Chords for The Making Of Cardi B's "Bartier Cardi" With Cheeze Beatz & 30 Roc | Deconstructed

_ This was the first beat we made [C] for the Cardi pack really that was the first beat and [G] that was the only beat when we
Made the [B] beat.
Yeah, we just sat there and we looked at each other like yo [C] is it we know is it?
Your bitch want party with Cardi, Cardi at a party in her Rari, Diamonds all over my _ [Bm] body, [B] bitch you ain't gang you lame,
In the truck laying a lame, y'all insane and sane, I just put [Bm] the chain, fuck up a [B] game, pretty pick a man you upset,
Cardi got bricks they upset, pretty put the pussy on offset, Cardi be praying on offset
In 35 like you know big brother little brother we finna get a bag together type shit and I'm the big brother in your word
The little big brother, sonned him again, there we go keep that.
So one day we was at a beat battle and they went down the list
It was like 30 Rock, somebody else somebody else, Cheese Beats and I looked down I was like hey nigga I've been looking for you
My brother ever since really.
[C] A lot of people don't [Bm] understand that like a lot of rappers [G] and artists don't understand that it's really about the bounce
That would [C] make your fans go for it or won't go for it
Pretty pick a man you upset, [B] Cardi got bricks they upset, pretty put the pussy on offset, Cardi be praying on offset
When we created this beat it don't sound nothing like Bodak Yellow, but we still kept it in the club, we still kept it in that region
That _ night it was just on something, yo let's [G#m] link.
I walked in the studio because El was like yo let's get this pack to Cardi
So we just pulled up the keyboard and we started [F#] going through some sounds and shit and it really was just magic man
[G] We just knew that this beat was going to go to her though.
We probably made the beat around August [F#] 28th or something like that
And you know of course [B] Bodak Yellow was on fire right now, you know what I'm saying so it was kind of just we had to come up with that [B] next one
We started with a pad and I played without the gross beat first and then played with the gross beat
So this is without the gross beat _ _
[E] _ _ _ [C] _ and then we put a gross beat on it with the [B] reverse on it so this is it with it _ _ _ _ _ _
[E] So from there we added a piano which was underneath it, _ _
_ [Em] _ _ [C] _ _ we added a snare which was I think the Pyrex out of Johnny and [B] Juliana
From _ _ there we decided to bring in the first two sounds that we do have around the snare _
And we decided okay [F#] we definitely got to add a hi-hat so we can get a bounce
It was just a night where I was drawing everything in and he had the keyboard and he added this little bottom part which was like _ _
_ _ _ _ _ _ _
Sometimes I'd really be hearing something but in this I thought I was just fucking around
He really getting on my goddamn nerves
I might have been just sitting there smoking and he just getting on my goddamn nerves
Yeah fuck with him
What you gonna do?
Don't point me bro
Leave it in there
I swear I'll leave this interview
Leave it?
Wrap this shit up Alright
Nah but so basically after having all those sounds we added an open hat
[A#] So _ _ _ _ [G#] then from there we took it and we added an 808 with the sounds that we had
And with the 808 pattern which was kind of so special about it we actually went through and I added two notes and then he went in and added like a couple like four notes
And then I came behind him and paused
Came behind and paused
_ _ Followed up
I followed up and I [F#] added like a couple more notes and then we basically just made it work
So I just played the 808 pattern by itself _ _ _ _
_ _ _ _ _ _ [A#] The only thing that we added in the second part of the hook was a simple hi-hat which was _ _ _
We took the verse [F#] and we was like man we gotta turn it up but we wanted to keep it in the pocket
We just basically changed up the 808s
[D#] _ _ _ [F#] _ _ _ [B] _
Like throughout the hook and the verse we just kind of like swapped them and just trying to keep everything in the pocket
So when she got on it she was able to get in and get out
Get in and get out you know what I'm saying but make the song fun _ _ _
_ _ It took us about two months to get the beat to her
About seven weeks to get the record done
When I heard the finished product I was like hell yeah this bitch gonna go
You know when you got a hit you gotta hit but it's like
Gotta [E] keep it moving
Yeah you gotta keep it moving
Can't get comfortable with this shit like
[C] And sometimes you don't even know what the hit is capable of doing for you like
_ _ Me and this nigga we sat in the studio and [B] was like yo we gonna make these niggas pay attention this year
We gonna make [G] everybody know that like yo we about to have this run
There's a lot of people who doubted [F#] us, a lot of people who [B] didn't believe in the situation
And you know me and him took it upon [F] ourselves to we're gonna make the [F#] world believe
You know what I'm saying anything that you hear from me or him whether it's separate or together
We're proving the point
[E] _ _ _ [B] _
_ _ [G#m] _ _ [E] _ _ Moon [B] rocks in this bitch I'm from the motherfucking Bronx
I keep the pump in the trunk
Bitch if you bad then jump
Might leave your bitch in a slump
_ _ _ _ _ _ _ [N] _