Chords for Billy Joel Jimmy Webb Wichita Lineman
Tempo:
124.55 bpm
Chords used:
D
A
E
G
C
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Good evening.
I'm here to talk about someone who is a friend of mine who is an American icon in my eyes and to most people here.
I can't possibly cover all the great songs he's written but I'm going to concentrate on one just to illustrate the artistry of this man.
How many people here have actually been to Wichita?
Anybody here been to Wichita?
Miles of prairie, endless plains, a couple of telephone poles and prairie becomes mind-numbing.
And I heard this song written by this man, Jimmy Webb, and it made me think about almost everyone in a different way.
And I'm going to try to explain it [B] first and then I'm going to try to play it.
I tried to figure this out the other night.
I'm going to rewrite it, Jimmy, a little bit because I don't have the sheet music so I kind of did it my way.
[D] [D]
[G] And it starts off, I am a [C] lineman for the county.
[G]
[B] And I'm thinking, okay, I'm going to interrupt myself a couple times and then I'm going to do it right.
I am a lineman for the county.
I am a lineman.
[Bm] Is he a football player?
What the hell is a lineman?
The county, and I drive the [Am] main road.
[D] [G] So why should I care?
[Em]
Searching in the sun for another.
[A] [E]
[B] Oh, now I'm getting interested.
[E]
I hear you singing in the wire.
[D] Hear these [A] suspensions?
[D] [Em] [Bm] I can hear you through the wire.
W-H-I [A]-N-A, okay.
I'm [Am] a Wichita [E] lineman.
[A]
They're still on the [F] line.
[C] [A]
The little electronic pulse.
I don't [B] like it.
It's about telephones and technology and stuff.
This guy's a telephone repair guy.
[C]
[D] I know you're a little [C] small-ish.
Hey, Sean.
[G] But [B] it don't look [Am] like rain.
[G] And if [Em] it snows, that's a good sign.
[A] Phone never sends a [E] string.
[D] Then he starts talking about this voice.
And I need you more than want you.
I need you more than want you?
Isn't that almost like a diss?
And then [A] he says, and I want you for all time.
For all time.
Oh, [F#] and holy, he must really need her then.
[C] I'm a Wichita [E] lineman.
[A] They're still on the [F] line.
[E]
[F] [F] [D]
Okay, now roll back to the beginning of the lyrics, and I'm trying to sing this the right way, okay.
So, it's [F#] as if anybody, [G#] anyone that you see, a guy, you know, working on construction,
you know, maybe he's got the soul of a, the vision of a Thomas Hart Benton,
maybe a commercial fisherman, you know, with his heavy [Bm] gear, has the spirit of a John Steinbeck,
and maybe a guy climbing up a telephone pole has the spirit of a Samuel Barber.
And that's what this song did for me.
[D] I am the [C] light of [C] all the town here.
[G]
And I drive the [A] main road,
[G] Searching the sun for [E] another.
[A]
[E] I hear you singing in the [Em] wire.
[D]
I can hear you through the [A] wire.
[Am] In the Wichita [E] liners.
[A] [D]
[F]
[E] [F]
[D] I know I need a small [C] vacation,
[G]
But it don't look [Am] like rain.
[D]
And if [Em] it snows that breakdown south, [A] whatever it may [E]
be,
Then I need you more [D]
than I want you for [A] all time.
[Am] And the Wichita [B]
[E] liners [D] are still [A] on the [F] line.
[Am]
[F]
[D] [Dm]
[D]
[A] [Bm]
[N] It's
[B]
truly a pleasure to be here for a man I can call my friend.
Please welcome the 2003 Johnny Mercer Award recipient, Mr.
Jimmy Ray.
I'm here to talk about someone who is a friend of mine who is an American icon in my eyes and to most people here.
I can't possibly cover all the great songs he's written but I'm going to concentrate on one just to illustrate the artistry of this man.
How many people here have actually been to Wichita?
Anybody here been to Wichita?
Miles of prairie, endless plains, a couple of telephone poles and prairie becomes mind-numbing.
And I heard this song written by this man, Jimmy Webb, and it made me think about almost everyone in a different way.
And I'm going to try to explain it [B] first and then I'm going to try to play it.
I tried to figure this out the other night.
I'm going to rewrite it, Jimmy, a little bit because I don't have the sheet music so I kind of did it my way.
[D] [D]
[G] And it starts off, I am a [C] lineman for the county.
[G]
[B] And I'm thinking, okay, I'm going to interrupt myself a couple times and then I'm going to do it right.
I am a lineman for the county.
I am a lineman.
[Bm] Is he a football player?
What the hell is a lineman?
The county, and I drive the [Am] main road.
[D] [G] So why should I care?
[Em]
Searching in the sun for another.
[A] [E]
[B] Oh, now I'm getting interested.
[E]
I hear you singing in the wire.
[D] Hear these [A] suspensions?
[D] [Em] [Bm] I can hear you through the wire.
W-H-I [A]-N-A, okay.
I'm [Am] a Wichita [E] lineman.
[A]
They're still on the [F] line.
[C] [A]
The little electronic pulse.
I don't [B] like it.
It's about telephones and technology and stuff.
This guy's a telephone repair guy.
[C]
[D] I know you're a little [C] small-ish.
Hey, Sean.
[G] But [B] it don't look [Am] like rain.
[G] And if [Em] it snows, that's a good sign.
[A] Phone never sends a [E] string.
[D] Then he starts talking about this voice.
And I need you more than want you.
I need you more than want you?
Isn't that almost like a diss?
And then [A] he says, and I want you for all time.
For all time.
Oh, [F#] and holy, he must really need her then.
[C] I'm a Wichita [E] lineman.
[A] They're still on the [F] line.
[E]
[F] [F] [D]
Okay, now roll back to the beginning of the lyrics, and I'm trying to sing this the right way, okay.
So, it's [F#] as if anybody, [G#] anyone that you see, a guy, you know, working on construction,
you know, maybe he's got the soul of a, the vision of a Thomas Hart Benton,
maybe a commercial fisherman, you know, with his heavy [Bm] gear, has the spirit of a John Steinbeck,
and maybe a guy climbing up a telephone pole has the spirit of a Samuel Barber.
And that's what this song did for me.
[D] I am the [C] light of [C] all the town here.
[G]
And I drive the [A] main road,
[G] Searching the sun for [E] another.
[A]
[E] I hear you singing in the [Em] wire.
[D]
I can hear you through the [A] wire.
[Am] In the Wichita [E] liners.
[A] [D]
[F]
[E] [F]
[D] I know I need a small [C] vacation,
[G]
But it don't look [Am] like rain.
[D]
And if [Em] it snows that breakdown south, [A] whatever it may [E]
be,
Then I need you more [D]
than I want you for [A] all time.
[Am] And the Wichita [B]
[E] liners [D] are still [A] on the [F] line.
[Am]
[F]
[D] [Dm]
[D]
[A] [Bm]
[N] It's
[B]
truly a pleasure to be here for a man I can call my friend.
Please welcome the 2003 Johnny Mercer Award recipient, Mr.
Jimmy Ray.
Key:
D
A
E
G
C
D
A
E
_ _ _ _ _ _ _ _
_ _ _ Good evening. _ _
_ _ _ _ _ I'm here to talk about someone who is a friend of mine who is an American icon in my eyes and to most people here.
I can't possibly cover all the great songs he's written but I'm going to concentrate on one just to illustrate the artistry of this man.
_ How many people here have actually been to Wichita?
Anybody here been to Wichita? _ _ _
Miles of prairie, endless plains, a couple of telephone poles and prairie becomes mind-numbing.
_ _ And I heard this song written by this man, Jimmy Webb, and it made me think _ about almost _ everyone in a different way.
And I'm going to try to explain it [B] first and then I'm going to try to play it.
I tried to figure this out the other night.
I'm going to rewrite it, Jimmy, a little bit because I don't have the sheet music so I kind of did it my way. _ _ _ _ _
_ [D] _ [D] _ _ _ _ _ _
_ _ [G] _ And it starts off, I am a [C] lineman for the county.
_ _ _ _ [G] _
_ _ [B] _ And I'm thinking, okay, I'm going to interrupt myself a couple times and then I'm going to do it right.
I am a lineman for the county.
I am a lineman.
[Bm] Is he a football player?
What the hell is a lineman?
The county, and I drive the [Am] main road.
[D] _ [G] So why should I care?
[Em] _
Searching in the sun for another.
_ [A] _ _ [E] _
_ [B] Oh, now I'm getting interested.
_ [E] _ _
I hear you singing in the wire.
[D] _ Hear these [A] suspensions?
_ _ [D] _ _ [Em] _ _ [Bm] I can hear you through the wire.
W-H-I [A]-N-A, okay.
_ _ I'm [Am] _ _ a Wichita [E] _ lineman.
_ _ _ [A] _
They're still on the [F] line. _ _ _
_ [C] _ _ _ [A] _ _ _ _
The little electronic pulse.
_ I don't [B] like it.
It's about telephones and technology and stuff.
This guy's a telephone repair guy.
_ [C] _ _ _ _
[D] I know you're a little [C] small-ish.
Hey, Sean.
_ _ [G] But [B] it don't look [Am] like rain.
[G] _ _ And if [Em] it snows, that's a good sign.
[A] Phone never sends a [E] string. _ _ _ _ _ _
[D] Then he starts talking about this voice.
_ And I need you more than want you. _ _ _
I need you more than want you?
Isn't that almost like a diss?
_ _ _ _ _ And then [A] he says, _ and I want you for all time.
For all time.
Oh, [F#] and holy, he must really need her then.
_ [C] _ I'm a Wichita _ [E] lineman.
_ _ [A] _ They're still on the [F] line.
_ _ _ _ [E] _ _ _ _
_ [F] _ _ [F] _ _ _ _ [D]
Okay, now roll back to the beginning of the lyrics, and I'm trying to sing this the right way, okay.
So, it's [F#] as if anybody, _ _ [G#] anyone that you see, a guy, you know, working on construction,
you know, maybe he's got the _ _ soul of a, the vision of a Thomas Hart Benton,
maybe a commercial fisherman, you know, with his heavy [Bm] gear, has the spirit of a John Steinbeck,
and maybe a guy climbing up a telephone pole _ has the _ spirit of a Samuel Barber.
And that's what this song did for me.
_ [D] _ _ I am the [C] light of [C] all the town here.
_ _ [G] _ _
And I drive the [A] main _ road,
_ _ [G] Searching the sun for [E] another.
[A] _ _ _ _ _ _ _
_ _ _ [E] I hear you singing in the [Em] wire.
_ [D] _ _ _ _
I can hear you through the [A] wire. _ _
_ [Am] _ _ In the Wichita [E] liners.
_ _ _ _ _ [A] _ _ [D] _
_ [F] _ _ _ _ _ _ _
[E] _ _ _ _ _ [F] _ _ _
_ _ _ [D] I know I need a small [C] vacation,
_ _ _ [G] _ _
But it don't look [Am] like rain.
[D] _ _
And if [Em] it snows that breakdown south, [A] whatever it may _ _ _ [E] _
be,
_ Then I need you more _ [D] _ _ _ _ _ _
than I want you for [A] all time. _ _
_ [Am] _ And the Wichita _ [B] _
[E] liners _ _ _ _ [D] are still [A] on the [F] line.
_ _ _ _ _ [Am] _
_ _ _ _ [F] _ _ _ _
_ [D] _ _ _ _ _ _ [Dm] _
_ _ _ _ [D] _ _ _ _
_ [A] _ _ _ _ _ _ [Bm] _
_ _ _ _ [N] It's _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [B] _ _ _ _
_ _ _ _ _ _ _
truly a pleasure to be here for a man I can call my friend.
Please welcome the 2003 Johnny Mercer Award recipient, Mr.
Jimmy Ray. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Good evening. _ _
_ _ _ _ _ I'm here to talk about someone who is a friend of mine who is an American icon in my eyes and to most people here.
I can't possibly cover all the great songs he's written but I'm going to concentrate on one just to illustrate the artistry of this man.
_ How many people here have actually been to Wichita?
Anybody here been to Wichita? _ _ _
Miles of prairie, endless plains, a couple of telephone poles and prairie becomes mind-numbing.
_ _ And I heard this song written by this man, Jimmy Webb, and it made me think _ about almost _ everyone in a different way.
And I'm going to try to explain it [B] first and then I'm going to try to play it.
I tried to figure this out the other night.
I'm going to rewrite it, Jimmy, a little bit because I don't have the sheet music so I kind of did it my way. _ _ _ _ _
_ [D] _ [D] _ _ _ _ _ _
_ _ [G] _ And it starts off, I am a [C] lineman for the county.
_ _ _ _ [G] _
_ _ [B] _ And I'm thinking, okay, I'm going to interrupt myself a couple times and then I'm going to do it right.
I am a lineman for the county.
I am a lineman.
[Bm] Is he a football player?
What the hell is a lineman?
The county, and I drive the [Am] main road.
[D] _ [G] So why should I care?
[Em] _
Searching in the sun for another.
_ [A] _ _ [E] _
_ [B] Oh, now I'm getting interested.
_ [E] _ _
I hear you singing in the wire.
[D] _ Hear these [A] suspensions?
_ _ [D] _ _ [Em] _ _ [Bm] I can hear you through the wire.
W-H-I [A]-N-A, okay.
_ _ I'm [Am] _ _ a Wichita [E] _ lineman.
_ _ _ [A] _
They're still on the [F] line. _ _ _
_ [C] _ _ _ [A] _ _ _ _
The little electronic pulse.
_ I don't [B] like it.
It's about telephones and technology and stuff.
This guy's a telephone repair guy.
_ [C] _ _ _ _
[D] I know you're a little [C] small-ish.
Hey, Sean.
_ _ [G] But [B] it don't look [Am] like rain.
[G] _ _ And if [Em] it snows, that's a good sign.
[A] Phone never sends a [E] string. _ _ _ _ _ _
[D] Then he starts talking about this voice.
_ And I need you more than want you. _ _ _
I need you more than want you?
Isn't that almost like a diss?
_ _ _ _ _ And then [A] he says, _ and I want you for all time.
For all time.
Oh, [F#] and holy, he must really need her then.
_ [C] _ I'm a Wichita _ [E] lineman.
_ _ [A] _ They're still on the [F] line.
_ _ _ _ [E] _ _ _ _
_ [F] _ _ [F] _ _ _ _ [D]
Okay, now roll back to the beginning of the lyrics, and I'm trying to sing this the right way, okay.
So, it's [F#] as if anybody, _ _ [G#] anyone that you see, a guy, you know, working on construction,
you know, maybe he's got the _ _ soul of a, the vision of a Thomas Hart Benton,
maybe a commercial fisherman, you know, with his heavy [Bm] gear, has the spirit of a John Steinbeck,
and maybe a guy climbing up a telephone pole _ has the _ spirit of a Samuel Barber.
And that's what this song did for me.
_ [D] _ _ I am the [C] light of [C] all the town here.
_ _ [G] _ _
And I drive the [A] main _ road,
_ _ [G] Searching the sun for [E] another.
[A] _ _ _ _ _ _ _
_ _ _ [E] I hear you singing in the [Em] wire.
_ [D] _ _ _ _
I can hear you through the [A] wire. _ _
_ [Am] _ _ In the Wichita [E] liners.
_ _ _ _ _ [A] _ _ [D] _
_ [F] _ _ _ _ _ _ _
[E] _ _ _ _ _ [F] _ _ _
_ _ _ [D] I know I need a small [C] vacation,
_ _ _ [G] _ _
But it don't look [Am] like rain.
[D] _ _
And if [Em] it snows that breakdown south, [A] whatever it may _ _ _ [E] _
be,
_ Then I need you more _ [D] _ _ _ _ _ _
than I want you for [A] all time. _ _
_ [Am] _ And the Wichita _ [B] _
[E] liners _ _ _ _ [D] are still [A] on the [F] line.
_ _ _ _ _ [Am] _
_ _ _ _ [F] _ _ _ _
_ [D] _ _ _ _ _ _ [Dm] _
_ _ _ _ [D] _ _ _ _
_ [A] _ _ _ _ _ _ [Bm] _
_ _ _ _ [N] It's _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [B] _ _ _ _
_ _ _ _ _ _ _
truly a pleasure to be here for a man I can call my friend.
Please welcome the 2003 Johnny Mercer Award recipient, Mr.
Jimmy Ray. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _