DAVID GATES (1975) - The Musical Time Machine (If") Chords

Tempo:
137.35 bpm
Chords used:

A

E

Dm

Em

Bm

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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DAVID GATES (1975) - The Musical Time Machine (If") chords
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[A] [E]
[Em]
[Bm]
[Dm]
[A]
[Dm]
[E]
If [A] a [B] picture paints a [E] thousand words, [Am] then why [Em] can't I paint [A] you?
100%  ➙  137BPM
A
1231
E
2311
Dm
2311
Em
121
Bm
13421112
A
1231
E
2311
Dm
2311
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Chords
NotesBeta

To learn Bread - If chords, anchor your practice on these foundational sequence of chords - Bm, Dm, E, A, E, Em, Bm, Dm, A, E, Dm, A and Dm. Start with a comfortable 68 BPM and as you become proficient, aim for the song's BPM of 137. Adapt the capo setting considering your vocal range, with reference to the key: A Major.

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[A] _ _ _ _ _ [E] _
_ _ _ _ _ _
[Em] _ _ _ _ _ _
[Bm] _ _ _ _ _ _
[Dm] _ _ _ _ _ _
[A] _ _ _ _ _ _
_ [Dm] _ _ _ _ _
_ [E] _ _ _ _ _
If [A] a [B] picture _ paints a [E] thousand words, [Am] then why [Em] can't I paint [A] you? _ _ _
The words will never _ show the _
[Dm] _ you I've come [E] to know. _ _ _
[A] If a [B] face could [E] launch a thousand ships, [G] then [Em] where am I to [D] go?
_ _ [E] There's [Dm] no one home [A] but you.
_ _ You're [Dm] all that's left [E] me to.
_ _ _ And [F#m] when _ _ my [F] life _ _ _ _
[A] _ is _ running [D] dry, _ _ you [C#] _ come _ and [F#] _ pour _ _ _
[Bm] _ yourself on _
[E] _ me.
_ _ [A]
If a man [E] could be two _ places, at [Em] one _ time I'd be [Bm] with you. _ _ _
[Dm] Tomorrow _ _ and [A] today, _ _ _ [Dm] beside you _ all [E] the way. _ _ _
[A] If the world should stop [E] _ _ revolving, _ [Em] spinning slowly down the [Bm] _ dive, _ _
[Dm] I'd spend the end with [A] you.
_ _ And [Dm] when the world was [E] through, _ _ then [F#m] _ _ _ one by [F] one _ _ [C#] _ the [A] _ stars would all go [D] out. _ _ _
[C#] Then you _ and [F#] _ I _ _ [Bm] would _ _ _ simply _ _ fly [D] _ _
_ [A] away. _ _ _
_ [D] _ _ _ _ _
_ [Dm] _ _ _ _ _
_ _ _ _ [A] _ _
_ _ _ _ _ _
_ _ _ [N] _ _ _

Facts about this song

This song was composed by David Gates.

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