Chords for Vega Old Time Wonder Banjo with a 12" Rim review by David Holt
Tempo:
125.4 bpm
Chords used:
G
C
D
A
Ab
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Jam Along & Learn...
Hi, I'm David Holt, and I'm here to [Gb] review the new Vega Old Time Wonder with a [Ab] 12-inch pot.
Now, when I get a banjo, I want to look and see how it's [N] made, first of all.
beautifully put together, beautiful satin finish,
tuners, really nicely shaped neck, comes really well set up so it's easy to play.
closer.
is going to work to make it have a warmer, [G] fatter kind of a sound.
It's got a little scoop out right here, so if you want to play closer up the neck,
back here.
Now, when I get a banjo, I want to look and see how it's [N] made, first of all.
beautifully put together, beautiful satin finish,
tuners, really nicely shaped neck, comes really well set up so it's easy to play.
closer.
is going to work to make it have a warmer, [G] fatter kind of a sound.
It's got a little scoop out right here, so if you want to play closer up the neck,
back here.
100% ➙ 125BPM
G
C
D
A
Ab
G
C
D
_ _ _ _ _ _ _ _
_ _ Hi, I'm David Holt, and I'm here to [Gb] review the new Vega Old Time Wonder with a [Ab] 12-inch pot.
Now, when I get a banjo, I want to look and see how it's [N] made, first of all.
And as with any D-ring banjos, they're just beautifully put together, beautiful satin finish,
_ nice tuners, really nicely shaped neck, comes really well set up so it's easy to play.
I love that.
It's got a bridge closer.
It's a 12-inch head, so the bridge is going to be a little closer to the middle,
which is going to work to make it have a warmer, [G] fatter kind of a sound. _ _
It's got a little scoop out right here, so if you want to play closer up the neck,
_ that also gives you a little bit warmer sound than back here. _ _ _ _ _ _ _
_ _ _ _ So, you know, I don't expect to get a new banjo and have it be [Ab] just the sound I'm looking for.
I want it to _ _ have enough horsepower that I can direct it to the sound I want it to have,
no matter what it is, no matter if I want to stuff [G] it full of rags back here and make it really dead-sounding
or very bright-sounding.
But there are certain things I'm looking for.
I want it to be bright.
_ I want it to sound wooden.
This does sound wooden because it doesn't have a metal tone ring.
The wood goes right up to the head, but it's still plenty bright.
Listen to me. _
_ _ _ _ _ _ _
I want it to [Ab] emphasize the sound of the wood more than the sound of the metal.
If you have a bluegrass banjo, you often want that really _ each note individualized.
Well, I want the notes to ring out too, but I want them to work together,
to work together so they're not in brash, and so they sound good together when you play a chord.
Let's check that out. _
_ _ _ [C] _ _ [G] _ To me, that sounds really [C] full.
The chords are [G] working together.
All the notes are working together.
Not one stands out, but you hear them all. _
Now, the one thing I always [A] do when I get a banjo like this is because it's a 12-inch head,
it's got a lot of strings here behind the bridge,
and those bridges are ringing out of tune to the banjo.
So I like to take something like a piece of leather, weave it in and out of the strings.
Or here, I'm just going to take a little piece of [G] foam and put it back here.
And that _ dampens that over-chord sound in the back here.
_ Now it's got a very warm, _ _ pleasing sound.
_ _ _ So let me play a little tune here for you.
This is Cotton Banjo. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Man, that's got plenty of power.
You could dampen this thing down a good bit if you wanted to, but I like it about like this.
Now, I want the high notes up the neck to be easy to play and clear.
That's something very special because they can be kind of harsh [Bb] and not a good sound.
But on this banjo, listen. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ That works beautifully for me.
Now, I want to give it the ethereal test.
So I'm going to tune it to the B note to the C. _ _ _ _ _
_ _ _ _ _ _ _ _
_ Because I want the banjo to have personality.
I don't want it just to be a bland thing _ like a lot of _ instruments are these days.
This is not.
Listen to this. _
_ That sounds really beautiful.
And if you play a tune like this, _ _ [D] _ that _ _ _
_ _ _ _ _ [A] _ _ [G] _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ _
[G] _ _ _ passes the ethereal test for me.
That sounds really good.
_ The next thing I want to know is what is the low note going to sound like?
Because I'm going to use this to sing with, and I want [C] that low note to be _ _ strong.
_ _ I'm [F] tuning this fourth string down to a C.
So I'm in the double C tuning now.
[D] And my low note _ _ _ sounds good.
I might even put a heavier gauge string on that low note, [G] but it sounds good the way it is.
_ _ [C] _ _ _
That means I can really whack it, _ _ _ [G] like _ _ _ _ _ _ _
_ _ [C] _ _ Uncle Dave Macon, or play it very [A] melodically like some.
[D] _ _ _
_ _ _ _ _ _ _ _
_ _ [G] _ _ _ _ _ _
_ _ _ _ _ [C] _ _ [G] _
_ _ _ _ _ [D] _ _ _
_ _ [C] _ _ Yeah, that sounds great.
So _ I'm going to close out here with a tune, an old tune called [A] Stagger Lee.
And I've just been reviewing the old time wonder, 12-inch pot.
I think it's really a great banjo.
I [C] like it a lot.
_ Thanks for listening.
I'm David Hope. _ _
_ _ _ _ _ _ _ _
_ _ [Cm] _ [G] _ _ _ _ _
_ _ _ _ _ [C] _ _
Oh, somewhere in the alley I heard a bulldog [D] bark.
Must have been old Stagger Lee just shooting in the dark.
He's a [G] bad man, oh that [C] cruel Stagger Lee. _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Am] _
_ _ _ [G] _ _ _ _ [Cm] _
_ _ [C] _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _
_ _ Hi, I'm David Holt, and I'm here to [Gb] review the new Vega Old Time Wonder with a [Ab] 12-inch pot.
Now, when I get a banjo, I want to look and see how it's [N] made, first of all.
And as with any D-ring banjos, they're just beautifully put together, beautiful satin finish,
_ nice tuners, really nicely shaped neck, comes really well set up so it's easy to play.
I love that.
It's got a bridge closer.
It's a 12-inch head, so the bridge is going to be a little closer to the middle,
which is going to work to make it have a warmer, [G] fatter kind of a sound. _ _
It's got a little scoop out right here, so if you want to play closer up the neck,
_ that also gives you a little bit warmer sound than back here. _ _ _ _ _ _ _
_ _ _ _ So, you know, I don't expect to get a new banjo and have it be [Ab] just the sound I'm looking for.
I want it to _ _ have enough horsepower that I can direct it to the sound I want it to have,
no matter what it is, no matter if I want to stuff [G] it full of rags back here and make it really dead-sounding
or very bright-sounding.
But there are certain things I'm looking for.
I want it to be bright.
_ I want it to sound wooden.
This does sound wooden because it doesn't have a metal tone ring.
The wood goes right up to the head, but it's still plenty bright.
Listen to me. _
_ _ _ _ _ _ _
I want it to [Ab] emphasize the sound of the wood more than the sound of the metal.
If you have a bluegrass banjo, you often want that really _ each note individualized.
Well, I want the notes to ring out too, but I want them to work together,
to work together so they're not in brash, and so they sound good together when you play a chord.
Let's check that out. _
_ _ _ [C] _ _ [G] _ To me, that sounds really [C] full.
The chords are [G] working together.
All the notes are working together.
Not one stands out, but you hear them all. _
Now, the one thing I always [A] do when I get a banjo like this is because it's a 12-inch head,
it's got a lot of strings here behind the bridge,
and those bridges are ringing out of tune to the banjo.
So I like to take something like a piece of leather, weave it in and out of the strings.
Or here, I'm just going to take a little piece of [G] foam and put it back here.
And that _ dampens that over-chord sound in the back here.
_ Now it's got a very warm, _ _ pleasing sound.
_ _ _ So let me play a little tune here for you.
This is Cotton Banjo. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Man, that's got plenty of power.
You could dampen this thing down a good bit if you wanted to, but I like it about like this.
Now, I want the high notes up the neck to be easy to play and clear.
That's something very special because they can be kind of harsh [Bb] and not a good sound.
But on this banjo, listen. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ That works beautifully for me.
Now, I want to give it the ethereal test.
So I'm going to tune it to the B note to the C. _ _ _ _ _
_ _ _ _ _ _ _ _
_ Because I want the banjo to have personality.
I don't want it just to be a bland thing _ like a lot of _ instruments are these days.
This is not.
Listen to this. _
_ That sounds really beautiful.
And if you play a tune like this, _ _ [D] _ that _ _ _
_ _ _ _ _ [A] _ _ [G] _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ _
[G] _ _ _ passes the ethereal test for me.
That sounds really good.
_ The next thing I want to know is what is the low note going to sound like?
Because I'm going to use this to sing with, and I want [C] that low note to be _ _ strong.
_ _ I'm [F] tuning this fourth string down to a C.
So I'm in the double C tuning now.
[D] And my low note _ _ _ sounds good.
I might even put a heavier gauge string on that low note, [G] but it sounds good the way it is.
_ _ [C] _ _ _
That means I can really whack it, _ _ _ [G] like _ _ _ _ _ _ _
_ _ [C] _ _ Uncle Dave Macon, or play it very [A] melodically like some.
[D] _ _ _
_ _ _ _ _ _ _ _
_ _ [G] _ _ _ _ _ _
_ _ _ _ _ [C] _ _ [G] _
_ _ _ _ _ [D] _ _ _
_ _ [C] _ _ Yeah, that sounds great.
So _ I'm going to close out here with a tune, an old tune called [A] Stagger Lee.
And I've just been reviewing the old time wonder, 12-inch pot.
I think it's really a great banjo.
I [C] like it a lot.
_ Thanks for listening.
I'm David Hope. _ _
_ _ _ _ _ _ _ _
_ _ [Cm] _ [G] _ _ _ _ _
_ _ _ _ _ [C] _ _
Oh, somewhere in the alley I heard a bulldog [D] bark.
Must have been old Stagger Lee just shooting in the dark.
He's a [G] bad man, oh that [C] cruel Stagger Lee. _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Am] _
_ _ _ [G] _ _ _ _ [Cm] _
_ _ [C] _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _