Chords for The Secret to Great Bossa Nova Feel - Romero Lubambo | 2 Minute Jazz
Tempo:
147.75 bpm
Chords used:
G
Gm
Fm
Cm
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[D] [C] [F#m]
[Gm] [G]
[D] [D#] [G]
[C#]
[Cm] [Bm]
[F#m] [C#] [F#m] [G#]
[Em] [D] [Cm]
[G] Romero [F] Lubambo for 2 Minutes Jazz.
I'm talking today about a little bit more
what you can do with your right hand
in terms of rhythm to add a little bit more spice
to your bossa nova playing, for example.
So instead of just [G] doing
Instead [Gm] [Cm]
[Fm] [G]
[Gm] [Cm]
[Dm] [Fm] [G]
of [Gm] just doing that,
[Cm] you can add some [Fm] 16th notes, some muted notes,
[Em] that are [Gm] going to work like a [Fm] percussive instrument
playing with you, for example [G] like this.
[Gm]
[F] [Fm]
[G] [Gm]
[F] [Fm]
[Em] I'm not playing just the [Gm] 16th continuously,
[Cm] otherwise [Fm] it would be like this.
[Em] But the [Gm] effect of muting the [Cm] notes
adds some [Fm]
percussive [Em] elements to your playing.
[Gm]
[Cm] [G#] But I'm always thinking about the 16th [G] note.
[F]
Of [G#] course you have to know the [G] basic pattern
for the samba or bossa nova in this case.
[F]
[Bm]
[G]
[Fm] So you [G] reinforce those notes and the [Gm] other ones mute them.
[F]
[Fm] [G]
[Gm] [F]
[Fm] [D]
[Gm] [A]
[F#m] [Fm] [G#] [Em]
[G] [A] Well, thank you so much for [G] watching.
I hope this helps a little bit, develop on your own [G#] way,
your own timing.
This concept I think is very useful.
For me it was always very useful and I think it can help you a lot
to be very close to the Brazilian percussion ensemble rhythms.
[D] [Gm]
[A] [Fm]
[Em] [G]
Thank you very much.
Boa sorte com a música!
[N]
[Gm] [G]
[D] [D#] [G]
[C#]
[Cm] [Bm]
[F#m] [C#] [F#m] [G#]
[Em] [D] [Cm]
[G] Romero [F] Lubambo for 2 Minutes Jazz.
I'm talking today about a little bit more
what you can do with your right hand
in terms of rhythm to add a little bit more spice
to your bossa nova playing, for example.
So instead of just [G] doing
Instead [Gm] [Cm]
[Fm] [G]
[Gm] [Cm]
[Dm] [Fm] [G]
of [Gm] just doing that,
[Cm] you can add some [Fm] 16th notes, some muted notes,
[Em] that are [Gm] going to work like a [Fm] percussive instrument
playing with you, for example [G] like this.
[Gm]
[F] [Fm]
[G] [Gm]
[F] [Fm]
[Em] I'm not playing just the [Gm] 16th continuously,
[Cm] otherwise [Fm] it would be like this.
[Em] But the [Gm] effect of muting the [Cm] notes
adds some [Fm]
percussive [Em] elements to your playing.
[Gm]
[Cm] [G#] But I'm always thinking about the 16th [G] note.
[F]
Of [G#] course you have to know the [G] basic pattern
for the samba or bossa nova in this case.
[F]
[Bm]
[G]
[Fm] So you [G] reinforce those notes and the [Gm] other ones mute them.
[F]
[Fm] [G]
[Gm] [F]
[Fm] [D]
[Gm] [A]
[F#m] [Fm] [G#] [Em]
[G] [A] Well, thank you so much for [G] watching.
I hope this helps a little bit, develop on your own [G#] way,
your own timing.
This concept I think is very useful.
For me it was always very useful and I think it can help you a lot
to be very close to the Brazilian percussion ensemble rhythms.
[D] [Gm]
[A] [Fm]
[Em] [G]
Thank you very much.
Boa sorte com a música!
[N]
Key:
G
Gm
Fm
Cm
Em
G
Gm
Fm
[D] _ _ _ _ _ [C] _ _ [F#m] _
_ _ _ [Gm] _ _ _ [G] _ _
_ _ [D] _ [D#] _ _ _ [G] _ _
_ _ _ _ _ _ [C#] _ _
_ _ [Cm] _ _ _ [Bm] _ _ _
_ [F#m] _ _ [C#] _ _ [F#m] _ [G#] _ _
[Em] _ _ _ _ [D] _ _ _ [Cm] _
[G] _ _ _ _ _ Romero [F] Lubambo for 2 Minutes Jazz.
_ I'm talking today about _ a little bit more
what you can do with your right hand
in terms of rhythm to add a little bit more spice
to your bossa nova playing, for example.
So instead of just [G] doing_
_ Instead [Gm] _ _ _ _ [Cm] _ _ _ _
[Fm] _ _ _ _ _ [G] _ _ _
_ [Gm] _ _ _ _ _ [Cm] _ _
_ _ [Dm] _ [Fm] _ _ _ _ [G] _
_ of [Gm] just doing that,
[Cm] you can add some [Fm] 16th notes, some muted notes,
[Em] _ _ that are [Gm] going to work like a _ [Fm] percussive instrument
playing with you, for example [G] like this.
_ _ _ [Gm] _ _
_ _ [F] _ _ _ _ _ [Fm] _
_ _ [G] _ _ _ _ _ [Gm] _
_ _ _ [F] _ _ _ _ [Fm] _
_ _ [Em] I'm not playing just the [Gm] 16th continuously,
_ [Cm] _ _ otherwise [Fm] it would be like this.
_ [Em] _ _ But the [Gm] effect of muting the [Cm] notes
adds some [Fm]
percussive _ [Em] elements to your playing.
_ [Gm] _
_ _ _ [Cm] [G#] But I'm always thinking about the 16th [G] note. _ _ _ _ _
_ _ [F] _ _ _ _ _ _
Of [G#] course you have to know the [G] basic pattern
for the samba or bossa nova in this case.
_ _ _ _ _ _ _ [F] _
_ _ _ _ _ _ _ [Bm] _
_ _ [G] _ _ _ _ _ _
[Fm] _ _ _ _ So you [G] reinforce those notes and the [Gm] other ones mute them.
_ [F] _
_ _ _ _ _ _ [Fm] _ [G] _
_ _ _ _ [Gm] _ _ _ [F] _
_ _ _ _ [Fm] _ _ _ [D] _
_ _ _ [Gm] _ _ _ _ [A] _
_ [F#m] _ [Fm] _ _ [G#] _ _ [Em] _ _
_ _ _ _ [G] _ [A] Well, thank you so much for [G] watching.
I hope this helps a little bit, develop on your own [G#] _ way,
your own timing.
This concept I think is very useful.
For me it was always very useful and I think it can help you a lot
to be very close to the Brazilian _ percussion ensemble rhythms.
[D] _ _ _ [Gm] _ _
_ _ _ [A] _ _ _ _ [Fm] _
_ _ [Em] _ _ _ _ _ [G]
Thank you very much.
Boa sorte com a música!
_ [N] _
_ _ _ [Gm] _ _ _ [G] _ _
_ _ [D] _ [D#] _ _ _ [G] _ _
_ _ _ _ _ _ [C#] _ _
_ _ [Cm] _ _ _ [Bm] _ _ _
_ [F#m] _ _ [C#] _ _ [F#m] _ [G#] _ _
[Em] _ _ _ _ [D] _ _ _ [Cm] _
[G] _ _ _ _ _ Romero [F] Lubambo for 2 Minutes Jazz.
_ I'm talking today about _ a little bit more
what you can do with your right hand
in terms of rhythm to add a little bit more spice
to your bossa nova playing, for example.
So instead of just [G] doing_
_ Instead [Gm] _ _ _ _ [Cm] _ _ _ _
[Fm] _ _ _ _ _ [G] _ _ _
_ [Gm] _ _ _ _ _ [Cm] _ _
_ _ [Dm] _ [Fm] _ _ _ _ [G] _
_ of [Gm] just doing that,
[Cm] you can add some [Fm] 16th notes, some muted notes,
[Em] _ _ that are [Gm] going to work like a _ [Fm] percussive instrument
playing with you, for example [G] like this.
_ _ _ [Gm] _ _
_ _ [F] _ _ _ _ _ [Fm] _
_ _ [G] _ _ _ _ _ [Gm] _
_ _ _ [F] _ _ _ _ [Fm] _
_ _ [Em] I'm not playing just the [Gm] 16th continuously,
_ [Cm] _ _ otherwise [Fm] it would be like this.
_ [Em] _ _ But the [Gm] effect of muting the [Cm] notes
adds some [Fm]
percussive _ [Em] elements to your playing.
_ [Gm] _
_ _ _ [Cm] [G#] But I'm always thinking about the 16th [G] note. _ _ _ _ _
_ _ [F] _ _ _ _ _ _
Of [G#] course you have to know the [G] basic pattern
for the samba or bossa nova in this case.
_ _ _ _ _ _ _ [F] _
_ _ _ _ _ _ _ [Bm] _
_ _ [G] _ _ _ _ _ _
[Fm] _ _ _ _ So you [G] reinforce those notes and the [Gm] other ones mute them.
_ [F] _
_ _ _ _ _ _ [Fm] _ [G] _
_ _ _ _ [Gm] _ _ _ [F] _
_ _ _ _ [Fm] _ _ _ [D] _
_ _ _ [Gm] _ _ _ _ [A] _
_ [F#m] _ [Fm] _ _ [G#] _ _ [Em] _ _
_ _ _ _ [G] _ [A] Well, thank you so much for [G] watching.
I hope this helps a little bit, develop on your own [G#] _ way,
your own timing.
This concept I think is very useful.
For me it was always very useful and I think it can help you a lot
to be very close to the Brazilian _ percussion ensemble rhythms.
[D] _ _ _ [Gm] _ _
_ _ _ [A] _ _ _ _ [Fm] _
_ _ [Em] _ _ _ _ _ [G]
Thank you very much.
Boa sorte com a música!
_ [N] _