Chords for The Making Of Kendrick Lamar's "LOVE." With Teddy Walton | Deconstructed

Tempo:
125.25 bpm
Chords used:

Bb

F

Dm

C

A

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
The Making Of Kendrick Lamar's "LOVE." With Teddy Walton | Deconstructed chords
Start Jamming...
I learned to go with Kendrick through Zachari.
As simple as it sounds, one day I was like,
yo, where you gonna let me play Kendrick some beats?
And he was like, oh, you think it's that simple?
I was like, yeah, [Bb] if you put me in a room with Kendrick,
I'm gonna get some place, automatically.
[F] [C]
[Bb] [Gm] [A]
[F] [C]
[Bb] [G] Usually people expect you to go to studios,
like huge studios, you know,
like go across town and all that.
[F] I do the opposite.
I'd rather work from the crib.
[Dm] I wake up in the morning, watch a movie,
like roll up, pray.
Like, I'm real simple.
I don't like to do too much.
Like, I'm an in-house person, for real.
I'm more than just a beat maker.
I'm not the guy to be like, man,
I'm finna make 30 beats today.
Nah, it's more of like,
it's more of like a lifestyle to me.
Like, [Bb] it comes to me.
At a certain time.
For an example, like all the songs that I have out right now
is like I made at the crib.
I'm a Zakkari, basically.
I was working at Bryson House.
He actually wasn't a singer.
At least I didn't think, I didn't think he was a singer.
He had a saxophone in his hand.
And he's dope at like every instrument.
I never really knew that he could really sing
until we actually started really like working together
on a regular basis.
And we made a lot of records.
But when we made this, we were like, oh, [Dm] what is this?
Like, we knew that this was crazy.
I first started off this beat by putting some filtered keys
just to give it the right build up that it needs, really.
[Bb] It's like a Rhodes, like a regular piano.
If I was [F] explaining the effects I have on here,
it'd take [Dm] all day.
But I put layers of effects on all my instruments
to make it sound like a total different instrument.
If you was listening to my beats,
like you would think that I'm like really [Bb] good
at the piano, but I'm like, I'm not, I'm not good at all.
It's more of just me, like I mastered FL Studio.
The second thing I added on this beat is the sample
that me and Zakkari basically, we made something original
from a lot [F] of different content that he had.
[Dm]
[Em] [Bb]
[F] [Dm]
[N] So just to build on top of that, a simple kick.
After I did the kicks,
I did the hi-hats and the snare immediately.
[Eb] [Cm]
[F] I basically enhanced every instrument that I heard
in the original sample.
I love this bass.
Again, it's real simple.
I do simple things, so if you put it together,
it sounds complex.
I'm gonna play the kicks and the hi-hats
and the bass together.
[N]
[F] [B]
It has to flow, like everything has to be cohesive.
I treat it like a house,
like I'm building a house or something.
I'm playing a game, it's not like just making beats.
This is my favorite one.
I don't think nobody even noticed it in the beat.
It's my voice, it's like a whole bunch of different stuff.
I hear a lot of beats and it sounds like
a certain person made it.
That's one of the reasons why I don't have a tag.
I want people to know that like a certain sound
that I'm using, that's a Teddy beat.
Zakkari had like a vocal chop.
I put a crazy effect on this one, the last one.
Just to give it that bounce.
Obviously Kendrick caught the bounce of it.
His lyrics was actually responding to my vocal chop.
So as I added the vocals, it was pretty much done to me,
but I wanted to make something pop out a little bit more.
I added these keys.
The last element that I added to this beat
is these crazy [Db] snares that I got.
I basically just put a regular snare there
and put a lot of distortion on it
to be on some Watch the Throne shit.
[Bb]
The funny part about this beat is
it's not even that many instruments.
Everything's simple, but once you put
all the instruments together,
it sounds like a full song.
[F] [C]
[Bb]
One of [F] the reasons why this song is big
because for one, I don't think nobody
have heard Kendrick on this type of vibe.
The crazy thing about it, I wasn't playing this before Kendrick.
It was Kendrick asking me,
[Bb] hey, play something you're working on.
It was just him being curious of, I guess,
[F] of what I'm listening to
or what everybody else is listening to.
I was just playing this little key,
just showing off what I got.
He just said it was a great song.
He really didn't react until the next day, really,
until I found out that he likes the record
and he wanted me to come back.
After he dropped down, I was like,
I could see why he picked the beat.
It definitely slid perfectly.
It was almost like it was made for him, honestly.
[C] [Bb]
[A]
Key:  
Bb
12341111
F
134211111
Dm
2311
C
3211
A
1231
Bb
12341111
F
134211111
Dm
2311
Show All Diagrams
Chords
NotesBeta

To learn Kendrick Lamar - Love chords, your practice should emphasize these chord progressions: Db, C, F, D, C, Bb and D. Set your pace at 60 BPM initially and then sync up with the song's BPM of 121. Adapt the capo setting considering your vocal range, with reference to the key: D Minor.

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_ I learned to go with Kendrick through _ Zachari.
As simple as it sounds, one day I was like,
yo, where you gonna let me play Kendrick some beats?
And he was like, oh, you think it's that simple?
I was like, yeah, [Bb] if you put me in a room with Kendrick,
I'm gonna get some place, _ automatically.
[F] _ _ _ _ [C] _ _ _
_ [Bb] _ _ _ [Gm] _ _ [A] _ _
_ [F] _ _ _ _ [C] _ _ _
[Bb] _ _ _ _ [G] _ _ Usually people expect you to go to studios,
like huge studios, you know,
like go across town and all that.
[F] I do the opposite.
I'd rather work from the crib. _
[Dm] _ I wake up in the morning, watch a movie,
like roll up, pray.
Like, I'm real simple.
I _ don't like to do too much.
Like, I'm an in-house person, for real.
_ _ _ I'm more than just a beat maker.
_ _ I'm not the guy to be like, man,
I'm finna make 30 beats today.
_ Nah, it's more of like,
it's more of like a lifestyle to me.
Like, [Bb] it comes to me.
At a certain time.
For an example, like all the songs that I have out right now
is like I made at the crib. _ _ _ _
I'm a Zakkari, basically.
I was working at Bryson House.
He actually wasn't a singer.
_ At least I didn't think, I didn't think he was a singer.
He had a saxophone in his hand.
And he's dope at like every instrument.
I never really knew that he could really sing
until we actually started really like working together
on a regular basis.
And we made a lot of records.
But when we made this, we were like, oh, _ [Dm] what is this?
Like, we knew that this was crazy.
_ I first started off this beat by putting some filtered keys
just to give it the right build up that it needs, really. _ _ _
[Bb] It's like a Rhodes, like a regular piano. _ _ _ _
If I was [F] explaining the effects I have on here,
it'd take [Dm] all day.
But I put layers of effects on all my instruments
to make it sound like a total different instrument.
If you was listening to my beats,
like you would think that I'm like really [Bb] good
at the piano, but I'm like, I'm not, I'm not good at all.
It's more of just me, like I mastered FL Studio.
_ _ _ _ The second thing I added on this beat is the sample
that me and Zakkari basically, we made something original
from a lot [F] of different content that he had.
_ [Dm] _
_ _ _ [Em] _ _ _ [Bb] _ _
_ _ _ _ _ [F] _ _ [Dm] _
_ [N] So just to build on top of that, a simple kick.
_ _ _ _ _ After I did the kicks,
I did the hi-hats and the snare immediately. _ _ _ _
_ _ [Eb] _ _ _ _ _ [Cm] _
_ _ _ [F] I basically enhanced every instrument that I heard
in the original sample.
I love this bass.
_ _ _ _ _ _ Again, it's real simple.
I do simple things, so if you put it together,
it sounds complex.
I'm gonna play the kicks and the hi-hats
and the bass together.
_ _ _ _ [N] _ _ _
_ _ _ _ _ _ _ _
_ [F] _ _ _ _ [B] _ _
It has to flow, like everything has to be cohesive.
I treat it like a house,
like I'm building a house or something.
_ I'm playing a game, it's not like just making beats.
This is my favorite one.
I don't think nobody even noticed it in the beat.
_ It's my voice, it's like a whole bunch of different stuff.
_ I hear a lot of beats and it sounds like
a certain person made it.
That's one of the reasons why I don't have a tag.
I want people to know that like a certain sound
that I'm using, that's a Teddy beat.
_ Zakkari had like a vocal chop.
_ _ I put a crazy effect on this one, the last one.
_ _ _ _ Just to give it that bounce.
Obviously Kendrick caught the bounce of it.
_ His lyrics was actually responding to my vocal chop.
So as I added the vocals, it was pretty much done to me,
but I wanted to make something pop out a little bit more.
I added these keys. _ _
_ _ _ _ The last element that I added to this beat
is these crazy [Db] snares that I got.
I basically just put a regular snare there
and put a lot of distortion on it
to be on some Watch the Throne shit.
_ _ _ _ [Bb] _
The funny part about this beat is
it's not even that many instruments. _
Everything's simple, but _ once you put
all the instruments together,
it sounds like _ a full song.
[F] _ _ _ _ [C] _ _
_ _ [Bb] _ _ _ _ _ _
One of [F] the reasons why this song is big
because for one, I don't think nobody
have heard Kendrick on this type of vibe.
The crazy thing about it, I wasn't playing this before Kendrick.
It was Kendrick asking me,
[Bb] hey, play something you're working on.
_ It was just him being curious of, I guess,
[F] _ of what I'm listening to
or what everybody else is listening to.
I was just playing this little key,
just showing off what I got.
_ He just said it was a great song.
He really didn't react _ _ until the next day, really,
until I found out that he _ likes the record
and he wanted me to come back.
After he dropped down, I was like,
I could see why he picked the beat.
It definitely slid perfectly.
It was almost like it was made for him, honestly. _
_ _ _ [C] _ _ _ _ [Bb] _
_ _ [A] _ _ _ _ _ _
_ _ _ _ _ _ _ _

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