended up [Am] winning the Academy Award for Best Short Film.
[Bb] It's my favorite short film [F] I've ever seen.
I like it better than most features I can think [Am] of.
[F] I became kind of obsessed with it when I first [Dm] saw the movie and ended up
[Bb] writing a
song inspired [Am] by that movie called Sinkhole.
Over [Bbm] the course of [F] the next couple of years, I became friends with Ray.
He first approached me about That Evening Sun to tell me about the screenplay a friend
[Bbm] of his named Scott Teams [Dm] had written [F] and that he wanted [Bb] to be involved in making it [F] into a movie.
I was very excited to see the movie and they sent me a copy of the screenplay and [Bb] it was absolutely stunning.
[F] The title came from a [Bb] Jimmy Rogers song called Blue Yodel Number [Am] Three that has the line
I hate to see [F] the evening sun go down.
[A] I kept really [F] thinking about the old man in the movie, the character that Hal Holbrook plays.
He's around the age of my grandparents [Dm] if they were still alive and my great uncle.
[Bb] I [Dm] felt like I kind of intimately knew him a little bit.
Our band was [F] touring in Europe and we were staying at a hotel in Oslo, Norway when this
song hit me.
I borrowed some stationery from the hotel and wrote the song down in the lobby of the hotel.
As soon as I got home, I recorded it on my computer and it's actually the version that
we ended up using in the movie.
[Bb] Fortunately, [D] Ray and Scott liked what I did [Dm] and decided to use it in the [G] film.
[F] I'm really honored to be part of such an [Fm] amazing film.
So I guess I'll [N] do the song for you now.
[D] [F]
Cornbread and [G] buttermilk, better clean your plate.
[Am] He lived through the Great [C] War and came back to his home state.
[Am] Married his young [C] sweetheart, never would complain.
[Am] The world, it keeps on changing, [C] but he ain't never changed.
[G] Depression era.
[C] Live to tell the tale, depression era.
He don't [F] ever fail.
The boy you called him daddy has grown in different ways.
The [Am] things that made him [G] happy have long since gone away.
Depression era.
[C] Caked in red clay mud, depression era.
Survivals in [Dm] his blood,
[C] [Dm]
[F] biscuits and gravy, eggs all the way.
Fought in the Navy and made it back this way.
Loved his beautiful wife, now he's full of hurt.
Methodist all his life, but he don't go to church.
[C] Depression era.
Some things never fade, he's depression era.
In the modern [Dm] age, in the modern age.
[C]
[Dm] [G]
[F] [G]
He [Am] always rose above [G] it, but nothing's as it [F] seems.
Anger has its pitfalls, like living in your dreams.
His dreams, they are a fate, he'll make a final stand.
He'd never hit a lady, [C] but he just might kill a man.
Depression era.
If to tell the tale, he's depression era.
[F] He don't ever fail.
He don't ever fail.
He don't ever fail.
[C] [Dm]
[D]
[N]
Key:
F
Dm
C
Am
Bb
F
Dm
C
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ I first became involved in the film That Evening Sun through my friendship [F] with Ray McKinnon.
_ Ray had made a film a few years ago called The [Bb] Accountant, a short [Fm] film that actually
ended up [Am] winning the Academy Award for Best Short Film.
[Bb] _ It's my favorite short film [F] I've ever seen.
I like it better than most features I can think [Am] of.
_ _ [F] I became kind of obsessed with it when I first [Dm] saw the movie and ended up _
[Bb] writing a
song inspired [Am] by that movie called Sinkhole.
Over [Bbm] the course of [F] the next couple of years, I became friends with Ray.
He first approached me about That Evening Sun _ to tell me about the screenplay a friend
[Bbm] of his named Scott Teams [Dm] had written [F] and that he wanted [Bb] to be involved in making it [F] into a movie.
I was very excited to see the movie and they sent me a copy of the screenplay and [Bb] it was absolutely stunning.
[F] _ The title came from a [Bb] Jimmy Rogers song called Blue Yodel Number [Am] Three that has the line
I hate to see [F] the evening sun go down. _ _
[A] I kept really [F] thinking about the old man in the movie, the character that Hal Holbrook plays.
He's around the age of my grandparents [Dm] if they were still alive and my great uncle.
[Bb] I _ [Dm] felt like I kind of intimately knew him a little bit.
Our band was [F] touring in Europe and we were staying at a hotel in Oslo, Norway when this
song hit me.
I borrowed some stationery from the hotel and wrote the song down in the lobby of the hotel.
_ _ As soon as I got home, I recorded it on my computer and it's actually the version that
we ended up using in the movie.
[Bb] Fortunately, [D] Ray and Scott liked what I did [Dm] and decided to use it in the [G] film.
[F] I'm really honored to be part of such an [Fm] amazing film.
So I guess I'll [N] do the song for you now.
_ [D] _ [F] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ Cornbread and [G] buttermilk, better clean your plate.
_ [Am] He lived through the Great [C] War and came back to his home state.
[Am] Married his young [C] sweetheart, never would complain.
[Am] The world, it keeps on changing, [C] but he ain't never changed.
[G] Depression era.
_ _ _ [C] Live to tell the tale, depression era. _ _ _
_ He don't [F] ever fail. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ The boy you called him daddy has grown in different ways.
The [Am] things that made him [G] happy have long since gone away.
Depression era.
_ _ [C] Caked in red clay mud, depression era. _ _ _ _ _
Survivals in [Dm] his blood, _ _ _ _
[C] _ _ _ [Dm] _ _ _ _ _
_ [F] _ _ _ _ biscuits and gravy, eggs all the way.
_ Fought in the Navy and made it back this way. _
Loved his beautiful wife, now he's full of hurt. _
Methodist all his life, but he don't go to church.
[C] Depression era.
_ _ Some things never fade, he's depression era. _ _ _ _
In the modern [Dm] age, _ _ _ _ _ in the modern age. _
_ _ [C] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Dm] _ _ _ _ [G] _ _ _ _
[F] _ _ _ _ _ [G] _ _ _
_ He [Am] always rose above [G] it, but nothing's as it [F] seems.
Anger has its pitfalls, like living in your dreams.
His dreams, they are a fate, he'll make a final stand.
He'd never hit a lady, [C] but he just might kill a man.
Depression era.
_ _ If to tell the tale, he's depression era.
_ _ _ _ [F] He don't ever fail. _ _ _ _ _
He don't ever fail. _ _ _ _ _
He don't ever fail. _ _ _
_ _ _ _ _ _ _ _
[C] _ _ _ _ _ [Dm] _ _ _
_ _ _ _ [D] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ I first became involved in the film That Evening Sun through my friendship [F] with Ray McKinnon.
_ Ray had made a film a few years ago called The [Bb] Accountant, a short [Fm] film that actually
ended up [Am] winning the Academy Award for Best Short Film.
[Bb] _ It's my favorite short film [F] I've ever seen.
I like it better than most features I can think [Am] of.
_ _ [F] I became kind of obsessed with it when I first [Dm] saw the movie and ended up _
[Bb] writing a
song inspired [Am] by that movie called Sinkhole.
Over [Bbm] the course of [F] the next couple of years, I became friends with Ray.
He first approached me about That Evening Sun _ to tell me about the screenplay a friend
[Bbm] of his named Scott Teams [Dm] had written [F] and that he wanted [Bb] to be involved in making it [F] into a movie.
I was very excited to see the movie and they sent me a copy of the screenplay and [Bb] it was absolutely stunning.
[F] _ The title came from a [Bb] Jimmy Rogers song called Blue Yodel Number [Am] Three that has the line
I hate to see [F] the evening sun go down. _ _
[A] I kept really [F] thinking about the old man in the movie, the character that Hal Holbrook plays.
He's around the age of my grandparents [Dm] if they were still alive and my great uncle.
[Bb] I _ [Dm] felt like I kind of intimately knew him a little bit.
Our band was [F] touring in Europe and we were staying at a hotel in Oslo, Norway when this
song hit me.
I borrowed some stationery from the hotel and wrote the song down in the lobby of the hotel.
_ _ As soon as I got home, I recorded it on my computer and it's actually the version that
we ended up using in the movie.
[Bb] Fortunately, [D] Ray and Scott liked what I did [Dm] and decided to use it in the [G] film.
[F] I'm really honored to be part of such an [Fm] amazing film.
So I guess I'll [N] do the song for you now.
_ [D] _ [F] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ Cornbread and [G] buttermilk, better clean your plate.
_ [Am] He lived through the Great [C] War and came back to his home state.
[Am] Married his young [C] sweetheart, never would complain.
[Am] The world, it keeps on changing, [C] but he ain't never changed.
[G] Depression era.
_ _ _ [C] Live to tell the tale, depression era. _ _ _
_ He don't [F] ever fail. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ The boy you called him daddy has grown in different ways.
The [Am] things that made him [G] happy have long since gone away.
Depression era.
_ _ [C] Caked in red clay mud, depression era. _ _ _ _ _
Survivals in [Dm] his blood, _ _ _ _
[C] _ _ _ [Dm] _ _ _ _ _
_ [F] _ _ _ _ biscuits and gravy, eggs all the way.
_ Fought in the Navy and made it back this way. _
Loved his beautiful wife, now he's full of hurt. _
Methodist all his life, but he don't go to church.
[C] Depression era.
_ _ Some things never fade, he's depression era. _ _ _ _
In the modern [Dm] age, _ _ _ _ _ in the modern age. _
_ _ [C] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Dm] _ _ _ _ [G] _ _ _ _
[F] _ _ _ _ _ [G] _ _ _
_ He [Am] always rose above [G] it, but nothing's as it [F] seems.
Anger has its pitfalls, like living in your dreams.
His dreams, they are a fate, he'll make a final stand.
He'd never hit a lady, [C] but he just might kill a man.
Depression era.
_ _ If to tell the tale, he's depression era.
_ _ _ _ [F] He don't ever fail. _ _ _ _ _
He don't ever fail. _ _ _ _ _
He don't ever fail. _ _ _
_ _ _ _ _ _ _ _
[C] _ _ _ _ _ [Dm] _ _ _
_ _ _ _ [D] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [N] _ _