Chords for Playing Keyboard During Prayers | Worship Keyboard Workshop
Tempo:
85.625 bpm
Chords used:
C#
C
G
Dm
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
You know, there are certain chords that are automatically gonna gonna translate a few different emotions.
You know, that's why in in the
Within movies and TV.
There's all these guys that make a living off of playing behind.
Yeah, you know things like that
And it's because different chords
relayed different [G] emotions
And you know, it's almost like it think about this.
It's almost like you're writing a film score
To
This awesome movie about the presence of God, you know, and [C] you're kind of like
listening to what's happening in the service and [Dm] trying to
[G] Yeah, but the less you do the better it is, you know, sometimes I think and [N] that's the way I kind of got started with
Keys, there was this lady in church that would do these plays.
Yeah, and
And she would tell me to play behind whatever was happening and she was brutal, you know
I mean she didn't know exactly what she wanted you to do, but she knew what she didn't, you know
So just hit through through different scenes and stuff.
She's like, no, that's not it.
No, that's not it
You know until finally, you know, [F] you got it and it's like oh it's a serious thing
You know something's happening, you know, or there's tension happening, you know, so, you know
There's that you know, there's certain chords that'll do tension suppose.
We're in D flat just to
Prepare you on getting out of C
You know, there's different things like diminished chords do something, you know
You know and those things do that now [G#] you wouldn't translate that into the service too many times but um, actually at all generally, but
Saying that to say there's different moods.
[C#] So if
So if you're talking about the peace of God, you know, you don't want [A#m] to go to a minor key
You [C] know, yeah
Because that [A#m] that's kind of something a little more serious, you know, the P piece of God should be something that brings you joy
So you would want to stick to a minor key?
when people talk about peace sometimes I like going to the forecourt the fourth position [F#]
and
And doing that and it's a lot of the same inversions you're talking about
You know, yeah, [C#] and and if he says, you know, we thank you for peace
You know and we expect you to be here and we expect your power to fall
Well power can be a little more dominant can be a little more of a minor key
So I would probably go to a [D#m] two, you know, and then climb up from there, you [C#] know, thank you [G#] Lord
Thank you Lord, you know and then
when you start feeling like it's about to end up, you know where he's gonna and when you
When you're with the pastor long enough you can kind of feel when he's gonna finish his prayer
So God we just thank [C#] you for it that makes that means you go to your five
and God just have you wearing this place and amen is I agree which is
back to one
[D] [F] [C]
You know, that's why in in the
Within movies and TV.
There's all these guys that make a living off of playing behind.
Yeah, you know things like that
And it's because different chords
relayed different [G] emotions
And you know, it's almost like it think about this.
It's almost like you're writing a film score
To
This awesome movie about the presence of God, you know, and [C] you're kind of like
listening to what's happening in the service and [Dm] trying to
[G] Yeah, but the less you do the better it is, you know, sometimes I think and [N] that's the way I kind of got started with
Keys, there was this lady in church that would do these plays.
Yeah, and
And she would tell me to play behind whatever was happening and she was brutal, you know
I mean she didn't know exactly what she wanted you to do, but she knew what she didn't, you know
So just hit through through different scenes and stuff.
She's like, no, that's not it.
No, that's not it
You know until finally, you know, [F] you got it and it's like oh it's a serious thing
You know something's happening, you know, or there's tension happening, you know, so, you know
There's that you know, there's certain chords that'll do tension suppose.
We're in D flat just to
Prepare you on getting out of C
You know, there's different things like diminished chords do something, you know
You know and those things do that now [G#] you wouldn't translate that into the service too many times but um, actually at all generally, but
Saying that to say there's different moods.
[C#] So if
So if you're talking about the peace of God, you know, you don't want [A#m] to go to a minor key
You [C] know, yeah
Because that [A#m] that's kind of something a little more serious, you know, the P piece of God should be something that brings you joy
So you would want to stick to a minor key?
when people talk about peace sometimes I like going to the forecourt the fourth position [F#]
and
And doing that and it's a lot of the same inversions you're talking about
You know, yeah, [C#] and and if he says, you know, we thank you for peace
You know and we expect you to be here and we expect your power to fall
Well power can be a little more dominant can be a little more of a minor key
So I would probably go to a [D#m] two, you know, and then climb up from there, you [C#] know, thank you [G#] Lord
Thank you Lord, you know and then
when you start feeling like it's about to end up, you know where he's gonna and when you
When you're with the pastor long enough you can kind of feel when he's gonna finish his prayer
So God we just thank [C#] you for it that makes that means you go to your five
and God just have you wearing this place and amen is I agree which is
back to one
[D] [F] [C]
Key:
C#
C
G
Dm
F
C#
C
G
_ _ _ You know, there are certain chords that are automatically gonna gonna translate a few different emotions.
You know, that's why in in the
Within movies and TV.
There's all these guys that make a living off of playing behind.
Yeah, you know things like that
And it's because different chords
relayed different [G] emotions
And you know, it's almost like it think about this.
It's almost like you're writing a film score
_ _ To
This awesome movie about the presence of God, you know, and [C] you're kind of like
listening to what's happening in the service and [Dm] trying to
_ _ _ _ [G] Yeah, but the less you do the better it is, you know, sometimes I think and [N] that's the way I kind of got started with
Keys, there was this lady in church that would do these plays.
Yeah, and
And she would tell me to play behind whatever was happening and she was brutal, you know
I mean she didn't know exactly what she wanted you to do, but she knew what she didn't, you know
So just hit through through different scenes and stuff.
She's like, no, that's not it.
No, that's not it
You know until finally, you know, [F] you got it and it's like oh it's a serious thing
You know something's happening, you know, or there's tension happening, you know, so, you know
There's that you know, there's certain chords that'll do tension suppose.
We're in D flat just to
Prepare you on getting out of C
You know, there's different things like diminished chords do something, you know
You _ know and those things do that now [G#] you wouldn't translate that into the service too many times but um, actually at all generally, but
Saying that to say there's different moods.
[C#] So if _
So if you're talking about the peace of God, you know, you don't want [A#m] to go to a minor key
You [C] know, yeah
Because that [A#m] that's kind of something a little more serious, you know, the P piece of God should be something that brings you joy
So you would want to stick to a minor key?
when people talk about peace sometimes I like going to the forecourt the fourth position [F#] _
and
And doing that and it's a lot of the same inversions you're talking about _
You know, yeah, [C#] and and if he says, you know, we thank you for peace
You know and we expect you to be here and we expect your power to fall
Well power can be a little more dominant can be a little more of a minor key
So I would probably go to a [D#m] two, _ you know, and then climb up from there, you [C#] know, thank you [G#] Lord
Thank you Lord, you know and then
when you start feeling like it's about to end up, you know where he's gonna and when you
When you're with the pastor long enough you can kind of feel when he's gonna finish his prayer
So God we just thank [C#] you for it that makes that means you go to your five
and God just have you wearing this place and amen is I agree which is
_ back to one _
[D] _ _ [F] _ _ _ _ [C] _ _
You know, that's why in in the
Within movies and TV.
There's all these guys that make a living off of playing behind.
Yeah, you know things like that
And it's because different chords
relayed different [G] emotions
And you know, it's almost like it think about this.
It's almost like you're writing a film score
_ _ To
This awesome movie about the presence of God, you know, and [C] you're kind of like
listening to what's happening in the service and [Dm] trying to
_ _ _ _ [G] Yeah, but the less you do the better it is, you know, sometimes I think and [N] that's the way I kind of got started with
Keys, there was this lady in church that would do these plays.
Yeah, and
And she would tell me to play behind whatever was happening and she was brutal, you know
I mean she didn't know exactly what she wanted you to do, but she knew what she didn't, you know
So just hit through through different scenes and stuff.
She's like, no, that's not it.
No, that's not it
You know until finally, you know, [F] you got it and it's like oh it's a serious thing
You know something's happening, you know, or there's tension happening, you know, so, you know
There's that you know, there's certain chords that'll do tension suppose.
We're in D flat just to
Prepare you on getting out of C
You know, there's different things like diminished chords do something, you know
You _ know and those things do that now [G#] you wouldn't translate that into the service too many times but um, actually at all generally, but
Saying that to say there's different moods.
[C#] So if _
So if you're talking about the peace of God, you know, you don't want [A#m] to go to a minor key
You [C] know, yeah
Because that [A#m] that's kind of something a little more serious, you know, the P piece of God should be something that brings you joy
So you would want to stick to a minor key?
when people talk about peace sometimes I like going to the forecourt the fourth position [F#] _
and
And doing that and it's a lot of the same inversions you're talking about _
You know, yeah, [C#] and and if he says, you know, we thank you for peace
You know and we expect you to be here and we expect your power to fall
Well power can be a little more dominant can be a little more of a minor key
So I would probably go to a [D#m] two, _ you know, and then climb up from there, you [C#] know, thank you [G#] Lord
Thank you Lord, you know and then
when you start feeling like it's about to end up, you know where he's gonna and when you
When you're with the pastor long enough you can kind of feel when he's gonna finish his prayer
So God we just thank [C#] you for it that makes that means you go to your five
and God just have you wearing this place and amen is I agree which is
_ back to one _
[D] _ _ [F] _ _ _ _ [C] _ _