Chords for The Nelson Brothers with James Burton

Tempo:
83.15 bpm
Chords used:

A

E

D

B

Em

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
The Nelson Brothers with James Burton chords
Start Jamming...
[E]
[A]
[D] [A] [D]
[A] [C#] [D#]
[A] [Gm] We have a little tiny bit of kick drum in the [A] mix in our headphones.
[B] [Em]
[D] You want me, what might really be cool, I don't know, [G#] it might be [F#] better to do the rhythm
guitar first and then over [B] to the bass.
Sure.
That's what I [C] think.
I mean I think it would be, keep us together.
[D] Okay, let me do that.
I'm sitting here in a recording studio [E] playing Fool's Rush In with James [A] Burton.
[Bm] [E]
[A]
[E] [A]
[A] [D]
[A] What a night, [E] what a hat [A] fun plenty night.
[D] We got started [A] a little bit late.
[B] I hope this [E] won't be our last day.
[A] Look up, is that the foolest she can be?
Looks like the sun to me, isn't it?
I hate to face your daddy too bad.
I know he's gonna be mad, isn't it?
We gotta get on home, isn't it?
We've gone too long, ain't it James?
Dead from late, we're about to run out of gas, isn't it?
We gotta get home fast and speed, [D] we're in a slow down zone.
Oh baby look at that clock, why can't it be wrong?
We could have left [A] home at a quarter to [E] nine.
We would have had [A] fun and plenty of [D] time.
But we got started just a little bit [B] late.
I hope this [E] won't be our last [A] day.
Look up, is that the foolest she can be?
Looks like the sun to me, isn't it?
I hate to face your daddy too bad.
[E] I know he's gonna [A] be mad, isn't it?
We gotta get on home, isn't it?
We've [E] gone too long.
[A]
[N] I can't even describe the feeling.
I can't describe it because musically speaking it was euphoric.
It was orgasmic.
It was everything conspiring.
There's my brother on this side, James Burton sliding up and playing his solo on his Telecaster between us.
Everybody in that room knew how special this was.
It was miraculous.
So as a musical experience, it really doesn't get better than that.
I tell you what, they're [A#] just wonderful kids.
I love working with them.
We sit down and talk about the times that they tell me stories about their father.
I tell them stories about when we were on the road.
It's wonderful, man.
Just being with them, I'm knocked out.
It's great.
[A]
I believe what you say.
You say you [E] don't care if nobody [A] cares for me.
I believe what you say.
You say you don't [E] care if nobody [A] cares for me.
I believe [E] to believe.
[A] I believe, [D] yeah, I believe, [A] baby.
Believe it, don't [E] say it, when nobody [A] else believes.
There's one thing, baby, that I want you to know.
When you rock it with me, it's gonna rock you [D] so.
Move on and get your [A] love.
It's gonna rock you, just like I know.
I [C#m] believe to believe.
[A] I believe, [D] yeah, I believe, baby.
[A] Believe it, don't [E] say it, when nobody [A] else believes.
I tell you what,
[D] [A]
I believe what you say.
You say you don't care if nobody cares for me.
I believe what you say.
You say [Em] you don't care if nobody [A] cares for me.
I believe [E] to believe.
I [A] believe, [D] yeah, I believe, baby.
[A] Believe it, don't say [E] it, when nobody [A] else believes.
You kiss me, baby, then you roll me right.
I get a funny feeling that I'm hypnotized.
[D] You [F#m] run all up and down my spine.
Telling everybody that you're mine, [A] all mine.
I believe [E] to believe.
I [A] believe, yeah, I believe, baby.
[E] Believe it, don't say it, when nobody else [A] believes.
Oh, yeah, well, I believe [E] to believe.
[C#m] I believe, [F#] yeah, I believe, baby.
[A] Believe it, don't say it, when [F#m] nobody else believes.
That [A] was
[C]
[B] fun!
Key:  
A
1231
E
2311
D
1321
B
12341112
Em
121
A
1231
E
2311
D
1321
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_ _ _ [E] _ _ _ _ _
[A] _ _ _ _ _ _ _ _
_ [D] _ _ _ _ [A] _ _ [D] _
_ [A] _ _ _ [C#] _ _ [D#] _ _
_ _ [A] _ _ [Gm] We have a little tiny bit of kick drum in the [A] mix in our headphones.
[B] _ _ _ _ [Em] _
_ _ _ _ [D] You want me, what might really be cool, I don't know, [G#] it might be [F#] better to do the rhythm
guitar first and then over [B] to the bass.
Sure.
That's what I [C] think.
I mean I think it would be, keep us together.
[D] Okay, let me do that.
I'm sitting here in a recording studio [E] playing Fool's Rush In with James [A] Burton. _
_ _ _ _ _ [Bm] _ _ [E] _
_ [A] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [E] _ _ [A] _
_ _ [A] _ _ _ _ [D] _ _
[A] What a night, [E] what a hat [A] fun plenty night.
[D] We got started [A] a little bit late.
[B] I hope this [E] won't be our last day.
[A] Look up, is that the foolest she can be?
Looks like the sun to me, isn't it?
I hate to face your daddy too bad.
I know he's gonna be mad, isn't it?
We gotta get on home, isn't it?
We've gone too long, ain't it James?
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ Dead from late, we're about to run out of gas, isn't it?
We gotta get home fast and speed, [D] we're in a slow down zone.
Oh baby look at that clock, why can't it be wrong?
We could have left [A] home at a quarter to [E] nine.
We would have had [A] fun and plenty of [D] time.
But we got started just a little bit [B] late.
I hope this [E] won't be our last [A] day.
Look up, is that the foolest she can be?
Looks like the sun to me, isn't it?
I hate to face your daddy too bad.
[E] I know he's gonna [A] be mad, isn't it?
We gotta get on home, isn't it?
We've [E] gone too long. _
[A] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _
[N] I can't even describe the feeling.
I can't describe it because musically speaking it was euphoric.
It was orgasmic.
It was everything conspiring.
There's my brother on this side, James Burton sliding up and playing his solo on his Telecaster between us.
_ Everybody in that room knew how special this was.
It was miraculous.
So as a musical experience, it really doesn't get better than that.
I tell you what, they're [A#] just wonderful kids.
I love working with them.
We sit down and talk about _ the times that they tell me stories about their father.
I tell them stories about when we were on the road.
_ It's wonderful, man.
Just being with them, I'm knocked out.
It's great.
_ _ _ [A] _ _ _
_ _ _ _ I believe what you say.
You say you [E] don't care if nobody [A] cares for me.
I believe what you say.
You say you don't [E] care if nobody [A] cares for me.
I believe [E] to believe.
[A] I believe, [D] yeah, I believe, [A] baby.
Believe it, don't [E] say it, when nobody [A] else believes.
_ There's one thing, baby, that I want you to know.
When you rock it with me, it's gonna rock you [D] so.
Move on and get your [A] love.
It's gonna rock you, just like I know.
I [C#m] believe to believe.
[A] I believe, [D] yeah, I believe, baby.
[A] Believe it, don't [E] say it, when nobody [A] else believes.
I tell you what, _ _ _
_ [D] _ _ _ _ [A] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ I believe what you say.
You say you don't care if nobody cares for me.
I believe what you say.
You say [Em] you don't care if nobody [A] cares for me.
I believe [E] to believe.
I [A] believe, [D] yeah, I believe, baby.
[A] Believe it, don't say [E] it, when nobody [A] else believes.
_ _ You kiss me, baby, then you roll me right.
I get a funny feeling that I'm hypnotized.
[D] You [F#m] run all up and down my spine.
Telling everybody that you're mine, [A] all mine.
I believe [E] to believe.
I [A] believe, yeah, I believe, baby.
[E] Believe it, don't say it, when nobody else [A] believes.
Oh, yeah, well, I believe [E] to believe.
[C#m] I believe, [F#] yeah, I believe, baby.
[A] Believe it, don't say it, when [F#m] nobody else believes.
That [A] _ was _ _
_ _ _ _ _ _ [C] _ _
[B] _ _ fun! _ _ _ _

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