Chords for Music Vault Archive: Peter Green's Guitar Collection (Part 1)

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_ _ _ _ _ I've got this _ in Norway I think it was, with a single figure from here.
[A] _
[D] I'm going back to [Ab] single pickup.
Can you pick it in shows please?
Yeah.
I knew it was a _ _ classical, it was like a clavier.
_ A US [Eb] one?
I don't know, Norway, I bought it in Norway.
_ It's got a Norwegian.
_ [Ab] Japanese or Ibanez isn't it?
It was Ibanez isn't it?
Yeah, yeah.
[Eb] I don't know what it does though, but it's _ _ _ got a nice little, yeah.
It's got a few notes.
Yeah.
_ _ _ _ [A] _ _ _
OK, another tenor.
Yeah, I think [Bb] this is really good.
[F] _ _
_ [B] _ _ [C] _ _ This is what I chose as my guitar to use.
[Db] You put a purple in it?
Yeah, look at it.
Yeah.
Is that alright?
Yeah, it's a funny colour, but _ I don't usually see one [G] nowadays, but it plays lovely.
It's like this sort of old TV colour isn't it, that slightly off, greeny yellow.
If you know the Gibson TV.
Ibanez is it?
Yeah.
[Eb] _ _ _ _ Plays lovely that one.
Yeah.
I think I might take that, I bought it at Oxford.
Did [A] you?
In a second hand music show.
That's the problem when you look at the PCC, that's it, you're spilt some.
_ You want to get them out and play them?
_ _ _ Oh yeah.
This is a black, on the car.
Oh, is it left handed?
Yeah, left [N] handed, _ strut style. _ _ _ _
Have you got it set up, more like slide?
Why is it so, the action's way off the neck there.
Did you use it for slide or something?
No, no, just left handed, just left handed.
This is my, [E]
this is nice at times, [A] I like the look of this very much.
What do they call them?
_ _ Tanglewoods.
OK.
They've got colour on everything, Tanglewood Memphis.
Yeah.
_ _ [Ab] It's a really good guitar. _
Emerald green.
Seaweed, I thought I'd call it seaweed. Seaweed, right.
[A] I love it.
It's a nice one, the Tanglewood.
[B] _ _
Three, six, five, [E] seven, similar.
Yeah.
[A] Can I always take it or not?
[N] _
No, no, come on.
I've _ _ _
_ [Eb] _ _ set it in this one.
Oh, is it?
I couldn't see.
Yeah, this is it.
Oh, that's lovely.
Yeah, yeah, yeah.
Take this one.
Is that the one I've seen a picture of you in, please?
Might be, I don't know.
_ It's quite heavy, it feels lighter there.
Mm.
[E] Ooh.
That's it.
[Ebm] I thought it was electric, because it's got a pick up in there.
Is that played flat, flat, [Ab] flat?
Flat pedal, playing [Eb] it like that?
No, no, no, this is just a, [E] yeah, it's still a standard guitar.
It's a bit flat on the left hand, isn't it?
Yeah.
It's only for slow, that one only [B] plays slow.
_ [E] _ _ _ _ _ _ _
Good sound.
[Bb] That's nice, isn't it?
Yeah, good looking.
Definitely, yeah, _ that's_ _ _ _
_ It's a little red one of those.
I've got this in San Francisco.
With the badge.
Yeah, yeah.
_ _ That's it.
_ [G] _ _ [D] _ _ _ _ [B] _
_ [B] _ _ [E] _ _ _ _ _
_ _ _ This is my_
Oh, this is Regina Fonic, is it, yeah?
The colour, light colour on the neck, like that.
Fabulous colour contrast, isn't it?
Beautiful.
That looks like fingerprints, but it's not, it's [Am] design.
It's a palm tree.
[Eb] Palm trees and clouds and things.
_ And here's some fingerprints.
_ _ Upside down, there's a great [E] palm tree.
_ _ _ _ [Bb] There's electric there, isn't there?
Some electric.
You've had a pick up one.
Yeah. _ _
You've got this from Hamborough.
Yeah, we designed it together, this one.
And a single pick up, wood pick up, wood with wood and_
All different kinds of wood.
[Bb] I say I like all different kinds of wood.
_ And I don't really like that top bit there, but he_
I think it's his trademark, he says, it's my trademark. _
For my guitars, so I had to have that. _ _ _
_ _ But otherwise, yeah, we designed this together.
All different kinds of wood.
Who was it you designed it with?
Guy Harrison, isn't his name?
He calls himself Guy Harrison.
Is that an English luthier?
I [E]
don't know.
English guitar maker?
Yeah, he'd just gone into guitar making.
From up north, _ [Bb] _ way up there somewhere. _ _
_ And we designed this one together.
It's Australian wood and African wood.
All different kinds of wood.
Four different kinds of wood.
_ _ Where's it set?
_ I haven't played it an awful lot.
I tried it on one of the records the Spinter Group made.
They didn't want to_
They said, no, we don't like that.
I think it was two, sort of_
_ _ I don't know, two Shank Armour, I guess. _ _ _ _ _ _ _
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_ _ I'm going to take it.
This is the one I want to, if I ever do any work with,
[N] on stage, that's the one I want to use.
The single pickup.
I'm going to go back to single pickup.
I think it's very important.
Keep it simple.
No, it's not that.
The amount of input is one person.
It's like one person.
I've got to think about that.
It might be rectifiable, it might be just that I'm up to,
and with my pickups a long time ago,
I might have put them out of phase, they say. _
_ _ Anyway, we'll take this one. _
Just one man, one thing.
One man, one post.
But it'll be equal _ input, sort of thing.
You've got your one pickup, your one electric thing,
your mind is going from here to there,
_ _ amplified through here.
A good pure flow.
I think it'll be helpful to the other boys
that you're just, like, basically another,
basically a single pickup.
That's all you need, and then you're playing,
and you're concentrating on your playing,
not so much on the _ current wave of sounds and things.
_ And you give not so much emphasis on the guitar
being this sort of _ thing. _
Just his instrument, he'll be,
he'll have a very stick guitar,
and he can play whatever.
I'm hopeful to play chords and rhythm.
Do you have any more [Eb] Les Pauls in there?
No, I don't own any Les Pauls.
I've given up on that one.
_ Am I [N] lunch?