Chords for A Tribe Called Quest - Jazz (We've Got) (1991)

[F#] We got the jazz, we got the jazz.
We got the jazz, we got the jazz.
We got the jazz, we got the [D] jazz.
We got the jazz, [C#] we got the jazz.
[F#] Sir, for me, love's a belayed back tone.
The aim is to succeed and achieve at 21,
just like Ringling Brothers, our days and us now.
[D] Capital A, don't ask [D#] us to pose in front of now.
[F#] Do it for the strong, we do it for the me.
Boom it in, you boom it in, you boom it in.
You Jeep or your Honda or your Beamer
or your Legend or your Benz.
The rave of the town to your foes and your friends.
So push it along, trails we've laid.
Don't deserve the wrong, don't deserve the praise.
The tranquility will make you un-pull your place
[D#] while we put hip hop [C#m] on a brand new twist.
[D#m] A brand new twist, put my whole heat on the stick.
[F#] So low key that you probably missed it.
But yeah, it's so loud that it stands [D#m] it.
The crowd, [D#] when the guy [F#] takes the beat, they bowed.
So raise [D#m] up, Squire, adjust your attire.
We have no time, so follow in the mire.
If you're on a foreign path, then let me do the lead.
[D] Join in the essence [C#m] of the cool out.
[F#] The cool out [D#m] of the music,
cause then it should feel serene
with the birds and the bees and all the groovy things
like getting stomach aches when you gotta go to work
or scaring interstates when you're feeling miserable.
I don't really mind if it's over yet,
[F#] cause the job of resurrectors is to wake up the dead.
So pay attention, it's not hard [D#m] to decipher.
[Gm] And after the chorus, [C#] you can check [D#m] out the remix.
_ _ _ _ [F#] _ _ _ _
_ _ [B] _ _ [D#] _ _ _
[F#] ♪ Competition, them type become sideway.
♪
♪ The competition, them must come straightway.
♪
♪ Competition, them type become sideway.
♪
♪ [D#] The competition, them must come straightway.
♪
[F#] How's about that?
It seem like it's my turn again.
All through the year, my mic has been my best friend.
I know some love little blunder.
Can fight for real, they can kick.
[D#] Some even wanna test [F#] me.
But why sweat it?
I'm all into my music cause that's how I make hits.
Try to make hits like it could be makes taste.
_ I do my [D#m] own [D#] strictly hardcore tracks, [C#m] not a new jack swing.
[F#] I grew up as a Christian so to die I give thanks.
Collect my bets, business I barrance.
I sing, in fact, I do [D#m] all of it.
[D#] It's 1991 [C#] and I refuse to come back.
[F#] I take off my hat to other crews that sent them,
but the low end theories here.
It's time to wreck shit, I got chips.
And stop, so whom shall I fear?
[G] Stop looking, listen, [D#m] but please don't scare.
So get to the store and buy the LP or got RCA.
Cassettes and CDs [F#] produced and arranged by the four [D#m] man crew.
And oh shit, Skeph Anselm, he gets props too.
[F#] Make sure you have a system with the fat house.
Cause from the new shit can work.
From Boston Massive Equal.
Cause where I come from, quality is job one.
[D#] And everybody up on me, you [F#] know we get the job done.
So peace to that crew, and peace to this crew.
Bring on the talk, we'll see you at a theater near us.
Hey yo, but wait, back it up.
Easy [D#m] backing [E] up.
Please let the [C#m] abstract [D#m] embellish on the cut.
Back it up just like a cameo song.
If you dig this shit, then please come dance along
to the music cause it's done.
Just go go on, now I gotta scat.
And get mine, underline the jazz.
The one, [D#] the jazz move that [A#m] ass,
called the top origin is that feeling up his ass.
It's a [F#] universal sound, [F] bless the bumpers on the down.
[A#] And the one six below, [C#] you didn't have to go.
[F#] So say that I'm a singer cause I once had an orgy.
And sometimes for business I eat this and poor [A#m] geese.
If this is a singer, then call me as soon as [B] I ask.
Now check it out, [F#] all my people's in [D#m] Queens, you don't stop.
[F#] Now all my people's in Brooklyn, you don't stop.
And all my people's uptown, you don't [D#m] stop.
That ain't true, the Bronx or Harlem, you don't stop.
[F#] Not to that girl Rommel, you don't stop.
I said because [D#m] ladies first, you don't stop.
[F#] And to the daybees, you don't [D#m] stop.
[E] And they lost hope, [F#m] you don't stop.
[F#] And to my brand new bands, you don't stop.
And to my leaders of the new, you don't stop.
And to my man, Los Professor, you don't [D#m] stop.
Beat rocks on the beat, you don't stop.
[F#] Everybody in the place, you don't stop.
To keep it on to the rhythm, you don't stop.
And last but not least, on the short shot,
[D#] it's the Zulu [C#] Nation.