Chords for Ringo Starr & His All Starr Band feat. Colin Hay - Down Under (2008)
Tempo:
99.85 bpm
Chords used:
A
G
Bm
B
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
All right, this next gentleman I'm about to introduce is someone I've just had the pleasure of meeting on this tour.
It's been truly inspiring and just a whole lot of fun to work with.
He is a great singer, songwriter,
guitarist, and he's written a whole host of rock classics that have their own distinctive personality.
All this time I thought this was because he comes from the land down under,
[G]
[C] which is the way I introduced him the first night of the tour, only to find out, much to my dismay, that he's actually
born in Scotland.
[G]
But
[F#] [N] he does come to us by way of the land down under and that great band, Men at Work.
Ladies and gentlemen,
how about it for Colin Hayes!
Thank you very much, Los Angeles.
Thank you, thank you, thank you.
It's true, some people think I was born in Scotland and some people think I was born in Australia, but most people don't care.
[G] And why should they?
Because they're too busy thinking about themselves.
Which is what we do.
We think about other people for a little while, eventually we get back to ourselves.
But now I live in the fair city of Los [N] Angeles,
where strange things happen that don't happen anywhere else.
You get off the plane, you drive north on Last Yendiga Boulevard,
you might, for example, see Batman walking along the road.
[G#m] And you don't think to yourself,
oh, that's really weird.
You just think, oh,
there goes Batman.
[Bm] [A]
[B] [G] [Bm] [A]
[Bm] [A]
[Bm] [G] [A] [Bm] [Am]
[Bm] [G] [A] [Bm] [A]
[Bm] [G] [Am] [Bm] [A]
[Bm] [G] [Bm] [A]
[Bm] [G] [A] [B] [A]
[Bm] [G] [A] [Bm] I'm [A] not a strange [Bm] lady, you [G] made me [A] nervous, [Bm] [A] took me in and [Bm] gave me breakfast.
[G] [A] [D] [A]
[B] [G] [A] [D] [A]
[Bm] [G] [A] [D] [A]
[Bm] [G] [A] [D] [A]
[Bm] [G] [A] [Bm] [A]
[Bm] [A]
[G] [Bm] I'm [A] from a man in [Bm] Brussels,
[G] [Am] [B] who was, since [A] before, [B] full of muscle.
[G] [A] [B] I [A] said to you, [B] speak my [G] language, brother.
[A] [Bm] You just [A] smiled and gave me a [B] Benjamin [G] sandwich.
[D] I [A] come from a land out [Bm] of love,
[G] [A] [D] where [A] feelers grow and [B] men shun her.
[G] [A] [D] Can't you [A] hear, can't you hear the [B] thunder?
[G] You [A] [D] better [A] run, you better [B] take cover. [G] All [A] right.
[Bm] [Am]
[Bm] [G] [Am] [Bm] [A]
[Bm] [G] [B] [Am]
[Bm] [A]
[Bm] [Am] [B]
[D] [Em]
[Em]
[B] Come on,
[C#] [Bm]
[Em] [B] [D]
[E] [G] [A]
baby.
[Bm]
[A]
[E] [G] [A] [Bm] [A]
[Bm] [G] [A] [Bm] [A]
[Bm] [G] [A] [Bm] [A]
[Bm] [G] [B] [Bm] [A]
[Bm] [G] [A] [B] [A]
[Bm] [G] [A] [Bm] [A]
[B] Hey.
[G] Now [D] [A]
[B] [G] [D] [Am]
[B] [G] [A] [B] you're [A] gonna get in [B] my [G] bed.
[A] [B] With a [A] flat jaw, [B] not a lot to [G] say.
[A] [B] I [A] said to the man, are you [B] trying to tempt [G] me?
[A] [Bm] Because I come from the land of plenty.
[G] [A] [D] You come [A] from a land out [B] of love,
[G] [A] [D] where [A] feelers grow and [B] men shun her.
[G] [A] [D] Can't you [A] hear, can't you hear the [B] thunder?
[G] [A] [D] You better run, [A] you better [B] take cover.
[G] [D] Because we are living [A] in a land [B] [G] [A] [D] of [A] women,
where women [B] plunder.
[G] [A] [D] Can't you [A] hear, can't you hear the [B] thunder?
[G] [A] [D] You better run, [A] you better take [B] cover.
[G] [A] We are [D] living [A] in a land out [B] of love,
[G] [Am] [D] where [A] women plunder.
[B] [G] Women plunder.
[D] Can't you hear, [A] can't you hear the [B] thunder?
[G] [A] You better run, you better take [B] cover.
[G] All right, baby.
[Am] Come [Bm] on now.
[Am]
[Bm] [G] [Bm] [A]
[B] [G] [Bm] [A]
[Bm] [G] [Bm] [A]
[Bm] [G] [A] [Bm]
[D] Hey.
[Bm] You are my selma mambo,
on my land of mayo.
[Em] [A#m] [B]
Thank you very [E] much.
I really laid it on you on that talk,
because you were [Dm] like doing it all.
[B] Another solo, Colin.
Yeah, okay.
[E] You were [B] great.
It's been truly inspiring and just a whole lot of fun to work with.
He is a great singer, songwriter,
guitarist, and he's written a whole host of rock classics that have their own distinctive personality.
All this time I thought this was because he comes from the land down under,
[G]
[C] which is the way I introduced him the first night of the tour, only to find out, much to my dismay, that he's actually
born in Scotland.
[G]
But
[F#] [N] he does come to us by way of the land down under and that great band, Men at Work.
Ladies and gentlemen,
how about it for Colin Hayes!
Thank you very much, Los Angeles.
Thank you, thank you, thank you.
It's true, some people think I was born in Scotland and some people think I was born in Australia, but most people don't care.
[G] And why should they?
Because they're too busy thinking about themselves.
Which is what we do.
We think about other people for a little while, eventually we get back to ourselves.
But now I live in the fair city of Los [N] Angeles,
where strange things happen that don't happen anywhere else.
You get off the plane, you drive north on Last Yendiga Boulevard,
you might, for example, see Batman walking along the road.
[G#m] And you don't think to yourself,
oh, that's really weird.
You just think, oh,
there goes Batman.
[Bm] [A]
[B] [G] [Bm] [A]
[Bm] [A]
[Bm] [G] [A] [Bm] [Am]
[Bm] [G] [A] [Bm] [A]
[Bm] [G] [Am] [Bm] [A]
[Bm] [G] [Bm] [A]
[Bm] [G] [A] [B] [A]
[Bm] [G] [A] [Bm] I'm [A] not a strange [Bm] lady, you [G] made me [A] nervous, [Bm] [A] took me in and [Bm] gave me breakfast.
[G] [A] [D] [A]
[B] [G] [A] [D] [A]
[Bm] [G] [A] [D] [A]
[Bm] [G] [A] [D] [A]
[Bm] [G] [A] [Bm] [A]
[Bm] [A]
[G] [Bm] I'm [A] from a man in [Bm] Brussels,
[G] [Am] [B] who was, since [A] before, [B] full of muscle.
[G] [A] [B] I [A] said to you, [B] speak my [G] language, brother.
[A] [Bm] You just [A] smiled and gave me a [B] Benjamin [G] sandwich.
[D] I [A] come from a land out [Bm] of love,
[G] [A] [D] where [A] feelers grow and [B] men shun her.
[G] [A] [D] Can't you [A] hear, can't you hear the [B] thunder?
[G] You [A] [D] better [A] run, you better [B] take cover. [G] All [A] right.
[Bm] [Am]
[Bm] [G] [Am] [Bm] [A]
[Bm] [G] [B] [Am]
[Bm] [A]
[Bm] [Am] [B]
[D] [Em]
[Em]
[B] Come on,
[C#] [Bm]
[Em] [B] [D]
[E] [G] [A]
baby.
[Bm]
[A]
[E] [G] [A] [Bm] [A]
[Bm] [G] [A] [Bm] [A]
[Bm] [G] [A] [Bm] [A]
[Bm] [G] [B] [Bm] [A]
[Bm] [G] [A] [B] [A]
[Bm] [G] [A] [Bm] [A]
[B] Hey.
[G] Now [D] [A]
[B] [G] [D] [Am]
[B] [G] [A] [B] you're [A] gonna get in [B] my [G] bed.
[A] [B] With a [A] flat jaw, [B] not a lot to [G] say.
[A] [B] I [A] said to the man, are you [B] trying to tempt [G] me?
[A] [Bm] Because I come from the land of plenty.
[G] [A] [D] You come [A] from a land out [B] of love,
[G] [A] [D] where [A] feelers grow and [B] men shun her.
[G] [A] [D] Can't you [A] hear, can't you hear the [B] thunder?
[G] [A] [D] You better run, [A] you better [B] take cover.
[G] [D] Because we are living [A] in a land [B] [G] [A] [D] of [A] women,
where women [B] plunder.
[G] [A] [D] Can't you [A] hear, can't you hear the [B] thunder?
[G] [A] [D] You better run, [A] you better take [B] cover.
[G] [A] We are [D] living [A] in a land out [B] of love,
[G] [Am] [D] where [A] women plunder.
[B] [G] Women plunder.
[D] Can't you hear, [A] can't you hear the [B] thunder?
[G] [A] You better run, you better take [B] cover.
[G] All right, baby.
[Am] Come [Bm] on now.
[Am]
[Bm] [G] [Bm] [A]
[B] [G] [Bm] [A]
[Bm] [G] [Bm] [A]
[Bm] [G] [A] [Bm]
[D] Hey.
[Bm] You are my selma mambo,
on my land of mayo.
[Em] [A#m] [B]
Thank you very [E] much.
I really laid it on you on that talk,
because you were [Dm] like doing it all.
[B] Another solo, Colin.
Yeah, okay.
[E] You were [B] great.
Key:
A
G
Bm
B
D
A
G
Bm
All right, this next gentleman I'm about to introduce is someone I've just had the pleasure of meeting on this tour.
It's been truly inspiring and just a whole lot of fun to work with.
He is a great singer, songwriter,
guitarist, and he's written a whole host of rock classics that have their own distinctive personality.
All this time I thought this was because he comes from the land down under,
[G] _ _
_ [C] _ _ _ _ which is the way I introduced him the first night of the tour, only to find out, much to my dismay, that he's actually
born in Scotland.
[G] _ _ _ _ _ _ _
_ _ _ _ But _ _
[F#] _ _ _ [N] _ he does come to us by way of the land down under and that great band, Men at Work.
Ladies and gentlemen,
how about it for Colin _ Hayes! _
Thank you very much, Los Angeles. _ _ _ _
Thank you, thank you, thank you.
_ It's true, some people think I was born in Scotland and some people think I was born in Australia, but most people don't care.
[G] And why should they?
Because they're too busy thinking about themselves.
Which is what we do.
We think about other people for a little while, eventually we get back to ourselves.
But now I live in the fair city of Los [N] Angeles,
_ _ where _ strange things happen that don't happen anywhere else.
You get off the plane, you drive north on Last Yendiga Boulevard,
you might, for example, see Batman walking along the road.
[G#m] And you don't think to yourself,
_ oh, that's really weird.
You just think, oh,
there goes Batman. _ _ _
_ _ _ _ [Bm] _ _ [A] _ _
[B] _ _ [G] _ _ [Bm] _ _ [A] _ _
[Bm] _ _ _ _ _ _ [A] _ _
[Bm] _ _ [G] _ [A] _ [Bm] _ _ [Am] _ _
[Bm] _ _ [G] _ [A] _ [Bm] _ _ [A] _ _
[Bm] _ _ [G] _ [Am] _ [Bm] _ _ [A] _ _
[Bm] _ [G] _ _ [Bm] _ _ _ [A] _ _
[Bm] _ _ [G] _ [A] _ [B] _ _ [A] _ _
[Bm] _ _ [G] _ [A] _ [Bm] I'm [A] not a strange [Bm] lady, you [G] made me [A] nervous, [Bm] _ [A] took me in and [Bm] gave me breakfast.
[G] _ [A] _ [D] _ _ [A] _ _
[B] _ _ [G] _ [A] _ [D] _ _ [A] _ _
[Bm] _ _ [G] _ [A] _ [D] _ _ [A] _ _
[Bm] _ _ [G] _ [A] _ [D] _ _ [A] _ _
[Bm] _ _ [G] _ [A] _ [Bm] _ _ [A] _ _
[Bm] _ _ _ _ _ _ [A] _ _
[G] _ _ _ [Bm] _ I'm [A] from a man in [Bm] Brussels,
[G] _ [Am] [B] who was, since [A] before, [B] full of muscle.
[G] _ [A] _ [B] I [A] said to you, [B] speak my [G] language, brother.
_ [A] [Bm] You just [A] smiled and gave me a [B] Benjamin [G] sandwich.
[D] _ I [A] come from a land out [Bm] of love,
_ [G] _ [A] _ [D] where [A] feelers grow and [B] men shun her.
[G] _ [A] _ [D] Can't you [A] hear, can't you hear the [B] thunder?
[G] You [A] _ [D] better [A] run, you better [B] take cover. [G] All [A] right.
[Bm] _ _ [Am] _ _
[Bm] _ _ [G] _ [Am] _ [Bm] _ _ [A] _ _
[Bm] _ _ [G] _ [B] _ _ _ [Am] _ _
[Bm] _ _ _ _ _ _ [A] _ _
[Bm] _ _ _ [Am] _ [B] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [D] _ _ [Em] _ _
_ _ _ _ _ _ [Em] _ _
_ _ _ [B] Come _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ on, _
[C#] _ _ _ _ [Bm] _ _ _ _
[Em] _ _ _ _ [B] _ _ [D] _ _
[E] _ _ [G] _ _ _ _ [A] _ _
_ _ baby.
[Bm] _ _ _ _
_ _ _ _ _ _ [A] _ _
[E] _ _ [G] _ [A] _ [Bm] _ _ [A] _ _
_ [Bm] _ [G] _ [A] _ [Bm] _ _ [A] _ _
[Bm] _ _ [G] _ [A] _ [Bm] _ _ [A] _ _
[Bm] _ _ [G] _ [B] _ [Bm] _ _ [A] _ _
_ [Bm] _ _ [G] _ [A] _ [B] _ [A] _ _
_ [Bm] _ [G] _ [A] _ [Bm] _ _ [A] _ _
[B] Hey.
[G] Now [D] _ _ _ [A] _ _
[B] _ _ [G] _ [D] _ _ _ [Am] _ _
[B] _ [G] _ _ [A] _ [B] you're [A] gonna get in [B] my [G] bed.
[A] _ [B] With a [A] flat jaw, [B] not a lot to [G] say.
[A] _ [B] I [A] said to the man, are you [B] trying to tempt [G] me?
[A] _ [Bm] _ Because I come from the land of plenty.
[G] _ [A] [D] You come [A] from a land out [B] of love,
[G] _ [A] [D] where [A] feelers grow and [B] men shun her.
[G] _ [A] _ [D] Can't you [A] hear, can't you hear the [B] thunder?
_ [G] _ [A] [D] You better run, [A] you better [B] take cover.
_ [G] [D] Because we are living [A] in a land [B] _ _ [G] _ [A] _ [D] of [A] women,
where women [B] plunder.
_ [G] _ [A] _ [D] Can't you [A] hear, can't you hear the [B] thunder?
_ [G] _ [A] _ [D] You better run, [A] you better take [B] cover.
_ [G] [A] We are [D] living [A] in a land out [B] of love,
[G] _ [Am] [D] where [A] women plunder.
[B] _ [G] Women plunder.
[D] _ Can't you hear, [A] can't you hear the [B] thunder?
_ [G] _ [A] You better run, you better take [B] cover.
[G] All right, baby.
[Am] Come [Bm] on now.
_ [Am] _ _
[Bm] _ [G] _ _ [Bm] _ _ _ [A] _ _
[B] _ _ [G] _ [Bm] _ _ _ [A] _ _
[Bm] _ [G] _ _ [Bm] _ _ _ [A] _ _
[Bm] _ _ [G] _ [A] _ [Bm] _ _ _ _
_ _ [D] Hey. _ _ _ _
[Bm] _ _ _ _ You are my selma mambo,
on my land of mayo. _ _ _ _ _
[Em] _ _ _ [A#m] _ _ _ _ [B] _
Thank you very [E] much.
I really laid it on you on that talk,
because you were [Dm] like doing it all.
[B] Another solo, Colin.
Yeah, okay. _
_ [E] _ _ You were [B] great. _
It's been truly inspiring and just a whole lot of fun to work with.
He is a great singer, songwriter,
guitarist, and he's written a whole host of rock classics that have their own distinctive personality.
All this time I thought this was because he comes from the land down under,
[G] _ _
_ [C] _ _ _ _ which is the way I introduced him the first night of the tour, only to find out, much to my dismay, that he's actually
born in Scotland.
[G] _ _ _ _ _ _ _
_ _ _ _ But _ _
[F#] _ _ _ [N] _ he does come to us by way of the land down under and that great band, Men at Work.
Ladies and gentlemen,
how about it for Colin _ Hayes! _
Thank you very much, Los Angeles. _ _ _ _
Thank you, thank you, thank you.
_ It's true, some people think I was born in Scotland and some people think I was born in Australia, but most people don't care.
[G] And why should they?
Because they're too busy thinking about themselves.
Which is what we do.
We think about other people for a little while, eventually we get back to ourselves.
But now I live in the fair city of Los [N] Angeles,
_ _ where _ strange things happen that don't happen anywhere else.
You get off the plane, you drive north on Last Yendiga Boulevard,
you might, for example, see Batman walking along the road.
[G#m] And you don't think to yourself,
_ oh, that's really weird.
You just think, oh,
there goes Batman. _ _ _
_ _ _ _ [Bm] _ _ [A] _ _
[B] _ _ [G] _ _ [Bm] _ _ [A] _ _
[Bm] _ _ _ _ _ _ [A] _ _
[Bm] _ _ [G] _ [A] _ [Bm] _ _ [Am] _ _
[Bm] _ _ [G] _ [A] _ [Bm] _ _ [A] _ _
[Bm] _ _ [G] _ [Am] _ [Bm] _ _ [A] _ _
[Bm] _ [G] _ _ [Bm] _ _ _ [A] _ _
[Bm] _ _ [G] _ [A] _ [B] _ _ [A] _ _
[Bm] _ _ [G] _ [A] _ [Bm] I'm [A] not a strange [Bm] lady, you [G] made me [A] nervous, [Bm] _ [A] took me in and [Bm] gave me breakfast.
[G] _ [A] _ [D] _ _ [A] _ _
[B] _ _ [G] _ [A] _ [D] _ _ [A] _ _
[Bm] _ _ [G] _ [A] _ [D] _ _ [A] _ _
[Bm] _ _ [G] _ [A] _ [D] _ _ [A] _ _
[Bm] _ _ [G] _ [A] _ [Bm] _ _ [A] _ _
[Bm] _ _ _ _ _ _ [A] _ _
[G] _ _ _ [Bm] _ I'm [A] from a man in [Bm] Brussels,
[G] _ [Am] [B] who was, since [A] before, [B] full of muscle.
[G] _ [A] _ [B] I [A] said to you, [B] speak my [G] language, brother.
_ [A] [Bm] You just [A] smiled and gave me a [B] Benjamin [G] sandwich.
[D] _ I [A] come from a land out [Bm] of love,
_ [G] _ [A] _ [D] where [A] feelers grow and [B] men shun her.
[G] _ [A] _ [D] Can't you [A] hear, can't you hear the [B] thunder?
[G] You [A] _ [D] better [A] run, you better [B] take cover. [G] All [A] right.
[Bm] _ _ [Am] _ _
[Bm] _ _ [G] _ [Am] _ [Bm] _ _ [A] _ _
[Bm] _ _ [G] _ [B] _ _ _ [Am] _ _
[Bm] _ _ _ _ _ _ [A] _ _
[Bm] _ _ _ [Am] _ [B] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [D] _ _ [Em] _ _
_ _ _ _ _ _ [Em] _ _
_ _ _ [B] Come _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ on, _
[C#] _ _ _ _ [Bm] _ _ _ _
[Em] _ _ _ _ [B] _ _ [D] _ _
[E] _ _ [G] _ _ _ _ [A] _ _
_ _ baby.
[Bm] _ _ _ _
_ _ _ _ _ _ [A] _ _
[E] _ _ [G] _ [A] _ [Bm] _ _ [A] _ _
_ [Bm] _ [G] _ [A] _ [Bm] _ _ [A] _ _
[Bm] _ _ [G] _ [A] _ [Bm] _ _ [A] _ _
[Bm] _ _ [G] _ [B] _ [Bm] _ _ [A] _ _
_ [Bm] _ _ [G] _ [A] _ [B] _ [A] _ _
_ [Bm] _ [G] _ [A] _ [Bm] _ _ [A] _ _
[B] Hey.
[G] Now [D] _ _ _ [A] _ _
[B] _ _ [G] _ [D] _ _ _ [Am] _ _
[B] _ [G] _ _ [A] _ [B] you're [A] gonna get in [B] my [G] bed.
[A] _ [B] With a [A] flat jaw, [B] not a lot to [G] say.
[A] _ [B] I [A] said to the man, are you [B] trying to tempt [G] me?
[A] _ [Bm] _ Because I come from the land of plenty.
[G] _ [A] [D] You come [A] from a land out [B] of love,
[G] _ [A] [D] where [A] feelers grow and [B] men shun her.
[G] _ [A] _ [D] Can't you [A] hear, can't you hear the [B] thunder?
_ [G] _ [A] [D] You better run, [A] you better [B] take cover.
_ [G] [D] Because we are living [A] in a land [B] _ _ [G] _ [A] _ [D] of [A] women,
where women [B] plunder.
_ [G] _ [A] _ [D] Can't you [A] hear, can't you hear the [B] thunder?
_ [G] _ [A] _ [D] You better run, [A] you better take [B] cover.
_ [G] [A] We are [D] living [A] in a land out [B] of love,
[G] _ [Am] [D] where [A] women plunder.
[B] _ [G] Women plunder.
[D] _ Can't you hear, [A] can't you hear the [B] thunder?
_ [G] _ [A] You better run, you better take [B] cover.
[G] All right, baby.
[Am] Come [Bm] on now.
_ [Am] _ _
[Bm] _ [G] _ _ [Bm] _ _ _ [A] _ _
[B] _ _ [G] _ [Bm] _ _ _ [A] _ _
[Bm] _ [G] _ _ [Bm] _ _ _ [A] _ _
[Bm] _ _ [G] _ [A] _ [Bm] _ _ _ _
_ _ [D] Hey. _ _ _ _
[Bm] _ _ _ _ You are my selma mambo,
on my land of mayo. _ _ _ _ _
[Em] _ _ _ [A#m] _ _ _ _ [B] _
Thank you very [E] much.
I really laid it on you on that talk,
because you were [Dm] like doing it all.
[B] Another solo, Colin.
Yeah, okay. _
_ [E] _ _ You were [B] great. _