Chords for Beethoven's Moonlight Sonata - Flamenco/Classical Ukulele *** Get TABS at Bartt.net
Tempo:
118.3 bpm
Chords used:
Dm
A
F
C
Fm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
I'm going to demonstrate what I'm talking about first, then I'll explain what I've done.
[Dm]
So what I'm doing is using my thumb, and of course I have my long nails, this is much
easier with long nails, acrylic nails.
I'm taking my thumb and hitting three different notes.
Then I do it again, I repeat that pattern.
Separately from that, but at the same time, I'm taking these two fingers and I'm doing this.
[E]
[Dm] So when you practice this, practice it as two independent segments, get each of them
clean independently of each other, and then combine them.
It's a little tricky, but when you're done, you'll be doing this.
And then adding [B] this.
And at the same time, it [A] sounds like this.
[Dm]
And [Bm] an easy way to help you out is to count it in your head.
One, two, three, one, two, [A] three, [Dm] one, two, three, one, two, three, [A] or one-a [Dm]-na, two-a-na,
three-a-na, one-a-na, two-a-na, three-a-na, one-a-na, one-a-na, two-a-na, three-a-na,
one-a-na, two-a-na, three-a-na.
You'll notice that this hand has never changed.
It's been a D minor chord the whole time.
This is something you need to practice slowly and cleanly for quite a while until you get
the hang of it, but once you get the hang of it, it becomes second nature.
[Dm]
[C]
[Dm] There are a lot of other ways to use the P-I-M-A patterns.
Go to the website, my website, bart.net, and you'll see some free handouts you can download
that explain it.
I'm going to play a little bit of Beethoven using this technique.
I'm going to play a little bit of Moonlight Sonata that I've arranged for ukulele.
[F]
[Bb] [Eb]
[D] [A]
[Dm]
[A]
[Dm]
[F]
[C] [F]
[Fm] [Ab]
[Db]
[Cm]
[Fm] [G]
[Cm]
[Dm]
So what I'm doing is using my thumb, and of course I have my long nails, this is much
easier with long nails, acrylic nails.
I'm taking my thumb and hitting three different notes.
Then I do it again, I repeat that pattern.
Separately from that, but at the same time, I'm taking these two fingers and I'm doing this.
[E]
[Dm] So when you practice this, practice it as two independent segments, get each of them
clean independently of each other, and then combine them.
It's a little tricky, but when you're done, you'll be doing this.
And then adding [B] this.
And at the same time, it [A] sounds like this.
[Dm]
And [Bm] an easy way to help you out is to count it in your head.
One, two, three, one, two, [A] three, [Dm] one, two, three, one, two, three, [A] or one-a [Dm]-na, two-a-na,
three-a-na, one-a-na, two-a-na, three-a-na, one-a-na, one-a-na, two-a-na, three-a-na,
one-a-na, two-a-na, three-a-na.
You'll notice that this hand has never changed.
It's been a D minor chord the whole time.
This is something you need to practice slowly and cleanly for quite a while until you get
the hang of it, but once you get the hang of it, it becomes second nature.
[Dm]
[C]
[Dm] There are a lot of other ways to use the P-I-M-A patterns.
Go to the website, my website, bart.net, and you'll see some free handouts you can download
that explain it.
I'm going to play a little bit of Beethoven using this technique.
I'm going to play a little bit of Moonlight Sonata that I've arranged for ukulele.
[F]
[Bb] [Eb]
[D] [A]
[Dm]
[A]
[Dm]
[F]
[C] [F]
[Fm] [Ab]
[Db]
[Cm]
[Fm] [G]
[Cm]
Key:
Dm
A
F
C
Fm
Dm
A
F
I'm going to demonstrate what I'm talking about first, then I'll explain what I've done.
[Dm] _
_ _ _ _ _ _ _ _
_ _ _ So what I'm doing is using my thumb, and of course I have my long nails, this is much
easier with long nails, acrylic nails.
_ I'm taking my thumb and hitting three different notes.
_ _ Then I do it again, I repeat that pattern. _ _ _ _ _ _ _
_ _ _ _ Separately from that, but at the same time, I'm taking these two fingers and I'm doing this.
[E] _ _
_ _ _ _ _ _ _ _
[Dm] So when you practice this, practice it as two independent segments, get each of them
clean _ independently of each other, and then combine them.
It's a little tricky, but when you're done, you'll be doing this. _ _
_ _ _ And then adding [B] this. _ _
_ And at the same time, it [A] sounds like this.
_ [Dm] _ _
_ _ _ _ _ _ _ _
_ _ And [Bm] an easy way to help you out is to count it in your head.
One, two, three, one, two, [A] three, [Dm] one, two, three, one, two, three, [A] or one-a [Dm]-na, two-a-na,
three-a-na, one-a-na, two-a-na, three-a-na, one-a-na, one-a-na, two-a-na, three-a-na,
one-a-na, two-a-na, three-a-na.
You'll notice that this hand has never changed.
It's been a D minor chord the whole time.
This is something you need to practice slowly and cleanly for quite a while until you get
the hang of it, but once you get the hang of it, it becomes second nature.
[Dm] _ _
_ _ _ _ _ [C] _ _ _
_ _ _ [Dm] There are a lot of other ways to use the P-I-M-A patterns.
Go to the website, my website, bart.net, and you'll see some free handouts you can download
that explain it.
I'm going to play a little bit of Beethoven using this technique.
I'm going to play a little bit of Moonlight Sonata that I've arranged for ukulele. _ _ _ _ _ _
_ _ _ _ [F] _ _ _ _
_ _ _ [Bb] _ _ _ [Eb] _ _
_ _ [D] _ _ _ [A] _ _ _
_ _ _ _ _ [Dm] _ _ _
_ _ _ _ _ [A] _ _ _
_ _ _ _ _ _ [Dm] _ _
_ _ _ _ _ [F] _ _ _
_ [C] _ _ _ _ _ [F] _ _
_ _ _ _ _ _ _ _
[Fm] _ _ _ _ _ _ [Ab] _ _
_ _ _ _ _ [Db] _ _ _
_ _ _ _ [Cm] _ _ _ _
_ [Fm] _ _ _ _ [G] _ _ _
_ _ _ _ _ _ [Cm] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Dm] _
_ _ _ _ _ _ _ _
_ _ _ So what I'm doing is using my thumb, and of course I have my long nails, this is much
easier with long nails, acrylic nails.
_ I'm taking my thumb and hitting three different notes.
_ _ Then I do it again, I repeat that pattern. _ _ _ _ _ _ _
_ _ _ _ Separately from that, but at the same time, I'm taking these two fingers and I'm doing this.
[E] _ _
_ _ _ _ _ _ _ _
[Dm] So when you practice this, practice it as two independent segments, get each of them
clean _ independently of each other, and then combine them.
It's a little tricky, but when you're done, you'll be doing this. _ _
_ _ _ And then adding [B] this. _ _
_ And at the same time, it [A] sounds like this.
_ [Dm] _ _
_ _ _ _ _ _ _ _
_ _ And [Bm] an easy way to help you out is to count it in your head.
One, two, three, one, two, [A] three, [Dm] one, two, three, one, two, three, [A] or one-a [Dm]-na, two-a-na,
three-a-na, one-a-na, two-a-na, three-a-na, one-a-na, one-a-na, two-a-na, three-a-na,
one-a-na, two-a-na, three-a-na.
You'll notice that this hand has never changed.
It's been a D minor chord the whole time.
This is something you need to practice slowly and cleanly for quite a while until you get
the hang of it, but once you get the hang of it, it becomes second nature.
[Dm] _ _
_ _ _ _ _ [C] _ _ _
_ _ _ [Dm] There are a lot of other ways to use the P-I-M-A patterns.
Go to the website, my website, bart.net, and you'll see some free handouts you can download
that explain it.
I'm going to play a little bit of Beethoven using this technique.
I'm going to play a little bit of Moonlight Sonata that I've arranged for ukulele. _ _ _ _ _ _
_ _ _ _ [F] _ _ _ _
_ _ _ [Bb] _ _ _ [Eb] _ _
_ _ [D] _ _ _ [A] _ _ _
_ _ _ _ _ [Dm] _ _ _
_ _ _ _ _ [A] _ _ _
_ _ _ _ _ _ [Dm] _ _
_ _ _ _ _ [F] _ _ _
_ [C] _ _ _ _ _ [F] _ _
_ _ _ _ _ _ _ _
[Fm] _ _ _ _ _ _ [Ab] _ _
_ _ _ _ _ [Db] _ _ _
_ _ _ _ [Cm] _ _ _ _
_ [Fm] _ _ _ _ [G] _ _ _
_ _ _ _ _ _ [Cm] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _