Chords for Peter Gabriel - Solsbury Hill Live (Back to Front Tour- London)
Tempo:
116.8 bpm
Chords used:
F#
B
E
G#m
C#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[F#] [B] [E] [B] [E] [F#]
[E] [B] [B] [F#]
[B] [E] [B] [E] [F#] [E]
[B] [E] [F#] [B]
Climbing up on the saws for you I could see the [G#m] city light
Wind was blowing, time stood still Eagle flew out [B] of the lane
You were something to him [F#] so [B]
Came and [G#m] grew a side of the ones
Standing stretching every [F#] nerve [G#m] Had to listen, [B] had no [F#] choice
[E] I did not believe the information [F#] [B] I just got [E] your trust [B] imagination
[F#] [G#m] Bahago,
[F#] he [C#m] said Grab [D#] your things, [E] I'll [F#] come with [E] you [B] home
[E] [B]
[E] [B]
[E] [B] [F#] [B] [E] [B]
[F#] [B] [F#] [B]
Keeping silent, silent sound My friends would [F#] think [G#m] I was a [F#] nut
[G#m] Turning water into [F#] [G#m] wine Open [A#m] doors [B] wishing you'd shut
[B] So I went from day to day Though my [F#] life [G#m] was in a [F#] rut
[G#m] Till I heard what I'd [F#] say [G#m] Which connection I should cut
[F#] [E] I was feeling part of his new [F#] room [G#m] I walked right out of the machinery
[F#] [C#] Bahago, [F#] he [C#m] said [D#] Grab your [E] things, I'll [F#] come to [E] take you [B] home
When [E] [B]
[E] [B] [E] [F#] [B] [E]
[B] [E] [F#] [B]
[F#] [B] the lurch had spin her neck I'm never where I [G#m] want to [F#] [G#m] be
Never did she feel the [F#] way [G#m]
When I think [B] that I am [F#] pleased
[B]
Watched by him to silhouette Closed her eyes [G#m] but still [F#] conceived
[G#m] No one told her [F#] etiquette [G#m] I was known [E] out of me
[F#] [E] The day I don't hear all the places [F#] [E] I show them what the smile on my [G#m] face
[F#]
[C#] Bahago, he [G#m] [F#] said [C#m]
Grab your [D#] [E] things, [F#] I'll come to [B] take you home
[E]
[F#] [E] [B]
[E] [B] [F#]
[E] [B] [F#] [E]
Asumi Ho, [B] Asumi [F#] [E]
[B] [F#] [E]
[B] Ho
[E] [F#] [E] [B]
Asumi [E] [F#] [E] [B] Ho,
[E] [F#] [B] [E] [B] [E]
[B] [F#] [B] [E] Asumi [B] Ho
[E] [B] Thank [E] [B] [F#]
[E] [B] [F#] [B]
[E] [B] [F#] [E]
[B] [F#] [E]
[B] [C#m] [G#m] [E] [F#]
[B]
[G] [N]
you
This is a new song written for a film by a Mexican writer, director, producer
who invited a series of directors to put together short films
on three typically easy, sort of Mexican subjects
who are sex, drugs and God
This [F#] is from the first film, it's called Why Don't You Show Yourself
[E] [B] [B] [F#]
[B] [E] [B] [E] [F#] [E]
[B] [E] [F#] [B]
Climbing up on the saws for you I could see the [G#m] city light
Wind was blowing, time stood still Eagle flew out [B] of the lane
You were something to him [F#] so [B]
Came and [G#m] grew a side of the ones
Standing stretching every [F#] nerve [G#m] Had to listen, [B] had no [F#] choice
[E] I did not believe the information [F#] [B] I just got [E] your trust [B] imagination
[F#] [G#m] Bahago,
[F#] he [C#m] said Grab [D#] your things, [E] I'll [F#] come with [E] you [B] home
[E] [B]
[E] [B]
[E] [B] [F#] [B] [E] [B]
[F#] [B] [F#] [B]
Keeping silent, silent sound My friends would [F#] think [G#m] I was a [F#] nut
[G#m] Turning water into [F#] [G#m] wine Open [A#m] doors [B] wishing you'd shut
[B] So I went from day to day Though my [F#] life [G#m] was in a [F#] rut
[G#m] Till I heard what I'd [F#] say [G#m] Which connection I should cut
[F#] [E] I was feeling part of his new [F#] room [G#m] I walked right out of the machinery
[F#] [C#] Bahago, [F#] he [C#m] said [D#] Grab your [E] things, I'll [F#] come to [E] take you [B] home
When [E] [B]
[E] [B] [E] [F#] [B] [E]
[B] [E] [F#] [B]
[F#] [B] the lurch had spin her neck I'm never where I [G#m] want to [F#] [G#m] be
Never did she feel the [F#] way [G#m]
When I think [B] that I am [F#] pleased
[B]
Watched by him to silhouette Closed her eyes [G#m] but still [F#] conceived
[G#m] No one told her [F#] etiquette [G#m] I was known [E] out of me
[F#] [E] The day I don't hear all the places [F#] [E] I show them what the smile on my [G#m] face
[F#]
[C#] Bahago, he [G#m] [F#] said [C#m]
Grab your [D#] [E] things, [F#] I'll come to [B] take you home
[E]
[F#] [E] [B]
[E] [B] [F#]
[E] [B] [F#] [E]
Asumi Ho, [B] Asumi [F#] [E]
[B] [F#] [E]
[B] Ho
[E] [F#] [E] [B]
Asumi [E] [F#] [E] [B] Ho,
[E] [F#] [B] [E] [B] [E]
[B] [F#] [B] [E] Asumi [B] Ho
[E] [B] Thank [E] [B] [F#]
[E] [B] [F#] [B]
[E] [B] [F#] [E]
[B] [F#] [E]
[B] [C#m] [G#m] [E] [F#]
[B]
[G] [N]
you
This is a new song written for a film by a Mexican writer, director, producer
who invited a series of directors to put together short films
on three typically easy, sort of Mexican subjects
who are sex, drugs and God
This [F#] is from the first film, it's called Why Don't You Show Yourself
Key:
F#
B
E
G#m
C#m
F#
B
E
[F#] _ [B] _ [E] _ _ [B] _ [E] _ _ [F#] _
[E] _ _ _ [B] _ _ [B] _ [F#] _ _
[B] _ [E] _ [B] _ _ [E] _ [F#] _ _ [E] _
_ _ [B] _ [E] _ _ [F#] _ [B] _ _
_ _ _ _ Climbing up on the saws for you I could see the [G#m] city light
_ Wind was blowing, time stood still _ Eagle flew out [B] of the lane
You were something to him [F#] so [B] _
Came and [G#m] grew a side of the ones
_ Standing stretching every [F#] nerve [G#m] _ Had to listen, [B] had no [F#] choice
[E] I did not believe the information [F#] [B] I just got [E] your trust [B] imagination
_ [F#] [G#m] Bahago, _ _ _ _ _
[F#] he [C#m] said Grab [D#] your things, [E] I'll [F#] come with [E] you [B] home
_ _ _ _ _ [E] _ [B] _
_ _ _ _ _ [E] _ [B] _ _
[E] _ [B] _ [F#] _ [B] _ [E] _ [B] _ _ _
_ [F#] _ [B] _ _ _ [F#] _ [B] _
Keeping silent, silent sound _ My friends would [F#] think [G#m] I was a [F#] nut
[G#m] _ _ Turning water into [F#] [G#m] wine _ Open [A#m] doors [B] wishing you'd shut
[B] _ So I went from day to day _ Though my [F#] life [G#m] was in a [F#] rut
[G#m] Till I heard what I'd [F#] say [G#m] _ Which connection I should cut
[F#] [E] I was feeling part of his new [F#] room [G#m] I walked right out of the machinery
_ [F#] _ [C#] Bahago, _ _ _ [F#] he [C#m] said [D#] Grab your [E] things, I'll [F#] come to [E] take you [B] home
_ When _ [E] _ [B] _ _ _ _ _ _
[E] _ _ [B] _ [E] _ _ [F#] _ [B] _ [E] _
_ [B] _ [E] _ _ [F#] _ [B] _ _ _
[F#] _ [B] _ _ the lurch had spin her neck _ I'm never where I [G#m] want to [F#] [G#m] be
Never did she feel the [F#] way [G#m] _
When I think [B] that I am [F#] pleased
[B] _ _
Watched by him to silhouette _ _ Closed her eyes [G#m] but still [F#] conceived
[G#m] _ No one told her [F#] etiquette [G#m] I was known [E] out of me
[F#] [E] The day I don't hear all the places [F#] [E] I show them what the smile on my [G#m] face
[F#] _
[C#] Bahago, _ he [G#m] [F#] said [C#m] _
Grab your [D#] [E] things, [F#] I'll come to [B] take you home
_ _ _ _ _ _ _ [E] _
_ [F#] _ [E] _ _ [B] _ _ _ _
_ _ [E] _ [B] _ _ _ _ [F#] _
[E] _ _ _ [B] _ _ _ [F#] _ [E]
Asumi Ho, [B] _ Asumi [F#] _ [E] _ _
_ [B] _ _ _ [F#] _ _ [E] _
[B] Ho
_ [E] _ [F#] _ _ [E] _ _ [B]
Asumi [E] _ [F#] _ _ [E] _ [B] Ho, _
[E] _ [F#] _ _ [B] _ [E] _ [B] _ _ [E] _
[B] _ [F#] _ [B] [E] Asumi [B] Ho
_ [E] [B] Thank _ _ [E] _ _ [B] _ _ _ [F#] _
[E] _ _ _ [B] _ _ _ [F#] _ [B] _
[E] _ _ [B] _ _ _ [F#] _ _ [E] _
_ [B] _ _ _ [F#] _ _ [E] _ _
[B] _ _ [C#m] _ _ [G#m] _ [E] _ [F#] _ _
[B] _ _ _ _ _ _ _ _
_ _ [G] _ _ _ [N] _ _ _
_ _ _ _ you _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
This is a new song written for a film _ by a Mexican writer, director, producer
_ who invited a series of directors to put together _ short films _
on three typically easy, sort of Mexican subjects
who are sex, _ drugs and God
_ _ _ _ This [F#] is from the first film, it's called Why Don't You Show Yourself _
[E] _ _ _ [B] _ _ [B] _ [F#] _ _
[B] _ [E] _ [B] _ _ [E] _ [F#] _ _ [E] _
_ _ [B] _ [E] _ _ [F#] _ [B] _ _
_ _ _ _ Climbing up on the saws for you I could see the [G#m] city light
_ Wind was blowing, time stood still _ Eagle flew out [B] of the lane
You were something to him [F#] so [B] _
Came and [G#m] grew a side of the ones
_ Standing stretching every [F#] nerve [G#m] _ Had to listen, [B] had no [F#] choice
[E] I did not believe the information [F#] [B] I just got [E] your trust [B] imagination
_ [F#] [G#m] Bahago, _ _ _ _ _
[F#] he [C#m] said Grab [D#] your things, [E] I'll [F#] come with [E] you [B] home
_ _ _ _ _ [E] _ [B] _
_ _ _ _ _ [E] _ [B] _ _
[E] _ [B] _ [F#] _ [B] _ [E] _ [B] _ _ _
_ [F#] _ [B] _ _ _ [F#] _ [B] _
Keeping silent, silent sound _ My friends would [F#] think [G#m] I was a [F#] nut
[G#m] _ _ Turning water into [F#] [G#m] wine _ Open [A#m] doors [B] wishing you'd shut
[B] _ So I went from day to day _ Though my [F#] life [G#m] was in a [F#] rut
[G#m] Till I heard what I'd [F#] say [G#m] _ Which connection I should cut
[F#] [E] I was feeling part of his new [F#] room [G#m] I walked right out of the machinery
_ [F#] _ [C#] Bahago, _ _ _ [F#] he [C#m] said [D#] Grab your [E] things, I'll [F#] come to [E] take you [B] home
_ When _ [E] _ [B] _ _ _ _ _ _
[E] _ _ [B] _ [E] _ _ [F#] _ [B] _ [E] _
_ [B] _ [E] _ _ [F#] _ [B] _ _ _
[F#] _ [B] _ _ the lurch had spin her neck _ I'm never where I [G#m] want to [F#] [G#m] be
Never did she feel the [F#] way [G#m] _
When I think [B] that I am [F#] pleased
[B] _ _
Watched by him to silhouette _ _ Closed her eyes [G#m] but still [F#] conceived
[G#m] _ No one told her [F#] etiquette [G#m] I was known [E] out of me
[F#] [E] The day I don't hear all the places [F#] [E] I show them what the smile on my [G#m] face
[F#] _
[C#] Bahago, _ he [G#m] [F#] said [C#m] _
Grab your [D#] [E] things, [F#] I'll come to [B] take you home
_ _ _ _ _ _ _ [E] _
_ [F#] _ [E] _ _ [B] _ _ _ _
_ _ [E] _ [B] _ _ _ _ [F#] _
[E] _ _ _ [B] _ _ _ [F#] _ [E]
Asumi Ho, [B] _ Asumi [F#] _ [E] _ _
_ [B] _ _ _ [F#] _ _ [E] _
[B] Ho
_ [E] _ [F#] _ _ [E] _ _ [B]
Asumi [E] _ [F#] _ _ [E] _ [B] Ho, _
[E] _ [F#] _ _ [B] _ [E] _ [B] _ _ [E] _
[B] _ [F#] _ [B] [E] Asumi [B] Ho
_ [E] [B] Thank _ _ [E] _ _ [B] _ _ _ [F#] _
[E] _ _ _ [B] _ _ _ [F#] _ [B] _
[E] _ _ [B] _ _ _ [F#] _ _ [E] _
_ [B] _ _ _ [F#] _ _ [E] _ _
[B] _ _ [C#m] _ _ [G#m] _ [E] _ [F#] _ _
[B] _ _ _ _ _ _ _ _
_ _ [G] _ _ _ [N] _ _ _
_ _ _ _ you _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
This is a new song written for a film _ by a Mexican writer, director, producer
_ who invited a series of directors to put together _ short films _
on three typically easy, sort of Mexican subjects
who are sex, _ drugs and God
_ _ _ _ This [F#] is from the first film, it's called Why Don't You Show Yourself _