Chords for The Making Of Lil Baby & Drake's "Yes Indeed" With Wheezy | Deconstructed
Tempo:
112.25 bpm
Chords used:
F
Bb
Db
E
C
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Really, honestly, Gunna had the beat first.
[Bb] When I played Drake the beat, he was like, yo, [F] give this to Noah [Bb] ASAP.
Two weeks, three [F] weeks later, maybe a month, he was like, [C] yo, I just spazzed.
[F] I had to call Gunna like, yo, [Bbm] shit, man, Drake on this [F] beat, you know what I'm saying?
You're going to have to fall back [Bb] on it.
I really think Gunna should have been on that song too, but it's a collab coming soon, for sure.
[F]
[Bb] [Db]
[Fm] [Ab] [Db]
[Eb] [F] I was out in Wyoming with Kya.
[Bb] We was kicking it, kicking it, kicking it, making [F] music, just going crazy every night.
And then [Bb] maybe my last date there, Drake [F] showed up.
Me and Drake, we talked [Fm] before, but it was through DM.
That's [Bbm] when Supa Slammy dropped.
And we're so crazy.
I had an early flight, so I had to go [F] back to my cabin or whatever.
So I'm [Bb] on the flight and the nigga was like, yo, bro,
I [F] didn't even fucking know that was you last night, [Bb] bro.
I feel so dumb, bro.
[F] I was like, nah, it's all good.
I flew [C] back to LA.
A day later, [Db] Drake came and he [F] was like, yo, [Bbm] pull up to the house, let's get it.
Honestly, I opened up the program and just started pressing shit.
Sometimes I have a beat in my head, but with me, it starts with the sound first,
rather than me thinking about the pattern.
If I like the sound, I'm just going to go crazy.
So originally I started with [Gbm] this pad.
[E]
The pad was [Gbm] a plugin called Purity that I've been [E] using for a long time.
Because when I started making [F] beats, I couldn't get Amazpyr and all that big stuff
because I didn't have the right space for the computer.
But now you're going to reload it.
Once I had the pad, I started with the drums.
I think the 808 is the heart of the beat.
You got to have your 808s right.
808s ain't right.
You know what I'm saying?
The beat ain't right.
So I had the [E] pad and the 808, but it really wasn't the vibe [Gbm] that I was going for.
[Db] [E] I was looking for something way more grimy.
I went to this crazy kit that I got from a young producer, B [F]-Rack.
It had this crazy [Bb] stringy, flutey sample.
I kind of tweaked [Bbm] it.
Put some more [F] drip on it.
[Bb]
[Db] Right away, I knew it [Bb] was crazy.
[Eb] I was satisfied.
[Db] I had the hi-hats and the claps already formed from the pad.
When I found the flute, it just went right with it.
[F]
[Bb] I feel like the hi-hats gave it way [F] more color.
At the time, I felt like it was missing the vox.
I just felt like it needed to be there.
It gives it that pop. Punch.
My favorite part was the beat.
The tag.
Shout out to Future, you know what I'm saying, for that [Bb] Weezy outta here.
Yeah.
[F] [Bb]
[Db] Drake sent me his verse first without Lil Baby being on it, but he said Lil [E] Baby's name.
So [A] that's how I just knew it was like, all right.
Maybe a day after that, it was a TMZ video out and he [Bb] dropped it in a club in Atlanta.
It was crazy.
My [F] social media and everything, it just went [Bb] crazy.
I didn't even know it dropped.
[Db]
[C] [F] When I heard Drake, you know, shout [Db] me out, I was, you know what I'm saying, I was [F] appreciative.
I was like, yo, this shit crazy.
[Bb] The summer's mine.
[F] [C]
[Bb] When I played Drake the beat, he was like, yo, [F] give this to Noah [Bb] ASAP.
Two weeks, three [F] weeks later, maybe a month, he was like, [C] yo, I just spazzed.
[F] I had to call Gunna like, yo, [Bbm] shit, man, Drake on this [F] beat, you know what I'm saying?
You're going to have to fall back [Bb] on it.
I really think Gunna should have been on that song too, but it's a collab coming soon, for sure.
[F]
[Bb] [Db]
[Fm] [Ab] [Db]
[Eb] [F] I was out in Wyoming with Kya.
[Bb] We was kicking it, kicking it, kicking it, making [F] music, just going crazy every night.
And then [Bb] maybe my last date there, Drake [F] showed up.
Me and Drake, we talked [Fm] before, but it was through DM.
That's [Bbm] when Supa Slammy dropped.
And we're so crazy.
I had an early flight, so I had to go [F] back to my cabin or whatever.
So I'm [Bb] on the flight and the nigga was like, yo, bro,
I [F] didn't even fucking know that was you last night, [Bb] bro.
I feel so dumb, bro.
[F] I was like, nah, it's all good.
I flew [C] back to LA.
A day later, [Db] Drake came and he [F] was like, yo, [Bbm] pull up to the house, let's get it.
Honestly, I opened up the program and just started pressing shit.
Sometimes I have a beat in my head, but with me, it starts with the sound first,
rather than me thinking about the pattern.
If I like the sound, I'm just going to go crazy.
So originally I started with [Gbm] this pad.
[E]
The pad was [Gbm] a plugin called Purity that I've been [E] using for a long time.
Because when I started making [F] beats, I couldn't get Amazpyr and all that big stuff
because I didn't have the right space for the computer.
But now you're going to reload it.
Once I had the pad, I started with the drums.
I think the 808 is the heart of the beat.
You got to have your 808s right.
808s ain't right.
You know what I'm saying?
The beat ain't right.
So I had the [E] pad and the 808, but it really wasn't the vibe [Gbm] that I was going for.
[Db] [E] I was looking for something way more grimy.
I went to this crazy kit that I got from a young producer, B [F]-Rack.
It had this crazy [Bb] stringy, flutey sample.
I kind of tweaked [Bbm] it.
Put some more [F] drip on it.
[Bb]
[Db] Right away, I knew it [Bb] was crazy.
[Eb] I was satisfied.
[Db] I had the hi-hats and the claps already formed from the pad.
When I found the flute, it just went right with it.
[F]
[Bb] I feel like the hi-hats gave it way [F] more color.
At the time, I felt like it was missing the vox.
I just felt like it needed to be there.
It gives it that pop. Punch.
My favorite part was the beat.
The tag.
Shout out to Future, you know what I'm saying, for that [Bb] Weezy outta here.
Yeah.
[F] [Bb]
[Db] Drake sent me his verse first without Lil Baby being on it, but he said Lil [E] Baby's name.
So [A] that's how I just knew it was like, all right.
Maybe a day after that, it was a TMZ video out and he [Bb] dropped it in a club in Atlanta.
It was crazy.
My [F] social media and everything, it just went [Bb] crazy.
I didn't even know it dropped.
[Db]
[C] [F] When I heard Drake, you know, shout [Db] me out, I was, you know what I'm saying, I was [F] appreciative.
I was like, yo, this shit crazy.
[Bb] The summer's mine.
[F] [C]
Key:
F
Bb
Db
E
C
F
Bb
Db
Really, honestly, Gunna had the beat first. _ _
[Bb] When I played Drake the beat, he was like, yo, [F] give this to Noah [Bb] ASAP.
_ Two weeks, three [F] weeks later, maybe a month, he was like, [C] yo, I just spazzed.
_ [F] I had to call Gunna like, yo, [Bbm] shit, man, Drake on this [F] beat, you know what I'm saying?
You're going to have to fall back [Bb] on it.
I really think Gunna should have been on that song too, but it's a collab coming soon, for sure.
[F] _ _ _
[Bb] _ _ _ _ [Db] _ _ _ _
[Fm] _ _ [Ab] _ _ [Db] _ _ _ _
[Eb] _ _ _ [F] I was out in Wyoming with Kya.
[Bb] We was kicking it, kicking it, kicking it, making [F] music, just going crazy every night.
And then [Bb] maybe my last date there, Drake [F] showed up.
Me and Drake, we talked [Fm] before, but it was through DM.
That's [Bbm] when Supa Slammy dropped.
And we're so crazy.
I had an early flight, so I had to go [F] back to my cabin or whatever.
So I'm [Bb] on the flight and the nigga was like, yo, bro,
I [F] didn't even fucking know that was you last night, [Bb] bro.
I feel so dumb, bro.
[F] I was like, nah, it's all good.
I flew [C] back to LA.
A day later, [Db] Drake came and he [F] was like, yo, [Bbm] pull up to the house, let's get it.
_ _ Honestly, I opened up the program and just started pressing shit.
Sometimes I have a beat in my head, but with me, it starts with the sound first,
rather than me thinking about the pattern.
If I like the sound, I'm just going to go crazy.
So originally I started with [Gbm] this pad.
_ _ _ [E]
The pad was [Gbm] a plugin called Purity that I've been [E] using for a long time.
Because when I started making [F] beats, I couldn't get Amazpyr and all that big stuff
because I didn't have the right space for the computer.
But now you're going to reload it.
Once I had the pad, I started with the drums. _ _
_ _ _ I think the 808 is the heart of the beat.
You got to have your 808s right.
808s ain't right.
You know what I'm saying?
The beat ain't right.
So I had the [E] pad and the 808, but it really wasn't the vibe [Gbm] that I was going for.
[Db] _ _ [E] _ _ I was looking for something way more grimy.
I went to this crazy kit that I got from a young producer, B [F]-Rack.
It had this crazy [Bb] stringy, _ flutey sample.
I kind of tweaked [Bbm] it. _ _ _
Put some more [F] drip on it.
_ _ _ [Bb] _ _
_ _ [Db] Right away, I knew it [Bb] was crazy.
[Eb] I was satisfied.
[Db] _ _ I had the hi-hats and the claps already formed from the pad.
When I found the flute, it just went right with it.
[F] _ _ _
[Bb] I feel like the hi-hats gave it way [F] more color. _ _ _
At the time, I felt like it was missing the vox.
I just felt like it needed to be there.
It gives it that pop. Punch.
My favorite part was the beat.
The tag.
Shout out to Future, you know what I'm saying, for that [Bb] Weezy outta here.
Yeah.
_ _ [F] _ _ _ _ [Bb] _
_ _ [Db] Drake sent me his verse first without Lil Baby being on it, but he said Lil [E] Baby's name.
So [A] that's how I just knew it was like, all right.
Maybe a day after that, it was a TMZ video out and he [Bb] dropped it in a club in Atlanta.
It was crazy.
My [F] social media and everything, it just went [Bb] crazy.
I didn't even know it dropped.
_ [Db] _ _ _ _
[C] _ _ _ [F] When I heard Drake, you know, shout [Db] me out, I was, you know what I'm saying, I was [F] appreciative.
I was like, yo, this shit crazy.
[Bb] The summer's mine.
_ _ _ [F] _ _ _ [C] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Bb] When I played Drake the beat, he was like, yo, [F] give this to Noah [Bb] ASAP.
_ Two weeks, three [F] weeks later, maybe a month, he was like, [C] yo, I just spazzed.
_ [F] I had to call Gunna like, yo, [Bbm] shit, man, Drake on this [F] beat, you know what I'm saying?
You're going to have to fall back [Bb] on it.
I really think Gunna should have been on that song too, but it's a collab coming soon, for sure.
[F] _ _ _
[Bb] _ _ _ _ [Db] _ _ _ _
[Fm] _ _ [Ab] _ _ [Db] _ _ _ _
[Eb] _ _ _ [F] I was out in Wyoming with Kya.
[Bb] We was kicking it, kicking it, kicking it, making [F] music, just going crazy every night.
And then [Bb] maybe my last date there, Drake [F] showed up.
Me and Drake, we talked [Fm] before, but it was through DM.
That's [Bbm] when Supa Slammy dropped.
And we're so crazy.
I had an early flight, so I had to go [F] back to my cabin or whatever.
So I'm [Bb] on the flight and the nigga was like, yo, bro,
I [F] didn't even fucking know that was you last night, [Bb] bro.
I feel so dumb, bro.
[F] I was like, nah, it's all good.
I flew [C] back to LA.
A day later, [Db] Drake came and he [F] was like, yo, [Bbm] pull up to the house, let's get it.
_ _ Honestly, I opened up the program and just started pressing shit.
Sometimes I have a beat in my head, but with me, it starts with the sound first,
rather than me thinking about the pattern.
If I like the sound, I'm just going to go crazy.
So originally I started with [Gbm] this pad.
_ _ _ [E]
The pad was [Gbm] a plugin called Purity that I've been [E] using for a long time.
Because when I started making [F] beats, I couldn't get Amazpyr and all that big stuff
because I didn't have the right space for the computer.
But now you're going to reload it.
Once I had the pad, I started with the drums. _ _
_ _ _ I think the 808 is the heart of the beat.
You got to have your 808s right.
808s ain't right.
You know what I'm saying?
The beat ain't right.
So I had the [E] pad and the 808, but it really wasn't the vibe [Gbm] that I was going for.
[Db] _ _ [E] _ _ I was looking for something way more grimy.
I went to this crazy kit that I got from a young producer, B [F]-Rack.
It had this crazy [Bb] stringy, _ flutey sample.
I kind of tweaked [Bbm] it. _ _ _
Put some more [F] drip on it.
_ _ _ [Bb] _ _
_ _ [Db] Right away, I knew it [Bb] was crazy.
[Eb] I was satisfied.
[Db] _ _ I had the hi-hats and the claps already formed from the pad.
When I found the flute, it just went right with it.
[F] _ _ _
[Bb] I feel like the hi-hats gave it way [F] more color. _ _ _
At the time, I felt like it was missing the vox.
I just felt like it needed to be there.
It gives it that pop. Punch.
My favorite part was the beat.
The tag.
Shout out to Future, you know what I'm saying, for that [Bb] Weezy outta here.
Yeah.
_ _ [F] _ _ _ _ [Bb] _
_ _ [Db] Drake sent me his verse first without Lil Baby being on it, but he said Lil [E] Baby's name.
So [A] that's how I just knew it was like, all right.
Maybe a day after that, it was a TMZ video out and he [Bb] dropped it in a club in Atlanta.
It was crazy.
My [F] social media and everything, it just went [Bb] crazy.
I didn't even know it dropped.
_ [Db] _ _ _ _
[C] _ _ _ [F] When I heard Drake, you know, shout [Db] me out, I was, you know what I'm saying, I was [F] appreciative.
I was like, yo, this shit crazy.
[Bb] The summer's mine.
_ _ _ [F] _ _ _ [C] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _