Chords for Taylor Swift – exile (feat. Bon Iver) (Official Lyric Video)
Tempo:
76.4 bpm
Chords used:
D#m
F#
C#
B
G#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Key:
D#m
F#
C#
B
G#
D#m
F#
C#
[F#] [C#] [D#] [G#] [D#m] .
[F#] [A#] [G#] .
[D#m] [F#] I can see you standing [C#] honey, [A#] [D#m] with his arms [D#m] around your [F#] body, laughing but the joke's.
not [D#m] funny at all.
[G#] [D#m] [F#] And it took [C#] you five whole [A#] minutes [G#] to pack us [D#m] up and leave me [F#] with it, holding all this.
love out here in the [D#m] hall.
[G#] [D#m] [B] I think [C#] I've seen this film [D#m] before, [C#] and I [F#] didn't like the [B] ending.
You're [C#] not my homeland [D#m] anymore, [C#] so what am I [B] defending now?.
[C#] You were my town, [D#m] now I'm in exile seeing [F#] you out.
[B] I [C#] think I've seen this film [D#m] before.
[F#] .
[D#m] I [G#] [D#m] [F#] .
[D#m] [F#] can see you staring [D#m] honey, like he's [G#] just your [D#m] [F#] understudy, like he'd get your knuckles.
bloody for [D#m] me.
[G#] [D#m] [F#].
Second, third, and hundredth [D#m] chances, balancing [G#] on [D#m] breaking [F#] bridges, those eyes add insult to injury.
[D#] [G#] [D#m] .
[B] I think [C#] I've seen this film [D#m] before, [C#] and I didn't like the [B] ending.
I'm [C#] not your problem [D#m] anymore, [C#] so who am I [B] defending now?.
You were [C#] my crown, now I'm [D#m] in exile seeing [F#] you out.
[B] I [C#] think I've seen this film [D#m] before.
So I'm [F#] peering out the side door.
So [D#m] step right out, there is [F#] no amount of crying [B] I can do for you.
All [F#] this time, we always walked a very [D#m] thin line.
You didn't even [F#] hear me out.
You didn't even hear me out.
You never gave a [B] warning sign.
I gave so many [F#] signs.
All this time, I never learned to read [D#m] your mind.
Never learned to read my mind.
I couldn't turn [F#] things around.
Never turned things around.
[B] I gave so many, [C#] [F#] so many [D#m] signs.
So many [F#] signs.
Didn't even see [B] the sign.
.
I think [C#] I've seen this film [D#m] before, [C#] and I didn't [F#] like the [B] ending.
You're not [C#] my homeland [D#m] anymore, [C#] so what am I defending [B] now?.
You were [C#] my town, now I'm [D#m] in exile seeing [F#] you out.
[B] I think [C#] I've seen this film [D#m] before.
So I'm peering [C#] out the side [F#] door.
So [D#m] step right out, there is [F#] no amount of crying I [B] can do for you.
All [F#] this time, we always walked a very [D#m] thin line.
You didn't even [F#] hear me out.
You didn't even hear me out.
You never gave a warning [B] sign.
I gave so [F#] many signs.
All this time, I never [D#m] learned to read your mind.
Never learned to read my mind.
I couldn't turn [F#] things around.
Never turned things around.
I gave [B] [F#] so many signs.
All this time, I never [D#m] learned to read your mind.
So many [F#] signs.
I gave so many [B] signs.
[F#] [D#m] .
[C#] [F#] [B] .
.
.
[F#] [A#] [G#] .
[D#m] [F#] I can see you standing [C#] honey, [A#] [D#m] with his arms [D#m] around your [F#] body, laughing but the joke's.
not [D#m] funny at all.
[G#] [D#m] [F#] And it took [C#] you five whole [A#] minutes [G#] to pack us [D#m] up and leave me [F#] with it, holding all this.
love out here in the [D#m] hall.
[G#] [D#m] [B] I think [C#] I've seen this film [D#m] before, [C#] and I [F#] didn't like the [B] ending.
You're [C#] not my homeland [D#m] anymore, [C#] so what am I [B] defending now?.
[C#] You were my town, [D#m] now I'm in exile seeing [F#] you out.
[B] I [C#] think I've seen this film [D#m] before.
[F#] .
[D#m] I [G#] [D#m] [F#] .
[D#m] [F#] can see you staring [D#m] honey, like he's [G#] just your [D#m] [F#] understudy, like he'd get your knuckles.
bloody for [D#m] me.
[G#] [D#m] [F#].
Second, third, and hundredth [D#m] chances, balancing [G#] on [D#m] breaking [F#] bridges, those eyes add insult to injury.
[D#] [G#] [D#m] .
[B] I think [C#] I've seen this film [D#m] before, [C#] and I didn't like the [B] ending.
I'm [C#] not your problem [D#m] anymore, [C#] so who am I [B] defending now?.
You were [C#] my crown, now I'm [D#m] in exile seeing [F#] you out.
[B] I [C#] think I've seen this film [D#m] before.
So I'm [F#] peering out the side door.
So [D#m] step right out, there is [F#] no amount of crying [B] I can do for you.
All [F#] this time, we always walked a very [D#m] thin line.
You didn't even [F#] hear me out.
You didn't even hear me out.
You never gave a [B] warning sign.
I gave so many [F#] signs.
All this time, I never learned to read [D#m] your mind.
Never learned to read my mind.
I couldn't turn [F#] things around.
Never turned things around.
[B] I gave so many, [C#] [F#] so many [D#m] signs.
So many [F#] signs.
Didn't even see [B] the sign.
.
I think [C#] I've seen this film [D#m] before, [C#] and I didn't [F#] like the [B] ending.
You're not [C#] my homeland [D#m] anymore, [C#] so what am I defending [B] now?.
You were [C#] my town, now I'm [D#m] in exile seeing [F#] you out.
[B] I think [C#] I've seen this film [D#m] before.
So I'm peering [C#] out the side [F#] door.
So [D#m] step right out, there is [F#] no amount of crying I [B] can do for you.
All [F#] this time, we always walked a very [D#m] thin line.
You didn't even [F#] hear me out.
You didn't even hear me out.
You never gave a warning [B] sign.
I gave so [F#] many signs.
All this time, I never [D#m] learned to read your mind.
Never learned to read my mind.
I couldn't turn [F#] things around.
Never turned things around.
I gave [B] [F#] so many signs.
All this time, I never [D#m] learned to read your mind.
So many [F#] signs.
I gave so many [B] signs.
[F#] [D#m] .
[C#] [F#] [B] .
.
.