Chords for Scott Henderson - Outside the Blues Masterclass 1
Tempo:
198.95 bpm
Chords used:
D
A
Am
F#
C
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[A]
[Am]
[Dm] [Am]
[Bm]
[F#]
[D#]
[F#] [C] [D]
We're going to talk a little bit [Am] about blues,
[Bm] and how to make your blues playing a little
more colorful [A] [D] by using [A] some of the jazz elements.
The altered scale, which is just B flat melodic minor, [F]
[G]
[D] [E] [D]
we resolve it to the third.
[G]
[F#m]
[Am] [Fm] [A#m]
[G] [C] [D]
So [B] you're hearing the scale switch from E melodic minor to B flat melodic minor before
it goes to [D] the four chord.
Using triads, there's these kind of things where you can [D#] [F] go,
[D] [B] [G#] [A]
so I came back to it like that.
[C#m] I remember we [D] used this one.
[F] [Am]
[D] [A] That'd be nice.
[G] [F#]
[D#m] I could use it here.
[G#m] [A] [G]
[F#] [C] [A]
[G] Now, [F#] [A#] I
[Am] [G#] [G]
[Am] [F#]
[C#m] consider myself more of a blues rock player [E] than a jazz player, [D#m] but I borrow [G#] from
jazz, and I like the [F#m] color that it [D] brings to music.
[A] [D]
[A] [F#]
[E] [D] [G#]
[Am] [B] That little thing where I [C] went, [F#] [F]
[D] well there [B] it was right there.
[C] There's the flat [A#m] nine.
[A]
[F#] You want to sound like a [A] blues player, but you want to get away with a little bit of
colorization of what you're doing.
[D#] [D] Minor third.
[Am]
[D]
[A] [E]
[A] Blazing run in the wrong [Gm] key.
[F#] [C]
[D] [F#m] [A]
[Bm] Diminished scale.
[Am] [B]
[C#] [C]
[Am] [D] [C]
[Am]
[Dm] [Am]
[Bm]
[F#]
[D#]
[F#] [C] [D]
We're going to talk a little bit [Am] about blues,
[Bm] and how to make your blues playing a little
more colorful [A] [D] by using [A] some of the jazz elements.
The altered scale, which is just B flat melodic minor, [F]
[G]
[D] [E] [D]
we resolve it to the third.
[G]
[F#m]
[Am] [Fm] [A#m]
[G] [C] [D]
So [B] you're hearing the scale switch from E melodic minor to B flat melodic minor before
it goes to [D] the four chord.
Using triads, there's these kind of things where you can [D#] [F] go,
[D] [B] [G#] [A]
so I came back to it like that.
[C#m] I remember we [D] used this one.
[F] [Am]
[D] [A] That'd be nice.
[G] [F#]
[D#m] I could use it here.
[G#m] [A] [G]
[F#] [C] [A]
[G] Now, [F#] [A#] I
[Am] [G#] [G]
[Am] [F#]
[C#m] consider myself more of a blues rock player [E] than a jazz player, [D#m] but I borrow [G#] from
jazz, and I like the [F#m] color that it [D] brings to music.
[A] [D]
[A] [F#]
[E] [D] [G#]
[Am] [B] That little thing where I [C] went, [F#] [F]
[D] well there [B] it was right there.
[C] There's the flat [A#m] nine.
[A]
[F#] You want to sound like a [A] blues player, but you want to get away with a little bit of
colorization of what you're doing.
[D#] [D] Minor third.
[Am]
[D]
[A] [E]
[A] Blazing run in the wrong [Gm] key.
[F#] [C]
[D] [F#m] [A]
[Bm] Diminished scale.
[Am] [B]
[C#] [C]
[Am] [D] [C]
Key:
D
A
Am
F#
C
D
A
Am
[A] _ _ _ _ _ _ _ _
_ _ _ [Am] _ _ _ _ _
_ _ [Dm] _ _ _ _ [Am] _ _
_ _ _ [Bm] _ _ _ _ _
_ [F#] _ _ _ _ _ _ _
_ _ _ _ _ [D#] _ _ _
[F#] _ _ _ [C] _ _ _ _ [D] _
We're going to talk a little bit [Am] about blues, _
[Bm] _ and how to make your blues playing a little
more colorful [A] _ _ [D] by using [A] some of the jazz elements.
The altered scale, which is just B flat melodic minor, [F] _ _ _
_ _ _ _ [G] _ _ _ _
[D] _ _ _ _ [E] _ _ [D] _ _
we resolve it to the third.
[G] _ _
_ _ _ _ [F#m] _ _ _ _
[Am] _ _ _ _ _ [Fm] _ [A#m] _ _
[G] _ [C] _ _ _ _ [D] _ _ _
_ So [B] you're hearing the scale switch from E melodic minor _ to B flat melodic minor before
it goes to [D] the four chord.
_ _ _ Using triads, there's these kind of things where you can [D#] [F] go, _
_ [D] _ _ [B] _ [G#] _ _ [A] _ _
_ so I came back to it like that.
[C#m] _ I remember we [D] used this one. _
[F] _ _ _ _ _ _ [Am] _ _
_ [D] _ _ [A] _ _ That'd be nice.
_ [G] _ _ [F#] _ _ _ _
[D#m] I could use it here.
_ [G#m] _ _ [A] _ [G] _
[F#] _ _ [C] _ _ _ _ [A] _ _
_ [G] Now, _ [F#] _ [A#] I _
[Am] _ [G#] _ _ _ _ [G] _ _ _
[Am] _ _ [F#] _ _ _ _ _ _
[C#m] consider myself more of a blues rock player [E] than a jazz player, [D#m] but I borrow [G#] from
jazz, and I like the [F#m] color that it [D] brings to music. _ _ _ _
[A] _ _ _ _ _ _ [D] _ _
_ _ [A] _ _ _ [F#] _ _ _
[E] _ _ _ [D] _ _ _ _ [G#] _
_ [Am] _ _ _ [B] That little thing where I [C] went, [F#] _ _ _ [F] _ _ _
_ [D] _ _ well there [B] it was right there.
[C] There's the flat [A#m] nine.
_ _ [A] _
[F#] _ You want to sound like a [A] blues player, _ but you want to get away with a little bit of
_ colorization of what you're doing. _ _ _ _ _ _
[D#] _ [D] Minor third.
_ [Am] _ _
_ _ _ _ _ [D] _ _ _
[A] _ _ _ _ _ _ _ [E] _
[A] Blazing run in the wrong [Gm] key.
_ [F#] _ _ _ [C] _ _ _ _
[D] _ _ _ [F#m] _ _ _ [A] _
[Bm] Diminished _ scale. _ _ _ _
_ _ [Am] _ _ _ _ [B] _ _
[C#] _ _ _ [C] _ _ _ _ _
[Am] _ _ [D] _ _ _ [C] _ _ _
_ _ _ [Am] _ _ _ _ _
_ _ [Dm] _ _ _ _ [Am] _ _
_ _ _ [Bm] _ _ _ _ _
_ [F#] _ _ _ _ _ _ _
_ _ _ _ _ [D#] _ _ _
[F#] _ _ _ [C] _ _ _ _ [D] _
We're going to talk a little bit [Am] about blues, _
[Bm] _ and how to make your blues playing a little
more colorful [A] _ _ [D] by using [A] some of the jazz elements.
The altered scale, which is just B flat melodic minor, [F] _ _ _
_ _ _ _ [G] _ _ _ _
[D] _ _ _ _ [E] _ _ [D] _ _
we resolve it to the third.
[G] _ _
_ _ _ _ [F#m] _ _ _ _
[Am] _ _ _ _ _ [Fm] _ [A#m] _ _
[G] _ [C] _ _ _ _ [D] _ _ _
_ So [B] you're hearing the scale switch from E melodic minor _ to B flat melodic minor before
it goes to [D] the four chord.
_ _ _ Using triads, there's these kind of things where you can [D#] [F] go, _
_ [D] _ _ [B] _ [G#] _ _ [A] _ _
_ so I came back to it like that.
[C#m] _ I remember we [D] used this one. _
[F] _ _ _ _ _ _ [Am] _ _
_ [D] _ _ [A] _ _ That'd be nice.
_ [G] _ _ [F#] _ _ _ _
[D#m] I could use it here.
_ [G#m] _ _ [A] _ [G] _
[F#] _ _ [C] _ _ _ _ [A] _ _
_ [G] Now, _ [F#] _ [A#] I _
[Am] _ [G#] _ _ _ _ [G] _ _ _
[Am] _ _ [F#] _ _ _ _ _ _
[C#m] consider myself more of a blues rock player [E] than a jazz player, [D#m] but I borrow [G#] from
jazz, and I like the [F#m] color that it [D] brings to music. _ _ _ _
[A] _ _ _ _ _ _ [D] _ _
_ _ [A] _ _ _ [F#] _ _ _
[E] _ _ _ [D] _ _ _ _ [G#] _
_ [Am] _ _ _ [B] That little thing where I [C] went, [F#] _ _ _ [F] _ _ _
_ [D] _ _ well there [B] it was right there.
[C] There's the flat [A#m] nine.
_ _ [A] _
[F#] _ You want to sound like a [A] blues player, _ but you want to get away with a little bit of
_ colorization of what you're doing. _ _ _ _ _ _
[D#] _ [D] Minor third.
_ [Am] _ _
_ _ _ _ _ [D] _ _ _
[A] _ _ _ _ _ _ _ [E] _
[A] Blazing run in the wrong [Gm] key.
_ [F#] _ _ _ [C] _ _ _ _
[D] _ _ _ [F#m] _ _ _ [A] _
[Bm] Diminished _ scale. _ _ _ _
_ _ [Am] _ _ _ _ [B] _ _
[C#] _ _ _ [C] _ _ _ _ _
[Am] _ _ [D] _ _ _ [C] _ _ _