Chords for Windy and Warm, taught by Dave Morgan part 2
Tempo:
128.8 bpm
Chords used:
Am
E
D
G
A
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Then we go into the first part of the song, the main body of the song.
So what we have are several parts that rotate around the body of the song, but after each
new part you come back to the body of the song.
[E]
[Am] [F]
[G] [A] [G] [Am]
[E] [Am] [Em]
[Am]
[F] [G] [A] [G]
So we have an A minor chord here and the melody rotates with the first and the little finger.
And so you have a hammer-on on third string, [A] so [Am]
to the C note on second string, [D]
D note
on second string, [C] F, [Am] and [D] [C]
then you come up to the E flat or D sharp, [Eb]
[D] to D, [C] C, [Em] so [Am]
[D] [G] [A] [Am]
[Eb] as we
come down we go D sharp or E flat [D] to D, to [C] C, to A on the [A] third string.
[Am] [E]
[Am] [D]
[F] So you have an alternating thumb and finger style.
If you're going to play Chet Tunes, Merle Travis, Tommy Emanuel, whatever, you're going
to do alternating thumb and [Am] finger.
[G] So once again, here it goes.
[Am] [D]
[A] [Am]
[D] [E] At that point, I come up to do a little term [E] phrase, and my little finger is already here,
so I slide from the third fret, second string, [Em] and just drop my first finger in at the G
note on the first string, slide back down with the little finger [D] to the D note, [C] to C,
[A] A note on the third string.
[Am] [E] [Am]
[D]
[D] [E] And when I do this slide up, I try to catch the first string open and get a little bit
of that blue note sound.
So you have a blue note into a unison, to [D] G, [Em] to E on second string, fifth fret, slide
down [Gm] to D, [C] C, to [A] A.
Now, sometimes when I play it, [Eb] I don't realize I'm going to do it,
but I'll bend to get a little [Am] bit of that blue sound.
[A] [Am] And I'll [E] just do a backslide on it.
[Am]
[E] [A]
[E] [D] [Am] [E] Now, we come [F] to the way we get out of this phrase, or turn it, and you have a wrapped F chord.
You've got to do it with the thumb here, because we've got an open string on the hammer.
[G]
So, [F]
[Eb] and then you come down on things.
[F]
So I [G] start up, [E] and then come down, as I get that hammer [Eb] down, that's when I get on this
F note on the sixth string, [F] to the G chord.
And I don't use the top string, because the chord gets a little bit too sweet.
[Db] So [G] I have a little bit of a reverse roll on the fingers,
[D] and on the downbeat, [A] back to
the A minor.
[E] [F]
[G] [A] [E]
Then I repeat it.
So the second time I play [Am] the body [E] of the song, I do a little bit different thing up here.
And I'll show what I'm talking about here.
[Am]
[D]
[C] [E] So you get that nice little walk down here.
You don't like it?
Don't do it?
You can do the first one.
But I kind of like the principle where, even on a great riff, don't go to the well too many times.
So I try to change it up [G] every other time there.
[E] [Am] [E]
[Am] [Em]
[C] [Em] And the way I do that is, [F] I slide up to the fifth fret [E] on the second string, keep the
first string open, then just start [Eb] running it down.
[D] Playing them all together.
[C]
[E] So we have unison, [Eb] blue note, blue note, hammer.
[C]
[Am]
[D]
[C] [E] So once again, fifth fret, first [Eb] string open, fourth fret, second string, first string open,
third fret, second string, first string open, [C] then first fret, second string.
You [A] get the harmony.
[E] So once again, let me play that main part of [E] the song.
[Abm] [Eb] [Am]
[D] [D] [Am]
[E] [Am] [G]
[Am]
[E] [Am]
[D]
[E] [Am] [G] [F] [G]
[Am] [G] Once again, when I do that turn, it's the F, [F] [Em] not playing the first string.
It's not in play.
[F] The [G] G, not playing the first string, gets too sweet.
[A] Back to A minor.
And I do the little Merle Travis thing at the end.
[F] [D] It'll sound like a chord.
[F] [G] [A]
[G] [Am]
Okay, let's get [Eb] on to [Gb] the next part.
And the most important part [Gb] of playing any of the positions is understanding the chords.
Baseline and melody
So what we have are several parts that rotate around the body of the song, but after each
new part you come back to the body of the song.
[E]
[Am] [F]
[G] [A] [G] [Am]
[E] [Am] [Em]
[Am]
[F] [G] [A] [G]
So we have an A minor chord here and the melody rotates with the first and the little finger.
And so you have a hammer-on on third string, [A] so [Am]
to the C note on second string, [D]
D note
on second string, [C] F, [Am] and [D] [C]
then you come up to the E flat or D sharp, [Eb]
[D] to D, [C] C, [Em] so [Am]
[D] [G] [A] [Am]
[Eb] as we
come down we go D sharp or E flat [D] to D, to [C] C, to A on the [A] third string.
[Am] [E]
[Am] [D]
[F] So you have an alternating thumb and finger style.
If you're going to play Chet Tunes, Merle Travis, Tommy Emanuel, whatever, you're going
to do alternating thumb and [Am] finger.
[G] So once again, here it goes.
[Am] [D]
[A] [Am]
[D] [E] At that point, I come up to do a little term [E] phrase, and my little finger is already here,
so I slide from the third fret, second string, [Em] and just drop my first finger in at the G
note on the first string, slide back down with the little finger [D] to the D note, [C] to C,
[A] A note on the third string.
[Am] [E] [Am]
[D]
[D] [E] And when I do this slide up, I try to catch the first string open and get a little bit
of that blue note sound.
So you have a blue note into a unison, to [D] G, [Em] to E on second string, fifth fret, slide
down [Gm] to D, [C] C, to [A] A.
Now, sometimes when I play it, [Eb] I don't realize I'm going to do it,
but I'll bend to get a little [Am] bit of that blue sound.
[A] [Am] And I'll [E] just do a backslide on it.
[Am]
[E] [A]
[E] [D] [Am] [E] Now, we come [F] to the way we get out of this phrase, or turn it, and you have a wrapped F chord.
You've got to do it with the thumb here, because we've got an open string on the hammer.
[G]
So, [F]
[Eb] and then you come down on things.
[F]
So I [G] start up, [E] and then come down, as I get that hammer [Eb] down, that's when I get on this
F note on the sixth string, [F] to the G chord.
And I don't use the top string, because the chord gets a little bit too sweet.
[Db] So [G] I have a little bit of a reverse roll on the fingers,
[D] and on the downbeat, [A] back to
the A minor.
[E] [F]
[G] [A] [E]
Then I repeat it.
So the second time I play [Am] the body [E] of the song, I do a little bit different thing up here.
And I'll show what I'm talking about here.
[Am]
[D]
[C] [E] So you get that nice little walk down here.
You don't like it?
Don't do it?
You can do the first one.
But I kind of like the principle where, even on a great riff, don't go to the well too many times.
So I try to change it up [G] every other time there.
[E] [Am] [E]
[Am] [Em]
[C] [Em] And the way I do that is, [F] I slide up to the fifth fret [E] on the second string, keep the
first string open, then just start [Eb] running it down.
[D] Playing them all together.
[C]
[E] So we have unison, [Eb] blue note, blue note, hammer.
[C]
[Am]
[D]
[C] [E] So once again, fifth fret, first [Eb] string open, fourth fret, second string, first string open,
third fret, second string, first string open, [C] then first fret, second string.
You [A] get the harmony.
[E] So once again, let me play that main part of [E] the song.
[Abm] [Eb] [Am]
[D] [D] [Am]
[E] [Am] [G]
[Am]
[E] [Am]
[D]
[E] [Am] [G] [F] [G]
[Am] [G] Once again, when I do that turn, it's the F, [F] [Em] not playing the first string.
It's not in play.
[F] The [G] G, not playing the first string, gets too sweet.
[A] Back to A minor.
And I do the little Merle Travis thing at the end.
[F] [D] It'll sound like a chord.
[F] [G] [A]
[G] [Am]
Okay, let's get [Eb] on to [Gb] the next part.
And the most important part [Gb] of playing any of the positions is understanding the chords.
Baseline and melody
Key:
Am
E
D
G
A
Am
E
D
Then we go into the first part of the song, the main body of the song.
So what we have are several parts that rotate around the body of the song, but after each
new part you come back to the body of the song. _ _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _
_ _ _ _ _ [Am] _ _ [F] _
_ [G] _ _ [A] _ _ [G] _ _ [Am] _
_ [E] _ _ [Am] _ _ _ _ [Em] _
_ _ [Am] _ _ _ _ _ _
_ [F] _ [G] _ _ [A] _ _ _ [G]
So we have an A minor chord here and the melody rotates with the first and the little finger.
And so you have a hammer-on on third string, _ [A] _ _ _ so _ [Am] _
_ _ to the C note on second string, [D] _ _
_ D note
on second string, [C] _ F, _ [Am] and [D] _ [C] _ _ _
then you come up to the E flat or D sharp, _ [Eb] _
_ [D] to D, _ _ [C] C, _ _ _ _ [Em] _ so [Am] _
_ [D] _ [G] _ _ [A] _ [Am] _ _ _
_ _ [Eb] as we
come down we go _ D sharp or E flat [D] to D, _ _ to [C] C, _ _ to A on the [A] third string.
_ _ _ _ [Am] _ _ [E] _ _
_ _ _ _ [Am] _ _ _ [D] _
[F] So you have an alternating thumb and finger style.
If you're going to play Chet Tunes, Merle Travis, Tommy Emanuel, whatever, you're going
to do alternating thumb and [Am] finger.
_ _ [G] So once again, here it goes.
[Am] _ _ _ [D] _ _ _
[A] _ _ _ _ [Am] _ _ _ _
_ _ [D] _ _ _ [E] At that point, I come up to do a little term [E] phrase, and my little finger is already here,
so I slide from the third fret, second string, _ _ [Em] and just drop my first finger in at the G
note on the first string, slide back down with the little finger [D] _ to the D note, [C] to C,
_ _ [A] _ _ A note on the third string.
[Am] _ _ _ _ [E] _ _ _ [Am] _
_ _ _ _ _ _ _ [D] _
_ [D] _ _ _ [E] And when I do this slide up, I try to catch the first string open and get a little bit
of that blue note sound.
_ _ _ So you have a blue note into a unison, _ _ to [D] G, _ [Em] to E on second string, fifth fret, slide
down [Gm] to _ _ D, [C] C, _ to [A] A.
_ _ Now, sometimes when I play it, [Eb] I don't realize I'm going to do it,
but I'll bend to _ get a little [Am] bit of that blue sound. _ _ _ _
_ [A] _ _ [Am] _ And I'll [E] just _ do a backslide on it. _ _ _ _
_ [Am] _ _ _ _ _ _ _
_ [E] _ _ _ _ [A] _ _ _
_ [E] _ _ [D] _ [Am] _ _ [E] Now, we come [F] to the way we get out of this phrase, or turn it, and you have a wrapped F chord.
You've got to do it with the thumb here, because we've got an open string on the hammer.
[G] _ _ _
_ _ _ _ So, [F] _ _
[Eb] and then you come down on things.
_ [F] _ _
So I [G] start up, _ [E] _ _ and then come down, as I get that hammer [Eb] down, that's when I get on this
F note on the sixth string, _ [F] _ _ _ _ to the G chord.
And I don't use the top string, because the chord gets a little bit too sweet.
_ [Db] _ So [G] I have a little bit of a reverse roll on the fingers, _ _ _ _
[D] and on the downbeat, _ [A] back to
the A minor.
_ [E] _ _ _ _ _ [F] _ _
_ [G] _ _ _ [A] _ _ [E] _ _
_ _ _ Then I repeat it.
So the second time I play [Am] the _ body [E] of the song, I do a little bit different thing up here.
And I'll show what I'm talking about here.
_ _ _ _ _ _ [Am] _
_ _ _ _ _ [D] _ _ _
[C] _ _ [E] So you get that nice little walk down here.
You don't like it?
Don't do it?
You can do the first one.
But I kind of like the principle where, even on a great riff, don't go to the well too many times.
So I try to change it up [G] every other time there.
_ [E] _ [Am] _ [E] _ _ _
[Am] _ _ _ _ _ _ [Em] _ _
_ [C] _ [Em] And the way I do that is, [F] I slide up to the fifth fret [E] on the second string, keep the
first string open, _ then just start [Eb] running it down. _
[D] Playing them all together.
_ _ _ [C] _ _
[E] So we have unison, _ [Eb] blue note, _ blue note, _ _ hammer.
[C] _
_ _ _ [Am] _ _ _ _ _
_ _ _ _ _ _ _ [D] _
_ [C] _ _ _ [E] So once again, _ fifth fret, first [Eb] string open, _ fourth fret, second string, first string open,
_ _ third fret, second string, first string open, [C] then first fret, second string.
_ You [A] get the harmony. _
[E] So once again, let me play that main part of [E] the song. _ _ _
_ [Abm] _ _ [Eb] _ [Am] _ _ _ _
_ _ [D] _ _ _ [D] _ _ [Am] _
_ [E] _ _ [Am] _ _ _ _ [G] _
_ _ [Am] _ _ _ _ _ _
_ [E] _ _ [Am] _ _ _ _ _
_ _ [D] _ _ _ _ _ _
[E] _ _ [Am] _ _ [G] _ [F] _ _ [G] _
_ [Am] _ _ _ [G] Once again, when I do that turn, it's the F, [F] _ _ _ [Em] not playing the first string.
It's not in play.
_ [F] _ _ The [G] G, _ _ not playing the first string, gets too sweet.
[A] Back to A minor.
_ And I do the little Merle Travis thing at the end.
_ [F] [D] It'll sound like a chord.
[F] _ _ [G] _ _ [A] _ _ _ _
_ [G] _ _ _ [Am] _ _ _
Okay, let's get [Eb] on to [Gb] the next part.
And the most important part [Gb] of playing any of the positions is understanding the chords.
_ Baseline and melody
So what we have are several parts that rotate around the body of the song, but after each
new part you come back to the body of the song. _ _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _
_ _ _ _ _ [Am] _ _ [F] _
_ [G] _ _ [A] _ _ [G] _ _ [Am] _
_ [E] _ _ [Am] _ _ _ _ [Em] _
_ _ [Am] _ _ _ _ _ _
_ [F] _ [G] _ _ [A] _ _ _ [G]
So we have an A minor chord here and the melody rotates with the first and the little finger.
And so you have a hammer-on on third string, _ [A] _ _ _ so _ [Am] _
_ _ to the C note on second string, [D] _ _
_ D note
on second string, [C] _ F, _ [Am] and [D] _ [C] _ _ _
then you come up to the E flat or D sharp, _ [Eb] _
_ [D] to D, _ _ [C] C, _ _ _ _ [Em] _ so [Am] _
_ [D] _ [G] _ _ [A] _ [Am] _ _ _
_ _ [Eb] as we
come down we go _ D sharp or E flat [D] to D, _ _ to [C] C, _ _ to A on the [A] third string.
_ _ _ _ [Am] _ _ [E] _ _
_ _ _ _ [Am] _ _ _ [D] _
[F] So you have an alternating thumb and finger style.
If you're going to play Chet Tunes, Merle Travis, Tommy Emanuel, whatever, you're going
to do alternating thumb and [Am] finger.
_ _ [G] So once again, here it goes.
[Am] _ _ _ [D] _ _ _
[A] _ _ _ _ [Am] _ _ _ _
_ _ [D] _ _ _ [E] At that point, I come up to do a little term [E] phrase, and my little finger is already here,
so I slide from the third fret, second string, _ _ [Em] and just drop my first finger in at the G
note on the first string, slide back down with the little finger [D] _ to the D note, [C] to C,
_ _ [A] _ _ A note on the third string.
[Am] _ _ _ _ [E] _ _ _ [Am] _
_ _ _ _ _ _ _ [D] _
_ [D] _ _ _ [E] And when I do this slide up, I try to catch the first string open and get a little bit
of that blue note sound.
_ _ _ So you have a blue note into a unison, _ _ to [D] G, _ [Em] to E on second string, fifth fret, slide
down [Gm] to _ _ D, [C] C, _ to [A] A.
_ _ Now, sometimes when I play it, [Eb] I don't realize I'm going to do it,
but I'll bend to _ get a little [Am] bit of that blue sound. _ _ _ _
_ [A] _ _ [Am] _ And I'll [E] just _ do a backslide on it. _ _ _ _
_ [Am] _ _ _ _ _ _ _
_ [E] _ _ _ _ [A] _ _ _
_ [E] _ _ [D] _ [Am] _ _ [E] Now, we come [F] to the way we get out of this phrase, or turn it, and you have a wrapped F chord.
You've got to do it with the thumb here, because we've got an open string on the hammer.
[G] _ _ _
_ _ _ _ So, [F] _ _
[Eb] and then you come down on things.
_ [F] _ _
So I [G] start up, _ [E] _ _ and then come down, as I get that hammer [Eb] down, that's when I get on this
F note on the sixth string, _ [F] _ _ _ _ to the G chord.
And I don't use the top string, because the chord gets a little bit too sweet.
_ [Db] _ So [G] I have a little bit of a reverse roll on the fingers, _ _ _ _
[D] and on the downbeat, _ [A] back to
the A minor.
_ [E] _ _ _ _ _ [F] _ _
_ [G] _ _ _ [A] _ _ [E] _ _
_ _ _ Then I repeat it.
So the second time I play [Am] the _ body [E] of the song, I do a little bit different thing up here.
And I'll show what I'm talking about here.
_ _ _ _ _ _ [Am] _
_ _ _ _ _ [D] _ _ _
[C] _ _ [E] So you get that nice little walk down here.
You don't like it?
Don't do it?
You can do the first one.
But I kind of like the principle where, even on a great riff, don't go to the well too many times.
So I try to change it up [G] every other time there.
_ [E] _ [Am] _ [E] _ _ _
[Am] _ _ _ _ _ _ [Em] _ _
_ [C] _ [Em] And the way I do that is, [F] I slide up to the fifth fret [E] on the second string, keep the
first string open, _ then just start [Eb] running it down. _
[D] Playing them all together.
_ _ _ [C] _ _
[E] So we have unison, _ [Eb] blue note, _ blue note, _ _ hammer.
[C] _
_ _ _ [Am] _ _ _ _ _
_ _ _ _ _ _ _ [D] _
_ [C] _ _ _ [E] So once again, _ fifth fret, first [Eb] string open, _ fourth fret, second string, first string open,
_ _ third fret, second string, first string open, [C] then first fret, second string.
_ You [A] get the harmony. _
[E] So once again, let me play that main part of [E] the song. _ _ _
_ [Abm] _ _ [Eb] _ [Am] _ _ _ _
_ _ [D] _ _ _ [D] _ _ [Am] _
_ [E] _ _ [Am] _ _ _ _ [G] _
_ _ [Am] _ _ _ _ _ _
_ [E] _ _ [Am] _ _ _ _ _
_ _ [D] _ _ _ _ _ _
[E] _ _ [Am] _ _ [G] _ [F] _ _ [G] _
_ [Am] _ _ _ [G] Once again, when I do that turn, it's the F, [F] _ _ _ [Em] not playing the first string.
It's not in play.
_ [F] _ _ The [G] G, _ _ not playing the first string, gets too sweet.
[A] Back to A minor.
_ And I do the little Merle Travis thing at the end.
_ [F] [D] It'll sound like a chord.
[F] _ _ [G] _ _ [A] _ _ _ _
_ [G] _ _ _ [Am] _ _ _
Okay, let's get [Eb] on to [Gb] the next part.
And the most important part [Gb] of playing any of the positions is understanding the chords.
_ Baseline and melody