Chords for Status Quo - Aquostic Interview | Classic Rock Magazine

Tempo:
80.225 bpm
Chords used:

D

F

A

G

Bb

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Status Quo - Aquostic Interview | Classic Rock Magazine chords
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[E] [G] [Bb]
insanity we
We were doing this a bit very successful ad in Australia
Which you know news I was got very embarrassed about because I shouldn't do that prostitute yourself you can prostitute yourself every other way you know
And we've [Ab] done various ads for them very [Ebm] very successful one we did
[Abm] One of the verses of down down was in this [B] kind of it's all right
Yeah, I'll do it now that kind of and it was very I don't know very acoustic he sounded
Similar to the way we've done this [Bb] album, and it was [Am] mocked up in a film [Bb] studio that our manager
Something in a [F] round somewhat similar to the Presley thing that they did blah blah blah
So I went along with it and did it for [Bb] the edge
You know but there was something happened on that day.
We were all thinking this is quite a something here
And at the time he said do you want to do that and I think Rick was [Eb] interested in
I'm the idea of it, and I wasn't at all was it just
[F] Completely wrong idea at the time and whether or not one could get you know X tracks and make them all work
We just got into one of those chats.
You know [Ab] and it just came about about you know
[Bb] About doing [Fm] some of the tracks [Bb] acoustically you know on stage instead of doing no one why don't we do a whole album?
acoustic
Yeah
Sounds like a good idea.
No, and it was just it just sounded like an idea
you know that [Ab] we could go [Eb] away and think about and and
Maybe it happened.
Maybe it wouldn't you [Bb] know
So we started rearsing a couple of things up.
You know and it sounded really good the two [F] guitars together.
You know and
[Eb] Then it became evident that really we should change [Bb] the arrangements of a lot of things
you know and do them in a vastly different way if [F] we're going to do this do it [Bb] properly and make it very different and
And it's turned out amazingly well.
I mean most things that we've done over the years the kind of
Whatever
Would have been written like that and down down would have been written like that and loads of stuff [D] would have been written on acoustic
[F] [C]
[G] [Ab] So you tend to chime when we got [Gm] you we had some of that I suppose and then with their testicles and
And I'm doing [Bb] this album you suddenly realize that
I'm not [F] necessarily saying it was good or bad
But [G] you have to fill up the thing you've got this nice piece of melody which has always been interesting with quality
It's kind of cute little melody this friggin [C] noise at the what's going [G] on there?
[D] And we've done a couple of three tracks
[Am] And got in in there and we were doing [G] paper plane [Bb] again, it just couldn't change much
[F] Doesn't change too much.
[G] I thought it's not gonna work.
Most of the ones we've tried
are all very and
By the [D] end of the day or whatever and I stood in the control room for well, so I've always liked paper plane
There's a melody
And I think that's when it's kind of dawned on everybody in that.
I really like paper plane
Kind of like it more although it's it's
It's not electric in any way.
It really [A] rocks and the
tracks like Caroline [D] it changes tempo three times, you know and to do songs like
And it's better now.
We've never done live and stuff, you know to do them on acoustic.
[A] That's so beautiful and
And for [D] you
Which is always not just because I wrote it
But just one of my favorite songs and to get an opportunity to do that, especially with some string sections
I mean there's been a lot of hair standing on a lot of [A] arms, you know, wow, so lovely and
I actually [Bm] started well enough [A] when I was singing [D] it and I said I can't have any of that, you know do it again
I said, all right, I'll try and I'm well enough, you know, but it brings back so many memories to me
When I [A] wrote it, you know of the wonderful or bad old days, whichever [D] you want to call them, you know
and there are a [F] lot of drugs around and you [C] know, but you know, [D] I
Thoroughly [F] enjoying myself [D] in those days and [F] as I am now in a [C] much different way
I [B] don't ever [E] been this enthused about something
[A] [D] I
Don't know.
It's very difficult until we said shit.
It's the fan literally, you know
Oh blimey, that's I know often say that there are various things [A] we've done in their career sometimes
they [D] look like a fantastic was a great move guys and
Do with us [Fm] the rocking all over the world period people [F] kept saying just great timing
[Eb] Don't it to do with [Dm] us the time we started three months early the drummer [C] broke his foot so [F] things happen
So the same with this you might [G] I'm not be looking to talk to you next year.
Jesus.
[A] That was a mistake one
You know, I think you [D] recover from that and then it could be the best thing we've ever done
I think it will surprise a lot of people because you know rather than let's put [A] some crow on and
Headbang you you can actually [D] I was sitting out on the terrace
I live in Spain now and it [F] was a beautiful evening and [C] just sitting out the back listening to this album and a couple of
[F] Tracks just sit there with your feet up.
[D] They're so peaceful and [F] tranquil and
[C] There's it [B] there's a couple of tracks on there [E] that people are going to go.
No, surely not [A] that
[G] Can't [D] be like don't drive my car.
Surely not.
I can't be say as quote surely.
It's that different
It's so different.
It sounds like
[Em] Stefan Grappelli [Am] and Jango Reinhardt, you know, [G] if I may be so bold
[F] [C] But it's it's just been a great [G] experience [A] recording it, you know
Everything's [E] different and I think it throws [G] a whole different dynamic and a different [D] color over the band in general, you know
And I think a lot of people are going to be very surprised
There's obviously going to be some people are going to go what a load of shit, you [A] know
Which the rule was are but you can't please everybody all the time
[D] otherwise you'd
You'd be Madonna, wouldn't you?
Don't know what I mean by that
[G] [A]
[D] [A]
[N]
Key:  
D
1321
F
134211111
A
1231
G
2131
Bb
12341111
D
1321
F
134211111
A
1231
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[E] _ _ _ [G] _ _ [Bb] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ insanity we
We were doing this a bit very successful ad in Australia
Which you know news I was got very embarrassed about because I shouldn't do that prostitute yourself you can prostitute yourself every other way you know
And we've [Ab] done various ads for them very [Ebm] very successful one we did
[Abm] One of the verses of down down was in this [B] kind of it's all right
Yeah, I'll do it now that kind of and _ _ _ it was very I don't know very acoustic he sounded
Similar to the way we've done this [Bb] album, and it was [Am] mocked up in a film [Bb] studio that our manager
Something in a [F] round somewhat similar to the Presley thing that they did blah blah blah
So I went along with it and did it for [Bb] the edge
You know but there was something happened on that day.
We were all thinking this is quite a something here
And at the time he said do you want to do that and I think Rick was [Eb] interested in
I'm the idea of it, and I wasn't at all was it just
[F] Completely wrong idea at the time and whether or not one could get you know X tracks and make them all work
We just got into one of those chats.
You know [Ab] and it just came about about you know
[Bb] About doing [Fm] some of the tracks [Bb] acoustically you know on stage instead of doing no one why don't we do a whole album?
acoustic
_ Yeah
Sounds like a good idea.
No, and it was just it just sounded like an idea
you know that [Ab] we could go [Eb] away and think about and and
Maybe it happened.
Maybe it wouldn't you [Bb] know
So we started rearsing a couple of things up.
You know and it sounded really good the two [F] guitars together.
You know and
[Eb] Then it became evident that really we should change [Bb] the arrangements of a lot of things
you know and do them in a vastly different way if [F] we're going to do this do it [Bb] properly and make it very different and
And it's turned out amazingly well.
I mean most things that we've done over the years the kind of
_ Whatever
_ _ _ Would have been written like that and down down would have been written like that and loads of stuff [D] would have been written on acoustic
[F] _ [C] _ _
[G] _ [Ab] So you tend to chime when we got [Gm] you we had some of that I suppose and then with their testicles and
And I'm doing [Bb] this album you suddenly realize that
I'm not [F] necessarily saying it was good or bad
But [G] you have to fill up the thing you've got this nice piece of melody which has always been interesting with quality
It's kind of cute little melody this friggin [C] noise at the what's going [G] on there?
_ [D] And we've done a couple of three tracks
[Am] And got in in there and we were doing [G] paper plane [Bb] again, it just couldn't change much
[F] Doesn't change too much.
[G] I thought it's not gonna work.
Most of the ones we've tried
are all very and
By the [D] end of the day or whatever and I stood in the control room for well, so I've always liked paper plane
There's a melody
And I think that's when it's kind of dawned on everybody in that.
I really like paper plane
Kind of like it more although it's it's
It's not electric in any way.
It really [A] rocks and the
tracks like Caroline [D] it changes tempo three times, you know and to do songs like
_ And it's better now.
We've never done live and stuff, you know to do them on acoustic.
[A] That's so beautiful and
And for [D] you
Which is always not just because I wrote it
But just one of my favorite songs and to get an opportunity to do that, especially with some string sections
I mean there's been a lot of hair standing on a lot of [A] arms, you know, wow, so lovely and
I actually [Bm] started well enough [A] when I was singing [D] it and I said I can't have any of that, you know do it again
I said, all right, I'll try and I'm well enough, you know, but it brings back so many memories to me
When I [A] wrote it, you know of the wonderful or bad old days, whichever [D] you want to call them, you know
and there are a [F] lot of drugs around and you [C] know, but you know, [D] I
Thoroughly [F] enjoying myself [D] in those days and [F] as I am now in a [C] much different way
I [B] don't ever [E] been this enthused about something
[A] _ [D] I
Don't know.
It's very difficult until we said shit.
It's the fan literally, you know
Oh blimey, that's I know often say that there are various things [A] we've done in their career sometimes
they [D] look like a fantastic was a great move guys and
Do with us [Fm] the rocking all over the world period people [F] kept saying just great timing
[Eb] Don't it to do with [Dm] us the time we started three months early the drummer [C] broke his foot so [F] things happen
So the same with this you might [G] I'm not be looking to talk to you next year.
Jesus.
[A] That was a mistake one
You know, I think you [D] recover from that and then it could be the best thing we've ever done
I think it will surprise a lot of people because you know rather than let's put [A] some crow on and
Headbang you you can actually [D] I was sitting out on the terrace
I live in Spain now and it [F] was a beautiful evening and [C] just sitting out the back listening to this album and a couple of
[F] Tracks just sit there with your feet up.
[D] They're so peaceful and [F] tranquil and
[C] There's it [B] there's a couple of tracks on there [E] that people are going to go.
No, surely not [A] that
[G] Can't [D] be like don't drive my car.
Surely not.
I can't be say as quote surely.
It's that different
It's so different.
It sounds like
[Em] Stefan Grappelli [Am] and Jango Reinhardt, you know, [G] if I may be so bold
[F] _ [C] But it's it's just been a great [G] experience [A] recording it, you know
Everything's [E] different and I think it throws [G] a whole different dynamic and a different [D] color over the band in general, you know
And I think a lot of people are going to be very surprised
There's obviously going to be some people are going to go what a load of shit, you [A] know
Which the rule was are but you can't please everybody all the time
[D] otherwise you'd
You'd be Madonna, wouldn't you?
Don't know what I mean by that
_ _ _ _ _ [G] _ [A] _ _
_ _ [D] _ _ _ _ [A] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _

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