Chords for What to Play in Between Songs | Worship Keyboard Workshop
Tempo:
121.6 bpm
Chords used:
C
G
F
E
Am
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Jam Along & Learn...
So, let's just talk a little bit about creating an atmosphere for worship.
what the Holy Spirit is doing.
[G] helps create an atmosphere that welcomes God's presence
between God and man.
What you're doing is helping facilitate a dialogue [F] between [C] God and man.
But worship is serious [F] business, and you need to take it seriously, and you need to [D] continue
perfect your craft so you can do this well.
When it comes to transitions, less is more.
what the Holy Spirit is doing.
[G] helps create an atmosphere that welcomes God's presence
between God and man.
What you're doing is helping facilitate a dialogue [F] between [C] God and man.
But worship is serious [F] business, and you need to take it seriously, and you need to [D] continue
perfect your craft so you can do this well.
When it comes to transitions, less is more.
100% ➙ 122BPM
C
G
F
E
Am
C
G
F
_ _ _ _ So, let's just talk a little bit about _ creating an atmosphere _ for worship.
Again, we're not trying to manipulate [N]
what the Holy Spirit is doing.
I really [C] believe worship music _
[G] helps create an atmosphere _ that welcomes God's presence
and _ _ [E] facilitates a [C] dialogue between God and man.
So think about that.
_ _ What you're doing is helping facilitate _ a dialogue [F] between [C] God and man.
Wow, that's pretty [E] _ serious business.
But worship is serious [F] business, and you need to take it seriously, and you need to _ [D] continue
to practice and perfect your craft so you can do this well. _ _
When it comes to transitions, less is more.
And [F#] when I talk about transitions, it's what do you do between songs.
What do [C] you do _ when you finish a song?
Like, oh, let's just say, _ let's just say, still.
When the oceans [G] rise and [C] thunders roar, I will soar with you [Am] above the storm.
[F] Father, you are king over [C] the flood.
[G] I will [Am] be still [G] and know you [Am] are God.
[E] I will [F] be still [G] and know you [C] are God.
_ _ Now, you could just end it like that, you know, _ _ but it sounds so abrupt.
I'm thinking if I was in a worship service, you know, I will be [G] still and know you [C] are God. _
_ [G] _ And there I'm in that second inversion again. _
_ _ _ Kind of leaves that open feel, you know.
_ _ [C] _ And this, _ _ again, the lyrics say, I will be still and know you are God.
So, you know, _ and a lot of times on the end of that song, I'll just _ go to the four chord,
that's F, _ _ _ _ and see how I can keep my fingers in the same position here. _ _ _
_ _ _ _ So, I'm not changing my right hand at all.
I'm just hitting, _ _ _ _ see that? _ _ _ _ _
That's just 1, 4, 1, 4, 1, C, F, C, F, C.
But if I didn't do it in that [G#] inversion, it could sound like this.
I will [G] be still and know you [C] are God. _ _ _
_ [F] _ _ _ _ You know, [C] _ _ _ wow, it sounds [F] _
_ so boring.
But see, in that other inversion, the second inversion, I will be [G] still and know you are God.
_ _ _ _ _ [C] _ _
See, _ _ _ [G] _ _
that's why I like to play in that [C] inversion, okay? _ _ _
And you can have a hundred variations on that, you know, but less is more.
When you're talking about transitions, you don't want to get in the way and do a ton of stuff. _
It kind of gives a suspended feel.
And also, _ _ _ if you're in a free
Again, we're not trying to manipulate [N]
what the Holy Spirit is doing.
I really [C] believe worship music _
[G] helps create an atmosphere _ that welcomes God's presence
and _ _ [E] facilitates a [C] dialogue between God and man.
So think about that.
_ _ What you're doing is helping facilitate _ a dialogue [F] between [C] God and man.
Wow, that's pretty [E] _ serious business.
But worship is serious [F] business, and you need to take it seriously, and you need to _ [D] continue
to practice and perfect your craft so you can do this well. _ _
When it comes to transitions, less is more.
And [F#] when I talk about transitions, it's what do you do between songs.
What do [C] you do _ when you finish a song?
Like, oh, let's just say, _ let's just say, still.
When the oceans [G] rise and [C] thunders roar, I will soar with you [Am] above the storm.
[F] Father, you are king over [C] the flood.
[G] I will [Am] be still [G] and know you [Am] are God.
[E] I will [F] be still [G] and know you [C] are God.
_ _ Now, you could just end it like that, you know, _ _ but it sounds so abrupt.
I'm thinking if I was in a worship service, you know, I will be [G] still and know you [C] are God. _
_ [G] _ And there I'm in that second inversion again. _
_ _ _ Kind of leaves that open feel, you know.
_ _ [C] _ And this, _ _ again, the lyrics say, I will be still and know you are God.
So, you know, _ and a lot of times on the end of that song, I'll just _ go to the four chord,
that's F, _ _ _ _ and see how I can keep my fingers in the same position here. _ _ _
_ _ _ _ So, I'm not changing my right hand at all.
I'm just hitting, _ _ _ _ see that? _ _ _ _ _
That's just 1, 4, 1, 4, 1, C, F, C, F, C.
But if I didn't do it in that [G#] inversion, it could sound like this.
I will [G] be still and know you [C] are God. _ _ _
_ [F] _ _ _ _ You know, [C] _ _ _ wow, it sounds [F] _
_ so boring.
But see, in that other inversion, the second inversion, I will be [G] still and know you are God.
_ _ _ _ _ [C] _ _
See, _ _ _ [G] _ _
that's why I like to play in that [C] inversion, okay? _ _ _
And you can have a hundred variations on that, you know, but less is more.
When you're talking about transitions, you don't want to get in the way and do a ton of stuff. _
It kind of gives a suspended feel.
And also, _ _ _ if you're in a free