Chords for The Gibson Harrison-Clapton "Lucy" Les Paul : Presented By Guitar Center

_ _ _ _ _ _ [Ab] And the action's fine, very playable.
_ That's a nice colour. _ _ _ _ _ _ _
[D] Amazing. _ _ _ _ _ _
[N] _ _ _ _ _ _ Got pretty marked up, didn't it? _ _ _ _
Well, obviously that is all_
It's all reproduced.
Yeah, everything that is there on the original.
Is it the right colour?
I think it is.
I think it is. _
I'd like to [Am] say that it's a fantastic repro.
I mean, it's a [C] great guitar to play.
That's the thing. _ _
_ [G] _ _ _ _ _ [D] _
[E] Well, _ _ [Eb] _ I might have to [Dm] turn it up, I'm [Am] afraid.
_ [A] _ _ _ _ _
_ _ _ [Em] _ _ [Am] _ _ [Em] _
[A] _ _ [E] _ _ _ _ _ [G] _
_ _ _ You're not going to like this. _
_ [A] _ _ _ _ _ _ _
[Em] _ _ [D] _ _ [A] _ _ [D] _ _
_ _ [E] _ _ _ [A] _ _ _
[E] _ [B] _ _ [D] _ _ [E] _ _ _
[F] _ [A] _ [D] _ [Db] _ [A] _ _ _ _
_ _ _ _ [D] _ _ [A] _ _
_ [D] _ _ _ _ [F] _ _ _
[G] _ [Am] _ _ [Em] _ _ [Dm] _ [A] _ [D] _
[Db] _ [A] It _ [Am] _ _ _ [A] _
_ _ _ _ _ _ _ _
_ _ _ _ [N] _ _ sounds good.
I think I bought it in New York.
_ There were a lot of times spent in New York in the 60s
where I was travelling around with Cream.
And I can't remember whether I was with Cream.
I may have been.
I played this on Guitar Gently Weeps.
_ See, George is capable, would have been capable,
of setting this up.
I remember bringing it back from America
and _ wanting to give it to him, because I already had one, I think.
I had another Les Paul _ _ _ _ and I gave it to him.
And I think when he asked me to do the session for Gently Weeps,
I did because he picked _ me up from where I was living in London
and said, we're going to go over to the studio,
do you want to come along?
_ And I said, yeah.
And he said, well, I want you to play on something.
And I didn't have a guitar [Fm] because I just got in the car with [Gm] him.
[Ab] And so he gave me this to play.
So he [N] could have put a Marshall in there,
knowing that he was going to ask me to come and play, _
just to make it like, well, we got this and we got that.
_ My ideal set-up for a long time then was a Gibson,
a Les Paul through a Fender Twin,
only because that sounded like the Marshall.
Because the original _ _ _ partnership was a Les Paul
through a _ small Marshall.
The Blues Breakers set-up.
And that was pretty hard to, I mean, I never got a Marshall again.
They were all unique.
And what I liked about discovering the Twins was that they were
pretty much made to a similar pattern.
You get a 50s tweed twin and it would sound just like the last one
or the other one, you know.
And consistent and great for _ Les Pauls, really thick.
You know, Freddie King, Freddie King.
He _ _ was the first guy I ever heard playing that kind of BB, _
T-Bone Walker style, _ single line playing with bended _ notes.
And, you know, the first thing I heard was Hideaway.
I had the single of Hideaway.
Someone turned me on to that.
_ And on the B side of Hideaway was a song called I Love the Woman,
which has probably got the most _ iconic, short, _ _
single chorus blues solo you'll ever hear.
And I heard that, luckily enough, when I was, you know,
in my mid-teens, 16, 17, and that was it.
And then I found the album that he made that that song was on
and it was called Freddie King Sings the Blues.
It's gone now.
But on vinyl he was playing, _ I wasn't sure, it was Les Paul,
but it could have been a gold top.
I thought _ that when I next saw a Les Paul in the shop in London
that that was the same one, but it was a Les Paul, you know,
it was a sunburst.
But the sunbursts had humbuckers.
Right.
_ _ _ _ And I think the one he played on the album, yeah.
He made it. _
And so I didn't really know, but I fancied the humbuckers.
And I think it was because it was the only one, you know,
and I bought it and [Bb] joined John _ and [N]
played it all through my period
of time with John Mayer and it became, you know, like a part of my body.
That guitar was so important to me or just fundamental
in his existence.
And then when we formed Cream it got nicked, you know,
_ and they'd made that, you know, the Vino guitar is _ that guitar.
And I've gone back to gold tops to try and it's still, no, no.
It's a nice thing, it's a nice sort of affirmation
[Bm] that [Dbm] when [C] a simple [B] human being [N] like me chooses something,
_ it's like a good choice, you know, I've made a good choice,
just instinctively, you know. _ _ _ _ _ _
_ _ _ _ _ _ _ _