Chords for Valdy - A Good Song

Tempo:
103.3 bpm
Chords used:

A

D

G

Em

Bm

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Valdy - A Good Song chords
Start Jamming...
[Em] Thank [A] you.
Well, I'd like to introduce [G] myself in song, if that's okay.
My [D] entire name is Paul
Voldemar Horsdal.
[G] But when I left home at the age of 18, dad [A] came out to the [G] front porch of the house
in Ottawa and said, [D] uh, if you go into show business, please don't use [A] the family name.
[G] And it was his
first, so that's [D] okay.
I became Voldy on my [A] porch as I was leaving home.
Yeah, that was 51 years ago,
and I still don't use my last name.
Voldemar Horsdal doesn't fit on our marquee very [G] well.
You know, besides this [A#] is a, what are we calling this now?
This is the, [Fm] the Voldrop experience,
isn't it?
Voldrop experience.
Voldy and Grey and Wardrop.
So that's a, that's coined by your host
here, Mr.
Paul Simmons.
The Voldrop experience.
Yeah.
In front of a wall of sound.
[D] You'll notice
there aren't too many lights on in these amplifiers up here.
So your hair would be going back like
that were they on.
Introduction, sir.
[A] [Bm] [A]
[G] [D] I was in Calgary, [E] Alberta, playing at [A] the Black Knight
[D] Lounge, [A] Wales Hotel.
[Bm] [A] It's [G] downtown Calgary.
[D] At night, [Em] nothing goes [A] on downtown, [E] just as [F] all the
construction workers still hanging around [G] having a nail or, or some kind of a [C] drink in the bar,
and all of the working ladies who were [A] there trying to hustle all of these construction [D] guys.
You had hard hats and hookers [Bm] were the only people downtown, [A] and the hotel [G] wanted to change
that.
[D] So they got in [Em] a folk singer, [A] and they [G]
[D] put in, you know, [A] a bit of brass and a bit of [Bm] oak and
some ferns and [A] whatnot.
[G] I played [D] there for two weeks, and we got [E] a lot more hookers and [A] a lot
[D] more hard hats in there.
[A] [Bm] It was very successful [A] in that [D] regard.
[G]
[D] Up [E] on the seventh floor, there was a
[D] piano outside.
You'd get [C#] off on [A] the [Bm] elevator on the seventh [A] landing, and there [Dm] was a little
[G] spinet up there, [D] a little apartment [E] grand.
So I took my [D] door off, and I hauled that into my room,
and I [A] wrote a bunch of songs on that [Bm] piano.
[A] This is one of the ones that I [G] wrote.
[A] [G] [D] I am not a free
[F#m] [A] [B] man, [Bm] [A] neither [G] am I [D] changed.
[Em] I am [D] not a wise [A] man, [Bm] [A] neither am [G] I [D] rearranged.
[Em] [A] I am [F] not a new man, [G] [D] but
[G] neither [C] am I old.
[A] [G] [A]
[D] I'm not a rich [A] man, [Bm] but [A] still I cannot [G] be [Em] sold.
[A] [G] I [F] am one, [G] [Am] [G] you [C] are another.
[F#] [F#m] I [Bm]
[Em] had a
[G] family.
Look, now I [C] have another.
[Em] [A] [Em] And [A]
[D] I'm not a good [A] man, [Bm] no, [A] but neither am [G] I cruel.
[D] [Em] [B] And I'm not a [D] learned man by [A] any [Bm] means, but [D] neither [G] am I [D] a fool.
[Em] [A]
I am [F] not an ordinary sort [G] of man,
[C] but [G] neither am [C] I [Em] strange.
[A] [Em]
I [A] am [D] not your [A] man, [B] [Bm]
[A] but that [D] could still [G] be [Em] [A] changed.
No, [Em]
I [A] am [D] not your [A] man, [B] [Bm]
[A] but that could still be [G] changed.
[D] [E] That's [Em] the most [A] hopeful line I've ever [D] written.
[A] That could [Bm] still be [A] changed.
[G] Yeah, [F#m] yeah, [Em] yeah, yeah, [D] yeah.
[Em] [N]
Thank you.
Well, I would like to invite Graham Wardrop to come up here, and we can continue the
Key:  
A
1231
D
1321
G
2131
Em
121
Bm
13421112
A
1231
D
1321
G
2131
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[Em] _ _ Thank [A] you.
Well, I'd like to introduce [G] myself in song, if that's okay.
My [D] entire name is Paul
Voldemar Horsdal.
[G] _ But when I left home at the age of 18, dad [A] came out to the [G] front porch of the house
in Ottawa and said, [D] uh, if you go into show business, please don't use [A] the family name.
_ [G] _ And it was his
first, so that's [D] okay.
I became Voldy on my [A] porch as I was leaving home.
_ Yeah, that was 51 years ago,
and I still don't use my last name.
Voldemar Horsdal doesn't fit on our marquee very [G] well.
You know, besides this [A#] is a, what are we calling this now?
This is the, [Fm] the Voldrop experience,
isn't it?
_ Voldrop experience.
Voldy and Grey and Wardrop.
So that's a, that's coined by your host
here, Mr.
Paul Simmons.
The Voldrop experience.
Yeah.
In front of a wall of sound. _
[D] You'll _ notice
there aren't too many lights on in these amplifiers up here.
So your hair would be going back like
that were they on. _ _ _
Introduction, sir.
[A] _ _ [Bm] _ _ [A] _
[G] _ [D] I was in Calgary, [E] Alberta, playing at [A] the Black Knight
[D] Lounge, _ [A] Wales Hotel.
[Bm] _ _ [A] It's [G] downtown Calgary.
[D] At night, [Em] nothing goes [A] on downtown, [E] just as [F] all the
construction workers still hanging around [G] having a nail or, or some kind of a [C] drink in the bar,
and all of the working ladies who were [A] there trying to hustle all of these construction [D] guys.
You had hard hats and hookers [Bm] were the only people downtown, [A] and the hotel [G] wanted to change
that.
[D] So they got in [Em] a folk singer, [A] and they [G]
[D] put in, you know, [A] a bit of brass and a bit of [Bm] oak and
some ferns and [A] whatnot. _
[G] I played [D] there for two weeks, and we got [E] a lot more hookers and [A] a lot
[D] more hard hats in there.
_ [A] [Bm] It was very successful [A] in that [D] regard.
[G] _
[D] Up [E] on the seventh floor, there was a
[D] piano outside.
You'd get [C#] off on [A] the [Bm] elevator on the seventh [A] landing, and there [Dm] was a little
[G] spinet up there, [D] a little apartment [E] grand.
So I took my [D] door off, and I hauled that into my room,
and I [A] wrote a bunch of songs on that [Bm] piano.
[A] This is one of the ones that I [G] wrote.
_ [A] _ [G] _ _ _ [D] I am not a free
_ [F#m] _ [A] [B] man, [Bm] _ [A] neither [G] am I [D] changed.
_ [Em] _ _ I am [D] not a wise [A] man, _ [Bm] _ _ [A] neither am [G] I _ [D] rearranged.
[Em] _ _ [A] I am [F] not a new man, [G] _ [D] but
[G] neither [C] am I _ old.
[A] _ [G] _ [A] _
[D] I'm not a rich [A] man, _ [Bm] but [A] still I cannot [G] be [Em] sold.
[A] _ [G] _ _ I [F] am one, _ _ [G] _ _ [Am] [G] you [C] are another.
_ _ [F#] [F#m] I [Bm] _
[Em] had a
_ _ [G] family.
Look, now I [C] have another.
_ [Em] _ [A] _ [Em] And [A]
[D] I'm not a good [A] man, [Bm] no, [A] but neither am [G] I cruel.
_ [D] _ _ [Em] _ [B] And I'm not a [D] learned man by [A] any [Bm] means, but [D] neither [G] am I [D] a fool.
_ [Em] _ _ [A]
I am [F] not an ordinary sort [G] of man,
[C] but [G] neither am [C] I [Em] strange.
_ _ [A] _ [Em]
I [A] am [D] not your [A] man, _ [B] _ [Bm]
[A] but that [D] could still [G] be [Em] [A] changed.
No, [Em] _
I [A] am [D] not your [A] man, _ [B] _ [Bm]
[A] but that could still be [G] changed.
[D] _ [E] That's [Em] the most [A] hopeful line I've ever [D] written.
_ [A] That could [Bm] still be [A] changed.
[G] Yeah, [F#m] yeah, [Em] yeah, yeah, [D] yeah. _ _
_ _ [Em] _ _ [N] _ _ _ _
_ Thank you.
_ _ Well, _ I would like to invite Graham Wardrop to come up here, and we can continue the

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