Chords for Tip of the month: Steve Stevens shows how to play "Rebel Yell"
Tempo:
105.45 bpm
Chords used:
E
D
B
Bm
A
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Jam Along & Learn...
So by popular demand
I've been asked to show some some of the aspects of rebel yell
the one main thing that people always [E] ask me about is the intro and and where did where did I come up with that?
It was a blues thing
know, how did it go?
[C#] [E] [B] One of these kind of like blues things where you had the right hand [Bm] was doing an independent bass line to [C#m] So
[Bm] [E] [B]
So if you [F#m] combine that kind of way of thinking and also some of the Keith Emerson things where he's got
I've been asked to show some some of the aspects of rebel yell
the one main thing that people always [E] ask me about is the intro and and where did where did I come up with that?
It was a blues thing
know, how did it go?
[C#] [E] [B] One of these kind of like blues things where you had the right hand [Bm] was doing an independent bass line to [C#m] So
[Bm] [E] [B]
So if you [F#m] combine that kind of way of thinking and also some of the Keith Emerson things where he's got
100% ➙ 105BPM
E
D
B
Bm
A
E
D
B
So by popular demand
_ _ [F#] _ _
_ _ I've been asked to show some some of the aspects of rebel yell
So the one main thing that people always [E] ask me about is the intro and and where did where did I come up with that?
and the intro was like There's a
_ It was a blues thing
_ You know, how did it go?
_ [C] _ [E] _ _ _ _
[C#] _ [E] _ [B] _ _ _ One of these kind of like blues things where you had the right hand [Bm] was doing an independent bass line to _ [C#m] So
_ [E] _ _ _ _ _
_ [Bm] _ _ [E] _ _ _ _ [B] _
_ So if you [F#m] combine that kind of way of thinking and also some of the Keith Emerson things where he's got
you know, I always loved the fact that
keyboard players could play an independent part on the right hand and then keep a
different bass line going so
we had we had rebel yell as a song and then and then the thing that
[G#] That we'd always say is we need a flag at the front kind of like going.
Hey, here we come
That was usually a guitar thing and that was like even in you know, white wedding
_ [E] We came up with
_ _ There's one of silly little things but the minute you hear it you go odds really out of white wedding
[Bm] so with rebel yell, it was just
_ _ _ _ _ _ _ _
_ _ _ _ Really not [N] that that
_ _ _ _ Complicated
So that's the intro and that happens in the reintro as well
_ And then the more interesting thing and I think I've seen whenever I've seen people play rebel
yeah, I don't quite get is the fact that the
in the in the in the
Versus I never actually play the chord changes that the bass is playing because [B] the bass _ _ _
_ _ _ _ _ _ [A#] _ [A] _
_ _ _ [G#] _ [G] _ _ _ [E] _
[D] _ [B] _ _ I never actually play [F#] that because I want to keep this
This this chord voicing as this note in the soprano
For some reason because it just works well against Billy's [E] melody.
So
[B] _ _ _ _
_ _ _ _ _ _ [D] _ _
_ _ [G] So _ _ _ [E] _
[D] _ [B] _ _ _ _ _ _ _
_ _ _ _ [D] _ _ _ _
_ [G] _ _ _ [E] _ _ [D] _ [B] _
_ _ _ [A] _ [B] _ _ _ _
[A] _ _ [D] _ _ _ _ _ _
_ [E] _ _ [D] _ [B] _ _ _ [Gm] _
_ _ _ _ _ _ _ [A#] _
it's kind of you know, it's a little bit of guitar [B] arrangement
you know thinking in terms of as I said with the that's kind of where the prog stuff comes in because I'm thinking in terms of
this one note being being that
_ The I think they it's called a pedal tone or something.
Well, you have one note that stays stagnant against moving chords
_ [E]
So that's kind of rebel yell.
I mean that's you know, _ _ _ _ _ _ I saw a face middle bit guitar riff I get _ _ _
_ _ [D] _ _ _ _ _ [E] _
_ _ _ _ [D] _ _ _ _
_ [E] _ _ _ _ [D] _ _ _
_ _ [E] _ _ _ _ _ [D] _
_ _ [E] _ [C#m] _ [B] _ _ _ [D] _
_ _ _ [E] _ _ _ _ _
_ [D] _ _ _ [E] _ _ [N] _ _
_ _ [F#] _ _
_ _ I've been asked to show some some of the aspects of rebel yell
So the one main thing that people always [E] ask me about is the intro and and where did where did I come up with that?
and the intro was like There's a
_ It was a blues thing
_ You know, how did it go?
_ [C] _ [E] _ _ _ _
[C#] _ [E] _ [B] _ _ _ One of these kind of like blues things where you had the right hand [Bm] was doing an independent bass line to _ [C#m] So
_ [E] _ _ _ _ _
_ [Bm] _ _ [E] _ _ _ _ [B] _
_ So if you [F#m] combine that kind of way of thinking and also some of the Keith Emerson things where he's got
you know, I always loved the fact that
keyboard players could play an independent part on the right hand and then keep a
different bass line going so
we had we had rebel yell as a song and then and then the thing that
[G#] That we'd always say is we need a flag at the front kind of like going.
Hey, here we come
That was usually a guitar thing and that was like even in you know, white wedding
_ [E] We came up with
_ _ There's one of silly little things but the minute you hear it you go odds really out of white wedding
[Bm] so with rebel yell, it was just
_ _ _ _ _ _ _ _
_ _ _ _ Really not [N] that that
_ _ _ _ Complicated
So that's the intro and that happens in the reintro as well
_ And then the more interesting thing and I think I've seen whenever I've seen people play rebel
yeah, I don't quite get is the fact that the
in the in the in the
Versus I never actually play the chord changes that the bass is playing because [B] the bass _ _ _
_ _ _ _ _ _ [A#] _ [A] _
_ _ _ [G#] _ [G] _ _ _ [E] _
[D] _ [B] _ _ I never actually play [F#] that because I want to keep this
This this chord voicing as this note in the soprano
For some reason because it just works well against Billy's [E] melody.
So
[B] _ _ _ _
_ _ _ _ _ _ [D] _ _
_ _ [G] So _ _ _ [E] _
[D] _ [B] _ _ _ _ _ _ _
_ _ _ _ [D] _ _ _ _
_ [G] _ _ _ [E] _ _ [D] _ [B] _
_ _ _ [A] _ [B] _ _ _ _
[A] _ _ [D] _ _ _ _ _ _
_ [E] _ _ [D] _ [B] _ _ _ [Gm] _
_ _ _ _ _ _ _ [A#] _
it's kind of you know, it's a little bit of guitar [B] arrangement
you know thinking in terms of as I said with the that's kind of where the prog stuff comes in because I'm thinking in terms of
this one note being being that
_ The I think they it's called a pedal tone or something.
Well, you have one note that stays stagnant against moving chords
_ [E]
So that's kind of rebel yell.
I mean that's you know, _ _ _ _ _ _ I saw a face middle bit guitar riff I get _ _ _
_ _ [D] _ _ _ _ _ [E] _
_ _ _ _ [D] _ _ _ _
_ [E] _ _ _ _ [D] _ _ _
_ _ [E] _ _ _ _ _ [D] _
_ _ [E] _ [C#m] _ [B] _ _ _ [D] _
_ _ _ [E] _ _ _ _ _
_ [D] _ _ _ [E] _ _ [N] _ _