Chords for The Cardigans - For What It's Worth - Director’s Cut

Tempo:
126.3 bpm
Chords used:

Dm

F

Am

C

G

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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The Cardigans - For What It's Worth - Director’s Cut chords
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Key:
Dm
2311
F
134211111
Am
2311
C
3211
G
2131
Dm
2311
F
134211111
Am
2311
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Chords
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To learn The Cardigans - For What Its Worth chords with lyrics, these are the chords to practise in sequence: Dm, F, Dm, Am, F, Am, C, F, C, G, Dm. To get a solid grasp, start slowly at 63 BPM and then match the original tempo of 126 BPM. With an eye on the song's key C, set the capo that best suits your vocal range.

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[G] [F] [Am] .
.
[F] .
[Dm] .
[Am] Hey [F] .
[Dm] .
[Am] [G] .
baby come around, [Dm] .
keep holding you down, and [F] I'll be keeping you up [C].
tonight.
A [G] .
four letter word got stuck in [Dm] my head, the dirtiest word that I've [F] ever said, it's making me feel [C].
alright.
[F] .
For what [Dm] it's worth, [Am] I love you, [F] .
and what [Dm] it's worth, I [Am].
really do.
[F] .
For what [Dm] it's worth, I'm [C] gonna run, run, run, [G] till the sleepless gets [F] to you, and what [Dm] it's worth, I [Am].
love you.
[G].
Hey please baby come back, [Dm] there'll be no more loving a task, and [F] I'll be keeping it cool [C] tonight.
The [G] .
four letter word is out of [Dm] my head, come on around, get back in [F] my bed, keep making me feel [C] alright.
[F] .
For what [Dm] it's worth, [Am] I like you, [F] .
and what [Dm] it's worth, [Am] I really do.
[F] .
Things have [Dm] been worse, and [C] we had fun, fun, fun, [G] till I said I love [F] you, and what [Dm] it's worth, [Am] I really do.
[C] [F] .
For [Dm] [Am] .
[Dm] [C] [G] [F] .
[Dm] [Am] .
[G] .
[Dm] .
[C] [F] .
[C] .
[G] .
[Dm] [C] [Dm] .
[C] [F] .
[C] .
[Am] [F] what [Dm] it's worth, [Am] I love you, .
[C] [F] and what [Dm] it's worth, I [Am] really do.
.
[C] [F] [Dm] .
[Am] .
[F] [Dm] .
[Am] .
[F] [Dm] .
[Am] .
[F] [Dm] .
Thanks [Am] .
[F] [Dm] .
[C] [G] .
[F] for [Dm] .
[Am] .
.
[A] watching!.
[N]

Facts about this song

This song was penned by Nina Persson and Peter Svensson.

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