Chords for Polyphia 2017 Guitar Clinic Tour | Presented by Ibanez & Swee Lee Music Academy

Tempo:
131.6 bpm
Chords used:

E

C#m

B

Am

C

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Polyphia 2017 Guitar Clinic Tour | Presented by Ibanez & Swee Lee Music Academy chords
Start Jamming...
[C]
Firstly guys, welcome to Singapore.
Thank you.
It's good to be [E] here.
I know you've had a really packed trip the last few days
Definitely.
Oh, yeah, you're one want to go?
Yeah.
Yeah, I've got a questions for you today.
The first one is about Ibanez
And your relationship with the brand.
Is there any anything else that really attracted you to [B] Ibanez in the first [E] place?
well, Tim and I [G#m] have like our first guitars [A] that we ever got when we [E] were kids were [F#] Ibanez guitars [Em] [F#m] and
So we've always [E] kind of had like that nostalgic value [G#m] with them
Tim's always wanted to play them [E] when we got the opportunity.
We kind of like jumped at it and
We really like the guitars [G#] too.
[D#m] They're just [Em] aesthetically [B] cool [C#m] and like [E] fun to play and feel good
[F#] Feel really good
[B] Yeah, and there's sick.
The place [E] is gonna be packed out tonight
[A] Everyone's listen to proliferate and [B] love your music.
The stars very very [E] precise
[G#m] I've been listening to [F#m] it and wondering yeah, how do you get that?
[E] How do you achieve that?
Pretty [G#m] much just like practice all together [C#m] practice individually and then we come together and practice as a [B] whole
[F#] and just kind of like fix up the parts, [C#m] but Yeah
[G#m] When you're working separately, [F#] do you [E] use software to kind of stay in touch?
[G#] Yeah, [F#] I mean [C#m] usually like parts are already written.
[E] So we're just like okay like [F#] practice this [C#m] part and we'll pick like a
Pick guitar tracks or something like that from [A] the song [E] and then just stick with one [A] and like make sure [E] that
They're not like there's a lot of [B] guitar tracks.
So sometimes you gotta pick the [C#m] ones that like match I guess
You just roll with it that [B] way
But do you still [E] spend time practicing?
Oh, yeah, [F#m] actually working on your chops.
[E] Yeah
[C#m] How many hours would you practice for a day?
Um, we I [G#m] try and get right like three to four a day
Yeah, anywhere [E] from like two hours to four hours [F#] seems [C#m] to be like a good
[E] amount of [F#] time
[E] On a similar topic.
[B] How do you approach the [C#m] songwriting process?
[B] Do many of your old tunes go out of jams or do you come to the rehearsal room with like fixed structures in mind?
[E] There's there's a lot of different ways that we write music
[B] Sometimes melodies just come straight from the head
[C#m]
And those tend to be the [G] best kind of melodies where they're just [E] the easiest, you know, [A#m] you just come out easy [B] and they're easy
and [C#m] then other times Scott and I
[E] We sometimes we've worked on songs together
sometimes I'll have a
[B]
you know a few riffs [E] and he'll end up finishing the song and he'll have a few riffs and I'll end up finishing the song and
[A#] Recently we've been [C#m] doing [E] production first
Scott [F#] and I have been [E] really like working on producing
So we'll like be composing like the rhythm [G#m] sections and everything before we [F#] actually layer the guitars on
[C#m] In [G#m] some earlier interviews.
I [F#] saw you said you were looking for a [E] vocalist.
He's still looking
[G#m] No, no
[A] [E]
Can [G#m] [F#]
you [C#m] talk a little bit about how your sound has [B] developed and [F#] changed over [C#m] time
we really just
We just like playing [A] things that are fun for us like
[B] Whatever we're [C#m] into currently.
Yeah music that we like listening to it started [E] out as like death metal like way way [A] back in the day [B] and
Then like gent [C#m] kind of stuff for like inspire and then [E] Muse
Around the time that we [G#m] didn't use we like discovered [C#m] radio music and [B] mainstream music
so like a lot of [F#] pop and [E] hip-hop [C#m] and rap influence [C#m] and
same with Renaissance [G#m] and then our [C#m] newer stuff is [B] like a really like
electronic [E] future bassy trap kind of like
[A] [C#m] all the [E] cool soundcloud genres
So yeah, so it kind of develops with like [A] our
Interests in music at the [Em] time whatever it is.
[F] [G] I
Think you've done some cool [C] versions of [Em] Mozart and Bach
[Am] I could hear
[G]
Definitely hear classical [C] [G] influences in some of the [C] stuff you play.
[Bm] What do you think [Am] young modern musicians [C] can actually learn from [G] classical music?
Oh [Am] everything
[Em] Yeah,
[G] a lot of [C] stuff.
He has more experience [G] with the classical [C] stuff than I do because he like actually
[D] [Am] Really the
interesting part about the Mozart and the [C] Bach cover was that so like my brother is a pianist and and he's got like a
Ton of sheet music just lying around the house
So I just took [G] the [C] right hand and the left hand and transcribed it to guitar
I played the right hand and he played the left hand and
The cool thing about [Am] that is that like for pianist
This is kind of like doing the melody and this is kind of like holding it down, you know
and then they'll intertwine sometimes and that's like a really [E] fun way to like go about like
Composing guitar parts is making [D] sure that like the [Am] whole spectrum is filled
but also like [E] a nice interweaving of like melodies and [Am] things like that, so
lots of guitarists could learn [C] a lot from just
[G] Transposing like piano sheet [Am] music just left hand right hand stuff
[Em] You guys are both from Dallas, right?
A lot of great [G] bands have come out [Em] of Texas
[F] What was the scene like for you and what [Dm] bands influenced you [Em] we kind [Am] of were one of the first
instrumental bands so like do our own thing [C]
and [Am] and
well long time ago, we had vocalists and then we kind of just said like
[C]
And
We were instrumental and then [G] it just kind of like worked [Am] out for us because you know people
Liked the [C] music anyway, because it didn't [Am] really need vocals I guess so to speak
Finally this place is gonna be packed out tonight.
A lot of people really interested to live here
[G] Are [Am] there any plans to bring the full band out this way?
No plans like well the plan is done.
Yeah, not yet in [G] the stone, but yes, [C] yeah
We will be here after doing this Asia run and realizing that like everybody like there's like a [Em] ton of [Am] demand here
Like we're definitely gonna be telling our management agents like hey, we need like be doing [G] things here.
[Am] So
Yeah, so we'll be back with the clays
We sick.
Yeah, it's it's [G] really cool to step foot in a place that you've never been to ever and there's people [Am] that are just
I don't know last night like when we're meeting everybody like
[A#] People were like crying and like shaking their hands like you're my [Em] idol kind of things [F] like that
[Dm] The coolest thing [G] in the world, it's pretty [Am] crazy.
Well, thank you very much indeed for coming to sing.
Yeah.
Thank you.
Thank you
[C] [Gm] [Fm]
Key:  
E
2311
C#m
13421114
B
12341112
Am
2311
C
3211
E
2311
C#m
13421114
B
12341112
Show All Diagrams
Chords
NotesBeta

To learn Polyphia - Lit chords, your first step should be understanding these chords - G, Am, C, E, F#, C#m, E and B in sequence. Ease into the song by practicing at 65 BPM before reaching the track's full tempo of 132 BPM. Set the capo considering your vocal range and favored chords, aligned with the key: E Major.

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[C] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Firstly guys, welcome to Singapore.
Thank you.
It's good to be [E] here.
I know you've had a really packed trip the last few days
Definitely.
Oh, yeah, you're one want to go?
Yeah.
Yeah, I've got a questions for you today.
The first one is about Ibanez
And your relationship with the brand.
Is there any anything else that really attracted you to [B] Ibanez in the first [E] place?
well, Tim and I [G#m] have like our first guitars [A] that we ever got when we [E] were kids were [F#] Ibanez guitars [Em] _ [F#m] and
So we've always [E] kind of had like that nostalgic value [G#m] with them
_ Tim's always wanted to play them [E] when we got the opportunity.
We kind of like jumped at it _ and
We really like the guitars [G#] too.
[D#m] They're just [Em] aesthetically [B] cool [C#m] and like [E] fun to play and feel good
[F#] Feel really good
[B] Yeah, and there's sick.
The place [E] is gonna be packed out tonight
_ [A] Everyone's listen to proliferate and [B] love your music.
The stars very very [E] precise _
[G#m] I've been listening to [F#m] it and wondering yeah, how do you get that?
[E] How do you achieve that?
_ _ Pretty [G#m] much just like practice all together [C#m] practice individually and then we come together and practice as a [B] whole
_ [F#] and just kind of like fix up the parts, _ [C#m] but _ Yeah
_ [G#m] When you're working separately, [F#] do you [E] use software to kind of stay in touch?
[G#] _ Yeah, _ [F#] I mean [C#m] usually like parts are already written.
[E] So we're just like okay like [F#] practice this [C#m] part and we'll pick like a
Pick guitar tracks or something like that from [A] the song [E] and then just stick with one [A] and like make sure [E] that
They're not like there's a lot of [B] guitar tracks.
So sometimes you gotta pick the [C#m] ones that like match I guess
You just roll with it that [B] way
But do you still [E] spend time practicing?
Oh, yeah, [F#m] actually working on your chops.
[E] Yeah
_ [C#m] How many hours would you practice for a day?
Um, we I [G#m] try and get right like three to four a day
Yeah, anywhere [E] from like two hours to four hours [F#] seems [C#m] to be like a good _
_ _ [E] amount of [F#] time
[E] On a similar topic.
[B] How do you approach the [C#m] songwriting process?
[B] Do many of your old tunes go out of jams or do you come to the rehearsal room with like fixed structures in mind?
_ _ [E] There's there's a lot of different ways that we write music
_ [B] Sometimes melodies just come straight from the head
_ [C#m] _
And those tend to be the [G] best kind of melodies where they're just [E] the easiest, you know, [A#m] you just come out easy [B] and they're easy
_ _ and [C#m] then other times Scott and I
[E] _ We sometimes we've worked on songs together
sometimes I'll have a
[B]
you know a few riffs [E] and he'll end up finishing the song and he'll have a few riffs and I'll end up finishing the song and _ _ _
[A#] Recently we've been [C#m] doing [E] production first
_ Scott [F#] and I have been [E] really like working on producing
_ So we'll like be composing like the rhythm [G#m] sections and everything before we [F#] actually layer the guitars on
[C#m] _ In [G#m] some earlier interviews.
I [F#] saw you said you were looking for a [E] vocalist.
He's still looking _
[G#m] No, no
[A] _ _ _ [E] _ _
Can [G#m] _ _ _ _ [F#] _
you [C#m] talk a little bit about how your sound has [B] developed and [F#] changed over [C#m] time
we really just _ _
We just like playing [A] things that are fun for us like
[B] _ Whatever we're [C#m] into currently.
Yeah music that we like listening to it started [E] out as like death metal like way way [A] back in the day _ [B] and
Then like gent [C#m] kind of stuff for like inspire and then [E] Muse
Around the time that we [G#m] didn't use we like discovered [C#m] radio music and [B] mainstream music
so like a lot of [F#] pop and [E] hip-hop [C#m] and rap influence _ [C#m] and
same with Renaissance _ [G#m] and then our [C#m] newer stuff is [B] like a really like
_ _ electronic [E] future bassy trap kind of like
[A] _ _ [C#m] _ all the [E] cool soundcloud genres
So yeah, so it kind of develops with like [A] our
Interests in music at the [Em] time whatever it is. _ _ _ _
_ [F] _ _ _ _ [G] _ I
Think you've done some cool [C] versions of [Em] Mozart and Bach
_ [Am] I could hear
_ [G] _
Definitely hear classical [C] [G] influences in some of the [C] stuff you play.
[Bm] What do you think [Am] young modern musicians [C] can actually learn from [G] classical music? _
Oh [Am] everything
_ [Em] Yeah, _ _
[G] a lot of [C] stuff.
He has more experience [G] with the classical [C] stuff than I do because he like actually
_ [D] _ [Am] Really the
interesting part about the Mozart and the [C] Bach cover was that so like my brother is a pianist and and he's got like a
Ton of sheet music just lying around the house
So I just took [G] the [C] right hand and the left hand and transcribed it to guitar
I played the right hand and he played the left hand and
The cool thing about [Am] that is that like for pianist
_ _ This is kind of like doing the melody and this is kind of like holding it down, you know
and then they'll intertwine sometimes and that's like a really [E] fun way to like go about like
Composing guitar parts is making [D] sure that like the [Am] whole spectrum is filled
but also like [E] a nice interweaving of like melodies and [Am] things like that, so _
lots of guitarists could learn [C] a lot from just
_ [G] Transposing like piano sheet [Am] music just left hand right hand stuff
[Em] You guys are both from Dallas, right?
A lot of great [G] bands have come out [Em] of Texas
_ [F] What was the scene like for you and what [Dm] bands influenced you [Em] we kind [Am] of were one of the first
instrumental bands so like do our own thing _ [C]
and _ [Am] _ and
well long time ago, we had vocalists and then we kind of just said like
_ [C] _ _
And
_ We were instrumental and then [G] it just kind of like worked [Am] out for us because you know people _
Liked the [C] music anyway, _ because it didn't [Am] really need vocals I guess so to speak
_ Finally this place is gonna be packed out tonight.
A lot of people really interested to live here
[G] Are [Am] there any plans to bring the full band out this way? _
No plans like well the plan is done.
Yeah, not yet in [G] the stone, but yes, [C] yeah
We will be here after doing this Asia run and realizing that like everybody like there's like a [Em] ton of [Am] demand here
Like we're definitely gonna be telling our management agents like hey, we need like be doing [G] things here.
[Am] So
Yeah, so we'll be back with the clays
We sick.
Yeah, it's it's [G] really cool to step foot in a place that you've never been to ever and there's people [Am] that are just
I don't know last night like when we're meeting everybody like
_ [A#] People were like crying and like shaking their hands like you're my [Em] idol kind of things [F] like that
_ [Dm] The coolest thing [G] in the world, it's pretty [Am] crazy.
Well, thank you very much indeed for coming to sing.
Yeah.
Thank you.
Thank you
[C] _ _ _ _ _ _ _ _ _
[Gm] _ _ _ _ [Fm] _ _ _ _

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