Chords for USING THE PHRYGIAN SCALE - JERMIANE MORGAN TV - GOSPEL QUARTET SERIES

Hey guys, welcome back Jermaine Morgan here today
I want to talk to you about the Phrygian mode, which is normally associated with something that's a little more dark
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_ _ _ [Em] _ [F] _ [E] _ But _ we're gonna take [Fm] that we're gonna actually use it in gospel quartet so you definitely want to stick around _ _ _ _ _
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[Em] You
All [N] right, so right out the gate you can hear me playing this groove we're in the key of C
Okay, _ _ _ and we're playing a major groove
It's really really common in gospel quartet music is just a simple progression where we're going from the one three four
_ _ Five one and then we just repeat that same thing and we walk up one three
Four five six seven one and that's the whole progression.
So it's basically in a nutshell
_ _ _ One _ _ _ _ _ _ _ _ _ _
_ _ three four five one three
four five six seven one
And so how we're using this Phrygian scale for those of you who are curious about what the Phrygian scale is
Exactly if we're thinking in the key of C
Which we're in today normally the Phrygian scale would go from E to E if you're following the notes of the major scale
So it would sound like this _ _ _
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[N] _ And _ _ _ _ _ _ _ _ most of the times that I've heard people talk about this particular scale
_ When you start talking about modes and that type of thing most people
_ Try to use these modes in association with having more ideas for solo ideas and that type of thing
Which is really cool and I use it sometimes myself if you want to get a different type of sound
like if we were using a pedal in that E _ _ _ _ I
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_ Don't know if that would be considered more of an Egyptian sound I don't want to get my culture stuff wrong
But that's what it reminds me of it
You've heard Marcus Miller do a lot of that idea of that type of skill when he's playing a few different tunes
There's one that comes to mind.
I can't think of the name of the tune
Somebody knew it drop it down in the comments below
But it's a song he definitely does this particular scale in and oftentimes you hear that scale associated in that context
But rarely do we hear it in the major sense?
Where people are actually using it where it actually falls if we're thinking about it in the key of C or in any key for that
Matter where it falls on the three position, you know
_ _ Using it there.
That's another way we can use it to get back to the one
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[C] _ _ You see what I'm doing so I'm going here basically I'm starting on that three position I'll play it slow
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[E] _ _ _ _ Okay, _ _ I'll slow that down again I'm starting on the three position in the key of C _ _ and _
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[B] _ _ _ [A] _ _ _ [C] _ _
_ [B] _ _ [D] _ _ _ [C] _ _
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_ The last one is a hammer-on
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And _ if you notice I'm extending beyond that range
and stepping one outside of it by playing that F [F] _ _ and
[E] Then I hammer on to that E to give me that major chord
Okay, and so that's pretty much all I'm doing _ _
[Dm] _ _ [E] _ _ And it seems a little more elementary the way we're using it
But I'm using it over the turnaround that we're doing that from that four five six seven one
And it's just something that's really simple to be honest and it's taking that Phrygian and making [N] it really
Practical any major sense because the thing about all these modes as we're in this quartet series
I want you guys to remember you don't have to use the mode how you've heard everyone else use you can take it and
Implement it wherever you hear or wherever you see fit so we can put this mode in a major
Groove or a major progression just as well as we can put it in a minor dark sound and progression to have that other type _
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It doesn't have to be that dark you can definitely lighten it up a little bit
_ _ [E] _ _ By using it over that C major _ _ _ _ _
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_ _ And just find our place to put it in the group
So that's just one practical way that you can take that
[G] _ Phrygian scale and use it in a major setting in a quartet
Progression if you want to dig even more into this lesson and learn a little bit more how I'm moving this bass line around if
You're not familiar with gospel quartet music
I invite you to check out the link in the description and let's get more into
How we can move this bass line around so you can also see how I'm using the same
Phrygian scale in a minor mode, so if you want to stick around I'll see you in the monthly membership
But that's it for today's lesson.
Thank you guys for watching.
I'm out
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