Chords for The Making of Drake's "Sneakin'" With London On Da Track | Deconstructed
Tempo:
84.9 bpm
Chords used:
Eb
Abm
Dbm
Ab
Db
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
When I make beats the most important thing to me is the bounce.
You gotta have knock, you gotta have tempo.
[Dbm] [Abm] [Ab]
[Abm] [Ab] [Eb] It started off with a guitar.
[Abm] [Eb] I thought that was [E] dope.
It just sounded like horror sounding, scary [C] movie type stuff.
And then I just half speeded it so then it came [Eb] on like this.
[Abm]
[Eb] Gross speeded [Abm] it is what we call it.
To [Eb] producers that's watching they know what that is.
I had the spacey [Eb] organs fade in so it sounded like this.
[Abm]
[Eb] [Abm] [Eb] I just thought [Abm] that was different.
[Eb] And I [Abm] scratched it.
[Eb] I went to the pad next.
[Db]
[Eb] [Abm] And I went to [B] the bell.
[Eb] [Abm]
[Abm] Then the rose.
[E]
[Eb] [Dbm] I [Abm] just felt like it was missing something real sharp.
[Eb] Very sharp and [Dbm] scary.
So then you hear this in [Abm] the song.
[Eb] [Dbm] That was the A part of the beat.
I knew it needed a B part.
I knew this part right here was like okay.
This sound like Drizzy right here.
Now I gotta give him something different.
Like a bounce.
Where's the bounce?
This is not bounce.
This is more just laid back.
You know what I'm [Db] saying?
So then [Bb] I added some spacey organs.
Which sound like this.
[Abm] [Db] So you hear that in the beat.
[Eb] That's totally different.
I just played it in the same [N] key.
And then over that right there.
I just added the drums to it.
I said okay let me get the [Abm] bounce in here.
[Gbm] [Eb] I had to.
[Ebm] [Eb]
[F]
[Abm] [Gb] [Eb] I had to wait on [Abm] the kick.
[Eb] This had nothing to do with the A section.
This is the B section [Ab] right here.
[Bb] I knew this was what [Ebm] was going to catch his attention.
He was going to be like whoa.
After he heard the first part like it's a good melody.
And then we heard this.
I knew he was going to be like yeah this is it.
[Eb] I sent it to Drake.
I sent the heat emoji.
I sent it to him.
I just cooked this up.
He sent the prayer hands.
He checked it out.
Same day he sent it back.
I [Ab] just bodied that shit.
[Dbm] You don't want to do too much.
You want to make it [Eb] enough space.
Just enough room for him to be like okay I can almost do anything on this right here.
And this vibe in my head.
I had no idea 21 was on there.
Me and 21 we got a lot of music ourselves.
We talking about doing the whole project together.
I didn't know he was even getting on that song until Drake hit me and said look I got Savage on here.
21.
I was like that's going to be [Ab] dope.
You gotta have knock, you gotta have tempo.
[Dbm] [Abm] [Ab]
[Abm] [Ab] [Eb] It started off with a guitar.
[Abm] [Eb] I thought that was [E] dope.
It just sounded like horror sounding, scary [C] movie type stuff.
And then I just half speeded it so then it came [Eb] on like this.
[Abm]
[Eb] Gross speeded [Abm] it is what we call it.
To [Eb] producers that's watching they know what that is.
I had the spacey [Eb] organs fade in so it sounded like this.
[Abm]
[Eb] [Abm] [Eb] I just thought [Abm] that was different.
[Eb] And I [Abm] scratched it.
[Eb] I went to the pad next.
[Db]
[Eb] [Abm] And I went to [B] the bell.
[Eb] [Abm]
[Abm] Then the rose.
[E]
[Eb] [Dbm] I [Abm] just felt like it was missing something real sharp.
[Eb] Very sharp and [Dbm] scary.
So then you hear this in [Abm] the song.
[Eb] [Dbm] That was the A part of the beat.
I knew it needed a B part.
I knew this part right here was like okay.
This sound like Drizzy right here.
Now I gotta give him something different.
Like a bounce.
Where's the bounce?
This is not bounce.
This is more just laid back.
You know what I'm [Db] saying?
So then [Bb] I added some spacey organs.
Which sound like this.
[Abm] [Db] So you hear that in the beat.
[Eb] That's totally different.
I just played it in the same [N] key.
And then over that right there.
I just added the drums to it.
I said okay let me get the [Abm] bounce in here.
[Gbm] [Eb] I had to.
[Ebm] [Eb]
[F]
[Abm] [Gb] [Eb] I had to wait on [Abm] the kick.
[Eb] This had nothing to do with the A section.
This is the B section [Ab] right here.
[Bb] I knew this was what [Ebm] was going to catch his attention.
He was going to be like whoa.
After he heard the first part like it's a good melody.
And then we heard this.
I knew he was going to be like yeah this is it.
[Eb] I sent it to Drake.
I sent the heat emoji.
I sent it to him.
I just cooked this up.
He sent the prayer hands.
He checked it out.
Same day he sent it back.
I [Ab] just bodied that shit.
[Dbm] You don't want to do too much.
You want to make it [Eb] enough space.
Just enough room for him to be like okay I can almost do anything on this right here.
And this vibe in my head.
I had no idea 21 was on there.
Me and 21 we got a lot of music ourselves.
We talking about doing the whole project together.
I didn't know he was even getting on that song until Drake hit me and said look I got Savage on here.
21.
I was like that's going to be [Ab] dope.
Key:
Eb
Abm
Dbm
Ab
Db
Eb
Abm
Dbm
When I make beats the most important thing to me is the bounce.
You gotta have knock, you gotta have tempo.
[Dbm] _ [Abm] _ _ _ [Ab] _ _ _ _
[Abm] _ _ _ _ [Ab] _ _ [Eb] It started off with a guitar.
_ _ [Abm] _ _ [Eb] _ I thought that was [E] dope.
It just sounded like horror sounding, scary [C] movie type stuff.
And then I just half speeded it so then it came [Eb] on like this.
_ _ [Abm] _ _
[Eb] Gross speeded [Abm] it is what we call it.
To [Eb] producers that's watching they know what that is.
I had the spacey [Eb] organs fade in so it sounded like this.
_ _ [Abm] _ _
[Eb] _ _ [Abm] _ _ [Eb] I just thought [Abm] that was different. _
[Eb] And I [Abm] scratched it.
[Eb] I went to the pad next.
[Db] _ _
[Eb] _ _ [Abm] _ And I went to [B] the bell.
[Eb] _ _ _ [Abm] _ _ _ _ _
_ _ [Abm] Then the rose.
_ [E] _ _
[Eb] _ _ [Dbm] _ I [Abm] just felt like it was missing something real sharp.
[Eb] Very sharp and [Dbm] scary.
So then you hear this in [Abm] the song. _ _ _
[Eb] _ _ _ [Dbm] _ That was the A part of the beat.
I knew it needed a B part.
I knew this part right here was like okay.
This sound like Drizzy right here.
Now I gotta give him something different.
Like a bounce.
Where's the bounce?
This is not bounce.
This is more just laid back.
You know what I'm [Db] saying?
So then [Bb] I added some spacey organs.
Which sound like this.
[Abm] _ [Db] So you hear that in the beat.
[Eb] That's totally different.
I just played it in the same [N] key.
And then over that right there.
I just added the drums to it.
I said okay let me get the [Abm] bounce in here. _
_ _ [Gbm] _ [Eb] I had to. _ _
[Ebm] _ _ _ _ _ [Eb] _ _ _
_ _ _ _ _ _ [F] _ _
[Abm] _ _ _ [Gb] _ _ [Eb] _ I had to wait on [Abm] the kick. _ _ _ _ _
[Eb] This had nothing to do with the A section.
This is the B section [Ab] right here. _ _
[Bb] I knew this was what [Ebm] was going to catch his attention.
He was going to be like whoa.
After he heard the first part like it's a good melody.
And then we heard this.
I knew he was going to be like yeah this is it.
[Eb] _ I sent it to Drake.
I sent the heat emoji.
I sent it to him.
I just cooked this up.
He sent the prayer hands.
He checked it out.
Same day he sent it back.
I [Ab] just bodied that shit. _ _ _ _ _ _
[Dbm] _ You don't want to do too much.
You want to make it [Eb] enough space.
Just enough room for him to be like okay I can almost do anything on this right here.
And this vibe in my head.
I had no idea 21 was on there.
Me and 21 we got a lot of music ourselves. _
We talking about doing the whole project together.
I didn't know he was even getting on that song until Drake hit me and said look I got Savage on here.
21.
I was like that's going to be [Ab] dope. _
You gotta have knock, you gotta have tempo.
[Dbm] _ [Abm] _ _ _ [Ab] _ _ _ _
[Abm] _ _ _ _ [Ab] _ _ [Eb] It started off with a guitar.
_ _ [Abm] _ _ [Eb] _ I thought that was [E] dope.
It just sounded like horror sounding, scary [C] movie type stuff.
And then I just half speeded it so then it came [Eb] on like this.
_ _ [Abm] _ _
[Eb] Gross speeded [Abm] it is what we call it.
To [Eb] producers that's watching they know what that is.
I had the spacey [Eb] organs fade in so it sounded like this.
_ _ [Abm] _ _
[Eb] _ _ [Abm] _ _ [Eb] I just thought [Abm] that was different. _
[Eb] And I [Abm] scratched it.
[Eb] I went to the pad next.
[Db] _ _
[Eb] _ _ [Abm] _ And I went to [B] the bell.
[Eb] _ _ _ [Abm] _ _ _ _ _
_ _ [Abm] Then the rose.
_ [E] _ _
[Eb] _ _ [Dbm] _ I [Abm] just felt like it was missing something real sharp.
[Eb] Very sharp and [Dbm] scary.
So then you hear this in [Abm] the song. _ _ _
[Eb] _ _ _ [Dbm] _ That was the A part of the beat.
I knew it needed a B part.
I knew this part right here was like okay.
This sound like Drizzy right here.
Now I gotta give him something different.
Like a bounce.
Where's the bounce?
This is not bounce.
This is more just laid back.
You know what I'm [Db] saying?
So then [Bb] I added some spacey organs.
Which sound like this.
[Abm] _ [Db] So you hear that in the beat.
[Eb] That's totally different.
I just played it in the same [N] key.
And then over that right there.
I just added the drums to it.
I said okay let me get the [Abm] bounce in here. _
_ _ [Gbm] _ [Eb] I had to. _ _
[Ebm] _ _ _ _ _ [Eb] _ _ _
_ _ _ _ _ _ [F] _ _
[Abm] _ _ _ [Gb] _ _ [Eb] _ I had to wait on [Abm] the kick. _ _ _ _ _
[Eb] This had nothing to do with the A section.
This is the B section [Ab] right here. _ _
[Bb] I knew this was what [Ebm] was going to catch his attention.
He was going to be like whoa.
After he heard the first part like it's a good melody.
And then we heard this.
I knew he was going to be like yeah this is it.
[Eb] _ I sent it to Drake.
I sent the heat emoji.
I sent it to him.
I just cooked this up.
He sent the prayer hands.
He checked it out.
Same day he sent it back.
I [Ab] just bodied that shit. _ _ _ _ _ _
[Dbm] _ You don't want to do too much.
You want to make it [Eb] enough space.
Just enough room for him to be like okay I can almost do anything on this right here.
And this vibe in my head.
I had no idea 21 was on there.
Me and 21 we got a lot of music ourselves. _
We talking about doing the whole project together.
I didn't know he was even getting on that song until Drake hit me and said look I got Savage on here.
21.
I was like that's going to be [Ab] dope. _