Chords for Doyle Dykes (NAMM 2014) - Classical Gas / 25 or 6 to 4
Tempo:
92.8 bpm
Chords used:
Am
G
F
D
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[B] [E] [Am] I change the bass strings [Dm] around because it makes sense.
I [F] come down with my thumb and then I come up with my finger.
[D] So a friend of mine who's a finger picker right here, Darrell Loews,
we were talking about it.
I said, well, just take those octaves [A] off.
So we tried that and I said, well, we still like them, so just [E] turn them around.
So that's what we
And it's [Am] also good on your left hand as well as your right hand
because when you're doing the thumb over like a [F] lot of us do,
something gets muted every time on a 12-string.
And it's usually [C#] the big bass [F] string, but this time,
[E] [F] [G] [Em] so you hear more of a bass.
It just makes sense.
Just [Am] a little switch there.
[G] [Em]
[Am] [G]
[Em] [Am] [G]
[Em] [Am] [G]
[Em] [Am] [G] [Am] [G] [C]
[Em] [Am] [G] [Am] [G]
[C] [D] [G] [E] [Am] [D]
[Am] [D] [Am] [D]
[G] [C] [F] [A]
[B] [Am] [C#] [F#] [C#]
[A#] [E] [Am]
[E] [Em] [F] [Am]
[B] [Am]
[G] [C] [G]
[Am] [G] [C] [G]
[Am] [G] [Em] [G]
[C] [G] [E] [Am] [D]
[Am] [D] [G]
[C] [A#] [A] [B] [Am]
[Bm] [A] [G] [A]
[F] [E] [Am] [G] [D]
[F] [E] [Am] [G] [F#]
[F] [E] [A] [G] [F#]
[F] [E] [Am] [G#] [C] [Am]
[G] [Am] [A] [G] [C] [F#]
[F] [E] [F] [G] [Em]
[G] [F]
[Am] [C] [D] [B]
[Am] [G] [C] [F#] [F]
[Am] [G] [Am]
[F#] [G]
[F] [Em] [Dm] [Em] [Am] [B] [C]
[G] [Am] [F] [Dm] [F]
[C] [D]
[Am] [D] [Am] [D]
[G] [C] [F] [A#] [A]
[F]
[Am] [G] [Em]
[Am] [G] [Em]
[Am] [Em] [Am]
[Em] [Am] [G] [Em]
[G] [C] [Em] [D] [Am]
[F] [Dm] [D]
[Dm] [D]
[C] [G] [Am] [Am] [E]
[D] [B]
[A]
[A#]
[A]
[D] Thank [F#] you very much.
[N] It's there for Gail, Fender Guitar.
Thank you so much.
God bless y'all.
Love FMIC.
Ray and Ferguson, you had so much to do with this guitar.
You and Ken's call.
Thank you so much.
Kurt Sands [C] also.
Here he is.
Kurt Sands
I [F] come down with my thumb and then I come up with my finger.
[D] So a friend of mine who's a finger picker right here, Darrell Loews,
we were talking about it.
I said, well, just take those octaves [A] off.
So we tried that and I said, well, we still like them, so just [E] turn them around.
So that's what we
And it's [Am] also good on your left hand as well as your right hand
because when you're doing the thumb over like a [F] lot of us do,
something gets muted every time on a 12-string.
And it's usually [C#] the big bass [F] string, but this time,
[E] [F] [G] [Em] so you hear more of a bass.
It just makes sense.
Just [Am] a little switch there.
[G] [Em]
[Am] [G]
[Em] [Am] [G]
[Em] [Am] [G]
[Em] [Am] [G] [Am] [G] [C]
[Em] [Am] [G] [Am] [G]
[C] [D] [G] [E] [Am] [D]
[Am] [D] [Am] [D]
[G] [C] [F] [A]
[B] [Am] [C#] [F#] [C#]
[A#] [E] [Am]
[E] [Em] [F] [Am]
[B] [Am]
[G] [C] [G]
[Am] [G] [C] [G]
[Am] [G] [Em] [G]
[C] [G] [E] [Am] [D]
[Am] [D] [G]
[C] [A#] [A] [B] [Am]
[Bm] [A] [G] [A]
[F] [E] [Am] [G] [D]
[F] [E] [Am] [G] [F#]
[F] [E] [A] [G] [F#]
[F] [E] [Am] [G#] [C] [Am]
[G] [Am] [A] [G] [C] [F#]
[F] [E] [F] [G] [Em]
[G] [F]
[Am] [C] [D] [B]
[Am] [G] [C] [F#] [F]
[Am] [G] [Am]
[F#] [G]
[F] [Em] [Dm] [Em] [Am] [B] [C]
[G] [Am] [F] [Dm] [F]
[C] [D]
[Am] [D] [Am] [D]
[G] [C] [F] [A#] [A]
[F]
[Am] [G] [Em]
[Am] [G] [Em]
[Am] [Em] [Am]
[Em] [Am] [G] [Em]
[G] [C] [Em] [D] [Am]
[F] [Dm] [D]
[Dm] [D]
[C] [G] [Am] [Am] [E]
[D] [B]
[A]
[A#]
[A]
[D] Thank [F#] you very much.
[N] It's there for Gail, Fender Guitar.
Thank you so much.
God bless y'all.
Love FMIC.
Ray and Ferguson, you had so much to do with this guitar.
You and Ken's call.
Thank you so much.
Kurt Sands [C] also.
Here he is.
Kurt Sands
Key:
Am
G
F
D
Em
Am
G
F
[B] _ _ [E] _ _ [Am] _ I change the bass strings [Dm] around because it makes sense.
I [F] come down with my thumb and then I come up with my finger.
[D] So a friend of mine who's a finger picker right here, Darrell Loews,
we were talking about it.
I said, well, just take those octaves [A] off.
So we tried that and I said, well, we still like them, so just [E] turn them around.
So that's what we_
And it's [Am] also good on your left hand as well as your right hand
because when you're doing the thumb over like a [F] lot of us do, _
something gets muted every time on a 12-string.
And it's usually [C#] the big bass [F] string, but this time,
_ [E] _ [F] _ [G] _ [Em] _ so you hear more of a bass.
It just makes sense.
Just [Am] a little switch there. _ _ _ _
_ _ _ _ _ [G] _ _ [Em] _
_ _ [Am] _ _ _ _ [G] _ _
[Em] _ _ [Am] _ _ _ _ [G] _ _
[Em] _ _ [Am] _ _ _ _ [G] _ _
[Em] _ _ _ [Am] _ [G] _ [Am] _ [G] _ [C] _
[Em] _ _ [Am] _ _ _ [G] _ [Am] _ [G] _
[C] _ [D] _ [G] _ [E] _ [Am] _ _ [D] _ _
[Am] _ _ [D] _ _ [Am] _ _ [D] _ _
[G] _ [C] _ [F] _ [A] _ _ _ _ _
[B] _ _ [Am] _ _ [C#] _ _ [F#] _ [C#] _
_ [A#] _ _ [E] _ _ [Am] _ _ _
[E] _ _ _ [Em] _ _ [F] _ [Am] _ _
_ _ _ [B] _ _ _ [Am] _ _
_ _ _ _ _ _ _ _
_ _ _ _ [G] _ _ [C] _ [G] _
_ _ [Am] _ [G] _ _ [C] _ _ [G] _
_ _ [Am] _ [G] _ [Em] _ _ _ [G] _
_ [C] _ [G] _ [E] _ [Am] _ _ [D] _ _
[Am] _ _ _ _ _ [D] _ _ [G] _
[C] _ [A#] _ [A] _ _ _ [B] _ _ [Am] _
_ [Bm] _ [A] _ _ [G] _ _ [A] _ _
[F] _ [E] _ [Am] _ _ [G] _ _ [D] _ _
[F] _ [E] _ [Am] _ _ [G] _ _ [F#] _ _
[F] _ [E] _ [A] _ _ [G] _ _ [F#] _ _
[F] _ [E] _ [Am] _ _ [G#] _ [C] _ [Am] _ _
[G] _ [Am] _ [A] _ [G] _ _ [C] _ [F#] _ _
[F] _ [E] _ [F] _ [G] _ _ [Em] _ _ _
[G] _ _ _ _ [F] _ _ _ _
_ [Am] _ _ [C] _ _ [D] _ _ [B] _
[Am] _ _ _ [G] _ [C] _ [F#] _ [F] _ _
[Am] _ _ _ [G] _ _ [Am] _ _ _
_ _ _ _ [F#] _ _ [G] _ _
[F] _ [Em] _ _ [Dm] _ [Em] _ [Am] _ [B] _ [C] _
[G] _ _ [Am] _ [F] _ [Dm] _ [F] _ _ _
_ _ _ _ _ [C] _ _ [D] _
_ [Am] _ _ [D] _ _ _ [Am] _ [D] _
_ [G] _ [C] _ [F] _ [A#] _ [A] _ _ _
_ [F] _ _ _ _ _ _ _
_ _ _ [Am] _ _ [G] _ _ [Em] _
_ [Am] _ _ _ _ [G] _ _ [Em] _
_ [Am] _ _ _ _ [Em] _ [Am] _ _
_ _ [Em] _ [Am] _ [G] _ _ [Em] _ _
_ [G] _ [C] _ [Em] _ _ [D] _ _ [Am] _
[F] _ [Dm] _ _ _ _ [D] _ _ _
_ [Dm] _ _ _ _ [D] _ _ _
_ [C] _ [G] _ [Am] _ [Am] _ _ [E] _ _
_ [D] _ _ [B] _ _ _ _ _
_ _ _ [A] _ _ _ _ _
_ [A#] _ _ _ _ _ _ _
_ _ _ _ _ _ [A] _ _
_ [D] Thank [F#] you very much.
[N] It's there for Gail, Fender Guitar.
Thank you so much.
God bless y'all.
Love FMIC.
Ray and Ferguson, you had so much to do with this guitar.
You and Ken's call.
Thank you so much.
Kurt Sands [C] also.
Here he is.
Kurt Sands
I [F] come down with my thumb and then I come up with my finger.
[D] So a friend of mine who's a finger picker right here, Darrell Loews,
we were talking about it.
I said, well, just take those octaves [A] off.
So we tried that and I said, well, we still like them, so just [E] turn them around.
So that's what we_
And it's [Am] also good on your left hand as well as your right hand
because when you're doing the thumb over like a [F] lot of us do, _
something gets muted every time on a 12-string.
And it's usually [C#] the big bass [F] string, but this time,
_ [E] _ [F] _ [G] _ [Em] _ so you hear more of a bass.
It just makes sense.
Just [Am] a little switch there. _ _ _ _
_ _ _ _ _ [G] _ _ [Em] _
_ _ [Am] _ _ _ _ [G] _ _
[Em] _ _ [Am] _ _ _ _ [G] _ _
[Em] _ _ [Am] _ _ _ _ [G] _ _
[Em] _ _ _ [Am] _ [G] _ [Am] _ [G] _ [C] _
[Em] _ _ [Am] _ _ _ [G] _ [Am] _ [G] _
[C] _ [D] _ [G] _ [E] _ [Am] _ _ [D] _ _
[Am] _ _ [D] _ _ [Am] _ _ [D] _ _
[G] _ [C] _ [F] _ [A] _ _ _ _ _
[B] _ _ [Am] _ _ [C#] _ _ [F#] _ [C#] _
_ [A#] _ _ [E] _ _ [Am] _ _ _
[E] _ _ _ [Em] _ _ [F] _ [Am] _ _
_ _ _ [B] _ _ _ [Am] _ _
_ _ _ _ _ _ _ _
_ _ _ _ [G] _ _ [C] _ [G] _
_ _ [Am] _ [G] _ _ [C] _ _ [G] _
_ _ [Am] _ [G] _ [Em] _ _ _ [G] _
_ [C] _ [G] _ [E] _ [Am] _ _ [D] _ _
[Am] _ _ _ _ _ [D] _ _ [G] _
[C] _ [A#] _ [A] _ _ _ [B] _ _ [Am] _
_ [Bm] _ [A] _ _ [G] _ _ [A] _ _
[F] _ [E] _ [Am] _ _ [G] _ _ [D] _ _
[F] _ [E] _ [Am] _ _ [G] _ _ [F#] _ _
[F] _ [E] _ [A] _ _ [G] _ _ [F#] _ _
[F] _ [E] _ [Am] _ _ [G#] _ [C] _ [Am] _ _
[G] _ [Am] _ [A] _ [G] _ _ [C] _ [F#] _ _
[F] _ [E] _ [F] _ [G] _ _ [Em] _ _ _
[G] _ _ _ _ [F] _ _ _ _
_ [Am] _ _ [C] _ _ [D] _ _ [B] _
[Am] _ _ _ [G] _ [C] _ [F#] _ [F] _ _
[Am] _ _ _ [G] _ _ [Am] _ _ _
_ _ _ _ [F#] _ _ [G] _ _
[F] _ [Em] _ _ [Dm] _ [Em] _ [Am] _ [B] _ [C] _
[G] _ _ [Am] _ [F] _ [Dm] _ [F] _ _ _
_ _ _ _ _ [C] _ _ [D] _
_ [Am] _ _ [D] _ _ _ [Am] _ [D] _
_ [G] _ [C] _ [F] _ [A#] _ [A] _ _ _
_ [F] _ _ _ _ _ _ _
_ _ _ [Am] _ _ [G] _ _ [Em] _
_ [Am] _ _ _ _ [G] _ _ [Em] _
_ [Am] _ _ _ _ [Em] _ [Am] _ _
_ _ [Em] _ [Am] _ [G] _ _ [Em] _ _
_ [G] _ [C] _ [Em] _ _ [D] _ _ [Am] _
[F] _ [Dm] _ _ _ _ [D] _ _ _
_ [Dm] _ _ _ _ [D] _ _ _
_ [C] _ [G] _ [Am] _ [Am] _ _ [E] _ _
_ [D] _ _ [B] _ _ _ _ _
_ _ _ [A] _ _ _ _ _
_ [A#] _ _ _ _ _ _ _
_ _ _ _ _ _ [A] _ _
_ [D] Thank [F#] you very much.
[N] It's there for Gail, Fender Guitar.
Thank you so much.
God bless y'all.
Love FMIC.
Ray and Ferguson, you had so much to do with this guitar.
You and Ken's call.
Thank you so much.
Kurt Sands [C] also.
Here he is.
Kurt Sands