Hey Pocky A-Way Chords by The Meters

Tempo:
168.7 bpm
Chords used:

D

G

C

Bm

Dm

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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The Meters - Hey Pocky A-Way chords
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[Dm]
[F] [G] [Dm]
[G] [D] [Gm] [Dm] [C]
[D]
He came for me now, but it's such a show, yeah.
Real good music.
I've been told, good for the body, and it's good for your soul.
I'm gonna do it now.
Hey, hey, hey, hey, hey, my place.
[Bm] Hey, [G] hey, hey, hey, hey, my place.
[D]
[G]
[D] Get on [G] out.
My [D] own.
[C] [G]
[D] [C] [G]
[D] Fly back to England.
Ride me to get your car.
I don't make no difference where you are.
Feel the youth.
It's so soft.
Make no body.
Slow, funky road.
Let me hear you say, hey, hey, hey, hey, hey, my place.
[Bm] Hey, [G] hey, hey, [D] hey.
[C] [G]
Gucci.
[D] [C] [G]
[D] Sly [C] Lox.
[G]
[D] Upline Rudder.
[C] [G]
Hey, [N] hey, hey, hey, hey, my place.
Hey, hey, hey, hey, hey, my place.
Hey, hey, hey, hey, my [D] place.
[Bm] Hey, hey, [G]
hey, [D] hey, hey, my place.
Come on, baby.
Keep on grooving.
Keep on getting down.
Keep on.
Don't let it down.
Raise your feet now.
Hey, hey, hey, hey, hey, my place.
[F] [G]
[D]
[G]
[D] Fly back to England.
Riding in your car.
Don't make no difference where you are.
Feel the music.
I've been told.
It's good for the body.
And it's good for your soul.
Come on, baby.
Hey, hey, hey, hey, hey, my
[Bm] [G]
[D] [Am] [D] place.
[C] [G]
Rock [D] that [C] ruler, [G] yeah.
[Fm] [D] [C] [G] Why you calling me [D] [C] [G]
[D]
by the sign?
No, not today.
Key:  
D
1321
G
2131
C
3211
Bm
13421112
Dm
2311
D
1321
G
2131
C
3211
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Chords
NotesBeta

Learn the basic chords of The Meters - (Single Version) Hey Pocky A-Way chords, with this master sequence: D, C, G, D and Bm. For best results, commence at 84 BPM and progress to the song's BPM of 169. For a balanced pitch, adjust the capo with respect to your voice and the song's key: G Major.

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_ _ _ _ _ _ _ _
_ [Dm] _ _ _ _ _ _ _
_ _ _ _ [F] _ _ [G] _ [Dm] _
_ _ _ _ _ _ _ _
[G] _ [D] _ _ _ [Gm] _ _ [Dm] _ [C] _
[D] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ He came for me now, _ but it's such a show, yeah. _ _
_ _ Real good music. _ _
_ _ I've been told, _ _ _ good for the body, _ _ and it's good for your soul.
I'm gonna do it now.
Hey, _ hey, hey, _ hey, hey, my _ place.
[Bm] _ _ _ Hey, [G] hey, _ _ hey, hey, hey, my place.
[D] _ _ _ _ _
_ _ _ _ _ [G] _ _ _
_ [D] _ _ Get on [G] out. _
My [D] own.
[C] _ [G] _ _ _
_ _ [D] _ _ [C] _ [G] _ _ _
_ _ [D] Fly back to England.
_ _ Ride me to get your car. _
_ I don't make no difference _ _ _ where you are. _
_ _ Feel the youth. _
_ _ It's so soft. _
_ _ Make no body. _ _
_ _ Slow, funky road.
Let me hear you say, hey, _ hey, hey, hey, hey, my place. _
_ [Bm] _ _ _ Hey, [G] hey, hey, [D] hey. _ _ _ _ _
_ _ _ [C] _ _ [G] _ _ _
Gucci.
[D] _ _ [C] _ [G] _ _ _
_ _ [D] Sly [C] Lox.
[G] _ _ _
_ [D] Upline Rudder.
[C] _ [G] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Hey, _ [N] hey, hey, hey, hey, my place. _
_ _ _ Hey, _ _ hey, hey, hey, hey, my place.
_ _ _ Hey, _ _ _ hey, hey, hey, my [D] place. _
_ _ [Bm] _ Hey, hey, [G] _
hey, [D] hey, hey, my place.
_ _ _ _ _ _ _ _
_ Come on, baby. _ _ _
_ _ _ _ _ _ _ _
_ _ _ Keep on grooving. _
_ _ _ Keep on getting down.
_ _ Keep on. _ _ _
_ _ Don't let it down. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
Raise your feet now.
Hey, hey, hey, hey, hey, my place. _ _ _ _
_ _ _ _ _ [F] _ _ [G] _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [G] _
_ _ [D] Fly back to England. _
_ _ Riding in your car. _
_ _ _ Don't make no difference where _ you are. _
_ _ Feel the music. _
_ _ I've been told. _
_ It's good for the body. _
_ And it's good for your soul.
Come on, baby.
_ Hey, _ hey, hey, _ hey, hey, my _ _
_ _ [Bm] _ _ _ _ [G] _ _
_ [D] _ _ [Am] _ _ [D] place. _
_ _ _ [C] _ _ [G] _ _ _
Rock [D] that [C] ruler, [G] yeah. _ _
[Fm] _ _ [D] _ _ [C] _ [G] _ Why you calling me _ [D] _ [C] _ _ [G] _ _ _
_ _ [D] _ _ _ _ _ _
by the sign? _ _ _ _ _
_ _ No, not today. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _

Facts about this song

This song was authored by George Porter, Art Neville, Leo Nocentelli and Joseph Modeliste.

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