Chords for How To Play 'I'm In Love' Wilson Pickett
Tempo:
197.2 bpm
Chords used:
B
C#m
G#m
A
F#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Jam Along & Learn...
How are ya?
lookit, I'm in love.
That would be Reggie Young and Bobby Womack playing guitars on this.
plays
Yeah.
take two.
[D#m] [C#m]
[E] [A]
lookit, I'm in love.
That would be Reggie Young and Bobby Womack playing guitars on this.
plays
Yeah.
take two.
[D#m] [C#m]
[E] [A]
100% ➙ 197BPM
B
C#m
G#m
A
F#m
B
C#m
G#m
_ _ How are ya?
_ So lookit, I'm in love.
_ Wilson Pickett.
That would be Reggie Young and Bobby Womack playing guitars on this.
Reggie Young _ plays_
_ _ _ Huh.
_ Yeah.
And then Reggie said, take two. _ _ _ _ _ _
_ [D#m] _ _ _ [C#m] _ _ _ _
_ _ _ [E] _ _ _ _ [A] _
_ _ [G#] _ _ _ _ [F#m] _ _
_ _ _ _ [E] _ _ _ _
_ _ _ [D#] _ _ _ [C#m] _ _
_ _ _ _ _ _ _ _
_ [F#m] _ _ _ _ [G#m] _ _ _
[F#m] _ _ _ _ _ _ _ _
_ _ _ [B] _ _ [N] So on.
_ _ And then Bobby Womack is playing the_
By the way, Reggie Young probably didn't need a take two.
_ _ And if he would have played a take two,
it would have been every bit as stellar, but slightly different than take one.
But that's Reggie Young.
So _ anyway, Bobby Womack is [Cm] [C#m] playing_
_ [B] _ _ _ [C#m] _ _ _ _
_ [F#] _ _ _ _ _ [C#m] _ _
_ _ _ _ [B] _ _ [A] _ _
_ _ _ [F#m] _ _ _ [G#m] _ _
_ [A] _ _ _ [F#] More on that in a second.
_ He plays that throughout the song,
and he also plays the solo and a couple, two, three very sweet licks. _ _ _ _
So, outside the pickup notes, you don't see them again.
And it's an E, _
_ [B] _ an F, a G-sharp minor 7,
_ _ to a [C#] C-sharp minor, C-sharp minor 7,
when you lift your little finger up.
That's where a lot of [C#m] the_
_ [G#m] _ _ [B] _ _ [N] _ _
Reggie Young licks are played. And _ then_
_ _ _ [F#m] _ _
_ [G#m] The A chord, a G-sharp _ minor, [F#] an F-sharp minor,
lift your little [B] finger off a minor 7 to a B. _
Lift your [A] little finger off.
That's a minor 7.
F-sharp minor.
_ F-sharp minor 7.
_ _ [N] On the fourth time, the song _ _ _ goes_
And it doesn't _ always_
I should backtrack.
When it goes from the [A#] E to the [F#] G-sharp minor 7,
it doesn't always hit this note here.
_ [E] Sometimes he just _ plays_
_ _ [B] _ _ _ _ _
[C#] _ _ [C#m] _ _ And you can, [C#] too. _ _ _ _ _ _ _
_ [G#m] _ _ [F#] _ _ _ [G#m] _
And then on the fourth time,
the A, the G-sharp [F#] minor, and then_ _
_ _ These three notes.
That's a B, an E, and an A.
From _ there_
[G] Bom, _ [A] bom, bom.
_ _ _ _ _ My friends all wonder what's come over me.
I'm as happy [B] as a man can be.
_ So that is this chord, or if you [C#] like,
_ _ F-sharp minor, F-sharp minor [G] 7,
_ G-minor [F#] 7, G-sharp [G] minor 7.
Wonder [G#] _ what's come over [A] me.
And A, I'm as happy [B] as a man can be.
_ And [E] then E, _ [G#m] G-sharp minor,
[A] _
A, I mean, low, low, low.
[F#m] And then F-sharp [B] minor, low, [F#] _
low.
_ And _ the_ _
_ _ [E] _ _ _ _ [A] _
that lick.
_ [C#] Uh-huh. _ _
_ _ _ _ _ _ [B] _ _
[C#m] _ _ _ _ _ _ _ _
_ _ _ [A] _ _ _ [C] _ _
_ [F#m] _ _ _ _ _ _ _
_ _ _ _ [G#m] _ _ _ [E] _
_ _ _ [B] _ _ _ [C#m] _ _
_ _ _ _ _ _ _ _
_ _ [A] _ _ _ [G#] _ _ _
[F#m] _ _ _ _ _ [B] And [F] the bom, [G#m] bom, bom. Same thing. _
_ _ [A] _ _ From Christmas [B] morning, brand new tour,
I'm in love, love, [A] _ love. _ _
[B] _ _ _ _ _ _ _
And then from the E [G] chord,
_ bom, [G#m] bom, bom, the solo.
_ [F#] _ _ [D#m] _ _
_ _ [G#] _ _ And then [B] _
the_
[G] All that stuff.
[A] And Bobby Womack's playing that.
[G#m] Da _ -da-da-da [B]-da-da-da-da.
It's the same structure as, _ you know,
previously with the A and the B.
And then _ _ _ it [E] goes out on [B] this, _ [C#m] this, this,
to [G#m] this, [C#] this, [B] this,
and then always the B chord.
_ [C#m] _ _ _
_ [G#m] _ _ _ _ [E] _ _ _
[B] _ _ _ _ _ [C#m] _ _ _
_ _ _ _ _ _ _ [A] _
_ _ [G#m] _ _ _ [F#m] _ _ _
_ _ _ _ [G#m] _ _ [B] _ _
_ _ _ _ _ _ [C#] _ _
_ [N] _ And there you have it. _ _
_ _ A couple of the Reggie [E] Young licks.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [C#m] _ _ [G#m] _ _ _ _ _
So _ that's_ _ _ _
_ _ _ _ exaggerating this. _
_ [D#m] _ _ [F#] _ _ Double stops.
_ [E] _ _ _ _ [C#] _ _
[G#m] _ _ _ _ _ _ [E] _ _
_ _ Wow. _ _ _ _
_ [Em] _ _ _ _ _ _ [N] _
And another one.
All the ones on C-sharp minor
are relatively the same thing,
but they're not, because it's Reggie Young,
and he puts them in there in different points of the _ _ _ groove. _ _ _ _ _ _
And then he alters them, just slightly.
The first one you [C#m] hear is something along the lines _ _ of_ _ _ _ _
[B] _ _ [E] _ _ [G#] _ _ [B] _ _
_ [C#m] _ _ _ _ _ [F#] _ _
[G] Sounds like a [E] slowdown.
_ _ [C#m] _ _
_ _ [F#] _ _ _ [E] _ _ _
It goes right to an A.
_ [C#m] _ _
_ [F#m] _ _ _ _ [G#] _ _ _
[F#m] _ _ _ _ _ _ _ _
[B] _ _ _ _ _ [Em] _ _ _
_ _ _ _ _ [N] And then the _ _ _ Bobby Womack part.
[C#m] _ _ _ It's a C-sharp minor, three [B] notes. _ _
A B, _ three notes.
_ [C#m] _ _ _ _ [B] _ _ _
_ _ [C#m] Another C-sharp minor, but don't play the top string. _ _ _ _
These three.
_ _ Then this double [F#] stop, or these double stops,
on the G and the B strings.
_ _ _ _ [Bm] _ _ _ _
[C#m] _ _ _ _ Then back to the C-sharp minor.
_ _ The [B] B, _ _ _ [A] the A, _
and then add the F-sharp to the A note,
take it [F#m] off,
_ _ [A] _ _
_ and [B] then there's the G-sharp minor triad.
[G#m] _ _ _
_ Same as_ _ _ _
_ _ _ _ _ _ [F#m] _ _
_ _ _ [C#m] slowly. _ _ _
_ [B] _ _ _ _ _ _ _
[E] _ _ _ _ [C#m] _ _ _ _
_ _ _ [B] _ _ _ [C#m] _ _
_ _ _ _ _ _ _ [B] _
_ _ _ _ [A] _ _ _ _
_ _ [F#m] _ _ _ [G#m] _ _ _
_ _ [A] _ _ _ _ _
Of [Gm] course, those guys didn't play it like that.
[A#] They _ played with the _ _ _ A1.
_ [Cm] _ _ Slides.
I'll exaggerate this.
[C#m] _ _ _ [B] _ _ _
_ _ _ _ _ _ [C#m] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Fm] Right here [C] in the double stops,
_ [Bm] _ _ [C] _
_ [Bm] _ _ _ _ slides, _
_ [C] _ _ [Bm] _ _ _ [C#m] _ _
_ _ _ _ _ _ _ [B] _
_ _ _ _ [F#m] _ _ _ _
_ _ _ _ _ _ [D#] _ _
_ [F#m] _ _ _ _ [Cm] slides, _
[C#m] _ _ [B] _ _ _ [C#m] _ _ _
_ _ [F#] _ _ _ _ [C#m] _ _
_ _ _ _ _ [B] _ _ [A] _
_ _ _ _ [F#m] _ _ [G#m] _ _
[F#m] _ _ _ [C#m] _ _ _ [B] _ _
_ [C#m] _ _ _ _ _ [F#] _ _
[Bm] _ _ _ [C#m] _ _ _ _ _
_ [B] _ _ _ [F#m] _ _ _ _
_ _ _ [G#m] _ _ _ [A] _ _
_ _ [E] _ _ _ _ _
_ So lookit, I'm in love.
_ Wilson Pickett.
That would be Reggie Young and Bobby Womack playing guitars on this.
Reggie Young _ plays_
_ _ _ Huh.
_ Yeah.
And then Reggie said, take two. _ _ _ _ _ _
_ [D#m] _ _ _ [C#m] _ _ _ _
_ _ _ [E] _ _ _ _ [A] _
_ _ [G#] _ _ _ _ [F#m] _ _
_ _ _ _ [E] _ _ _ _
_ _ _ [D#] _ _ _ [C#m] _ _
_ _ _ _ _ _ _ _
_ [F#m] _ _ _ _ [G#m] _ _ _
[F#m] _ _ _ _ _ _ _ _
_ _ _ [B] _ _ [N] So on.
_ _ And then Bobby Womack is playing the_
By the way, Reggie Young probably didn't need a take two.
_ _ And if he would have played a take two,
it would have been every bit as stellar, but slightly different than take one.
But that's Reggie Young.
So _ anyway, Bobby Womack is [Cm] [C#m] playing_
_ [B] _ _ _ [C#m] _ _ _ _
_ [F#] _ _ _ _ _ [C#m] _ _
_ _ _ _ [B] _ _ [A] _ _
_ _ _ [F#m] _ _ _ [G#m] _ _
_ [A] _ _ _ [F#] More on that in a second.
_ He plays that throughout the song,
and he also plays the solo and a couple, two, three very sweet licks. _ _ _ _
So, outside the pickup notes, you don't see them again.
And it's an E, _
_ [B] _ an F, a G-sharp minor 7,
_ _ to a [C#] C-sharp minor, C-sharp minor 7,
when you lift your little finger up.
That's where a lot of [C#m] the_
_ [G#m] _ _ [B] _ _ [N] _ _
Reggie Young licks are played. And _ then_
_ _ _ [F#m] _ _
_ [G#m] The A chord, a G-sharp _ minor, [F#] an F-sharp minor,
lift your little [B] finger off a minor 7 to a B. _
Lift your [A] little finger off.
That's a minor 7.
F-sharp minor.
_ F-sharp minor 7.
_ _ [N] On the fourth time, the song _ _ _ goes_
And it doesn't _ always_
I should backtrack.
When it goes from the [A#] E to the [F#] G-sharp minor 7,
it doesn't always hit this note here.
_ [E] Sometimes he just _ plays_
_ _ [B] _ _ _ _ _
[C#] _ _ [C#m] _ _ And you can, [C#] too. _ _ _ _ _ _ _
_ [G#m] _ _ [F#] _ _ _ [G#m] _
And then on the fourth time,
the A, the G-sharp [F#] minor, and then_ _
_ _ These three notes.
That's a B, an E, and an A.
From _ there_
[G] Bom, _ [A] bom, bom.
_ _ _ _ _ My friends all wonder what's come over me.
I'm as happy [B] as a man can be.
_ So that is this chord, or if you [C#] like,
_ _ F-sharp minor, F-sharp minor [G] 7,
_ G-minor [F#] 7, G-sharp [G] minor 7.
Wonder [G#] _ what's come over [A] me.
And A, I'm as happy [B] as a man can be.
_ And [E] then E, _ [G#m] G-sharp minor,
[A] _
A, I mean, low, low, low.
[F#m] And then F-sharp [B] minor, low, [F#] _
low.
_ And _ the_ _
_ _ [E] _ _ _ _ [A] _
that lick.
_ [C#] Uh-huh. _ _
_ _ _ _ _ _ [B] _ _
[C#m] _ _ _ _ _ _ _ _
_ _ _ [A] _ _ _ [C] _ _
_ [F#m] _ _ _ _ _ _ _
_ _ _ _ [G#m] _ _ _ [E] _
_ _ _ [B] _ _ _ [C#m] _ _
_ _ _ _ _ _ _ _
_ _ [A] _ _ _ [G#] _ _ _
[F#m] _ _ _ _ _ [B] And [F] the bom, [G#m] bom, bom. Same thing. _
_ _ [A] _ _ From Christmas [B] morning, brand new tour,
I'm in love, love, [A] _ love. _ _
[B] _ _ _ _ _ _ _
And then from the E [G] chord,
_ bom, [G#m] bom, bom, the solo.
_ [F#] _ _ [D#m] _ _
_ _ [G#] _ _ And then [B] _
the_
[G] All that stuff.
[A] And Bobby Womack's playing that.
[G#m] Da _ -da-da-da [B]-da-da-da-da.
It's the same structure as, _ you know,
previously with the A and the B.
And then _ _ _ it [E] goes out on [B] this, _ [C#m] this, this,
to [G#m] this, [C#] this, [B] this,
and then always the B chord.
_ [C#m] _ _ _
_ [G#m] _ _ _ _ [E] _ _ _
[B] _ _ _ _ _ [C#m] _ _ _
_ _ _ _ _ _ _ [A] _
_ _ [G#m] _ _ _ [F#m] _ _ _
_ _ _ _ [G#m] _ _ [B] _ _
_ _ _ _ _ _ [C#] _ _
_ [N] _ And there you have it. _ _
_ _ A couple of the Reggie [E] Young licks.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [C#m] _ _ [G#m] _ _ _ _ _
So _ that's_ _ _ _
_ _ _ _ exaggerating this. _
_ [D#m] _ _ [F#] _ _ Double stops.
_ [E] _ _ _ _ [C#] _ _
[G#m] _ _ _ _ _ _ [E] _ _
_ _ Wow. _ _ _ _
_ [Em] _ _ _ _ _ _ [N] _
And another one.
All the ones on C-sharp minor
are relatively the same thing,
but they're not, because it's Reggie Young,
and he puts them in there in different points of the _ _ _ groove. _ _ _ _ _ _
And then he alters them, just slightly.
The first one you [C#m] hear is something along the lines _ _ of_ _ _ _ _
[B] _ _ [E] _ _ [G#] _ _ [B] _ _
_ [C#m] _ _ _ _ _ [F#] _ _
[G] Sounds like a [E] slowdown.
_ _ [C#m] _ _
_ _ [F#] _ _ _ [E] _ _ _
It goes right to an A.
_ [C#m] _ _
_ [F#m] _ _ _ _ [G#] _ _ _
[F#m] _ _ _ _ _ _ _ _
[B] _ _ _ _ _ [Em] _ _ _
_ _ _ _ _ [N] And then the _ _ _ Bobby Womack part.
[C#m] _ _ _ It's a C-sharp minor, three [B] notes. _ _
A B, _ three notes.
_ [C#m] _ _ _ _ [B] _ _ _
_ _ [C#m] Another C-sharp minor, but don't play the top string. _ _ _ _
These three.
_ _ Then this double [F#] stop, or these double stops,
on the G and the B strings.
_ _ _ _ [Bm] _ _ _ _
[C#m] _ _ _ _ Then back to the C-sharp minor.
_ _ The [B] B, _ _ _ [A] the A, _
and then add the F-sharp to the A note,
take it [F#m] off,
_ _ [A] _ _
_ and [B] then there's the G-sharp minor triad.
[G#m] _ _ _
_ Same as_ _ _ _
_ _ _ _ _ _ [F#m] _ _
_ _ _ [C#m] slowly. _ _ _
_ [B] _ _ _ _ _ _ _
[E] _ _ _ _ [C#m] _ _ _ _
_ _ _ [B] _ _ _ [C#m] _ _
_ _ _ _ _ _ _ [B] _
_ _ _ _ [A] _ _ _ _
_ _ [F#m] _ _ _ [G#m] _ _ _
_ _ [A] _ _ _ _ _
Of [Gm] course, those guys didn't play it like that.
[A#] They _ played with the _ _ _ A1.
_ [Cm] _ _ Slides.
I'll exaggerate this.
[C#m] _ _ _ [B] _ _ _
_ _ _ _ _ _ [C#m] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Fm] Right here [C] in the double stops,
_ [Bm] _ _ [C] _
_ [Bm] _ _ _ _ slides, _
_ [C] _ _ [Bm] _ _ _ [C#m] _ _
_ _ _ _ _ _ _ [B] _
_ _ _ _ [F#m] _ _ _ _
_ _ _ _ _ _ [D#] _ _
_ [F#m] _ _ _ _ [Cm] slides, _
[C#m] _ _ [B] _ _ _ [C#m] _ _ _
_ _ [F#] _ _ _ _ [C#m] _ _
_ _ _ _ _ [B] _ _ [A] _
_ _ _ _ [F#m] _ _ [G#m] _ _
[F#m] _ _ _ [C#m] _ _ _ [B] _ _
_ [C#m] _ _ _ _ _ [F#] _ _
[Bm] _ _ _ [C#m] _ _ _ _ _
_ [B] _ _ _ [F#m] _ _ _ _
_ _ _ [G#m] _ _ _ [A] _ _
_ _ [E] _ _ _ _ _