Chords for Metallica: 91 (The Making of "Dream No More")

Tempo:
98.975 bpm
Chords used:

D

Ab

E

G

C

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Metallica: 91 (The Making of "Dream No More") chords
Start Jamming...
[C] Why don't we just, on this kind of great energy that we have, why don't we just try something completely [E] different.
I just gotta find it on hard drive 37.
[Dbm] [E]
[D] [E] This is more of a kind of Memories [B] Remains type of slower, just trying to do something [F] different.
[E] That's it.
[N] [E]
[Bb] [E]
[Bb] [Gb] [N]
[G] You know all those things?
[N] Yeah.
Is that a detuned guitar?
No, so is this.
[Gb]
[G] [Db] [Gb] [Ab] I don't know if that's [Abm] right, James.
I got D sharp.
[Bbm] [Db] [C] [Db]
[Gb] [Db] Yeah, so it's a D.
Yeah.
[C]
[Eb] [N] And then A sharp to A.
Okay.
[Gb]
[Ab] That sounds correct.
[D]
[Ab] [G] [Abm]
[Bb] [D]
[E] One, two, three, four.
[Bb] [E]
[Bb] [Eb] [Em]
Oh, cool.
It's got a nice Sabbath feel to it.
Really cool.
There's a simplicity to this [Eb] that I think is really cool.
[F]
[E] [Eb]
[Bb] To my ears, there's a simplicity to that other [D] melody.
[C] It's kind of a simple [Abm] melody.
[D] [Ab] [D] [Ab]
[D] [Ab] [D] I don't have a problem with the bouncy riff.
[Ab] But is there something that could be done there in three and four with the octave thing?
[F] [E]
[G] [N]
Yeah, the earlier suggestion from me was Kirk trying something.
[F]
[E] [Eb]
[G] [Ab] [E] Keeping it simple, [N] but he adds the lead sound instead.
Obviously, my guess is to stay away from the wah.
Right.
Even just his wah.
[A] If it [Ab] sings more, exactly.
Try that again.
Okay.
[F]
All [E] [G]
right, [D] that's the idea.
That's the best one.
We're going to beat it. Okay.
For
[Ab] [D] [G] [Ab]
[D] [Ab]
[G] [F] [Eb] [D]
the [G] [D]
[Db] [C] [Ab] [D]
[G] [D] [G] [Fm]
[Eb] most part.
[F] [A] [Dm] Good [G] to the [Dm] waking.
[E] That will work.
We didn't try that yet, did we?
Not yet.
Let's try it.
[Gb] To [Dm] stop [Db] the [C] [G] madness they say.
[Ab]
Good [D] to the waking.
[Abm]
I don't think that's the right [G] one yet.
[A] [C] [D]
[G] [Am] [Dm] [A]
Good to the [C] [A] waking.
[C]
[Am] [A] [C] [Em] Okay, try another one.
[Ab] Good to [D] the [F] waking.
[E]
That was good.
Okay.
[N] We're going to harmonize to that.
Good to the waking.
Waking.
Good to [Am] the waking.
[D] [Ab] All [D]
[G] [N] right, that's going to be a good one.
All right.
Do you need a lyric sheet?
I [E] got them.
Just in case.
Wake.
Oh, sorry.
[N] Try that again.
It seemed a little No.
That's so good.
Yeah.
That's one of my favorites so far.
[Ab] [A]
That was it right there.
[Ab] [A]
[D] [Ab] [D]
[D] Good to the waking.
[Ab] Wake.
[Eb] I [D] think
[Ab] [Dm] [Ab]
[D] [Dm]
[Ab] [A]
[F] [E]
[Bm] [N] I blew a gas.
Did you?
No.
Give me that.
Wake.
Wake.
Cool, guys.
All right.
Want to come in?
Yeah.
So metal.
[D] Woo.
[Db] [C] [Ab]
[Gm] [Ab] [D]
Nice.
[Db] The [E] second chorus, third chorus of that one was right on spot.
Metal.
That's how it's done.
Key:  
D
1321
Ab
134211114
E
2311
G
2131
C
3211
D
1321
Ab
134211114
E
2311
Show All Diagrams
Chords
NotesBeta

To learn Metallica - (The Making of Dream No More) 91 chords, these are the chords to practise in sequence: Ab, D, D, Ab, G and Ab. A good strategy is to initiate at 49 BPM and then accelerate to the track's regular speed of 99 BPM. Adapt the capo setting considering your vocal range, with reference to the key: D Minor.

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_ [C] _ Why don't we just, on this kind of great energy that we have, why don't we just try something completely [E] different.
_ _ I just gotta find it on hard drive 37.
_ [Dbm] _ _ [E] _
_ _ _ [D] _ [E] This is more of a kind of Memories [B] Remains type of slower, just trying to do something [F] different.
[E] That's it.
_ [N] _ _ _ [E] _ _ _
_ _ _ _ _ [Bb] _ [E] _ _
_ _ [Bb] _ _ _ _ [Gb] _ [N] _
_ [G] You know all those things?
[N] Yeah.
Is that a detuned guitar? _ _ _ _ _
_ _ No, so is this. _ _ _
_ _ _ _ _ [Gb] _ _ _
[G] _ _ _ _ [Db] _ [Gb] _ [Ab] I don't know if that's [Abm] right, James.
I got D sharp.
[Bbm] _ [Db] _ _ [C] _ [Db] _
[Gb] [Db] Yeah, so it's a D.
Yeah.
[C] _ _
[Eb] _ [N] And then A sharp to A.
_ Okay.
[Gb] _
[Ab] _ _ _ _ _ That sounds correct.
[D] _
_ _ [Ab] _ [G] _ _ _ [Abm] _ _
[Bb] _ _ [D] _ _ _ _ _ _
_ _ _ [E] _ _ _ One, _ two, three, four. _ _ _
_ _ _ _ [Bb] _ [E] _ _ _
_ [Bb] _ _ _ [Eb] _ _ [Em] _
Oh, cool.
It's got a nice Sabbath feel to it.
Really cool.
There's a simplicity to this [Eb] that I think is really cool.
[F] _
_ _ _ [E] _ _ _ _ [Eb] _
_ _ _ [Bb] _ To my ears, there's a simplicity to that other [D] melody. _ _ _ _ _
_ _ [C] _ It's kind of a simple [Abm] melody.
[D] _ _ _ [Ab] _ [D] _ _ _ [Ab] _
[D] _ _ _ [Ab] _ _ _ [D] I don't have a problem with the bouncy riff.
_ [Ab] But is there something that could be done there in three and four with the octave thing? _
_ [F] _ _ _ _ [E] _ _ _
_ [G] _ _ _ _ _ [N] _ _
Yeah, the earlier suggestion from me was Kirk trying something.
_ _ [F] _ _ _ _
_ [E] _ _ _ _ [Eb] _ _ _
_ [G] _ _ [Ab] _ _ _ [E] Keeping it simple, [N] but he adds the lead sound instead.
Obviously, my guess is to stay away from the wah.
Right.
_ _ Even just his wah.
_ _ _ _ [A] If it [Ab] sings more, exactly.
Try that again.
Okay.
_ _ _ [F] _
All _ [E] _ _ _ _ [G] _
_ _ _ _ _ right, [D] that's the idea.
That's the best one.
We're going to beat it. Okay.
_ For _ _
[Ab] _ _ _ [D] _ _ _ [G] _ [Ab] _
_ _ _ [D] _ _ _ _ [Ab] _
_ _ _ [G] _ [F] _ _ [Eb] _ [D]
the _ [G] _ [D] _ _ _ _ _
_ _ _ [Db] _ [C] _ _ [Ab] _ [D] _
_ _ [G] _ [D] _ _ _ [G] _ [Fm] _
_ [Eb] _ most part. _ _ _
[F] _ _ _ [A] _ [Dm] _ Good [G] to the [Dm] _ waking. _ _ _ _ _
[E] That will work.
We didn't try that yet, did we?
Not yet.
Let's try it.
_ [Gb] To [Dm] stop _ [Db] the [C] _ [G] madness they say.
[Ab] _
_ Good [D] to the waking. _ _
_ _ _ [Abm] _ _ _ _
I don't think that's the right [G] one yet.
[A] _ [C] _ [D] _ _ _
[G] _ _ _ _ [Am] _ _ [Dm] _ [A] _
Good to the [C] [A] waking.
_ [C] _ _
[Am] _ [A] _ _ [C] _ _ [Em] Okay, try another one.
_ [Ab] _ _ Good to [D] the [F] waking.
_ _ [E] _ _ _ _
That was good.
Okay.
[N] We're going to harmonize to that.
Good to the waking. _ _ _ _
Waking.
_ _ Good to [Am] the waking.
[D] _ _ [Ab] All [D] _
_ [G] _ _ [N] right, that's going to be a good one.
All right.
_ Do you need a lyric sheet?
I [E] got them.
Just in case.
Wake.
Oh, sorry.
[N] Try that again.
It seemed a little_ No.
_ _ _ _ That's so good.
_ Yeah.
That's one of my favorites so far.
_ [Ab] _ _ _ [A] _
That was it right there.
[Ab] _ _ _ _ [A] _ _
_ _ [D] _ _ _ [Ab] _ [D] _ _
_ [D] Good to the waking.
_ [Ab] Wake. _
[Eb] I _ [D] think _ _ _
_ _ [Ab] _ [Dm] _ _ _ _ [Ab] _
_ _ [D] _ _ [Dm] _ _ _ _
_ _ _ _ _ [Ab] _ [A] _ _
[F] _ _ _ _ [E] _ _ _ _
[Bm] _ _ _ [N] _ I blew a gas.
Did you?
No.
Give me that. _ _
Wake. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ Wake.
_ Cool, guys.
All right.
Want to come in?
Yeah.
_ _ _ _ _ So metal. _
[D] Woo.
_ [Db] _ [C] _ _ [Ab] _ _
[Gm] _ _ [Ab] _ _ _ _ _ [D] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ Nice.
[Db] _ The [E] second chorus, third chorus of that one was right on spot.
_ Metal.
That's how it's done.

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