Chords for Hillsong guitar workshop - Emmanuel
Tempo:
68.825 bpm
Chords used:
B
E
C#m
A
G#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[C#m] [G#m]
[E] [C#m] [B]
[G#m] [E] [G#m] [E] [B] Holy, holy, I will bow [A] before [C#m] my [B] Lord and [E] King.
[B] Hallelujah,
[C#m] [E] [B] you have come [A] to us, [E] and you make [B] all [E] things [D] new.
[B] Emmanuel, [E] Jesus [C#] Christ, you'll never let [B] me go.
[D] My [A] shepherd [B] King, [E] you're watching [B] over [A] [B] me.
[C#m] Emmanuel, [B] [G#m] [Bm]
Jesus Christ, you'll never let me go.
What [E] a great song, huh?
Yeah.
So let's talk about this song.
How do you guys approach this song?
Obviously, it's a beautiful worship song.
How do you approach this as guitar players?
So in this song, I have a common theme, I guess, running through it.
It's just like, because it's a gentle thing, I'm playing like a picking part
[G] almost right throughout the whole song in the intro, the verse, the choruses.
Okay.
[C#m] So again, [G#m] I'm just doing inversions of the chords.
The song's [E] in the key of E.
Okay, and I have a [G#] quarter note and a triplet delay running between the two amps.
So that's what I get, and I [E] play to that as well.
So the similar theme is [B] just this picking [G#m] part [B] right throughout the intro, verse, chorus.
And we'll start with the intro.
[A] Two, [C#m] three, four.
[B] [E]
[C#m] [B] [E]
So the verse is this.
We're on the E, [B] [C#m]
[B] C sharp minor, [A] A, [E] C [C#m] sharp minor to [B] the B.
Okay, so that's what we do in [G#] the verse.
Now in the chorus when it builds up on the F sharp minor, we do the same.
I have the same picking style, but just a little more.
So in the chorus, [A] two, three, four.
[D] [B] [E]
[B] And the [F#m] chords are F sharp minor [B] to B, [E] E and G sharp, [A] A.
[E] Yeah, [B] and back to the hit.
[C#m] Yeah.
Okay.
[G]
Okay, so towards the end of the song it goes into the bridge, and we didn't sing it,
but it builds up quite a lot there.
What do you guys do differently there to build the song?
Okay, so again, [C] thinking of dynamics, we bring it right down,
and the [D#] chords on the B and [B] D sharp.
I'm playing [C#m] C [B] sharp minor, B, [G#m]
[E] A.
[B] [C#m] [B] [G#m]
[E] We do that a few times.
I'm using [B] like a reverse delay effect.
[C#m]
[B] Okay, [E] and the second time we let the vocals sing the holy, holy section,
and then when we slam it out, it's [G] just kind of two, [D#] three, four.
[C#m]
[E] [A] [B] [C#m]
[B] [A] Yeah.
Okay, [E] bring it back down to the chorus and we
[E] [C#m] [B]
[G#m] [E] [G#m] [E] [B] Holy, holy, I will bow [A] before [C#m] my [B] Lord and [E] King.
[B] Hallelujah,
[C#m] [E] [B] you have come [A] to us, [E] and you make [B] all [E] things [D] new.
[B] Emmanuel, [E] Jesus [C#] Christ, you'll never let [B] me go.
[D] My [A] shepherd [B] King, [E] you're watching [B] over [A] [B] me.
[C#m] Emmanuel, [B] [G#m] [Bm]
Jesus Christ, you'll never let me go.
What [E] a great song, huh?
Yeah.
So let's talk about this song.
How do you guys approach this song?
Obviously, it's a beautiful worship song.
How do you approach this as guitar players?
So in this song, I have a common theme, I guess, running through it.
It's just like, because it's a gentle thing, I'm playing like a picking part
[G] almost right throughout the whole song in the intro, the verse, the choruses.
Okay.
[C#m] So again, [G#m] I'm just doing inversions of the chords.
The song's [E] in the key of E.
Okay, and I have a [G#] quarter note and a triplet delay running between the two amps.
So that's what I get, and I [E] play to that as well.
So the similar theme is [B] just this picking [G#m] part [B] right throughout the intro, verse, chorus.
And we'll start with the intro.
[A] Two, [C#m] three, four.
[B] [E]
[C#m] [B] [E]
So the verse is this.
We're on the E, [B] [C#m]
[B] C sharp minor, [A] A, [E] C [C#m] sharp minor to [B] the B.
Okay, so that's what we do in [G#] the verse.
Now in the chorus when it builds up on the F sharp minor, we do the same.
I have the same picking style, but just a little more.
So in the chorus, [A] two, three, four.
[D] [B] [E]
[B] And the [F#m] chords are F sharp minor [B] to B, [E] E and G sharp, [A] A.
[E] Yeah, [B] and back to the hit.
[C#m] Yeah.
Okay.
[G]
Okay, so towards the end of the song it goes into the bridge, and we didn't sing it,
but it builds up quite a lot there.
What do you guys do differently there to build the song?
Okay, so again, [C] thinking of dynamics, we bring it right down,
and the [D#] chords on the B and [B] D sharp.
I'm playing [C#m] C [B] sharp minor, B, [G#m]
[E] A.
[B] [C#m] [B] [G#m]
[E] We do that a few times.
I'm using [B] like a reverse delay effect.
[C#m]
[B] Okay, [E] and the second time we let the vocals sing the holy, holy section,
and then when we slam it out, it's [G] just kind of two, [D#] three, four.
[C#m]
[E] [A] [B] [C#m]
[B] [A] Yeah.
Okay, [E] bring it back down to the chorus and we
Key:
B
E
C#m
A
G#m
B
E
C#m
_ _ _ _ [C#m] _ _ _ [G#m] _
_ [E] _ _ _ [C#m] _ _ _ [B] _
[G#m] _ [E] _ _ [G#m] _ [E] _ [B] Holy, holy, I will bow [A] before [C#m] my _ [B] Lord and [E] King.
[B] Hallelujah, _
[C#m] _ [E] [B] you have come [A] to us, [E] and you make [B] all [E] things [D] new. _ _ _
[B] Emmanuel, [E] Jesus [C#] Christ, you'll never let [B] me go.
_ [D] My [A] shepherd [B] King, [E] you're watching [B] over [A] [B] me. _
[C#m] Emmanuel, _ [B] _ [G#m] _ _ [Bm] _
Jesus Christ, you'll never let me go.
What [E] a great song, huh?
Yeah.
So let's talk about this song.
How do you guys approach this song?
Obviously, it's a beautiful worship song.
How do you approach this as guitar players?
So in this song, I have a common theme, I guess, running through it.
It's just like, because it's a gentle thing, I'm playing like a picking part
[G] almost right throughout the whole song in the intro, the verse, the choruses.
Okay.
[C#m] So again, [G#m] I'm just doing inversions of the chords.
The song's [E] in the key of E.
Okay, and I have a [G#] quarter note and a triplet delay running between the two amps.
So that's what I get, and I [E] play to that as well.
So the similar theme is [B] just this picking [G#m] part [B] right throughout the intro, verse, chorus.
And we'll start with the intro.
[A] Two, [C#m] three, four.
_ _ [B] _ [E] _
_ _ _ [C#m] _ _ _ [B] _ [E]
So the verse is this.
We're on the E, [B] _ [C#m]
[B] C sharp minor, _ [A] A, _ [E] C [C#m] sharp minor to [B] the B.
Okay, so that's what we do in [G#] the verse.
Now in the chorus when it builds up on the F sharp minor, we do the same.
I have the same picking style, but just a little more.
So in the chorus, [A] two, three, four.
[D] _ _ _ [B] _ _ [E] _ _
_ _ _ _ [B] _ _ And the [F#m] chords are F sharp minor _ [B] to B, [E] E and G sharp, [A] A.
[E] Yeah, [B] and back to the hit.
[C#m] Yeah.
Okay.
[G]
Okay, so towards the end of the song it goes into the bridge, and we didn't sing it,
but it builds up quite a lot there.
What do you guys do differently there to build the song?
Okay, so again, [C] thinking of dynamics, we bring it right down,
and the [D#] chords on the B and [B] D sharp.
I'm playing [C#m] C [B] sharp minor, B, [G#m]
[E] A.
[B] _ _ [C#m] _ _ [B] _ _ [G#m] _
[E] We do that a few times.
I'm using [B] like a reverse delay effect.
_ [C#m] _ _
[B] _ _ Okay, [E] and the second time we let the vocals sing the holy, holy section,
and then when we slam it out, it's [G] just kind of two, [D#] three, four.
_ [C#m] _
_ [E] _ _ [A] _ _ [B] _ _ [C#m] _
_ [B] _ _ [A] Yeah.
Okay, [E] bring it back down to the chorus and we
_ [E] _ _ _ [C#m] _ _ _ [B] _
[G#m] _ [E] _ _ [G#m] _ [E] _ [B] Holy, holy, I will bow [A] before [C#m] my _ [B] Lord and [E] King.
[B] Hallelujah, _
[C#m] _ [E] [B] you have come [A] to us, [E] and you make [B] all [E] things [D] new. _ _ _
[B] Emmanuel, [E] Jesus [C#] Christ, you'll never let [B] me go.
_ [D] My [A] shepherd [B] King, [E] you're watching [B] over [A] [B] me. _
[C#m] Emmanuel, _ [B] _ [G#m] _ _ [Bm] _
Jesus Christ, you'll never let me go.
What [E] a great song, huh?
Yeah.
So let's talk about this song.
How do you guys approach this song?
Obviously, it's a beautiful worship song.
How do you approach this as guitar players?
So in this song, I have a common theme, I guess, running through it.
It's just like, because it's a gentle thing, I'm playing like a picking part
[G] almost right throughout the whole song in the intro, the verse, the choruses.
Okay.
[C#m] So again, [G#m] I'm just doing inversions of the chords.
The song's [E] in the key of E.
Okay, and I have a [G#] quarter note and a triplet delay running between the two amps.
So that's what I get, and I [E] play to that as well.
So the similar theme is [B] just this picking [G#m] part [B] right throughout the intro, verse, chorus.
And we'll start with the intro.
[A] Two, [C#m] three, four.
_ _ [B] _ [E] _
_ _ _ [C#m] _ _ _ [B] _ [E]
So the verse is this.
We're on the E, [B] _ [C#m]
[B] C sharp minor, _ [A] A, _ [E] C [C#m] sharp minor to [B] the B.
Okay, so that's what we do in [G#] the verse.
Now in the chorus when it builds up on the F sharp minor, we do the same.
I have the same picking style, but just a little more.
So in the chorus, [A] two, three, four.
[D] _ _ _ [B] _ _ [E] _ _
_ _ _ _ [B] _ _ And the [F#m] chords are F sharp minor _ [B] to B, [E] E and G sharp, [A] A.
[E] Yeah, [B] and back to the hit.
[C#m] Yeah.
Okay.
[G]
Okay, so towards the end of the song it goes into the bridge, and we didn't sing it,
but it builds up quite a lot there.
What do you guys do differently there to build the song?
Okay, so again, [C] thinking of dynamics, we bring it right down,
and the [D#] chords on the B and [B] D sharp.
I'm playing [C#m] C [B] sharp minor, B, [G#m]
[E] A.
[B] _ _ [C#m] _ _ [B] _ _ [G#m] _
[E] We do that a few times.
I'm using [B] like a reverse delay effect.
_ [C#m] _ _
[B] _ _ Okay, [E] and the second time we let the vocals sing the holy, holy section,
and then when we slam it out, it's [G] just kind of two, [D#] three, four.
_ [C#m] _
_ [E] _ _ [A] _ _ [B] _ _ [C#m] _
_ [B] _ _ [A] Yeah.
Okay, [E] bring it back down to the chorus and we