Chords for R. Kelly - Born Into The 90s
Tempo:
90.95 bpm
Chords used:
Am
A
B
E
C#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Man, what does it take for a brother to make it around here nowadays?
Stop [Am] the presses, let me introduce the newcomer.
This [A] guaranteed to leave [Am] you speechless, peep this.
[Em] Way back in the days when I was waiting for my son to get on stage and get [D] paid,
I done a lot of high school [A] shows and turned crowds out.
Fellas [E] yelling, oh why the lady scream [Am] my name out?
I tell you that [A] it wasn't enough cause,
Kicking it with [B] my music everyday was my [D] first love.
And as [Am] the time went on like a [A] break of dawn,
I got strong and now [C#m] my word is [C] bond.
Some didn't think I had it in me,
[A] And when I said I [B] wanted you, become a star they laughed at me.
[Am] Well the summer is here and here I am see,
Kicking the funky track cause [C#] I'm born into [G] the 90's.
[E] Make you feel [B] good, come on.
Make you feel good, [C] yeah.
Come on, make [A] you feel good, yeah.
Make [C#] you feel good, yeah.
[A] I'm born into the 90's.
[Em] Make you feel [B] good, come on, yeah.
Make you feel good, [Am] ladies.
Wait a minute, wait a minute.
While I was talking, let me get a little bit of this [C#] second verse.
[Gm] I took [Am] my teen daughter to her, trying to get a contract.
[A] But they be like, we ain't trying [Am] to hear that.
Boy I tell you it ain't [E] easy being cheesy when you're dealing with the [B] industry.
You get [Gm] faded, gee.
Unless you know [B] somebody that knows somebody that knows somebody.
Him or her, you know [Am] somebody.
And then they wanna [E] front like straight.
Oh, you know my cousin from A [C#]&R sell a [D] plate.
Well I be like [Em] yeah, and they be like,
I swear, can we have all of your [A] publishing?
And I say go to [Am] hell.
I'm not selling [Em] myself to be sold out.
So I just hold out [C#] until I hit the [Am] white clock.
Some spreading rumors saying [E] R.
Kelly's tripping.
But I'm [Gm] not, I'm vacationing in the [Am]
90's.
Make you feel good, come on.
[C#m] [Am]
[C] [A] Make you feel good, yeah.
I'm born into the 90's.
Make you feel good, come on, [E] yeah.
Make you feel good, [C] yeah.
Everybody [E] know what time it is.
Yo, I feel it's time to get [A] mine.
Rise and shine instead of falling to the [C#m] back of the line.
[Am] So, B5, 4, VOM, [Em] here I come to get some.
While others bite their [D] tongue.
In and out [Em] contracts with skunk buckets.
Makes [A] me almost wanna say [Am] blah, blah, blah.
But the R is [Em] cool and will remain the same.
As I collect my fame and feel [Gm] no pain.
Yeah, [B] it couldn't have happened at a better time.
A nice, beat, strong sample in a funky rhyme.
And ever [E] since I hooked up with the Midwest.
I've been proper popping like Orville Rettinbacher in the [Am] 90's.
This track goes out to the public like Ronald [D#] and James would say thanks for your [Gm] support in the [Am] 90's.
Make you [A] feel good, yeah.
We also like to say thank you to my man [Am] Barry Hanks and the Midwest.
Make you feel good, yeah.
Make you feel [C#m] good, [A] yeah.
I like to say what's up to the big L with a hood on.
[Am] I also like to send this one [B] out to my boy, Troy.
[C#] I [Am] call him Bills, man.
[G#] What up?
Sending this [B] out to my boy [B] Demetrius.
[G] We call him Scottface from around the way.
Thanks.
[D#] I also like to say what's up to my man [D] Al Cobus.
Casanova.
[G#] What's up, [N] daddy?
Let me see who [A] else I can smack with the B-side.
I like to send this one out [E] to the man with the hoodie down on the G.
[Am]
My DJ.
[A] What's up?
[Gm]
[E] [B] I like to say what's up to a [Am] stupid duet.
[Em] My man Mike, engineering.
[C#] [A] Motherway Bird Program.
Name, Vic, and O'Ryde.
You know what [C] I'm saying?
[B] I also like to send this out to [C#] two of my [A] homegirls, Black at Home and Chi-Town.
We call them Bopty Twin, Samada and Elaine.
What's up?
[G] Yo, check [A] this out.
[D] I [Am] also like to send this one out to [Em] my loved one, my niece.
What's [C] up, baby?
I also [A] want to send this out to my [C#] [G] mom and thank her for having [A] me.
I love her.
[D] One [Am] more big person that made all of this [C#] possible.
[Gm] [E] I like to send this one out to a big man.
[A] And [C] that's God.
Making everything [B] what it is.
[A]
Stop [Am] the presses, let me introduce the newcomer.
This [A] guaranteed to leave [Am] you speechless, peep this.
[Em] Way back in the days when I was waiting for my son to get on stage and get [D] paid,
I done a lot of high school [A] shows and turned crowds out.
Fellas [E] yelling, oh why the lady scream [Am] my name out?
I tell you that [A] it wasn't enough cause,
Kicking it with [B] my music everyday was my [D] first love.
And as [Am] the time went on like a [A] break of dawn,
I got strong and now [C#m] my word is [C] bond.
Some didn't think I had it in me,
[A] And when I said I [B] wanted you, become a star they laughed at me.
[Am] Well the summer is here and here I am see,
Kicking the funky track cause [C#] I'm born into [G] the 90's.
[E] Make you feel [B] good, come on.
Make you feel good, [C] yeah.
Come on, make [A] you feel good, yeah.
Make [C#] you feel good, yeah.
[A] I'm born into the 90's.
[Em] Make you feel [B] good, come on, yeah.
Make you feel good, [Am] ladies.
Wait a minute, wait a minute.
While I was talking, let me get a little bit of this [C#] second verse.
[Gm] I took [Am] my teen daughter to her, trying to get a contract.
[A] But they be like, we ain't trying [Am] to hear that.
Boy I tell you it ain't [E] easy being cheesy when you're dealing with the [B] industry.
You get [Gm] faded, gee.
Unless you know [B] somebody that knows somebody that knows somebody.
Him or her, you know [Am] somebody.
And then they wanna [E] front like straight.
Oh, you know my cousin from A [C#]&R sell a [D] plate.
Well I be like [Em] yeah, and they be like,
I swear, can we have all of your [A] publishing?
And I say go to [Am] hell.
I'm not selling [Em] myself to be sold out.
So I just hold out [C#] until I hit the [Am] white clock.
Some spreading rumors saying [E] R.
Kelly's tripping.
But I'm [Gm] not, I'm vacationing in the [Am]
90's.
Make you feel good, come on.
[C#m] [Am]
[C] [A] Make you feel good, yeah.
I'm born into the 90's.
Make you feel good, come on, [E] yeah.
Make you feel good, [C] yeah.
Everybody [E] know what time it is.
Yo, I feel it's time to get [A] mine.
Rise and shine instead of falling to the [C#m] back of the line.
[Am] So, B5, 4, VOM, [Em] here I come to get some.
While others bite their [D] tongue.
In and out [Em] contracts with skunk buckets.
Makes [A] me almost wanna say [Am] blah, blah, blah.
But the R is [Em] cool and will remain the same.
As I collect my fame and feel [Gm] no pain.
Yeah, [B] it couldn't have happened at a better time.
A nice, beat, strong sample in a funky rhyme.
And ever [E] since I hooked up with the Midwest.
I've been proper popping like Orville Rettinbacher in the [Am] 90's.
This track goes out to the public like Ronald [D#] and James would say thanks for your [Gm] support in the [Am] 90's.
Make you [A] feel good, yeah.
We also like to say thank you to my man [Am] Barry Hanks and the Midwest.
Make you feel good, yeah.
Make you feel [C#m] good, [A] yeah.
I like to say what's up to the big L with a hood on.
[Am] I also like to send this one [B] out to my boy, Troy.
[C#] I [Am] call him Bills, man.
[G#] What up?
Sending this [B] out to my boy [B] Demetrius.
[G] We call him Scottface from around the way.
Thanks.
[D#] I also like to say what's up to my man [D] Al Cobus.
Casanova.
[G#] What's up, [N] daddy?
Let me see who [A] else I can smack with the B-side.
I like to send this one out [E] to the man with the hoodie down on the G.
[Am]
My DJ.
[A] What's up?
[Gm]
[E] [B] I like to say what's up to a [Am] stupid duet.
[Em] My man Mike, engineering.
[C#] [A] Motherway Bird Program.
Name, Vic, and O'Ryde.
You know what [C] I'm saying?
[B] I also like to send this out to [C#] two of my [A] homegirls, Black at Home and Chi-Town.
We call them Bopty Twin, Samada and Elaine.
What's up?
[G] Yo, check [A] this out.
[D] I [Am] also like to send this one out to [Em] my loved one, my niece.
What's [C] up, baby?
I also [A] want to send this out to my [C#] [G] mom and thank her for having [A] me.
I love her.
[D] One [Am] more big person that made all of this [C#] possible.
[Gm] [E] I like to send this one out to a big man.
[A] And [C] that's God.
Making everything [B] what it is.
[A]
Key:
Am
A
B
E
C#
Am
A
B
Man, what does it take for a brother to make it around here nowadays?
Stop [Am] the presses, let me introduce the newcomer.
This [A] guaranteed to leave [Am] you speechless, peep this.
[Em] Way back in the days when I was waiting for my son to get on stage and get [D] paid,
I done a lot of high school [A] shows and turned crowds out.
Fellas [E] yelling, oh why the lady scream [Am] my name out?
I tell you that [A] it wasn't enough cause,
Kicking it with [B] my music everyday was my [D] first love.
And as [Am] the time went on like a [A] break of dawn,
I got strong and now [C#m] my word is [C] bond.
Some didn't think I had it in me,
[A] And when I said I [B] wanted you, become a star they laughed at me.
[Am] Well the summer is here and here I am see,
Kicking the funky track cause [C#] I'm born into [G] the 90's.
[E] Make you feel [B] good, come on.
Make you feel good, [C] yeah.
Come on, make [A] you feel good, yeah.
Make [C#] you feel good, yeah.
[A] I'm born into the 90's.
[Em] Make you feel [B] good, come on, yeah.
Make you feel good, [Am] ladies.
Wait a minute, wait a minute.
While I was talking, let me get a little bit of this [C#] second verse.
[Gm] I took [Am] my teen daughter to her, trying to get a contract.
[A] But they be like, we ain't trying [Am] to hear that.
Boy I tell you it ain't [E] easy being cheesy when you're dealing with the [B] industry.
You get [Gm] faded, gee.
Unless you know [B] somebody that knows somebody that knows somebody.
Him or her, you know [Am] somebody.
And then they wanna [E] front like straight.
Oh, you know my cousin from A [C#]&R sell a [D] plate.
Well I be like [Em] yeah, and they be like,
I swear, can we have all of your [A] publishing?
And I say go to [Am] hell.
I'm not selling [Em] myself to be sold out.
So I just hold out [C#] until I hit the [Am] white clock.
Some spreading rumors saying [E] R.
Kelly's tripping.
But I'm [Gm] not, I'm vacationing in the [Am]
90's.
Make you feel good, come on.
_ [C#m] _ [Am] _ _
[C] _ _ _ [A] Make you feel good, yeah.
I'm born into the 90's.
Make you feel good, come on, [E] yeah.
Make you feel good, [C] yeah.
Everybody _ [E] know what time it is.
Yo, I feel it's time to get [A] mine.
Rise and shine instead of falling to the [C#m] back of the line.
[Am] So, B5, 4, VOM, [Em] here I come to get some.
While others bite their [D] tongue.
In and out [Em] contracts with skunk buckets.
Makes [A] me almost wanna say [Am] blah, blah, blah.
But the R is [Em] cool and will remain the same.
As I collect my fame and feel [Gm] no pain.
Yeah, [B] it couldn't have happened at a better time.
A nice, beat, strong sample in a funky rhyme.
And ever [E] since I hooked up with the Midwest.
I've been proper popping like Orville Rettinbacher in the [Am] 90's.
This track goes out to the public like Ronald [D#] and James would say thanks for your [Gm] support in the [Am] 90's.
Make you [A] feel good, yeah.
We also like to say thank you to my man [Am] Barry Hanks and the Midwest.
Make you feel good, yeah.
Make you feel [C#m] good, [A] yeah.
I like to say what's up to the big L with a hood on.
_ [Am] I also like to send this one [B] out to my boy, Troy.
[C#] I [Am] call him Bills, man.
[G#] What up?
_ Sending this [B] out to my boy [B] Demetrius.
[G] We call him Scottface from around the way.
Thanks.
[D#] _ I also like to say what's up to my man [D] Al Cobus.
_ Casanova.
[G#] What's up, [N] daddy?
_ _ Let me see who [A] else I can smack with the B-side.
I like to send this one out [E] to the man with the hoodie down on the G.
[Am] _
My DJ.
[A] What's up?
_ _ _ [Gm] _ _
[E] _ [B] I like to say what's up to a [Am] stupid duet.
_ [Em] My man Mike, engineering.
[C#] [A] Motherway Bird Program.
_ Name, Vic, and O'Ryde.
You know what [C] I'm saying? _
_ [B] I also like to send this out to [C#] two of my [A] homegirls, Black at Home and Chi-Town.
We call them Bopty Twin, Samada and Elaine.
What's up?
[G] _ Yo, check [A] this out.
[D] I [Am] also like to send this one out to [Em] my loved one, my niece.
What's [C] up, baby? _
I also [A] want to send this out to my [C#] [G] mom and thank her for having [A] me.
_ I love her. _ _
[D] One [Am] more big person that made all of this [C#] possible.
[Gm] [E] I like to send this one out to a big man.
_ [A] And [C] that's God.
_ Making everything [B] what it is.
[A] _ _ _ _ _ _ _ _ _ _
Stop [Am] the presses, let me introduce the newcomer.
This [A] guaranteed to leave [Am] you speechless, peep this.
[Em] Way back in the days when I was waiting for my son to get on stage and get [D] paid,
I done a lot of high school [A] shows and turned crowds out.
Fellas [E] yelling, oh why the lady scream [Am] my name out?
I tell you that [A] it wasn't enough cause,
Kicking it with [B] my music everyday was my [D] first love.
And as [Am] the time went on like a [A] break of dawn,
I got strong and now [C#m] my word is [C] bond.
Some didn't think I had it in me,
[A] And when I said I [B] wanted you, become a star they laughed at me.
[Am] Well the summer is here and here I am see,
Kicking the funky track cause [C#] I'm born into [G] the 90's.
[E] Make you feel [B] good, come on.
Make you feel good, [C] yeah.
Come on, make [A] you feel good, yeah.
Make [C#] you feel good, yeah.
[A] I'm born into the 90's.
[Em] Make you feel [B] good, come on, yeah.
Make you feel good, [Am] ladies.
Wait a minute, wait a minute.
While I was talking, let me get a little bit of this [C#] second verse.
[Gm] I took [Am] my teen daughter to her, trying to get a contract.
[A] But they be like, we ain't trying [Am] to hear that.
Boy I tell you it ain't [E] easy being cheesy when you're dealing with the [B] industry.
You get [Gm] faded, gee.
Unless you know [B] somebody that knows somebody that knows somebody.
Him or her, you know [Am] somebody.
And then they wanna [E] front like straight.
Oh, you know my cousin from A [C#]&R sell a [D] plate.
Well I be like [Em] yeah, and they be like,
I swear, can we have all of your [A] publishing?
And I say go to [Am] hell.
I'm not selling [Em] myself to be sold out.
So I just hold out [C#] until I hit the [Am] white clock.
Some spreading rumors saying [E] R.
Kelly's tripping.
But I'm [Gm] not, I'm vacationing in the [Am]
90's.
Make you feel good, come on.
_ [C#m] _ [Am] _ _
[C] _ _ _ [A] Make you feel good, yeah.
I'm born into the 90's.
Make you feel good, come on, [E] yeah.
Make you feel good, [C] yeah.
Everybody _ [E] know what time it is.
Yo, I feel it's time to get [A] mine.
Rise and shine instead of falling to the [C#m] back of the line.
[Am] So, B5, 4, VOM, [Em] here I come to get some.
While others bite their [D] tongue.
In and out [Em] contracts with skunk buckets.
Makes [A] me almost wanna say [Am] blah, blah, blah.
But the R is [Em] cool and will remain the same.
As I collect my fame and feel [Gm] no pain.
Yeah, [B] it couldn't have happened at a better time.
A nice, beat, strong sample in a funky rhyme.
And ever [E] since I hooked up with the Midwest.
I've been proper popping like Orville Rettinbacher in the [Am] 90's.
This track goes out to the public like Ronald [D#] and James would say thanks for your [Gm] support in the [Am] 90's.
Make you [A] feel good, yeah.
We also like to say thank you to my man [Am] Barry Hanks and the Midwest.
Make you feel good, yeah.
Make you feel [C#m] good, [A] yeah.
I like to say what's up to the big L with a hood on.
_ [Am] I also like to send this one [B] out to my boy, Troy.
[C#] I [Am] call him Bills, man.
[G#] What up?
_ Sending this [B] out to my boy [B] Demetrius.
[G] We call him Scottface from around the way.
Thanks.
[D#] _ I also like to say what's up to my man [D] Al Cobus.
_ Casanova.
[G#] What's up, [N] daddy?
_ _ Let me see who [A] else I can smack with the B-side.
I like to send this one out [E] to the man with the hoodie down on the G.
[Am] _
My DJ.
[A] What's up?
_ _ _ [Gm] _ _
[E] _ [B] I like to say what's up to a [Am] stupid duet.
_ [Em] My man Mike, engineering.
[C#] [A] Motherway Bird Program.
_ Name, Vic, and O'Ryde.
You know what [C] I'm saying? _
_ [B] I also like to send this out to [C#] two of my [A] homegirls, Black at Home and Chi-Town.
We call them Bopty Twin, Samada and Elaine.
What's up?
[G] _ Yo, check [A] this out.
[D] I [Am] also like to send this one out to [Em] my loved one, my niece.
What's [C] up, baby? _
I also [A] want to send this out to my [C#] [G] mom and thank her for having [A] me.
_ I love her. _ _
[D] One [Am] more big person that made all of this [C#] possible.
[Gm] [E] I like to send this one out to a big man.
_ [A] And [C] that's God.
_ Making everything [B] what it is.
[A] _ _ _ _ _ _ _ _ _ _