Chords for Yngwie Malmsteen Lesson - Picking Techniques

Tempo:
114.5 bpm
Chords used:

Eb

Bb

Ab

Db

Gb

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Yngwie Malmsteen Lesson - Picking Techniques chords
Jam Along & Learn...
Poi techniques is obviously a very vast subject.
We carry on with legato versus staccato.
Legato is not using the right hand.
[Gb] [Db] You get the same thing but different kind of attack.
[A]
[B]
[Eb] You just stop using the right hand [Dbm] altogether.
You do that one.
[Eb] You do that one.
[E] So it's all about down to how you want the sound.
But of course the coordination between right and left hand has to be very good when it comes to the [Bb] picking.
[E]
[Eb] [Ab]
So in legato versus staccato.
[Db] [F]
Staccato or [E] picking rather.
So these are things that you can experiment with.
And these things go to as far as tapping.
You can do this with your right hand as [Abm] well.
[Eb] [Abm]
[Eb]
[Db]
[Bb] I like to mix the picking with the legato.
[Eb] Put it together because it makes a nice blend.
[Db]
[Ab]
Alright we're going to [Abm] dig a little deeper with the actual picking versus legato and so forth.
We'll do it a little slower too.
So we have for instance this pattern here.
[Ab]
Picking.
This [Abm] is
[Eb] A good example of this is from my concerto suite.
Open strings.
A lot of staccato stuff.
Goes something like this.
[Ab] [Ebm]
[Bb] [Bbm]
[Eb] [B]
[Db] [D]
[Bb] Here's a good example of something that is very picked.
[Ab] [N] And [Bb] slow.
[Ab] [G]
[E] This particular example is from a track called Jet to Jet.
Here it [Eb] goes.
[Bbm] [Bb] [Ab] [F] [C] [Bb]
[Bbm] [Bb]
[Bbm]
[Bb] [Db]
[Gb] [B] [G] [Gb]
[Ab] [Db]
[Gb] [B] [Gb]
[C] [Cm]
[N]
100%  ➙  115BPM
Eb
12341116
Bb
12341111
Ab
134211114
Db
12341114
Gb
134211112
Eb
12341116
Bb
12341111
Ab
134211114
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_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Poi techniques is obviously a very vast subject.
We carry on with legato versus staccato.
Legato is not using the right hand. _ _ _ _ _
_ [Gb] _ _ _ [Db] You _ _ _ get the same thing but different kind of attack.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [A] _ _
[B] _ _ _ _ _ _ _ _
[Eb] _ _ _ _ You just stop using the right hand [Dbm] altogether. _ _ _ _ _ _ _
You do that one. _ _ _ _
[Eb] You do that one.
[E] So it's all about down to how you want the sound.
But of course the coordination between right and left hand has to be very good when it comes to the [Bb] picking.
_ _ _ [E] _ _ _ _
[Eb] _ _ _ _ [Ab] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ So in legato versus staccato. _
_ _ _ _ _ _ _ _
[Db] _ _ _ _ _ _ [F] _ _
_ _ Staccato or [E] picking rather. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ So these are things that you can experiment with.
And these things go to as far as tapping.
You can do this with your right hand as [Abm] well. _ _ _ _ _
_ _ _ _ [Eb] _ _ [Abm] _ _
_ [Eb] _ _ _ _ _ _ _
[Db] _ _ _ _ _ _ _ _
_ _ [Bb] _ _ I like to mix the picking with the legato.
[Eb] _ _ Put it together because it makes a nice blend.
_ _ [Db] _ _ _
_ _ _ _ [Ab] _ _ _
Alright we're going to [Abm] dig a little deeper with the actual picking versus legato and so forth.
We'll do it a little slower too.
So we have for instance _ this pattern here.
_ _ [Ab] _ _ _ _
_ _ _ _ Picking.
This [Abm] is_
_ _ _ _ _ _ _ _
_ _ _ _ [Eb] _ _ A good example of this is from my concerto suite.
Open strings.
A lot of staccato stuff.
Goes something like this.
[Ab] _ _ [Ebm] _ _
_ [Bb] _ _ _ [Bbm] _ _ _ _
[Eb] _ _ _ _ [B] _ _ _ _
_ _ _ _ [Db] _ _ [D] _ _
[Bb] _ Here's a good example of something that is very picked.
_ _ _ _ _ _ _ _
[Ab] _ _ [N] _ _ _ _ And [Bb] slow. _ _ _ _ _ _ _
_ _ [Ab] _ _ _ _ [G] _ _
_ [E] _ _ This particular example is from a track called Jet to Jet.
Here it [Eb] goes.
_ [Bbm] _ _ [Bb] _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Ab] _ _ [F] _ _ [C] _ _ [Bb] _ _
_ _ [Bbm] _ _ [Bb] _ _ _ _
_ _ _ _ _ [Bbm] _ _ _
_ _ [Bb] _ _ _ _ _ [Db] _
_ [Gb] _ _ [B] _ _ [G] _ _ [Gb] _
_ _ _ _ [Ab] _ _ [Db] _ _
[Gb] _ _ [B] _ _ [Gb] _ _ _ _
[C] _ _ _ _ [Cm] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [N] _ _

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