Chords for Rock and Roll by The Velvet Underground Slide Guitar Solos Lesson
Tempo:
139.25 bpm
Chords used:
G
C
Em
E
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[C] [A#]
[F]
[C]
[D] [A#]
[C] [F] [D]
[C]
If
[G]
you've never played slide before, there's a couple of things we want to look at before
we get started playing this song.
First is what kind of slide [Em] to use.
There's a lot of slides in the [N] world.
They're all pretty fun to play with.
The one I'm using is a chrome-plated nickel slide, I believe, or steel slide.
Not too thick, not too thin, [C] not too big.
It's a good middle-of-the-road, durable slide.
[E] I recommend [Em] one of these, but anything will work.
[E] Glass, porcelain, [G]
I'd even use batteries if I wanted to be a little [Em] bit funny.
[A] You can put the slide on just about any finger.
It can go on middle finger, that's what Bonnie Raitt does.
Ring finger or pinky, which is kind of an old-school blues style way of doing it.
Again, the most normal, easiest-to-get-started way to do it [F#] is just [G] drop it on that ring finger there.
A couple of things I'd like to say, though.
Do not jam the slide onto your [Em] finger until it gets stuck.
It will get stuck, [G] and that will be a problem.
I also don't recommend dropping the slide until it goes all the way down to this knuckle
here, because that [A] forces you [D] to get the slide on the strings a slightly [G] awkward angle
for your hand.
[F#] My hand wants to do this.
[Em] I can just put the slide on like that and have a good time.
[E]
Now notice, I'm using these two fingers behind the [G] slide and this finger on the slide here
to stabilize it.
I can turn my hand upside down, and I won't lose this slide, and that's [Em] really helpful
for moving around.
Sometimes, [G] when teaching slide, I'll see my students do things [F] like this, and we don't
want to do that.
That's out of control.
That's kind of frantic-looking.
So we get that mitt going.
[N] So we got our hand.
It's ready to play some slide.
Next [G] thing to look at is, when I aim for a note with my slide, [N] I don't aim for where
I would normally play.
When I put my pointer finger down, I put it in the middle of the fret.
[C]
It's a nice C.
But if I put my slide there,
[G#] we don't want to do that.
We actually aim for the metal [G] lines themselves, because that's where the notes live.
So that's a bit about left hand.
Not too heavy slide.
[Em] Goes on ring finger.
[G] I don't jam it on.
I have a mitt, so I have good control of my hand.
I'm aiming for the metal lines.
With the right hand here, [E]
playing with fingers is really great, [G] and I like to do that, but
again, for getting started, if you're used to playing with a pick, you can play with a pick.
One thing to try and do, though, [F#]
is to get [G] used to keeping your hand down on the strings.
Slides are [E] inherently noisy.
[C] And to help cut back on that [G] sound, we try and keep our hand down on the strings.
In fact, I'm going to turn my tone down a little bit.
Notice [F#] I have [Em] these two fingers sitting on these strings.
My thumb is actually [F] flat [G] across those.
And for this song, which is on the G string, my pick is on the ready on the G string.
So I can [F] hit the strings.
I can slide around with minimal [B] noise that I [Am] don't want.
[G] So now let's look at actually playing this piece.
Great little solo.
It's going to start [C] at the fifth fret.
Five goes up to seven.
[B] Seven goes up to nine.
[E] Back to [B] seven.
Up to ten.
[F]
Another ten.
Four to five.
[C]
[Dm] Five, seven.
[E] [A] Nine, seven.
[C] Nine, ten.
[B]
Now, ten.
[G] The second solo in the song is a similar idea but starts higher.
That's going to start at seven.
[A] Seven to nine.
[E]
Nine to twelve.
Twelve to ten.
[F] [C] Twelve to fourteen.
[Em] Twelve.
[G] Seven to [F#] nine.
[Em]
Here it is again.
Seven to nine.
Nine to twelve.
Twelve to ten.
[F]
[G] Twelve to fourteen.
[A]
[A#] Twelve.
[Bm] Seven to [E] nine.
[Em] [N]
[F]
[C]
[D] [A#]
[C] [F] [D]
[C]
If
[G]
you've never played slide before, there's a couple of things we want to look at before
we get started playing this song.
First is what kind of slide [Em] to use.
There's a lot of slides in the [N] world.
They're all pretty fun to play with.
The one I'm using is a chrome-plated nickel slide, I believe, or steel slide.
Not too thick, not too thin, [C] not too big.
It's a good middle-of-the-road, durable slide.
[E] I recommend [Em] one of these, but anything will work.
[E] Glass, porcelain, [G]
I'd even use batteries if I wanted to be a little [Em] bit funny.
[A] You can put the slide on just about any finger.
It can go on middle finger, that's what Bonnie Raitt does.
Ring finger or pinky, which is kind of an old-school blues style way of doing it.
Again, the most normal, easiest-to-get-started way to do it [F#] is just [G] drop it on that ring finger there.
A couple of things I'd like to say, though.
Do not jam the slide onto your [Em] finger until it gets stuck.
It will get stuck, [G] and that will be a problem.
I also don't recommend dropping the slide until it goes all the way down to this knuckle
here, because that [A] forces you [D] to get the slide on the strings a slightly [G] awkward angle
for your hand.
[F#] My hand wants to do this.
[Em] I can just put the slide on like that and have a good time.
[E]
Now notice, I'm using these two fingers behind the [G] slide and this finger on the slide here
to stabilize it.
I can turn my hand upside down, and I won't lose this slide, and that's [Em] really helpful
for moving around.
Sometimes, [G] when teaching slide, I'll see my students do things [F] like this, and we don't
want to do that.
That's out of control.
That's kind of frantic-looking.
So we get that mitt going.
[N] So we got our hand.
It's ready to play some slide.
Next [G] thing to look at is, when I aim for a note with my slide, [N] I don't aim for where
I would normally play.
When I put my pointer finger down, I put it in the middle of the fret.
[C]
It's a nice C.
But if I put my slide there,
[G#] we don't want to do that.
We actually aim for the metal [G] lines themselves, because that's where the notes live.
So that's a bit about left hand.
Not too heavy slide.
[Em] Goes on ring finger.
[G] I don't jam it on.
I have a mitt, so I have good control of my hand.
I'm aiming for the metal lines.
With the right hand here, [E]
playing with fingers is really great, [G] and I like to do that, but
again, for getting started, if you're used to playing with a pick, you can play with a pick.
One thing to try and do, though, [F#]
is to get [G] used to keeping your hand down on the strings.
Slides are [E] inherently noisy.
[C] And to help cut back on that [G] sound, we try and keep our hand down on the strings.
In fact, I'm going to turn my tone down a little bit.
Notice [F#] I have [Em] these two fingers sitting on these strings.
My thumb is actually [F] flat [G] across those.
And for this song, which is on the G string, my pick is on the ready on the G string.
So I can [F] hit the strings.
I can slide around with minimal [B] noise that I [Am] don't want.
[G] So now let's look at actually playing this piece.
Great little solo.
It's going to start [C] at the fifth fret.
Five goes up to seven.
[B] Seven goes up to nine.
[E] Back to [B] seven.
Up to ten.
[F]
Another ten.
Four to five.
[C]
[Dm] Five, seven.
[E] [A] Nine, seven.
[C] Nine, ten.
[B]
Now, ten.
[G] The second solo in the song is a similar idea but starts higher.
That's going to start at seven.
[A] Seven to nine.
[E]
Nine to twelve.
Twelve to ten.
[F] [C] Twelve to fourteen.
[Em] Twelve.
[G] Seven to [F#] nine.
[Em]
Here it is again.
Seven to nine.
Nine to twelve.
Twelve to ten.
[F]
[G] Twelve to fourteen.
[A]
[A#] Twelve.
[Bm] Seven to [E] nine.
[Em] [N]
Key:
G
C
Em
E
F
G
C
Em
[C] _ _ _ _ _ _ _ [A#] _
_ _ _ _ _ _ _ _
[F] _ _ _ _ _ _ _ _
_ _ [C] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [D] _ _ [A#] _ _ _ _
_ _ [C] _ _ [F] _ _ _ [D] _
_ _ _ _ [C] _ _ _ _
If _ _ _ _ _ _
_ _ _ _ _ _ _ _
[G] _ _ _ _ _ _ _ _
_ _ _ you've never played slide before, there's a couple of things we want to look at before
we get started playing this song.
_ First is what kind of slide [Em] to use.
There's a lot of slides in the [N] world.
They're all pretty fun to play with.
The one I'm using is a chrome-plated nickel slide, I believe, or steel slide.
_ Not too thick, not too thin, [C] not too big.
It's a good middle-of-the-road, durable slide.
[E] _ I recommend [Em] one of these, but anything will work.
[E] Glass, porcelain, _ [G]
I'd even use batteries if I wanted to be a little [Em] bit funny. _ _
_ [A] You can put the slide on just about any finger.
It can go on middle finger, that's what Bonnie Raitt does.
_ Ring finger or pinky, which is kind of an old-school blues style way of doing it.
Again, the most normal, easiest-to-get-started way to do it [F#] is just [G] drop it on that ring finger there. _ _
A couple of things I'd like to say, though.
Do not _ jam the slide onto your [Em] finger until it gets stuck.
It will get stuck, [G] and that will be a problem.
I also don't recommend dropping the slide until it goes all the way down to this knuckle
here, because that [A] forces you [D] to get the slide on the strings a slightly [G] awkward angle
for your hand.
_ [F#] _ My hand wants to do this.
_ _ [Em] I can just put the slide on like that and have a good time.
[E] _ _
Now notice, I'm using these two fingers behind the [G] slide and this finger on the slide here
to stabilize it.
I can turn my hand upside down, and I won't lose this slide, and that's [Em] really helpful
for moving around.
Sometimes, [G] when teaching slide, I'll see my students do things [F] like this, and we don't
want to do that.
That's out of control.
That's kind of _ frantic-looking.
_ So we get that mitt going.
_ [N] So we got our hand.
It's ready to play some slide. _ _ _ _
Next [G] thing to look at is, when I aim for a note with my slide, [N] I don't aim for where
I would normally play.
When I put my pointer finger down, I put it in the middle of the fret.
_ _ _ _ [C] _
_ It's a nice C.
But if I put my slide there, _ _ _ _ _ _ _
_ _ _ _ _ [G#] we don't want to do that.
We actually aim for the metal [G] lines themselves, because that's where the notes live. _ _ _
So that's a bit about left hand. _ _
Not too heavy slide.
_ [Em] Goes on ring finger.
[G] I don't jam it on.
I have a mitt, so I have good control of my hand.
I'm aiming for the metal lines.
_ With the right hand here, [E] _ _
playing with fingers is really great, [G] and I like to do that, but
again, for getting started, if you're used to playing with a pick, you can play with a pick. _
_ One thing to try and do, though, _ [F#]
is to get _ [G] used to keeping your hand down on the strings.
Slides are [E] inherently noisy. _ _
_ _ _ [C] And to help cut back on that [G] sound, we try and keep our hand down on the strings.
_ _ _ _ _ In fact, I'm going to turn my tone down a little bit.
_ _ Notice [F#] I have [Em] these two fingers sitting on these strings.
My thumb is actually [F] _ _ flat [G] across those.
And for this song, which is on the G string, my pick is _ on the ready on the G string. _ _
So I can [F] hit the strings.
I can slide around with minimal [B] noise that I [Am] don't want. _
[G] So now let's look at actually playing this piece.
Great little solo.
It's going to start [C] at the fifth fret. _ _
_ _ _ _ _ _ Five goes up to seven.
_ _ [B] _ Seven goes up to nine.
[E] _ _ _ Back to [B] seven. _
_ _ Up to ten.
_ _ [F] _
_ _ Another ten. _ _ _
Four to five.
_ [C] _ _ _ _
_ _ _ _ _ _ [Dm] Five, seven.
_ [E] _ [A] Nine, seven. _ _
_ [C] Nine, ten.
_ _ _ [B]
Now, _ ten. _ _ _ _
_ _ _ _ _ [G] The second solo in the song is a similar idea but starts higher.
That's going to start at seven.
_ [A] Seven to nine.
[E] _ _ _
_ Nine to twelve.
_ _ Twelve to ten.
_ [F] _ _ _ _ [C] Twelve to fourteen.
[Em] _ _ _ _ Twelve.
[G] _ _ Seven to [F#] nine.
_ [Em] _
_ _ _ Here it is again.
Seven to nine.
_ _ _ Nine to twelve.
_ _ Twelve to ten.
_ [F] _
_ _ _ [G] Twelve to fourteen.
[A] _
_ _ [A#] Twelve.
[Bm] _ Seven to [E] nine.
_ [Em] _ _ _ _ _ _ _ _ _ [N] _ _ _ _ _
_ _ _ _ _ _ _ _
[F] _ _ _ _ _ _ _ _
_ _ [C] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [D] _ _ [A#] _ _ _ _
_ _ [C] _ _ [F] _ _ _ [D] _
_ _ _ _ [C] _ _ _ _
If _ _ _ _ _ _
_ _ _ _ _ _ _ _
[G] _ _ _ _ _ _ _ _
_ _ _ you've never played slide before, there's a couple of things we want to look at before
we get started playing this song.
_ First is what kind of slide [Em] to use.
There's a lot of slides in the [N] world.
They're all pretty fun to play with.
The one I'm using is a chrome-plated nickel slide, I believe, or steel slide.
_ Not too thick, not too thin, [C] not too big.
It's a good middle-of-the-road, durable slide.
[E] _ I recommend [Em] one of these, but anything will work.
[E] Glass, porcelain, _ [G]
I'd even use batteries if I wanted to be a little [Em] bit funny. _ _
_ [A] You can put the slide on just about any finger.
It can go on middle finger, that's what Bonnie Raitt does.
_ Ring finger or pinky, which is kind of an old-school blues style way of doing it.
Again, the most normal, easiest-to-get-started way to do it [F#] is just [G] drop it on that ring finger there. _ _
A couple of things I'd like to say, though.
Do not _ jam the slide onto your [Em] finger until it gets stuck.
It will get stuck, [G] and that will be a problem.
I also don't recommend dropping the slide until it goes all the way down to this knuckle
here, because that [A] forces you [D] to get the slide on the strings a slightly [G] awkward angle
for your hand.
_ [F#] _ My hand wants to do this.
_ _ [Em] I can just put the slide on like that and have a good time.
[E] _ _
Now notice, I'm using these two fingers behind the [G] slide and this finger on the slide here
to stabilize it.
I can turn my hand upside down, and I won't lose this slide, and that's [Em] really helpful
for moving around.
Sometimes, [G] when teaching slide, I'll see my students do things [F] like this, and we don't
want to do that.
That's out of control.
That's kind of _ frantic-looking.
_ So we get that mitt going.
_ [N] So we got our hand.
It's ready to play some slide. _ _ _ _
Next [G] thing to look at is, when I aim for a note with my slide, [N] I don't aim for where
I would normally play.
When I put my pointer finger down, I put it in the middle of the fret.
_ _ _ _ [C] _
_ It's a nice C.
But if I put my slide there, _ _ _ _ _ _ _
_ _ _ _ _ [G#] we don't want to do that.
We actually aim for the metal [G] lines themselves, because that's where the notes live. _ _ _
So that's a bit about left hand. _ _
Not too heavy slide.
_ [Em] Goes on ring finger.
[G] I don't jam it on.
I have a mitt, so I have good control of my hand.
I'm aiming for the metal lines.
_ With the right hand here, [E] _ _
playing with fingers is really great, [G] and I like to do that, but
again, for getting started, if you're used to playing with a pick, you can play with a pick. _
_ One thing to try and do, though, _ [F#]
is to get _ [G] used to keeping your hand down on the strings.
Slides are [E] inherently noisy. _ _
_ _ _ [C] And to help cut back on that [G] sound, we try and keep our hand down on the strings.
_ _ _ _ _ In fact, I'm going to turn my tone down a little bit.
_ _ Notice [F#] I have [Em] these two fingers sitting on these strings.
My thumb is actually [F] _ _ flat [G] across those.
And for this song, which is on the G string, my pick is _ on the ready on the G string. _ _
So I can [F] hit the strings.
I can slide around with minimal [B] noise that I [Am] don't want. _
[G] So now let's look at actually playing this piece.
Great little solo.
It's going to start [C] at the fifth fret. _ _
_ _ _ _ _ _ Five goes up to seven.
_ _ [B] _ Seven goes up to nine.
[E] _ _ _ Back to [B] seven. _
_ _ Up to ten.
_ _ [F] _
_ _ Another ten. _ _ _
Four to five.
_ [C] _ _ _ _
_ _ _ _ _ _ [Dm] Five, seven.
_ [E] _ [A] Nine, seven. _ _
_ [C] Nine, ten.
_ _ _ [B]
Now, _ ten. _ _ _ _
_ _ _ _ _ [G] The second solo in the song is a similar idea but starts higher.
That's going to start at seven.
_ [A] Seven to nine.
[E] _ _ _
_ Nine to twelve.
_ _ Twelve to ten.
_ [F] _ _ _ _ [C] Twelve to fourteen.
[Em] _ _ _ _ Twelve.
[G] _ _ Seven to [F#] nine.
_ [Em] _
_ _ _ Here it is again.
Seven to nine.
_ _ _ Nine to twelve.
_ _ Twelve to ten.
_ [F] _
_ _ _ [G] Twelve to fourteen.
[A] _
_ _ [A#] Twelve.
[Bm] _ Seven to [E] nine.
_ [Em] _ _ _ _ _ _ _ _ _ [N] _ _ _ _ _