Chords for The Proclaimers - Spinning Around In The Air - Secret Sessions
Tempo:
109.975 bpm
Chords used:
F
Bb
G
Cm
C
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Bb]
Let me get [Cm] breeze to your sparkling [F] eyes and your [Bb] colored hair.
Let me spray [Cm] these years on for when [F] it freezes to [Bb] snow I dare.
Let me cool freeze [Cm] and all that cool [F] free passageway you [Bb] serve me.
Let me [Cm] refreeze and I think [F] there's a better life there.
Spinning around in the [Bb] air.
Let me go do [Cm] something to a kid's [F] charity [Bb] of good choice.
For you [Cm] I would willingly be a worse [F] treater than [Bb] William Joyce.
If I could [Cm] sing I would sing you [F] a song in [Bb] Sam Coop's voice.
Let me [Cm] refreeze and I think [F] there's a better life there.
Spinning around [Bb] in the [Gm] air.
Are you happy [Bb] now?
Say yeah, yeah, yeah.
[Eb] Oh, are you really happy [Bb] now?
Say yeah, yeah, [Gm] [Dm] yeah.
Tell me where it [Gm] hurts.
It hurts there and there and [Cm] there.
I'd love to know.
Juicy [F] and round.
Spinning around in the [Bb] air.
[Cm]
[F] [Bb]
[Cm] Yeah, yeah.
[F] [Bb]
[Eb] Oh, are you happy [Bb] now?
Say yeah, yeah, [Eb] yeah.
Oh, are you really happy [Bb] now?
Say yeah, yeah, [F] yeah.
[Dm]
Tell me where it [Gm] hurts.
It hurts there and there and there.
[Cm] I'd love to know.
Juicy [Bb] and round.
[F] Spinning around in the [G] air.
[C] Madame [F] O'Nasus in Garry's old [G] glasses says good day, [C] mon.
She said I [F] see shirts and she's glad it's a quiff [G] about old [C] Boston.
I climbed [F] over her just to climb upon you.
[G] One minute, [C] two, go.
Let me refreeze and I [G] think there's a better life there.
Spinning around [C] in the air.
[F]
[G]
[C] Yeah, [F] yeah.
[G] [C]
[F]
[G] [C]
[F]
[G]
[C] Scottish
[Ab] [N] legends.
We've got Craig and Charlie from The Proclaimers.
How you doing?
Good, how are you?
Yeah, very good, thank you.
It's great to have you here on The Secret Sessions.
Start off by saying congratulations.
Ninth album.
What's the meaning behind the title?
The meaning is the title is like comedy.
It's one of the tracks on the record.
We chose it because the song is about getting older, changing your perspective.
Maybe not taking yourself just as seriously.
And maybe not kind of feeling it also kind of bleeds over into the lyrics.
So it's a growing old as you get older.
Yeah, yeah.
I mean, obviously your perspective changes as you get older.
You've got to kind of
You must be sick of each other.
You get used to each other.
You've got to say new things or you've got to say old things.
Steve Evans.
Yeah, he did the last two records before this and he's done this one as well.
So, great producer, really worked hard on the video.
I've got to ask about the video.
Matt Lucas is in it.
He directed it.
And he directed it as well.
How did that collaboration come about?
Basically the record company said to us, would you ask him?
Because he knew we'd worked with him before with the Peter Kay thing.
He was a fan of his at the time when he was back on Sheet Stars.
He's a big fan of yours as well.
Yeah, and then he kind of wrote to us at that time.
In the early days, people were using computers and he was kind of on the net to us.
Came out a few shows.
So, we kind of got to know him quite a bit over the years.
And he said he would do it.
I mean, most of the time he's in Los Angeles at the moment, but he came over for a few weeks and do it.
So, yeah, we made the video in Glasgow.
It's got a set at a 50th wedding anniversary.
So, obviously most of the people in it are older as are we.
And so, at the end, it's got two old ladies mixing punch and everybody getting inebriated.
And of course, he suggested that we become the two old ladies.
I was going to ask about you, those two beautiful women making the punch.
We are, you know, just stand out ladies.
Absolutely.
And did he tell you to do this?
Did he warn you in advance?
Basically, [Gm] what he suggested was, would you do it?
Would you do it?
And we said, okay.
[N] If someone who dresses up as a lady for a living suggests that you dress up as a lady, then he's going to guide you well, isn't he?
There was one guy who was brought in on a Friday, Friday afternoon,
[G]
but he kept.
[Gb]
[E] [G]
[N]
And it was a very dangerous thing as well.
He will be long [Gb] gone now.
I do [G] apologise.
[C]
[F] [G]
[C]
Let me get [Cm] breeze to your sparkling [F] eyes and your [Bb] colored hair.
Let me spray [Cm] these years on for when [F] it freezes to [Bb] snow I dare.
Let me cool freeze [Cm] and all that cool [F] free passageway you [Bb] serve me.
Let me [Cm] refreeze and I think [F] there's a better life there.
Spinning around in the [Bb] air.
Let me go do [Cm] something to a kid's [F] charity [Bb] of good choice.
For you [Cm] I would willingly be a worse [F] treater than [Bb] William Joyce.
If I could [Cm] sing I would sing you [F] a song in [Bb] Sam Coop's voice.
Let me [Cm] refreeze and I think [F] there's a better life there.
Spinning around [Bb] in the [Gm] air.
Are you happy [Bb] now?
Say yeah, yeah, yeah.
[Eb] Oh, are you really happy [Bb] now?
Say yeah, yeah, [Gm] [Dm] yeah.
Tell me where it [Gm] hurts.
It hurts there and there and [Cm] there.
I'd love to know.
Juicy [F] and round.
Spinning around in the [Bb] air.
[Cm]
[F] [Bb]
[Cm] Yeah, yeah.
[F] [Bb]
[Eb] Oh, are you happy [Bb] now?
Say yeah, yeah, [Eb] yeah.
Oh, are you really happy [Bb] now?
Say yeah, yeah, [F] yeah.
[Dm]
Tell me where it [Gm] hurts.
It hurts there and there and there.
[Cm] I'd love to know.
Juicy [Bb] and round.
[F] Spinning around in the [G] air.
[C] Madame [F] O'Nasus in Garry's old [G] glasses says good day, [C] mon.
She said I [F] see shirts and she's glad it's a quiff [G] about old [C] Boston.
I climbed [F] over her just to climb upon you.
[G] One minute, [C] two, go.
Let me refreeze and I [G] think there's a better life there.
Spinning around [C] in the air.
[F]
[G]
[C] Yeah, [F] yeah.
[G] [C]
[F]
[G] [C]
[F]
[G]
[C] Scottish
[Ab] [N] legends.
We've got Craig and Charlie from The Proclaimers.
How you doing?
Good, how are you?
Yeah, very good, thank you.
It's great to have you here on The Secret Sessions.
Start off by saying congratulations.
Ninth album.
What's the meaning behind the title?
The meaning is the title is like comedy.
It's one of the tracks on the record.
We chose it because the song is about getting older, changing your perspective.
Maybe not taking yourself just as seriously.
And maybe not kind of feeling it also kind of bleeds over into the lyrics.
So it's a growing old as you get older.
Yeah, yeah.
I mean, obviously your perspective changes as you get older.
You've got to kind of
You must be sick of each other.
You get used to each other.
You've got to say new things or you've got to say old things.
Steve Evans.
Yeah, he did the last two records before this and he's done this one as well.
So, great producer, really worked hard on the video.
I've got to ask about the video.
Matt Lucas is in it.
He directed it.
And he directed it as well.
How did that collaboration come about?
Basically the record company said to us, would you ask him?
Because he knew we'd worked with him before with the Peter Kay thing.
He was a fan of his at the time when he was back on Sheet Stars.
He's a big fan of yours as well.
Yeah, and then he kind of wrote to us at that time.
In the early days, people were using computers and he was kind of on the net to us.
Came out a few shows.
So, we kind of got to know him quite a bit over the years.
And he said he would do it.
I mean, most of the time he's in Los Angeles at the moment, but he came over for a few weeks and do it.
So, yeah, we made the video in Glasgow.
It's got a set at a 50th wedding anniversary.
So, obviously most of the people in it are older as are we.
And so, at the end, it's got two old ladies mixing punch and everybody getting inebriated.
And of course, he suggested that we become the two old ladies.
I was going to ask about you, those two beautiful women making the punch.
We are, you know, just stand out ladies.
Absolutely.
And did he tell you to do this?
Did he warn you in advance?
Basically, [Gm] what he suggested was, would you do it?
Would you do it?
And we said, okay.
[N] If someone who dresses up as a lady for a living suggests that you dress up as a lady, then he's going to guide you well, isn't he?
There was one guy who was brought in on a Friday, Friday afternoon,
[G]
but he kept.
[Gb]
[E] [G]
[N]
And it was a very dangerous thing as well.
He will be long [Gb] gone now.
I do [G] apologise.
[C]
[F] [G]
[C]
Key:
F
Bb
G
Cm
C
F
Bb
G
_ _ _ _ _ _
_ _ _ [Bb] _ _ _
_ _ _ Let me get [Cm] breeze to your sparkling [F] eyes and your [Bb] colored hair.
Let me spray [Cm] these years on for when [F] it freezes to [Bb] snow I dare.
_ Let me cool freeze [Cm] and all that cool [F] free passageway you [Bb] serve me.
_ Let me [Cm] refreeze and I think [F] there's a better life _ _ _ there.
_ Spinning around in the [Bb] air.
Let me go do [Cm] something to a kid's [F] charity [Bb] of good choice.
For you [Cm] I would willingly be a worse [F] treater than [Bb] William _ Joyce.
If I could [Cm] sing I would sing you [F] a song in [Bb] Sam Coop's voice.
Let me [Cm] refreeze and I think [F] there's a better life _ _ there.
_ Spinning around [Bb] in the [Gm] air. _
Are you happy [Bb] now?
Say yeah, yeah, yeah.
[Eb] _ Oh, are you really happy [Bb] now?
Say yeah, yeah, _ [Gm] _ [Dm] yeah.
Tell me where it [Gm] hurts.
It hurts there and there and [Cm] there.
I'd love to know.
Juicy [F] and round.
Spinning around in the _ [Bb] air.
_ [Cm] _
_ _ [F] _ _ _ [Bb] _
_ _ _ _ _
[Cm] Yeah, yeah.
_ [F] _ _ _ [Bb] _
_ _ _ [Eb] Oh, are you happy [Bb] now?
Say yeah, yeah, _ [Eb] yeah.
Oh, are you really happy [Bb] now?
Say yeah, yeah, [F] yeah.
[Dm] _ _
Tell me where it [Gm] hurts.
It hurts there and there and there.
[Cm] I'd love to know.
Juicy [Bb] and round.
[F] Spinning around in the _ [G] _ air. _
_ _ _ [C] Madame [F] O'Nasus in Garry's old [G] glasses says good day, [C] mon.
She said I [F] see shirts and she's glad it's a quiff [G] about old [C] Boston.
_ I climbed [F] over her just to climb upon you.
[G] One minute, _ [C] two, go.
_ Let me refreeze and I [G] think there's a better life there.
_ _ _ _ Spinning around [C] in the _ air.
_ [F] _
_ _ [G] _ _ _ _
[C] _ _ Yeah, [F] yeah.
_ _ [G] _ _ _ [C] _
_ _ _ _ [F] _ _
_ _ [G] _ _ _ [C] _
_ _ _ _ [F] _ _
_ _ [G] _ _ _ _
_ _ _ _ [C] Scottish
_ _ _ _ _ _
[Ab] _ _ _ [N] _ legends.
We've got Craig and Charlie from The Proclaimers.
How you doing?
Good, how are you?
Yeah, very good, thank you.
It's great to have you here on The Secret Sessions.
Start off by saying congratulations.
Ninth album.
What's the meaning behind the title?
The meaning is the title is like comedy.
It's one of the tracks on the record.
We chose it because the song is about getting older, changing your perspective.
Maybe not taking yourself just as seriously.
And maybe not _ _ _ _ _ _
_ kind of feeling it also kind of bleeds over into the lyrics. _ _ _ _ _
_ So it's a growing old as you get older.
Yeah, yeah.
I mean, _ _ obviously your perspective changes as you get older. _ _ _
_ _ _ _ You've got to kind of_
You must be sick of each other.
You get used to each other.
You've got to say new things or you've got to say old things. _ _ _ _ _
Steve Evans.
Yeah, he did the last two records before this and he's done this one as well.
So, great producer, really worked hard on the _ _ _ _ _ _ video.
I've got to ask about the video.
Matt Lucas is in it.
He directed it.
And he directed it as well.
How did that collaboration come about?
Basically the record company said to us, would you ask him?
Because he knew we'd worked with him before with the Peter Kay thing.
He was a fan of his at the time when he was back on Sheet Stars.
He's a big fan of yours as well.
Yeah, and then he kind of wrote to us at that time.
In the early days, people were using computers and he was kind of on the net to us. _ _
_ _ _ _ _ _
_ Came out a few shows.
So, we kind of got to know him quite a bit over the years.
And he said he would do it.
I mean, most of the time he's in Los Angeles at the moment, but he came over for a few weeks and do it.
So, yeah, we made the video in Glasgow.
It's got a set at a 50th wedding anniversary.
So, obviously most of the people in it are older as are we.
And so, at the end, it's got two old ladies mixing punch and everybody getting inebriated.
And of course, he suggested that we become the two old ladies.
I was going to ask about you, those two beautiful women making the punch.
We are, you know, just stand out ladies.
Absolutely.
And did he tell you to do this?
Did he warn you in advance?
Basically, [Gm] what he suggested was, would you do it?
Would you do it?
And we said, okay.
[N] If someone who dresses up as a lady for a living suggests that you dress up as a lady, then he's going to guide you well, isn't he?
There _ _ _ _ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ was one guy who was brought in on a Friday, _ _ _ _ _ Friday afternoon, _ _ _
_ _ [G] _ _ _ _
but he kept. _ _ _
_ _ _ _ _ _
_ _ _ [Gb] _ _ _
_ [E] _ _ _ _ [G] _
_ _ _ _ _ _
_ _ _ _ _ [N] _
_ _ _ _ _ _
And it was a very dangerous thing as well.
He will be long [Gb] gone now.
I do [G] apologise. _
_ _ [C] _ _ _ _
_ [F] _ _ _ [G] _ _
_ _ [C] _ _ _ _
_ _ _ [Bb] _ _ _
_ _ _ Let me get [Cm] breeze to your sparkling [F] eyes and your [Bb] colored hair.
Let me spray [Cm] these years on for when [F] it freezes to [Bb] snow I dare.
_ Let me cool freeze [Cm] and all that cool [F] free passageway you [Bb] serve me.
_ Let me [Cm] refreeze and I think [F] there's a better life _ _ _ there.
_ Spinning around in the [Bb] air.
Let me go do [Cm] something to a kid's [F] charity [Bb] of good choice.
For you [Cm] I would willingly be a worse [F] treater than [Bb] William _ Joyce.
If I could [Cm] sing I would sing you [F] a song in [Bb] Sam Coop's voice.
Let me [Cm] refreeze and I think [F] there's a better life _ _ there.
_ Spinning around [Bb] in the [Gm] air. _
Are you happy [Bb] now?
Say yeah, yeah, yeah.
[Eb] _ Oh, are you really happy [Bb] now?
Say yeah, yeah, _ [Gm] _ [Dm] yeah.
Tell me where it [Gm] hurts.
It hurts there and there and [Cm] there.
I'd love to know.
Juicy [F] and round.
Spinning around in the _ [Bb] air.
_ [Cm] _
_ _ [F] _ _ _ [Bb] _
_ _ _ _ _
[Cm] Yeah, yeah.
_ [F] _ _ _ [Bb] _
_ _ _ [Eb] Oh, are you happy [Bb] now?
Say yeah, yeah, _ [Eb] yeah.
Oh, are you really happy [Bb] now?
Say yeah, yeah, [F] yeah.
[Dm] _ _
Tell me where it [Gm] hurts.
It hurts there and there and there.
[Cm] I'd love to know.
Juicy [Bb] and round.
[F] Spinning around in the _ [G] _ air. _
_ _ _ [C] Madame [F] O'Nasus in Garry's old [G] glasses says good day, [C] mon.
She said I [F] see shirts and she's glad it's a quiff [G] about old [C] Boston.
_ I climbed [F] over her just to climb upon you.
[G] One minute, _ [C] two, go.
_ Let me refreeze and I [G] think there's a better life there.
_ _ _ _ Spinning around [C] in the _ air.
_ [F] _
_ _ [G] _ _ _ _
[C] _ _ Yeah, [F] yeah.
_ _ [G] _ _ _ [C] _
_ _ _ _ [F] _ _
_ _ [G] _ _ _ [C] _
_ _ _ _ [F] _ _
_ _ [G] _ _ _ _
_ _ _ _ [C] Scottish
_ _ _ _ _ _
[Ab] _ _ _ [N] _ legends.
We've got Craig and Charlie from The Proclaimers.
How you doing?
Good, how are you?
Yeah, very good, thank you.
It's great to have you here on The Secret Sessions.
Start off by saying congratulations.
Ninth album.
What's the meaning behind the title?
The meaning is the title is like comedy.
It's one of the tracks on the record.
We chose it because the song is about getting older, changing your perspective.
Maybe not taking yourself just as seriously.
And maybe not _ _ _ _ _ _
_ kind of feeling it also kind of bleeds over into the lyrics. _ _ _ _ _
_ So it's a growing old as you get older.
Yeah, yeah.
I mean, _ _ obviously your perspective changes as you get older. _ _ _
_ _ _ _ You've got to kind of_
You must be sick of each other.
You get used to each other.
You've got to say new things or you've got to say old things. _ _ _ _ _
Steve Evans.
Yeah, he did the last two records before this and he's done this one as well.
So, great producer, really worked hard on the _ _ _ _ _ _ video.
I've got to ask about the video.
Matt Lucas is in it.
He directed it.
And he directed it as well.
How did that collaboration come about?
Basically the record company said to us, would you ask him?
Because he knew we'd worked with him before with the Peter Kay thing.
He was a fan of his at the time when he was back on Sheet Stars.
He's a big fan of yours as well.
Yeah, and then he kind of wrote to us at that time.
In the early days, people were using computers and he was kind of on the net to us. _ _
_ _ _ _ _ _
_ Came out a few shows.
So, we kind of got to know him quite a bit over the years.
And he said he would do it.
I mean, most of the time he's in Los Angeles at the moment, but he came over for a few weeks and do it.
So, yeah, we made the video in Glasgow.
It's got a set at a 50th wedding anniversary.
So, obviously most of the people in it are older as are we.
And so, at the end, it's got two old ladies mixing punch and everybody getting inebriated.
And of course, he suggested that we become the two old ladies.
I was going to ask about you, those two beautiful women making the punch.
We are, you know, just stand out ladies.
Absolutely.
And did he tell you to do this?
Did he warn you in advance?
Basically, [Gm] what he suggested was, would you do it?
Would you do it?
And we said, okay.
[N] If someone who dresses up as a lady for a living suggests that you dress up as a lady, then he's going to guide you well, isn't he?
There _ _ _ _ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ was one guy who was brought in on a Friday, _ _ _ _ _ Friday afternoon, _ _ _
_ _ [G] _ _ _ _
but he kept. _ _ _
_ _ _ _ _ _
_ _ _ [Gb] _ _ _
_ [E] _ _ _ _ [G] _
_ _ _ _ _ _
_ _ _ _ _ [N] _
_ _ _ _ _ _
And it was a very dangerous thing as well.
He will be long [Gb] gone now.
I do [G] apologise. _
_ _ [C] _ _ _ _
_ [F] _ _ _ [G] _ _
_ _ [C] _ _ _ _