Chords for Who'll Stop The Rain- Cosmo's Factory/Fogerty's Factory
Tempo:
124.65 bpm
Chords used:
G
C
Bb
D
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Bb]
[E]
Oh, hi everybody.
Here we are looking out my back door.
I'm about to do a song that
had an interesting [Abm] origin, I guess you'd say.
You know, they called me up to play at Woodstock
way [Bb] back in 1969.
It was kind of the spring of [Abm] 69.
I said, hey John, why don't you bring
Creedence up [Bb] to Woodstock?
I said, well sure man.
I tell you what, just give us a good
spot on the bill.
The fella says, hey, [Abm] 9 o'clock, Saturday night, that's prime time
fella.
I said, alright, we'll [Bb] be there.
What he didn't tell me was, you're gonna follow
the grateful dead.
[Eb] Anyway, [Abm] we got there on Saturday, August 16, 1969.
I walked around
a little bit.
You know, [Bb] there were half a million people, kids mostly, out there watching
the show.
[E] By 6 o'clock I started to get a little nervous [Gm] because I knew I was supposed
to go on at 9 o'clock [G] and there were [E] still five more bands had to play before the grateful
[Bb] dead.
Well, sure enough, 9 o'clock came, 10 [E] o'clock, 11 o'clock.
Finally the grateful dead
went on about midnight.
They [Gm] started playing, you know, that jingly [Bb] jangly tie-dye patchouli
hip smoker reefer far out thing that they do.
It was cool.
[G] About 45 minutes into it,
dead silence.
Nobody quite knew what was going on, but there was an hour of silence while
the dead was up on stage.
Years later, we found out that what happened was the grateful
dead had all taken LSD just as they walked up on stage at Woodstock in front of half
a million people.
Well, anyway, up on stage it sounded something like this.
Hey Jerry!
Yeah man?
[B] Where's my guitar?
I don't know.
After an hour, they got things plugged [E] in
again and they started playing again.
The dead played another 45 minutes and they were
done.
I came running out on [F] stage ready to set the world on fire.
It [B] was 2.30 in the
morning people.
I looked down here and I saw a lot of kids who looked [E] just like me, except
they were naked [Bb]
and they were asleep.
The grateful dead had put half a million people
to sleep.
Now, it had been my ambition to play a really great set for all those folks
and have a really high watermark [Abm] for my musical [Bb] career, you might say.
But the fact that [Abm] they
were all asleep was kind of frustrating.
So I got to rocking and rolling.
Oh, good
golly, Miss Molly, keep on chooglin'.
But they just weren't [Bb] stirring out there.
It was
kind of a tough deal.
Finally, I went up to the mic and said, well, we just want you to
have a good time.
We're playing our hearts out up here for you.
Hope you're enjoying
this.
Way out in the darkness, some guy's flicking his lighter and I hear him say, don't
worry about it, John.
We're with you.
So I played the whole rest of my big Woodstock
set for that guy.
Then I went home and I wrote this song.
[G]
Here we go.
[Em]
[D] [G]
As long as I remember [C] the rain that's [G] coming down
Like a mistress poet, [C] she'll get on [G] the mound
[C] Good men [G] truly hate to [C] fight [G] upon a shrine
And [C] I wonder, [D]
still I wonder, [Em] who stopped [G] the rain?
I went down to Virginia, [C] she could tell me why
[G]
I'd heard a pen [Bm] and a paper, [C] I was a coward [G] wrong
[C]
I'd hear [G] plans and do good, [C]
but I've been down [G] in chains
[C]
And I wonder, [D] still I wonder, [Em]
who stopped [G] the rain?
[C] [G] [D]
[Am] [C] [Em]
[Gbm] [G] I heard the singers playing [C] from out here [G] in the mold
And the crowd rushed [Bm]
together, [C] they tried to [G] keep warm
[C] Still the rain [G] kept falling, [C] falling on [G] my ears
[C] And I wonder, [D] still I [Em] wonder, who stopped the rain?
[G] [Em]
[D] [G]
[D] [Em]
[D] [G]
[E]
[E]
Oh, hi everybody.
Here we are looking out my back door.
I'm about to do a song that
had an interesting [Abm] origin, I guess you'd say.
You know, they called me up to play at Woodstock
way [Bb] back in 1969.
It was kind of the spring of [Abm] 69.
I said, hey John, why don't you bring
Creedence up [Bb] to Woodstock?
I said, well sure man.
I tell you what, just give us a good
spot on the bill.
The fella says, hey, [Abm] 9 o'clock, Saturday night, that's prime time
fella.
I said, alright, we'll [Bb] be there.
What he didn't tell me was, you're gonna follow
the grateful dead.
[Eb] Anyway, [Abm] we got there on Saturday, August 16, 1969.
I walked around
a little bit.
You know, [Bb] there were half a million people, kids mostly, out there watching
the show.
[E] By 6 o'clock I started to get a little nervous [Gm] because I knew I was supposed
to go on at 9 o'clock [G] and there were [E] still five more bands had to play before the grateful
[Bb] dead.
Well, sure enough, 9 o'clock came, 10 [E] o'clock, 11 o'clock.
Finally the grateful dead
went on about midnight.
They [Gm] started playing, you know, that jingly [Bb] jangly tie-dye patchouli
hip smoker reefer far out thing that they do.
It was cool.
[G] About 45 minutes into it,
dead silence.
Nobody quite knew what was going on, but there was an hour of silence while
the dead was up on stage.
Years later, we found out that what happened was the grateful
dead had all taken LSD just as they walked up on stage at Woodstock in front of half
a million people.
Well, anyway, up on stage it sounded something like this.
Hey Jerry!
Yeah man?
[B] Where's my guitar?
I don't know.
After an hour, they got things plugged [E] in
again and they started playing again.
The dead played another 45 minutes and they were
done.
I came running out on [F] stage ready to set the world on fire.
It [B] was 2.30 in the
morning people.
I looked down here and I saw a lot of kids who looked [E] just like me, except
they were naked [Bb]
and they were asleep.
The grateful dead had put half a million people
to sleep.
Now, it had been my ambition to play a really great set for all those folks
and have a really high watermark [Abm] for my musical [Bb] career, you might say.
But the fact that [Abm] they
were all asleep was kind of frustrating.
So I got to rocking and rolling.
Oh, good
golly, Miss Molly, keep on chooglin'.
But they just weren't [Bb] stirring out there.
It was
kind of a tough deal.
Finally, I went up to the mic and said, well, we just want you to
have a good time.
We're playing our hearts out up here for you.
Hope you're enjoying
this.
Way out in the darkness, some guy's flicking his lighter and I hear him say, don't
worry about it, John.
We're with you.
So I played the whole rest of my big Woodstock
set for that guy.
Then I went home and I wrote this song.
[G]
Here we go.
[Em]
[D] [G]
As long as I remember [C] the rain that's [G] coming down
Like a mistress poet, [C] she'll get on [G] the mound
[C] Good men [G] truly hate to [C] fight [G] upon a shrine
And [C] I wonder, [D]
still I wonder, [Em] who stopped [G] the rain?
I went down to Virginia, [C] she could tell me why
[G]
I'd heard a pen [Bm] and a paper, [C] I was a coward [G] wrong
[C]
I'd hear [G] plans and do good, [C]
but I've been down [G] in chains
[C]
And I wonder, [D] still I wonder, [Em]
who stopped [G] the rain?
[C] [G] [D]
[Am] [C] [Em]
[Gbm] [G] I heard the singers playing [C] from out here [G] in the mold
And the crowd rushed [Bm]
together, [C] they tried to [G] keep warm
[C] Still the rain [G] kept falling, [C] falling on [G] my ears
[C] And I wonder, [D] still I [Em] wonder, who stopped the rain?
[G] [Em]
[D] [G]
[D] [Em]
[D] [G]
[E]
Key:
G
C
Bb
D
E
G
C
Bb
[Bb] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [E] _ _ _ _ _
Oh, hi everybody.
Here we are looking out my back door.
I'm about to do a song that
_ had an interesting [Abm] origin, I guess you'd say.
You know, they _ called me up to play at Woodstock
way [Bb] back in _ 1969.
It was kind of the spring of [Abm] 69.
I said, hey John, why don't you bring
Creedence up [Bb] to Woodstock?
I said, well sure man.
I tell you what, just give us a good
spot on the bill.
The fella says, hey, [Abm] 9 o'clock, Saturday night, that's prime time
fella.
I said, alright, we'll [Bb] be there.
_ What he didn't tell me was, _ you're gonna follow
the grateful dead. _
[Eb] _ _ Anyway, _ [Abm] we got there on Saturday, August 16, 1969.
I walked around
a little bit.
You know, [Bb] there were half a million people, kids mostly, out there watching
the show.
_ _ [E] By 6 o'clock I started to get a little nervous [Gm] because I knew I was supposed
to go on at 9 o'clock [G] and there were [E] still five more bands had to play before the grateful
[Bb] dead.
Well, sure enough, 9 o'clock came, 10 [E] o'clock, 11 o'clock.
Finally the grateful dead
went on about midnight.
They [Gm] started playing, you know, that jingly [Bb] jangly tie-dye patchouli
hip smoker reefer _ far out thing that they do.
_ It was cool.
[G] About 45 minutes into it,
dead silence. _
Nobody quite knew what was going on, but there was an hour of silence while
the dead was up on stage. _ _ _ _
_ Years later, we found out that what happened was the grateful
dead had all taken LSD just as they walked up on stage at Woodstock in front of half
a million people.
_ Well, anyway, up on stage it sounded something like this.
_ Hey Jerry!
_ _ Yeah man? _
[B] Where's my guitar?
_ _ I don't know.
_ _ After an hour, they got things plugged [E] in
again and they started playing again.
The dead played another 45 minutes and they were
done.
I came running out on [F] stage ready to set the world on fire.
It [B] was 2.30 in the
morning people.
_ I looked down here and I saw a lot of kids who looked [E] just like me, _ except
_ they were naked _ [Bb] _ _
and they were asleep.
_ _ The grateful dead had put half a million people
to sleep.
_ _ _ Now, _ it had been my ambition to play a really great set for all those folks
and have a really high watermark [Abm] for my musical [Bb] career, you might say.
But the fact that [Abm] they
were all asleep was kind of frustrating.
So I got to rocking and rolling.
Oh, good
golly, Miss Molly, keep on chooglin'.
But they just weren't [Bb] stirring out there.
It was
kind of a tough deal.
Finally, I went up to the mic and said, well, we just want you to
have a good time.
We're playing our hearts out up here for you.
Hope you're enjoying
this.
Way out in the darkness, some guy's flicking his lighter and I hear him say, don't
worry about it, John.
We're with you. _ _
_ _ _ _ So I played the whole rest of my big Woodstock
set for that guy.
_ Then I went home and I wrote this song.
[G] _ _ _ _ _
_ _ _ _ _ _ _
Here we go. _ _ _ _ _ _
_ _ _ [Em] _ _ _ _ _
_ _ [D] _ [G] _ _ _ _ _
_ _ As long as I remember _ [C] the rain that's [G] coming down
_ _ Like a mistress _ poet, _ [C] she'll get on [G] the mound
_ _ [C] Good men [G] truly hate to _ [C] _ fight [G] upon a shrine
And [C] _ I wonder, [D]
still I wonder, [Em] who stopped [G] the rain? _ _ _ _ _
I went down to Virginia, _ [C] she could tell me why
[G] _ _ _ _
I'd heard a pen [Bm] and a paper, _ [C] I was a coward [G] wrong
_ _ [C]
I'd hear [G] plans and do good, _ [C]
but I've been down [G] in chains
_ [C]
And I wonder, [D] still I wonder, [Em]
who stopped [G] the rain? _ _
_ _ _ [C] _ _ [G] _ [D] _ _
_ _ _ [Am] _ _ [C] _ _ [Em] _
_ _ [Gbm] _ [G] _ _ _ I _ _ _ heard the singers playing _ [C] from out here [G] in the mold
And the crowd rushed [Bm]
together, _ [C] they tried to [G] keep warm
_ _ [C] Still the rain [G] kept falling, _ _ [C] falling on [G] my ears
_ [C] And I wonder, [D] still I [Em] wonder, who stopped the rain?
_ _ [G] _ _ _ _ _ _ _ _ [Em] _ _ _ _ _
_ _ [D] _ [G] _ _ _ _ _
_ _ [D] _ [Em] _ _ _ _ _
_ _ _ [D] _ _ [G] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _
_ _ _ _ _ _ _ _
_ _ _ [E] _ _ _ _ _
Oh, hi everybody.
Here we are looking out my back door.
I'm about to do a song that
_ had an interesting [Abm] origin, I guess you'd say.
You know, they _ called me up to play at Woodstock
way [Bb] back in _ 1969.
It was kind of the spring of [Abm] 69.
I said, hey John, why don't you bring
Creedence up [Bb] to Woodstock?
I said, well sure man.
I tell you what, just give us a good
spot on the bill.
The fella says, hey, [Abm] 9 o'clock, Saturday night, that's prime time
fella.
I said, alright, we'll [Bb] be there.
_ What he didn't tell me was, _ you're gonna follow
the grateful dead. _
[Eb] _ _ Anyway, _ [Abm] we got there on Saturday, August 16, 1969.
I walked around
a little bit.
You know, [Bb] there were half a million people, kids mostly, out there watching
the show.
_ _ [E] By 6 o'clock I started to get a little nervous [Gm] because I knew I was supposed
to go on at 9 o'clock [G] and there were [E] still five more bands had to play before the grateful
[Bb] dead.
Well, sure enough, 9 o'clock came, 10 [E] o'clock, 11 o'clock.
Finally the grateful dead
went on about midnight.
They [Gm] started playing, you know, that jingly [Bb] jangly tie-dye patchouli
hip smoker reefer _ far out thing that they do.
_ It was cool.
[G] About 45 minutes into it,
dead silence. _
Nobody quite knew what was going on, but there was an hour of silence while
the dead was up on stage. _ _ _ _
_ Years later, we found out that what happened was the grateful
dead had all taken LSD just as they walked up on stage at Woodstock in front of half
a million people.
_ Well, anyway, up on stage it sounded something like this.
_ Hey Jerry!
_ _ Yeah man? _
[B] Where's my guitar?
_ _ I don't know.
_ _ After an hour, they got things plugged [E] in
again and they started playing again.
The dead played another 45 minutes and they were
done.
I came running out on [F] stage ready to set the world on fire.
It [B] was 2.30 in the
morning people.
_ I looked down here and I saw a lot of kids who looked [E] just like me, _ except
_ they were naked _ [Bb] _ _
and they were asleep.
_ _ The grateful dead had put half a million people
to sleep.
_ _ _ Now, _ it had been my ambition to play a really great set for all those folks
and have a really high watermark [Abm] for my musical [Bb] career, you might say.
But the fact that [Abm] they
were all asleep was kind of frustrating.
So I got to rocking and rolling.
Oh, good
golly, Miss Molly, keep on chooglin'.
But they just weren't [Bb] stirring out there.
It was
kind of a tough deal.
Finally, I went up to the mic and said, well, we just want you to
have a good time.
We're playing our hearts out up here for you.
Hope you're enjoying
this.
Way out in the darkness, some guy's flicking his lighter and I hear him say, don't
worry about it, John.
We're with you. _ _
_ _ _ _ So I played the whole rest of my big Woodstock
set for that guy.
_ Then I went home and I wrote this song.
[G] _ _ _ _ _
_ _ _ _ _ _ _
Here we go. _ _ _ _ _ _
_ _ _ [Em] _ _ _ _ _
_ _ [D] _ [G] _ _ _ _ _
_ _ As long as I remember _ [C] the rain that's [G] coming down
_ _ Like a mistress _ poet, _ [C] she'll get on [G] the mound
_ _ [C] Good men [G] truly hate to _ [C] _ fight [G] upon a shrine
And [C] _ I wonder, [D]
still I wonder, [Em] who stopped [G] the rain? _ _ _ _ _
I went down to Virginia, _ [C] she could tell me why
[G] _ _ _ _
I'd heard a pen [Bm] and a paper, _ [C] I was a coward [G] wrong
_ _ [C]
I'd hear [G] plans and do good, _ [C]
but I've been down [G] in chains
_ [C]
And I wonder, [D] still I wonder, [Em]
who stopped [G] the rain? _ _
_ _ _ [C] _ _ [G] _ [D] _ _
_ _ _ [Am] _ _ [C] _ _ [Em] _
_ _ [Gbm] _ [G] _ _ _ I _ _ _ heard the singers playing _ [C] from out here [G] in the mold
And the crowd rushed [Bm]
together, _ [C] they tried to [G] keep warm
_ _ [C] Still the rain [G] kept falling, _ _ [C] falling on [G] my ears
_ [C] And I wonder, [D] still I [Em] wonder, who stopped the rain?
_ _ [G] _ _ _ _ _ _ _ _ [Em] _ _ _ _ _
_ _ [D] _ [G] _ _ _ _ _
_ _ [D] _ [Em] _ _ _ _ _
_ _ _ [D] _ _ [G] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _