Chords for Basic Shout Breakdown (By Request)
Tempo:
144.2 bpm
Chords used:
Gb
Eb
Db
Ab
Abm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Alright, this is a shout video and shout video and shout video.
I don't really [A] distinguish myself as a shouting [F] musician.
I mean, I love to shout, but really, as far as a keyboardist, my bass player [Ab] makes me sound great.
[D]
[Db] [D] [Gb]
[Ab] I do [Eb] it in A flat, just because it's my favorite [Dm] shouting key anyway.
[Abm]
[Db]
[Eb] [F] [Gb] [G] [Ebm] [Db]
[Ab]
[Db] [Gb]
[Abm] [Gb]
[Eb] [E]
[Gb]
[Ebm] [F] [Eb] [Ab]
[Dm]
[E] [Ab] [Abm]
[Db] [Bm] [Ebm] [Gb] [Cm] [Db]
[Eb] [Bbm] [Db] [Eb]
[Bbm] [Db] [Eb] [Gb] [Dm]
[Abm] [Dm]
[Eb] [Ebm] [Dm] [Abm]
[Dm] [Eb] [Dm] [Eb] [Fm]
[Eb] [F] [Gb] [G]
[Abm]
[Em] Okay, um, [Ab] talking about that.
Basically in shouting, you can just do a [Bb] lot of things.
In [Ab] working with dominant scale, slash minor scale, depending on who you're playing with.
Usually the chords I do [Eb] is an A flat, [C] minor [B] 7, A flat dominant 7, A flat minor 7, C minor
7, B flat [Bbm] minor, A flat [Abm] minor.
[B] [Db] [Abm] [Bbm] [B]
[Bbm] [Bbm] [B] [Bbm] [B] [Db] I guess I'm doing like a D flat major, sorry.
[B] So [Db]
make [B] [Db] [Abm]
[N] you sound old, yeah I know, I'm sorry.
You can do different scales and chords.
You can do that A flat, suspended [Gb] 13.
[G] [B]
A flat diminished is always [Abm] welcome in A flat.
[Eb] Any [Db] key, [G] D flat diminished,
[Db] E flat [Eb] diminished, [F] F diminished.
[N] But diminished chords are your friends.
Diminished chords and dominant chords.
To do that walk up, you can do B flat minor, okay.
Well, okay, let's make it simple.
[Db] D flat major, [Ab] A flat, D [Db] flat, [B] D diminished, and then what I like to call my A flat fake
[Ab] [D] chord.
[Abm] Because what I'm doing is I'm taking my [Cm] third and I'm playing it and I'm hitting a sharp [D] 11.
But I don't stay [Eb] on that.
I don't want to do [Abm] that.
I just, you [Bbm] know, so.
And we walk up to B flat, C, D flat, D, E flat.
[Cm] [Bbm] [Cm] [Db] [G]
[Eb] [Bbm] [Cm] [Db] [Eb] [Abm]
[Eb] [Ab] That's game.
[Db]
[Eb] [Db] [D] [Abm]
[Eb] A flat bebop [Ab] scale.
[Bb] [Ab] [D]
[Eb] [N] [D]
[Abm] [D] [Abm] So, [B] A flat, [Db] B, [D] D flat, [Eb] D, E [F] flat.
[Bb] It's supposed to be an F, I believe, in the real bebop [F] scale.
[Gm] But for dominant purposes, we play the [Gb] G flat.
[Abm]
[D] [Abm]
[Gb] [C] And then it [Bb] all depends on how you run it.
If you [Ab] run them together, sometimes it's easier to do that.
[Fm] [Gb] [Eb] [D]
[Db] You know what I'm saying?
[A] You [Ab] [B]
[Db] [Gb] [D] [Eb]
[Abm] [Ab] [Bbm] know what I'm saying?
It's [Ab] just easier.
[Db] [Gb]
[A] So, you can do [Gb] that A flat suspended 13.
You can do a G flat major scale with a suspended 4.
I mean, a sharp 4, which is the sharp [C] 11.
[Ab] [Gb]
[F] Or [Bb] to make it [Ab] sound crazy, you can just go ahead and do a G flat major scale.
[Gb]
[Db] [Gb]
[Abm]
[Db] [Ab]
And you just got to mix those scales together.
The bebop scale and [Gb] the G flat major [B] scale.
[A] So, you'll see me do stuff [Gb] like [G] [Gb] [D]
[B] [Gb] [Bm] [Eb]
[Gb] [B]
[F] [Db] [Dm] [Ebm]
[Abm] [N]
that.
What else?
I mean, there's a whole lot you can do with sharp music.
I talked to some of my friends.
They gave me some tips.
[Ebm] What [Eb]
[Gb] I did, A flat dominant 13.
[Eb] [Gb] I [E] mean, there's just [A] different stuff you can do.
Different grooves you can hit.
[Ab] [Db] [G] [Eb]
[F] [Gb] [B] [Gbm]
[Bm] [D] [Gb]
[Abm] [D] [B] [Gb]
[Gbm] [Gb]
[Ab] [Dbm] [Eb] [Gb] [Ab]
[D] [Dbm] [Gb] [Ab]
I'm [A]
here.
[B] The end.
I don't really [A] distinguish myself as a shouting [F] musician.
I mean, I love to shout, but really, as far as a keyboardist, my bass player [Ab] makes me sound great.
[D]
[Db] [D] [Gb]
[Ab] I do [Eb] it in A flat, just because it's my favorite [Dm] shouting key anyway.
[Abm]
[Db]
[Eb] [F] [Gb] [G] [Ebm] [Db]
[Ab]
[Db] [Gb]
[Abm] [Gb]
[Eb] [E]
[Gb]
[Ebm] [F] [Eb] [Ab]
[Dm]
[E] [Ab] [Abm]
[Db] [Bm] [Ebm] [Gb] [Cm] [Db]
[Eb] [Bbm] [Db] [Eb]
[Bbm] [Db] [Eb] [Gb] [Dm]
[Abm] [Dm]
[Eb] [Ebm] [Dm] [Abm]
[Dm] [Eb] [Dm] [Eb] [Fm]
[Eb] [F] [Gb] [G]
[Abm]
[Em] Okay, um, [Ab] talking about that.
Basically in shouting, you can just do a [Bb] lot of things.
In [Ab] working with dominant scale, slash minor scale, depending on who you're playing with.
Usually the chords I do [Eb] is an A flat, [C] minor [B] 7, A flat dominant 7, A flat minor 7, C minor
7, B flat [Bbm] minor, A flat [Abm] minor.
[B] [Db] [Abm] [Bbm] [B]
[Bbm] [Bbm] [B] [Bbm] [B] [Db] I guess I'm doing like a D flat major, sorry.
[B] So [Db]
make [B] [Db] [Abm]
[N] you sound old, yeah I know, I'm sorry.
You can do different scales and chords.
You can do that A flat, suspended [Gb] 13.
[G] [B]
A flat diminished is always [Abm] welcome in A flat.
[Eb] Any [Db] key, [G] D flat diminished,
[Db] E flat [Eb] diminished, [F] F diminished.
[N] But diminished chords are your friends.
Diminished chords and dominant chords.
To do that walk up, you can do B flat minor, okay.
Well, okay, let's make it simple.
[Db] D flat major, [Ab] A flat, D [Db] flat, [B] D diminished, and then what I like to call my A flat fake
[Ab] [D] chord.
[Abm] Because what I'm doing is I'm taking my [Cm] third and I'm playing it and I'm hitting a sharp [D] 11.
But I don't stay [Eb] on that.
I don't want to do [Abm] that.
I just, you [Bbm] know, so.
And we walk up to B flat, C, D flat, D, E flat.
[Cm] [Bbm] [Cm] [Db] [G]
[Eb] [Bbm] [Cm] [Db] [Eb] [Abm]
[Eb] [Ab] That's game.
[Db]
[Eb] [Db] [D] [Abm]
[Eb] A flat bebop [Ab] scale.
[Bb] [Ab] [D]
[Eb] [N] [D]
[Abm] [D] [Abm] So, [B] A flat, [Db] B, [D] D flat, [Eb] D, E [F] flat.
[Bb] It's supposed to be an F, I believe, in the real bebop [F] scale.
[Gm] But for dominant purposes, we play the [Gb] G flat.
[Abm]
[D] [Abm]
[Gb] [C] And then it [Bb] all depends on how you run it.
If you [Ab] run them together, sometimes it's easier to do that.
[Fm] [Gb] [Eb] [D]
[Db] You know what I'm saying?
[A] You [Ab] [B]
[Db] [Gb] [D] [Eb]
[Abm] [Ab] [Bbm] know what I'm saying?
It's [Ab] just easier.
[Db] [Gb]
[A] So, you can do [Gb] that A flat suspended 13.
You can do a G flat major scale with a suspended 4.
I mean, a sharp 4, which is the sharp [C] 11.
[Ab] [Gb]
[F] Or [Bb] to make it [Ab] sound crazy, you can just go ahead and do a G flat major scale.
[Gb]
[Db] [Gb]
[Abm]
[Db] [Ab]
And you just got to mix those scales together.
The bebop scale and [Gb] the G flat major [B] scale.
[A] So, you'll see me do stuff [Gb] like [G] [Gb] [D]
[B] [Gb] [Bm] [Eb]
[Gb] [B]
[F] [Db] [Dm] [Ebm]
[Abm] [N]
that.
What else?
I mean, there's a whole lot you can do with sharp music.
I talked to some of my friends.
They gave me some tips.
[Ebm] What [Eb]
[Gb] I did, A flat dominant 13.
[Eb] [Gb] I [E] mean, there's just [A] different stuff you can do.
Different grooves you can hit.
[Ab] [Db] [G] [Eb]
[F] [Gb] [B] [Gbm]
[Bm] [D] [Gb]
[Abm] [D] [B] [Gb]
[Gbm] [Gb]
[Ab] [Dbm] [Eb] [Gb] [Ab]
[D] [Dbm] [Gb] [Ab]
I'm [A]
here.
[B] The end.
Key:
Gb
Eb
Db
Ab
Abm
Gb
Eb
Db
_ _ _ Alright, this is a shout video and shout video and shout video.
_ _ I don't really [A] distinguish myself as a shouting [F] musician. _
I mean, I love to shout, but really, as far as a keyboardist, my bass player [Ab] makes me sound great.
_ [D] _
[Db] _ _ [D] _ _ _ [Gb] _ _ _
_ [Ab] _ _ I do [Eb] it in A flat, _ just because it's my favorite [Dm] shouting key anyway.
[Abm] _ _ _
_ _ _ _ _ _ _ [Db] _
[Eb] _ [F] _ [Gb] _ [G] _ [Ebm] _ _ [Db] _ _
_ _ _ [Ab] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [Db] _ _ _ [Gb] _ _
_ _ _ _ _ [Abm] _ _ [Gb] _
_ _ _ _ [Eb] _ _ [E] _ _
_ _ _ _ _ _ [Gb] _ _
_ [Ebm] _ _ _ [F] _ [Eb] _ [Ab] _ _
_ _ _ _ _ _ _ [Dm] _
[E] _ [Ab] _ _ [Abm] _ _ _ _ _
_ [Db] _ [Bm] _ [Ebm] _ [Gb] _ _ [Cm] _ [Db] _
_ [Eb] _ [Bbm] _ _ _ [Db] _ [Eb] _ _
_ _ [Bbm] _ [Db] _ _ [Eb] _ [Gb] _ [Dm] _
_ _ _ [Abm] _ _ _ [Dm] _ _
[Eb] _ [Ebm] _ _ [Dm] _ _ _ _ [Abm] _
[Dm] _ _ [Eb] _ [Dm] _ _ [Eb] _ _ [Fm] _
_ [Eb] _ _ _ [F] _ [Gb] _ _ [G] _
_ _ [Abm] _ _ _ _ _
[Em] Okay, _ um, [Ab] talking about that. _ _
Basically in shouting, you can just do a [Bb] lot of things.
In [Ab] working with _ dominant scale, slash minor scale, depending on who you're playing with. _
Usually the chords I do [Eb] is an A flat, [C] minor [B] 7, A flat dominant 7, _ A flat minor 7, C minor
7, _ B flat [Bbm] minor, _ _ A flat [Abm] minor. _ _
_ [B] _ _ [Db] _ [Abm] _ [Bbm] _ _ [B] _
[Bbm] _ [Bbm] _ [B] _ [Bbm] _ _ [B] _ [Db] I guess I'm doing like a D flat major, sorry.
[B] So [Db] _
make _ [B] _ _ [Db] _ _ [Abm] _ _
_ _ _ _ _ _ _ _
_ _ [N] you sound old, yeah I know, I'm sorry.
_ You can do different scales and chords.
You can do that A flat, suspended [Gb] 13. _ _ _ _
_ _ [G] _ _ _ _ _ [B]
A flat diminished is always [Abm] welcome in A flat. _
[Eb] Any [Db] key, [G] D flat diminished, _ _ _
[Db] _ E flat [Eb] diminished, _ _ [F] F diminished.
_ _ _ _ _ _ _ _
[N] But diminished chords are your friends.
Diminished chords and dominant chords.
_ _ _ To do that walk up, you can do _ _ B flat minor, _ okay.
Well, okay, let's make it simple.
[Db] D flat major, [Ab] A flat, D [Db] flat, _ _ _ [B] D diminished, _ _ _ and then what I like to call my A flat fake
[Ab] _ [D] chord.
[Abm] Because what I'm doing is I'm taking my [Cm] third and I'm playing it and I'm _ _ _ hitting a sharp [D] 11.
But I don't stay [Eb] on that.
I don't want to do [Abm] that.
I just, _ _ _ you [Bbm] know, so.
_ _ And we walk up to B flat, C, D flat, D, E flat.
_ [Cm] _ _ [Bbm] _ [Cm] _ [Db] _ [G] _ _
[Eb] _ _ _ [Bbm] _ [Cm] _ [Db] _ [Eb] _ [Abm] _
_ [Eb] _ [Ab] That's game.
[Db] _ _ _ _
[Eb] _ _ [Db] _ _ _ [D] _ _ [Abm] _
_ _ [Eb] _ A flat bebop [Ab] scale.
_ _ _ [Bb] _ [Ab] _ _ _ [D] _
_ [Eb] _ [N] _ _ _ _ [D] _ _
[Abm] _ _ _ [D] _ [Abm] _ _ So, [B] A flat, [Db] B, [D] D flat, _ [Eb] D, E [F] flat.
_ _ [Bb] It's supposed to be an F, I believe, in the real bebop [F] scale.
_ [Gm] But for dominant purposes, we play the [Gb] G flat.
_ _ [Abm] _ _
_ _ [D] _ [Abm] _ _ _ _ _
_ _ [Gb] _ [C] And then it [Bb] all depends on how you run it.
If you [Ab] run them together, sometimes it's easier to do that.
[Fm] _ _ _ _ _ [Gb] _ [Eb] _ [D] _
[Db] _ You know what I'm saying?
[A] You [Ab] _ _ [B] _
[Db] _ _ _ [Gb] _ _ [D] _ _ [Eb] _
[Abm] _ _ _ _ _ [Ab] _ [Bbm] know what I'm saying?
It's [Ab] just easier.
_ [Db] _ _ [Gb] _ _ _
_ [A] So, you can do [Gb] that A flat suspended 13.
_ _ _ You can do a G flat _ _ major scale with a suspended _ 4.
_ I mean, a sharp 4, which is the sharp [C] 11.
_ _ [Ab] _ [Gb] _ _
_ _ _ [F] _ Or [Bb] to make it [Ab] sound crazy, you can just go ahead and do a G flat major scale.
[Gb] _ _
[Db] _ _ _ _ _ [Gb] _ _ _
_ [Abm] _ _ _ _ _ _ _
_ _ _ [Db] _ _ _ _ [Ab] _
And you just got to mix those scales together.
The bebop scale _ _ _ and [Gb] the G flat major [B] scale.
_ _ _ [A] So, you'll see me do stuff [Gb] like _ _ [G] _ _ _ [Gb] _ _ [D] _
_ _ [B] _ [Gb] _ _ _ [Bm] _ [Eb] _
_ [Gb] _ _ _ [B] _ _ _ _
_ _ [F] _ [Db] _ _ [Dm] _ [Ebm] _ _
_ [Abm] _ _ _ _ _ _ [N]
that.
_ What else?
I mean, there's a whole lot you can do with sharp music.
_ I talked to some of my friends.
They gave me some tips.
[Ebm] What _ _ [Eb] _ _
[Gb] _ _ _ _ I did, _ A flat _ _ dominant 13. _
_ _ _ _ _ [Eb] _ [Gb] I _ [E] mean, _ _ _ _ there's just [A] different stuff you can do.
_ _ Different grooves you can hit.
_ [Ab] _ _ [Db] _ [G] _ [Eb] _
[F] _ [Gb] _ _ _ _ [B] _ [Gbm] _ _
_ _ [Bm] _ _ [D] _ _ _ [Gb] _
_ _ _ [Abm] _ [D] _ _ [B] _ [Gb] _
_ _ [Gbm] _ _ [Gb] _ _ _ _
_ [Ab] _ [Dbm] _ _ [Eb] _ [Gb] _ _ [Ab] _
[D] _ _ [Dbm] _ [Gb] _ _ _ [Ab] _ _
_ _ _ I'm _ [A] _ _
here.
_ _ _ _ [B] The end.
_ _ I don't really [A] distinguish myself as a shouting [F] musician. _
I mean, I love to shout, but really, as far as a keyboardist, my bass player [Ab] makes me sound great.
_ [D] _
[Db] _ _ [D] _ _ _ [Gb] _ _ _
_ [Ab] _ _ I do [Eb] it in A flat, _ just because it's my favorite [Dm] shouting key anyway.
[Abm] _ _ _
_ _ _ _ _ _ _ [Db] _
[Eb] _ [F] _ [Gb] _ [G] _ [Ebm] _ _ [Db] _ _
_ _ _ [Ab] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [Db] _ _ _ [Gb] _ _
_ _ _ _ _ [Abm] _ _ [Gb] _
_ _ _ _ [Eb] _ _ [E] _ _
_ _ _ _ _ _ [Gb] _ _
_ [Ebm] _ _ _ [F] _ [Eb] _ [Ab] _ _
_ _ _ _ _ _ _ [Dm] _
[E] _ [Ab] _ _ [Abm] _ _ _ _ _
_ [Db] _ [Bm] _ [Ebm] _ [Gb] _ _ [Cm] _ [Db] _
_ [Eb] _ [Bbm] _ _ _ [Db] _ [Eb] _ _
_ _ [Bbm] _ [Db] _ _ [Eb] _ [Gb] _ [Dm] _
_ _ _ [Abm] _ _ _ [Dm] _ _
[Eb] _ [Ebm] _ _ [Dm] _ _ _ _ [Abm] _
[Dm] _ _ [Eb] _ [Dm] _ _ [Eb] _ _ [Fm] _
_ [Eb] _ _ _ [F] _ [Gb] _ _ [G] _
_ _ [Abm] _ _ _ _ _
[Em] Okay, _ um, [Ab] talking about that. _ _
Basically in shouting, you can just do a [Bb] lot of things.
In [Ab] working with _ dominant scale, slash minor scale, depending on who you're playing with. _
Usually the chords I do [Eb] is an A flat, [C] minor [B] 7, A flat dominant 7, _ A flat minor 7, C minor
7, _ B flat [Bbm] minor, _ _ A flat [Abm] minor. _ _
_ [B] _ _ [Db] _ [Abm] _ [Bbm] _ _ [B] _
[Bbm] _ [Bbm] _ [B] _ [Bbm] _ _ [B] _ [Db] I guess I'm doing like a D flat major, sorry.
[B] So [Db] _
make _ [B] _ _ [Db] _ _ [Abm] _ _
_ _ _ _ _ _ _ _
_ _ [N] you sound old, yeah I know, I'm sorry.
_ You can do different scales and chords.
You can do that A flat, suspended [Gb] 13. _ _ _ _
_ _ [G] _ _ _ _ _ [B]
A flat diminished is always [Abm] welcome in A flat. _
[Eb] Any [Db] key, [G] D flat diminished, _ _ _
[Db] _ E flat [Eb] diminished, _ _ [F] F diminished.
_ _ _ _ _ _ _ _
[N] But diminished chords are your friends.
Diminished chords and dominant chords.
_ _ _ To do that walk up, you can do _ _ B flat minor, _ okay.
Well, okay, let's make it simple.
[Db] D flat major, [Ab] A flat, D [Db] flat, _ _ _ [B] D diminished, _ _ _ and then what I like to call my A flat fake
[Ab] _ [D] chord.
[Abm] Because what I'm doing is I'm taking my [Cm] third and I'm playing it and I'm _ _ _ hitting a sharp [D] 11.
But I don't stay [Eb] on that.
I don't want to do [Abm] that.
I just, _ _ _ you [Bbm] know, so.
_ _ And we walk up to B flat, C, D flat, D, E flat.
_ [Cm] _ _ [Bbm] _ [Cm] _ [Db] _ [G] _ _
[Eb] _ _ _ [Bbm] _ [Cm] _ [Db] _ [Eb] _ [Abm] _
_ [Eb] _ [Ab] That's game.
[Db] _ _ _ _
[Eb] _ _ [Db] _ _ _ [D] _ _ [Abm] _
_ _ [Eb] _ A flat bebop [Ab] scale.
_ _ _ [Bb] _ [Ab] _ _ _ [D] _
_ [Eb] _ [N] _ _ _ _ [D] _ _
[Abm] _ _ _ [D] _ [Abm] _ _ So, [B] A flat, [Db] B, [D] D flat, _ [Eb] D, E [F] flat.
_ _ [Bb] It's supposed to be an F, I believe, in the real bebop [F] scale.
_ [Gm] But for dominant purposes, we play the [Gb] G flat.
_ _ [Abm] _ _
_ _ [D] _ [Abm] _ _ _ _ _
_ _ [Gb] _ [C] And then it [Bb] all depends on how you run it.
If you [Ab] run them together, sometimes it's easier to do that.
[Fm] _ _ _ _ _ [Gb] _ [Eb] _ [D] _
[Db] _ You know what I'm saying?
[A] You [Ab] _ _ [B] _
[Db] _ _ _ [Gb] _ _ [D] _ _ [Eb] _
[Abm] _ _ _ _ _ [Ab] _ [Bbm] know what I'm saying?
It's [Ab] just easier.
_ [Db] _ _ [Gb] _ _ _
_ [A] So, you can do [Gb] that A flat suspended 13.
_ _ _ You can do a G flat _ _ major scale with a suspended _ 4.
_ I mean, a sharp 4, which is the sharp [C] 11.
_ _ [Ab] _ [Gb] _ _
_ _ _ [F] _ Or [Bb] to make it [Ab] sound crazy, you can just go ahead and do a G flat major scale.
[Gb] _ _
[Db] _ _ _ _ _ [Gb] _ _ _
_ [Abm] _ _ _ _ _ _ _
_ _ _ [Db] _ _ _ _ [Ab] _
And you just got to mix those scales together.
The bebop scale _ _ _ and [Gb] the G flat major [B] scale.
_ _ _ [A] So, you'll see me do stuff [Gb] like _ _ [G] _ _ _ [Gb] _ _ [D] _
_ _ [B] _ [Gb] _ _ _ [Bm] _ [Eb] _
_ [Gb] _ _ _ [B] _ _ _ _
_ _ [F] _ [Db] _ _ [Dm] _ [Ebm] _ _
_ [Abm] _ _ _ _ _ _ [N]
that.
_ What else?
I mean, there's a whole lot you can do with sharp music.
_ I talked to some of my friends.
They gave me some tips.
[Ebm] What _ _ [Eb] _ _
[Gb] _ _ _ _ I did, _ A flat _ _ dominant 13. _
_ _ _ _ _ [Eb] _ [Gb] I _ [E] mean, _ _ _ _ there's just [A] different stuff you can do.
_ _ Different grooves you can hit.
_ [Ab] _ _ [Db] _ [G] _ [Eb] _
[F] _ [Gb] _ _ _ _ [B] _ [Gbm] _ _
_ _ [Bm] _ _ [D] _ _ _ [Gb] _
_ _ _ [Abm] _ [D] _ _ [B] _ [Gb] _
_ _ [Gbm] _ _ [Gb] _ _ _ _
_ [Ab] _ [Dbm] _ _ [Eb] _ [Gb] _ _ [Ab] _
[D] _ _ [Dbm] _ [Gb] _ _ _ [Ab] _ _
_ _ _ I'm _ [A] _ _
here.
_ _ _ _ [B] The end.