Chords for Jackson Browne Introduces the Gibson Jackson Browne Signature Guitar | MikesGigTV

_ Anyway, what happens is, even especially in the studio, is even if you use a mic and put it in front of the most beautifully complex acoustic guitar sound, the engineer has to EQ it to make it sound like it fits with the drums.
And so, [C] but it could be a hand mic, those [G]
sound things to start with.
A lot of [C] people, I [N] met James Burton when I was like about 18, he was in the studio and he was playing a Yamaha.
And I thought, [F#] you can play any guitar in the world, you can play any Yamaha.
He said, well it's [Gm] really good for recording.
And he didn't have [C] a lot of overtones that Martin had.
_ [G] _ [C] There's that whole art. _ _
_ [F] _ _ _ _ _ _ _
_ _ And it's coming through an amp, you know.
_ [Gm]
The truth [G] is, just about everything you hear comes [C] through an amplifier of some kind. _
_ [G] But to get a pickup, _ _ _
_ _ _ [G] _ _ you take_
_ _ _ _ I'm a real [C] good friend of Lloyd Bax.
_ [D] _ _ And I'm going to tell this story because I don't think he'd_
[Fm] He was [G] making his pickup and I went up to show him the pickup system that I use on my guitars.
And it just depressed him so bad.
_ This was [C] like about two weeks later he [G] called me up and said, look I've been really depressed [C] but I think I'm ready to face the challenge now.
[N] That pickup you're using is really_
I see it now.
You can have a pickup that really reproduces the qualities of guitar. _
_ And I'm going to try to make one like that. _
There's no point in trying to_
You've already made [G] that one, there's no point in trying.
But also this one's hard.
This is legendarily, this particular pickup, the Trance Audio, is hard to install.
Everybody says it's a hard_
The guy who makes it says it's no problem, you just stick it in there.
But I know that you sometimes have to put it on twice.
As a matter of fact, Lloyd even made a little device for taking them out again.
Because you blew them in.
Because you could really hurt your song trying to get the _ _ _ _ [E] thing_
Now you [G] said that _
[D] he went_
His quest as a guitar maker, as an instrument maker, is to make something that will [N] be easy to install.
_ _ And you can sell a lot of them and people can just_
No fuss, no muss.
You just put it in there, pop, it's [G] in there and it sounds great. _
The other thing to do is to have a shop like say in the Gibson show.
[D] Where people have figured out how to do it, how to get it right [G#] and they have an inspector and have it done like that.
Otherwise, [G] it takes a [D] lot of time wondering.
_ _ [G] _ _ _ [Gm] _
_ _ I used to have [C#] like the guy that installs [G] my stuff, Billy Asher, he's a luthier himself and he works on all my guitars.
He used to [C] come to my shows and he'd bring me [N] something that sounded good and he uses this amp to install them. _ _ _ _ _
He'd go listen to it on stage and go, oh, well this isn't exactly what_
Because you get on stage and you have these huge cabins and it's loud and you're going into a big cavernous_
_ _ [Em] You need [G] the bottom to be there.
You need more bottom than you think you need.
[C#] Everything sounds good kind of [G] like_
_ [G] _ _ _ [Em] _ _ [N] _
_ _ _ _ _ _ _ _
_ _ _ _ You can't_
_ [G#] _ You see this line right here where the bridge goes all [Fm] the way to where_
[N] _ _ _
_ _ _ Well, Gibson was making them with a_
They made a few where it stopped, you know, and it was like a bottom thing.
And when we _ _ _ _ _ _ finally figured out, well, they were making it easy to install a Fishman in it.
_ _ _ Or a Thinliner. _ _ _ _ _
We thought, well, _ yeah, but it sounds different.
It sounds different if you don't have this_
You don't engage as much as the_
Well, I actually have a range on me.
You don't engage as much as the top.
So _ it [F#] was a big decision for [G] Gibson to_ _ _ _ _
_ _ _ _ _ _ [D] _ _
[Em] _ _ _ _ _ _ [G] _ _
_ [N] _ _ _ _ _ _ _
_ _ It's like a salmon swimming, you know, [G] to have _ _ _ [D] _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Bm] _ _ [Em] a_
_ _ [D] _
_ [G] _ _ _ _ _ _ [Bm] _
_ _ _ _ [E] _ _ [G] _ _
_ _ _ _ _ _ [Em] _ _
_ [A] _ _ _ _ _ _ _
[E] _ _ [G] _ _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ _ _ _ _ _ _ [C] _
_ _ _ _ [G] _ _ _ _
_ [C] _ _ _ _ _ _ _
_ _ [Em] _ _ [G] _ _ _ _
_ [C] _ _ [G] _ _ _ _ _
_ [C] _ _ _ [G] _ _ _ _
_ _ _ _ Two brand new Gibsons off the line.
It sounds as good, if not better than the 30s, that's missing.
_ _ _ _ _ _ Before this little Fender Amp Inn, one of the funniest [N] things about Fender's,
guitar players is that they see this they see this five position switch here
I mean this this chord has got little five little holes in it and they're all gonna go
oh no _ I don't I don't know if I could go with that I mean because they're thinking
I'm gonna get in that bar and I'm gonna have to put this thing in my good my
guitar and I'm saying you shouldn't be putting this guitar through a twin
anyway and I go yeah but sometimes _ _ _ _
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