Chords for Gibson Paul Kossoff Signature Guitar Joe Bonamassa Demonstration
Tempo:
71.9 bpm
Chords used:
E
A
B
G
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
So here's what this is.
I have a little
Hi, my name is Joe.
Hi [C] Joe, yeah.
And [B] I'm really proud because I had [C#] just a little bit to do with this guitar.
And I've made it no secret that in the course of my playing career,
Paul Kossoff has been a huge influence on me.
And my friend Steve in the UK, works for Marshall Amps,
rang me up one day and he goes,
I have a friend named Arthur Ram, has a very special guitar.
And it's Paul Kossoff's 59 Les Paul.
[A] So my initial conversation was like,
heaven bring it down to [C] the gig.
So we're playing Newcastle City Hall, this is two years ago.
And this very nice man shows up in a [Em] brown bikini girl case,
and out comes Paul Kossoff's 59 Les Paul.
And I was just happy to be in the same room with it,
for obvious reasons, going, wow, that's the guitar in the [N] picture.
You know, all those great pictures, iconic pictures of Paul Kossoff.
And to my surprise, Arthur was nice enough,
not only because he had a gig that night, so he couldn't make my show,
he left the guitar with me.
And he goes, hey, if you want to play it on stage, it'd be great.
So there, Pat Foley had flown up to the Gibson Custom Shop
to meet Arthur and start the initial conversations about this guitar.
And I plug it up during sound check, and immediately you go into [G]
[D#] the
[N] It sounds exactly like what you would imagine.
So, long story short, over the course of a couple years,
this guitar's been in development, and for me, this is a real special moment,
because I've played the original three times,
and when I saw it for the first time today,
I said, boy, they really nailed the guitar.
I mean, they got everything from where the neck was broken,
and almost on the fifth fret,
and back where, and all the dings and scratches,
you know, the barrel knobs and the [E] tailpiece and everything else.
And the cool thing was, as you just heard,
the guitar actually sounds really good, too.
And it sounds like a burst.
So, here it is, the Paul Kossoff model.
And, you know, if you don't know who Paul Kossoff is,
you should check him out, because Free is one of the greatest
underrated bands ever to come out of the UK,
or come out of anywhere, really.
And Paul Kossoff is one of the greatest underrated guitar players that [N] not
It's not a household name, but he should be.
And, you know, this is a great tribute to one of my favorite guitar players.
So, thank you very much.
That's awesome.
Can we hear you play?
Do I not play?
A little [A]
bit.
[E] Let me tune it up here.
[A]
[Bm] [E]
[A] [E]
[A] One, [B]
[A] [B] [A] [G]
[E] [Am] [G]
[E] [D] [E] [G] [D] [Am]
[B] [Em] [E] [A]
[F#] [A] [B]
[E] [B]
[E] two, [B]
[E] [C#m] [E]
[E] [A] [Am]
[E] [B]
[A] [Em] [E]
[B] three, [A] [B] [E]
[A] four.
Five, six, seven, eight.
[E]
Here's a picture.
[C#] There you go.
There you go,
I have a little
Hi, my name is Joe.
Hi [C] Joe, yeah.
And [B] I'm really proud because I had [C#] just a little bit to do with this guitar.
And I've made it no secret that in the course of my playing career,
Paul Kossoff has been a huge influence on me.
And my friend Steve in the UK, works for Marshall Amps,
rang me up one day and he goes,
I have a friend named Arthur Ram, has a very special guitar.
And it's Paul Kossoff's 59 Les Paul.
[A] So my initial conversation was like,
heaven bring it down to [C] the gig.
So we're playing Newcastle City Hall, this is two years ago.
And this very nice man shows up in a [Em] brown bikini girl case,
and out comes Paul Kossoff's 59 Les Paul.
And I was just happy to be in the same room with it,
for obvious reasons, going, wow, that's the guitar in the [N] picture.
You know, all those great pictures, iconic pictures of Paul Kossoff.
And to my surprise, Arthur was nice enough,
not only because he had a gig that night, so he couldn't make my show,
he left the guitar with me.
And he goes, hey, if you want to play it on stage, it'd be great.
So there, Pat Foley had flown up to the Gibson Custom Shop
to meet Arthur and start the initial conversations about this guitar.
And I plug it up during sound check, and immediately you go into [G]
[D#] the
[N] It sounds exactly like what you would imagine.
So, long story short, over the course of a couple years,
this guitar's been in development, and for me, this is a real special moment,
because I've played the original three times,
and when I saw it for the first time today,
I said, boy, they really nailed the guitar.
I mean, they got everything from where the neck was broken,
and almost on the fifth fret,
and back where, and all the dings and scratches,
you know, the barrel knobs and the [E] tailpiece and everything else.
And the cool thing was, as you just heard,
the guitar actually sounds really good, too.
And it sounds like a burst.
So, here it is, the Paul Kossoff model.
And, you know, if you don't know who Paul Kossoff is,
you should check him out, because Free is one of the greatest
underrated bands ever to come out of the UK,
or come out of anywhere, really.
And Paul Kossoff is one of the greatest underrated guitar players that [N] not
It's not a household name, but he should be.
And, you know, this is a great tribute to one of my favorite guitar players.
So, thank you very much.
That's awesome.
Can we hear you play?
Do I not play?
A little [A]
bit.
[E] Let me tune it up here.
[A]
[Bm] [E]
[A] [E]
[A] One, [B]
[A] [B] [A] [G]
[E] [Am] [G]
[E] [D] [E] [G] [D] [Am]
[B] [Em] [E] [A]
[F#] [A] [B]
[E] [B]
[E] two, [B]
[E] [C#m] [E]
[E] [A] [Am]
[E] [B]
[A] [Em] [E]
[B] three, [A] [B] [E]
[A] four.
Five, six, seven, eight.
[E]
Here's a picture.
[C#] There you go.
There you go,
Key:
E
A
B
G
Em
E
A
B
_ _ _ _ _ _ So here's what this is.
I have a little_
Hi, my name is Joe.
Hi [C] Joe, yeah.
And [B] I'm really proud because I had [C#] just a little bit to do with this guitar.
And I've made it no secret that in the course of my playing career,
Paul Kossoff has been a huge influence on me.
_ And my friend Steve in the UK, works for Marshall Amps,
rang me up one day and he goes,
I have a friend named Arthur Ram, has a very special guitar.
And it's Paul Kossoff's 59 Les Paul.
[A] So my initial conversation was like,
heaven bring it down to [C] the gig.
So we're playing Newcastle City Hall, this is two years ago.
And this very nice man shows up in a [Em] brown bikini girl case,
and out comes Paul Kossoff's 59 Les Paul.
And I was just happy to be in the same room with it,
for obvious reasons, going, wow, that's the guitar in the [N] picture.
You know, all those great pictures, iconic pictures of Paul Kossoff.
And to my surprise, Arthur was nice enough,
not only because he had a gig that night, so he couldn't make my show,
he left the guitar with me.
And he goes, hey, if you want to play it on stage, it'd be great.
So there, Pat Foley had flown up to the Gibson Custom Shop
to meet Arthur and start the initial conversations about this guitar.
And I plug it up during sound check, and immediately you go into [G] _
[D#] the_
[N] It sounds exactly like what you would imagine.
So, long story short, over the course of a couple years,
this guitar's been in development, and for me, this is a real special moment,
because I've played the original three times,
and when I saw it for the first time today,
I said, boy, they really nailed the guitar.
I mean, they got everything from where the neck was broken,
and almost on the fifth fret,
and back where, and all the dings and scratches,
you know, the barrel knobs and the [E] tailpiece and everything else.
And the cool thing was, as you just heard,
the guitar actually sounds really good, too.
And it sounds like a burst.
So, here it is, the Paul Kossoff model.
And, you know, if you don't know who Paul Kossoff is,
you should check him out, because Free is one of the greatest
underrated bands ever to come out of the UK,
or come out of anywhere, really.
And Paul Kossoff is one of the greatest underrated guitar players that [N] not_
It's not a household name, but he should be.
And, you know, this is a great tribute to one of my favorite guitar players.
So, thank you very much.
That's awesome. _ _ _ _ _
Can we hear you play?
Do I not play?
A little [A] _ _ _
bit.
[E] Let me tune it up here.
_ _ [A] _ _
_ [Bm] _ _ _ [E] _ _ _ _
[A] _ [E] _ _ _ _ _ _ _
_ [A] One, _ _ _ _ [B] _
_ [A] _ [B] _ [A] _ _ [G] _ _ _
[E] _ _ _ [Am] _ _ _ _ [G] _
_ [E] _ [D] _ [E] _ [G] _ [D] _ [Am] _ _
[B] _ _ [Em] _ _ [E] _ _ [A] _ _
_ _ _ _ [F#] _ _ [A] _ [B] _
[E] _ _ _ _ _ [B] _ _ _
_ _ [E] _ two, _ [B] _ _
[E] _ _ _ [C#m] _ [E] _ _ _ _
[E] _ _ _ [A] _ _ _ [Am] _ _
[E] _ _ _ _ _ _ [B] _ _
_ [A] _ [Em] _ _ [E] _ _ _ _
_ [B] three, _ [A] _ [B] _ [E] _
[A] four.
Five, six, seven, eight.
_ _ [E] _ _
_ _ Here's a picture.
[C#] There you go.
There you go,
I have a little_
Hi, my name is Joe.
Hi [C] Joe, yeah.
And [B] I'm really proud because I had [C#] just a little bit to do with this guitar.
And I've made it no secret that in the course of my playing career,
Paul Kossoff has been a huge influence on me.
_ And my friend Steve in the UK, works for Marshall Amps,
rang me up one day and he goes,
I have a friend named Arthur Ram, has a very special guitar.
And it's Paul Kossoff's 59 Les Paul.
[A] So my initial conversation was like,
heaven bring it down to [C] the gig.
So we're playing Newcastle City Hall, this is two years ago.
And this very nice man shows up in a [Em] brown bikini girl case,
and out comes Paul Kossoff's 59 Les Paul.
And I was just happy to be in the same room with it,
for obvious reasons, going, wow, that's the guitar in the [N] picture.
You know, all those great pictures, iconic pictures of Paul Kossoff.
And to my surprise, Arthur was nice enough,
not only because he had a gig that night, so he couldn't make my show,
he left the guitar with me.
And he goes, hey, if you want to play it on stage, it'd be great.
So there, Pat Foley had flown up to the Gibson Custom Shop
to meet Arthur and start the initial conversations about this guitar.
And I plug it up during sound check, and immediately you go into [G] _
[D#] the_
[N] It sounds exactly like what you would imagine.
So, long story short, over the course of a couple years,
this guitar's been in development, and for me, this is a real special moment,
because I've played the original three times,
and when I saw it for the first time today,
I said, boy, they really nailed the guitar.
I mean, they got everything from where the neck was broken,
and almost on the fifth fret,
and back where, and all the dings and scratches,
you know, the barrel knobs and the [E] tailpiece and everything else.
And the cool thing was, as you just heard,
the guitar actually sounds really good, too.
And it sounds like a burst.
So, here it is, the Paul Kossoff model.
And, you know, if you don't know who Paul Kossoff is,
you should check him out, because Free is one of the greatest
underrated bands ever to come out of the UK,
or come out of anywhere, really.
And Paul Kossoff is one of the greatest underrated guitar players that [N] not_
It's not a household name, but he should be.
And, you know, this is a great tribute to one of my favorite guitar players.
So, thank you very much.
That's awesome. _ _ _ _ _
Can we hear you play?
Do I not play?
A little [A] _ _ _
bit.
[E] Let me tune it up here.
_ _ [A] _ _
_ [Bm] _ _ _ [E] _ _ _ _
[A] _ [E] _ _ _ _ _ _ _
_ [A] One, _ _ _ _ [B] _
_ [A] _ [B] _ [A] _ _ [G] _ _ _
[E] _ _ _ [Am] _ _ _ _ [G] _
_ [E] _ [D] _ [E] _ [G] _ [D] _ [Am] _ _
[B] _ _ [Em] _ _ [E] _ _ [A] _ _
_ _ _ _ [F#] _ _ [A] _ [B] _
[E] _ _ _ _ _ [B] _ _ _
_ _ [E] _ two, _ [B] _ _
[E] _ _ _ [C#m] _ [E] _ _ _ _
[E] _ _ _ [A] _ _ _ [Am] _ _
[E] _ _ _ _ _ _ [B] _ _
_ [A] _ [Em] _ _ [E] _ _ _ _
_ [B] three, _ [A] _ [B] _ [E] _
[A] four.
Five, six, seven, eight.
_ _ [E] _ _
_ _ Here's a picture.
[C#] There you go.
There you go,