Chords for Advanced Gospel Movements | 3-6-2 Passing Chords

_ _ [Bbm] _ _ _ _ _ [Eb] _
_ [Fm] _ _ _ _ _ [G] _ _
_ _ _ _ [Bb] _ _ _ [Cm] _
_ [Db] _ [Ab] _ _ [Bb] _ _ [Cm] _ _
[G] _ _ [Bb] _ _ _ [Eb] _ _ [Ab] _
_ [Db] _ [Bbm] _ _ [Ab] _ _ _ _
_ _ Hey, what's up y'all?
This is Daquan Bowens with daquanbowens.com, here to help musicians take their playing
to the next level.
And today I want to show you guys something you can do on the two.
The two is minor and we're in A flat.
[Bbm] _ [Ab] _ _ So the song is called My Worship is For Real.
So, because [Bbm] my worship, _ _ [Ab]
[Eb] my worship [Fm] is for real.
[F] Okay.
Now turn around.
_ _ [Ab] _ [Abm] Because [Bbm] my worship, excuse me.
And this move [Bb] starts on the and of one.
Okay.
_ _ [Bbm] One [A] and two [D] [Dbm] and three [C] and [Bm] four and one [Db] and two [Fm] [G] and three and four and three and four and one.
_ [Db] _ _ _ [Bbm] _ _ [Ab] _
Excuse me, made a mistake.
So how do I come up with this stuff?
It's all about target notes and figuring out where do you want to go?
I'm on the two.
[C] I'm playing this C, starting on this [Am] C chord.
_ This C, this is my special chord.
I like this chord.
It's in my ebook.
So if you want to really learn it, especially in every key, go get that book on my website.
Anyway, this is the [A] voicing.
And if I bring every chord, every note in the chord down [D] a half step, _ _ _ if I go down two
half [Bb] steps, _ [D]
it'll go to this B chord, which represents my two.
But the two is minor, but I have it as a major chord or a dominant chord.
Okay.
_ _ [A] So, _ _ _ right.
And I'll just do it on E, same [Dbm] move.
[C] _ _
_ Okay.
But I just do it once or [Dbm] twice.
[C] In the first part, I do it three times.
One, [D] two, three, _
_ [Dbm] _ [C] two.
And then I'll go to [Cm] C minor, _ seven, _ [Bm] half step down, _ [Bbm] _
which gets to my two.
_ _ _ All right.
[Gb] So I'm just, I have this dissonance, you know, [Am] tritones and things like that _ really work
to create that dissonance.
It's like, okay, I'm temporarily like unsettled.
[C] _ And _
_ [Bm] _ [Bbm] now I'm back home with something familiar.
When I land on that one, I'm landing on the diatonic chord, which is the two.
Okay.
So it doesn't really matter what you do in between.
It all comes together when you go, when you land on the one, as far as rhythm.
One and two [Dbm] and three [Cm] and [Bm] four [Bbm] and one.
And right here, I'll outline the two.
_ So B _ _ flat, C sharp [Db] or D flat, D flat, F, [Fm] F and A flat, _ [Ab] A flat and C.
And hit my [G] five chord, _ which is an E flat, seven, flat [Eb] nine.
_ [Gm] Okay.
And I'll just, _ [Dbm] _
_ [Cm] _ _ okay.
And this represents my A flat, my one chord without the one [Ab] in the chord.
[Cm] Okay.
_ [Ab] _ The bass player will probably play that most [Bb] likely.
All right.
So _ _ [Am] one and [D] two and [C] three and four and [Db] one and [Fm] two and three and [Bbm] four and [Ab] one.
[G] _ _ [Eb] _ _ _ _ [Gb] _ _
_ [D] _ _ _ _ [Ab] _ _ _
_ [G] _ _ _ _ [Ab] _ _ _
[G] _ _ _ [Ebm] _ _ [Ab] _ _
[G] Okay.
_ [D] _ _ _ _ [Ab] _ _ _ _ _ _ [D] _ _ _ [Ab] _
_ [N] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _