Endless Hallelujah Chords by Matt Redman
Tempo:
78.15 bpm
Chords used:
D
G
Em
C
Ab
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Ab] [Fm] Hello and welcome to the new song cafe here at worshiptogether [Cm].com.
[Db] Today we're going to hear the [Ab] song Endless [Db] Hallelujah by Matt Redman.
Sit back and [Eb] relax, we hope you enjoy this new song cafe.
Matt, it's good to see you again.
Good to see you too.
You're going to share the song Endless Hallelujah?
Yes.
You're just kind of sharing that it's sort of a conglomeration of a bunch of different songwriters.
Yes, mostly alive.
Mostly alive and one [N] mostly not.
Mostly dead.
Yes.
There's an original hymn by a guy called Robert McShane in 1837 and it had some verse lyrics
that we've chopped up a little bit.
You get inspired by it and you sort of hack them a little bit.
Actually the phrase Endless Hallelujah is from another hymn altogether.
So, you know, it's a little bit of something borrowed from here, something from here.
And then Tomlin, we got in a room and we were working on the verses, chopping them up and all that.
But the original tune melody and actually the lovely piano part which you can hear on
the recording is a guy called Tim Wanstall from the UK.
And then Jonas Myhrin, the Swedish guy, he has to get in all these songs.
He helped on the chorus and the bridge.
So it is actually a great teamwork thing because I just know there's no way this song would
have ended up in the form it's in.
And especially some of the musicality of it.
It's something I couldn't have come up with, this lovely piano part which runs through
it, which I won't be able to play you now.
Well share the song with us please.
[G]
[Em]
[C] [D]
[G] No more tears or broken dreams.
[Em] Forgotten is the mind that came.
[C] Everything [G] as it was meant to [D] be.
And we [C] will [D] worship, [Em]
[G] worship forever in [D] your presence.
[G] We will sing.
[D] [C] We will [D] worship,
[Em] worship you.
[Am] [D] An endless hallelujah to the [G] king.
That's the verse and the chorus.
The chorus has a lot [E] of chords obviously running through.
And they're not crazy difficult chords but there's a lot of changes.
It has a bit more of a hymny feel I [C] guess.
Yeah absolutely.
So we've got [D] worship the C to the D.
[G] We've got the E minor to the G over B.
Worship C [D] forever D.
[Gm] We will sing to the G but there's some change in the second half
so we're going [Em] and we will [G] [D] worship C to the D again but this [E] time the other way around here.
[G]
G over [Em] B to the E minor.
Worship you.
And [Am] instead of a C and A minor.
An [D] endless [G] hallelujah to the king.
So a couple of changes there.
Then we're into the bridge which is probably the biggest part of the song.
No [Em] more tears.
[Bm] No more shame.
[C] No more sin and [D] sorrow ever known [G] again.
No [Em] more fears.
[Bm] No more pain.
[Am] We will see you face to face.
[D] See you face to face.
[G] We're into a little piano motive here.
But yeah pretty simple chords.
I actually played two shapes of B minor there.
Like the [Bm] one I knew when I was [B] 16 years [Bm] old.
Which is probably a better one.
But I kind of like the different voicings on that.
And if you hear the recording there's actually an instrumental as well.
That's just, it's [D] probably a bit long to play now but [C] it's just [Em] starts with the E [C] minor
and then it goes to the [G] C, [D] G and D.
[Am] All that again and it's actually building on the A minor [C]
to the C.
And we really [Ab] build up huge and then explode in some big choruses.
And the song I think is like seven minutes when we recorded it.
You might want to find a shorter version for your congregation.
Well it seems like that it really is, it's a very easily playable song but it sort of
leaves an open landscape for it to kind of be short and sweet or to be kind of a longer moment.
Yeah and I think that's the great thing about the song.
Especially that chorus.
And you know it's a mark of great songs is that they're not necessarily saying anything
that we haven't heard before.
It's just how they say it.
It's a different angle.
And just this whole idea that when we get to heaven that the hallelujahs that they sing are endless.
And that's a pretty wide scoping idea.
Yeah and I like the idea of, I think one of our jobs as worshippers, songwriters, trying
to bring people into the big picture and trying to get a bit more of the grand reality of
what we're living in and what we're going to be living in.
And I think that's really the inspiration behind the song originally was like we need
to live with this great big view of God's endless [Eb] hallelujah, his eternal kingdom and
the forever that we're going to have with him.
And I think it can change our lives in the here and now when we do.
Absolutely.
Thanks for sharing it.
Thanks mate.
[Fm] [Eb] [Db] [Ab]
[Db] [Ab]
[Db] Today we're going to hear the [Ab] song Endless [Db] Hallelujah by Matt Redman.
Sit back and [Eb] relax, we hope you enjoy this new song cafe.
Matt, it's good to see you again.
Good to see you too.
You're going to share the song Endless Hallelujah?
Yes.
You're just kind of sharing that it's sort of a conglomeration of a bunch of different songwriters.
Yes, mostly alive.
Mostly alive and one [N] mostly not.
Mostly dead.
Yes.
There's an original hymn by a guy called Robert McShane in 1837 and it had some verse lyrics
that we've chopped up a little bit.
You get inspired by it and you sort of hack them a little bit.
Actually the phrase Endless Hallelujah is from another hymn altogether.
So, you know, it's a little bit of something borrowed from here, something from here.
And then Tomlin, we got in a room and we were working on the verses, chopping them up and all that.
But the original tune melody and actually the lovely piano part which you can hear on
the recording is a guy called Tim Wanstall from the UK.
And then Jonas Myhrin, the Swedish guy, he has to get in all these songs.
He helped on the chorus and the bridge.
So it is actually a great teamwork thing because I just know there's no way this song would
have ended up in the form it's in.
And especially some of the musicality of it.
It's something I couldn't have come up with, this lovely piano part which runs through
it, which I won't be able to play you now.
Well share the song with us please.
[G]
[Em]
[C] [D]
[G] No more tears or broken dreams.
[Em] Forgotten is the mind that came.
[C] Everything [G] as it was meant to [D] be.
And we [C] will [D] worship, [Em]
[G] worship forever in [D] your presence.
[G] We will sing.
[D] [C] We will [D] worship,
[Em] worship you.
[Am] [D] An endless hallelujah to the [G] king.
That's the verse and the chorus.
The chorus has a lot [E] of chords obviously running through.
And they're not crazy difficult chords but there's a lot of changes.
It has a bit more of a hymny feel I [C] guess.
Yeah absolutely.
So we've got [D] worship the C to the D.
[G] We've got the E minor to the G over B.
Worship C [D] forever D.
[Gm] We will sing to the G but there's some change in the second half
so we're going [Em] and we will [G] [D] worship C to the D again but this [E] time the other way around here.
[G]
G over [Em] B to the E minor.
Worship you.
And [Am] instead of a C and A minor.
An [D] endless [G] hallelujah to the king.
So a couple of changes there.
Then we're into the bridge which is probably the biggest part of the song.
No [Em] more tears.
[Bm] No more shame.
[C] No more sin and [D] sorrow ever known [G] again.
No [Em] more fears.
[Bm] No more pain.
[Am] We will see you face to face.
[D] See you face to face.
[G] We're into a little piano motive here.
But yeah pretty simple chords.
I actually played two shapes of B minor there.
Like the [Bm] one I knew when I was [B] 16 years [Bm] old.
Which is probably a better one.
But I kind of like the different voicings on that.
And if you hear the recording there's actually an instrumental as well.
That's just, it's [D] probably a bit long to play now but [C] it's just [Em] starts with the E [C] minor
and then it goes to the [G] C, [D] G and D.
[Am] All that again and it's actually building on the A minor [C]
to the C.
And we really [Ab] build up huge and then explode in some big choruses.
And the song I think is like seven minutes when we recorded it.
You might want to find a shorter version for your congregation.
Well it seems like that it really is, it's a very easily playable song but it sort of
leaves an open landscape for it to kind of be short and sweet or to be kind of a longer moment.
Yeah and I think that's the great thing about the song.
Especially that chorus.
And you know it's a mark of great songs is that they're not necessarily saying anything
that we haven't heard before.
It's just how they say it.
It's a different angle.
And just this whole idea that when we get to heaven that the hallelujahs that they sing are endless.
And that's a pretty wide scoping idea.
Yeah and I like the idea of, I think one of our jobs as worshippers, songwriters, trying
to bring people into the big picture and trying to get a bit more of the grand reality of
what we're living in and what we're going to be living in.
And I think that's really the inspiration behind the song originally was like we need
to live with this great big view of God's endless [Eb] hallelujah, his eternal kingdom and
the forever that we're going to have with him.
And I think it can change our lives in the here and now when we do.
Absolutely.
Thanks for sharing it.
Thanks mate.
[Fm] [Eb] [Db] [Ab]
[Db] [Ab]
Key:
D
G
Em
C
Ab
D
G
Em
[Ab] _ _ _ _ [Fm] Hello and welcome to the new song cafe here at worshiptogether [Cm].com.
[Db] Today we're going to hear the [Ab] song Endless [Db] Hallelujah by Matt Redman.
Sit back and [Eb] relax, we hope you enjoy this new song cafe.
Matt, it's good to see you again.
Good to see you too.
You're going to share the song Endless Hallelujah?
Yes.
You're just kind of sharing that it's sort of a conglomeration of a bunch of different songwriters.
Yes, mostly alive.
Mostly alive and one [N] mostly not.
Mostly dead.
Yes.
There's an original hymn by a guy called Robert McShane in 1837 and it had some _ verse lyrics
that we've chopped up a little bit.
You get inspired by it and you sort of hack them a little bit.
Actually the phrase Endless Hallelujah is from another hymn altogether.
So, you know, it's a little bit of something borrowed from here, something from here.
And then Tomlin, we got in a room and we were working on the verses, chopping them up and all that.
But the original tune melody and actually the lovely piano part which you can hear on
the recording is a guy called Tim Wanstall from the UK.
And then Jonas Myhrin, the Swedish guy, he has to get in all these songs.
He helped on the chorus and the bridge.
So it is actually a great teamwork thing because I just know there's no way this song would
have ended up in the form it's in.
And especially some of the musicality of it.
It's something I couldn't have come up with, this lovely piano part which runs through
it, which I won't be able to play you now.
Well share the song with us please.
[G] _ _ _ _ _ _
_ _ _ [Em] _ _ _ _ _
[C] _ _ _ _ [D] _ _ _ _
[G] No more tears or broken dreams.
[Em] Forgotten is the mind that came.
[C] Everything [G] as it was meant to [D] be. _
And we [C] will [D] worship, _ [Em] _
[G] worship forever in [D] your presence.
[G] We will sing.
[D] _ [C] We will [D] worship, _ _
[Em] worship you.
_ [Am] _ [D] An endless hallelujah to the [G] king.
_ _ _ _ That's the verse and the chorus.
The chorus has a lot [E] of chords obviously running through.
And they're not crazy difficult chords but there's a lot of changes.
It has a bit more of a hymny feel I [C] guess.
Yeah absolutely.
So we've got [D] worship the C to the D.
[G] We've got the E minor to the G over B.
Worship C [D] forever D.
[Gm] We will sing to the G but there's some change in the second half
so we're going [Em] and we will [G] _ [D] worship C to the D again but this [E] time the other way around here.
[G]
G over [Em] B to the E minor.
Worship you.
And [Am] instead of a C and A minor.
An [D] endless [G] hallelujah to the king.
So a couple of changes there.
Then we're into the bridge which is probably the biggest part of the song.
No [Em] more tears.
[Bm] No more shame.
[C] No more sin and [D] sorrow ever known [G] again. _
No [Em] more fears.
_ [Bm] No more pain.
[Am] We will see you face to face.
[D] See you face to face.
[G] We're into a little piano motive here.
But yeah pretty simple chords.
I actually played two shapes of B minor there.
Like the [Bm] one I knew when I was [B] 16 years [Bm] old.
Which is probably a better one.
But I kind of like the different voicings on that.
And if you hear the recording there's actually an instrumental as well.
That's just, it's [D] probably a bit long to play now but [C] it's just _ [Em] starts with the E [C] minor
and then it goes to the [G] C, [D] G and D.
[Am] All that again and it's actually building on the A minor _ [C]
to the C.
And we really [Ab] build up huge and then explode in some big choruses.
And the song I think is like seven minutes when we recorded it.
You might want to find a shorter version for your congregation.
Well it seems like that it really is, it's a very _ easily playable song but it sort of
leaves an open landscape for _ it to kind of be short and sweet or to be kind of a longer moment.
Yeah and I think that's the great thing about the song.
Especially that chorus.
And you know it's a mark of great songs is that they're not necessarily saying anything
that we haven't heard before.
It's just how they say it.
It's a different angle.
And just this whole idea that when we get to heaven _ that the hallelujahs that they sing are endless.
And that's a pretty _ wide scoping idea.
Yeah and I like the idea of, I think one of our jobs as worshippers, songwriters, trying
to bring people into the big picture and trying to get a bit more of the grand reality of
what we're living in and what we're going to be living in.
And I think that's really the inspiration behind the song originally was like we need
to live with this great big view of God's endless [Eb] hallelujah, his eternal kingdom and
the forever that we're going to have with him.
And I think it can change our lives in the here and now when we do.
Absolutely.
Thanks for sharing it.
Thanks mate.
_ [Fm] _ _ [Eb] _ _ [Db] _ _ _ _ [Ab] _
[Db] _ _ _ [Ab] _ _ _ _ _
[Db] Today we're going to hear the [Ab] song Endless [Db] Hallelujah by Matt Redman.
Sit back and [Eb] relax, we hope you enjoy this new song cafe.
Matt, it's good to see you again.
Good to see you too.
You're going to share the song Endless Hallelujah?
Yes.
You're just kind of sharing that it's sort of a conglomeration of a bunch of different songwriters.
Yes, mostly alive.
Mostly alive and one [N] mostly not.
Mostly dead.
Yes.
There's an original hymn by a guy called Robert McShane in 1837 and it had some _ verse lyrics
that we've chopped up a little bit.
You get inspired by it and you sort of hack them a little bit.
Actually the phrase Endless Hallelujah is from another hymn altogether.
So, you know, it's a little bit of something borrowed from here, something from here.
And then Tomlin, we got in a room and we were working on the verses, chopping them up and all that.
But the original tune melody and actually the lovely piano part which you can hear on
the recording is a guy called Tim Wanstall from the UK.
And then Jonas Myhrin, the Swedish guy, he has to get in all these songs.
He helped on the chorus and the bridge.
So it is actually a great teamwork thing because I just know there's no way this song would
have ended up in the form it's in.
And especially some of the musicality of it.
It's something I couldn't have come up with, this lovely piano part which runs through
it, which I won't be able to play you now.
Well share the song with us please.
[G] _ _ _ _ _ _
_ _ _ [Em] _ _ _ _ _
[C] _ _ _ _ [D] _ _ _ _
[G] No more tears or broken dreams.
[Em] Forgotten is the mind that came.
[C] Everything [G] as it was meant to [D] be. _
And we [C] will [D] worship, _ [Em] _
[G] worship forever in [D] your presence.
[G] We will sing.
[D] _ [C] We will [D] worship, _ _
[Em] worship you.
_ [Am] _ [D] An endless hallelujah to the [G] king.
_ _ _ _ That's the verse and the chorus.
The chorus has a lot [E] of chords obviously running through.
And they're not crazy difficult chords but there's a lot of changes.
It has a bit more of a hymny feel I [C] guess.
Yeah absolutely.
So we've got [D] worship the C to the D.
[G] We've got the E minor to the G over B.
Worship C [D] forever D.
[Gm] We will sing to the G but there's some change in the second half
so we're going [Em] and we will [G] _ [D] worship C to the D again but this [E] time the other way around here.
[G]
G over [Em] B to the E minor.
Worship you.
And [Am] instead of a C and A minor.
An [D] endless [G] hallelujah to the king.
So a couple of changes there.
Then we're into the bridge which is probably the biggest part of the song.
No [Em] more tears.
[Bm] No more shame.
[C] No more sin and [D] sorrow ever known [G] again. _
No [Em] more fears.
_ [Bm] No more pain.
[Am] We will see you face to face.
[D] See you face to face.
[G] We're into a little piano motive here.
But yeah pretty simple chords.
I actually played two shapes of B minor there.
Like the [Bm] one I knew when I was [B] 16 years [Bm] old.
Which is probably a better one.
But I kind of like the different voicings on that.
And if you hear the recording there's actually an instrumental as well.
That's just, it's [D] probably a bit long to play now but [C] it's just _ [Em] starts with the E [C] minor
and then it goes to the [G] C, [D] G and D.
[Am] All that again and it's actually building on the A minor _ [C]
to the C.
And we really [Ab] build up huge and then explode in some big choruses.
And the song I think is like seven minutes when we recorded it.
You might want to find a shorter version for your congregation.
Well it seems like that it really is, it's a very _ easily playable song but it sort of
leaves an open landscape for _ it to kind of be short and sweet or to be kind of a longer moment.
Yeah and I think that's the great thing about the song.
Especially that chorus.
And you know it's a mark of great songs is that they're not necessarily saying anything
that we haven't heard before.
It's just how they say it.
It's a different angle.
And just this whole idea that when we get to heaven _ that the hallelujahs that they sing are endless.
And that's a pretty _ wide scoping idea.
Yeah and I like the idea of, I think one of our jobs as worshippers, songwriters, trying
to bring people into the big picture and trying to get a bit more of the grand reality of
what we're living in and what we're going to be living in.
And I think that's really the inspiration behind the song originally was like we need
to live with this great big view of God's endless [Eb] hallelujah, his eternal kingdom and
the forever that we're going to have with him.
And I think it can change our lives in the here and now when we do.
Absolutely.
Thanks for sharing it.
Thanks mate.
_ [Fm] _ _ [Eb] _ _ [Db] _ _ _ _ [Ab] _
[Db] _ _ _ [Ab] _ _ _ _ _