Chords for ♫ How to play "HE'S ABLE" (Deitrick Haddon / Darwin Hobbs) - gospel piano tutorial ♫

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_ _ _ Hello, this is TJ with Piano Clubhouse going to do a tutorial on the song entitled He's
Able on the Dietrich Haddon album _ entitled Together in Worship. _
This song begins in the key of B major. _
_ _ _ [C#] _ _ _ [G#] _ _
_ [F#] _ _ _ _ [D#] _ _ _
[B] _ _ _ _ The song [G] intro begins with _ _ a guitar _ before the lead even comes in.
[B] I'm going _ _ [F#] _ _ _
_ _ _ [G#m] _ _ _ _ [E] _
_ _ [C#] _ _ [B] _ _ _ _
[F#] _ _ _ _ _ [G#m] _ _ _
_ [E] _ _ _ _ _ _ _
_ to [B] go down first. _ _ _
A B major I chord, B, E flat, G flat.
I like to add the seconds [C#]
on my I chord so I'm hitting D flat as well.
[A] That's optional though.
Left hand you're [B] just hitting B. _ _
To kind of help fill the chord in you can also hit this
fifth which is G flat in this case. _ _ _ _ _
_ _ _ _ _ Next chord, left [F#] hand is going to go down to G flat as your primary bass note.
[C#] This D flat chord is optional.
This D flat note is [F#] optional. _ _ _ _
[B] So first B and G flat, [F#] _
_ G flat and D flat.
Let me finish the left hand.
[G#] _ _ Then you can go from A flat and E flat.
This is your primary bass note, A flat.
[D#]
This is optional.
_ _ [E] _ _ _
Then the last one _ is E natural, right hand is B natural.
Let's [B] repeat that.
_ _ B and G flat, _
_ [F#] _ _ G [C#] flat and D [G#] flat.
_ Move up to A flat and E flat.
[B] _ _ The E and B, right [C#] hand.
_ [B] _ _ _ _
B one chord, B, E flat, G flat with the D flat.
_ _ _ _ _ For the next chord, just move these two fingers.
As a matter of fact, all you have to move is this [D#] B to B flat _ and [F#] lift up this E flat. _ _
Okay, that's it.
[B] _ First chord, _
[F#] _ _ second chord.
_ [G#m] _ _
_ Third chord, go back to the one chord [F#] you just left.
[C#] _ _ _ Okay, this is the first chord.
Second chord, just [F#] move that B to B flat.
Third chord, [B] go back to the same chord you were just at, B major _ [C#] with the second.
_ Fourth [E] chord _ is a four chord. _
B, E and A flat is your four chord.
[D#m] You can add this E [E] flat if you like. _ _ _ _
_ Okay.
Let's go back to the first chord and _ _ _ _
[B] _ _ [E] do that walk down to repeat it.
_ I'm doing these two notes, E and A [D#m] flat, then E flat and G flat, [A] _
then D flat and [B] E, _ _ then
[A#] B and E flat.
_ _ Now, the left hand you can also do [E] with that walk.
[D#m] _ [B] _ _ You can do [D#] E, [C#] E flat, [B] D flat, B.
So with that, [E] if you want to do them together, you can just do, to make it more simpler,
just do one note in the [C#] right hand, _ [D#] _ _ A [F#] flat, G flat, [D#] E, E flat.
[E] Left hand do [D#] E, E flat, [B] D flat, B.
And they make the perfect [E] harmony doing it together.
[C#] _ _ [B] _ _ _ Now, when you get to that last note, just come back and hit the one chord here. _ _ _
Put it all together, _ [F#] _ _ _ _
back to [G#m] the one chord, _ _ _ _
[E] and the four chord.
_ _ _ [C#] _
_ [B] _ _ _ _ [F#] _ _ _
_ _ [G#m] _ _ _ _ [E] _ _
_ _ _ [B] _ _ _ _ _
[F#] _ _ _ _ _ [G#] _ _ _
_ [E] _ _ _ _ _ [A#] _ _
[B] _ _ _ _ Now, one thing I like to do also, _ you can throw in a two-five-one chord almost anywhere in there.
Watch. Watch.
Not.
Is.
[F#] Able.
To.
Do.
That we did at normal.
Here, _ _
[G#] _ I throw in a two-five-one.
I think [C#] before I went back to the one chord [G#m] previously right there, but instead you can
[G#] also do the two-five-one.
D flat, G flat, and B.
What he said [E] he would.
_ _ And then go to the four chord.
[A#m] Okay?
_ [B] Just trying to give you [D#] some options, so you don't sound so monotonous doing [E] the same chords.
I know it's pretty to learn these beautiful chords, [N] but if you do it the same way repetitively,
_ it can kind of get really monotonous.
I want to add every instance that I get to kind of [E] give you an optional chord to do to
kind of change it up a little bit.
One more time [B] putting all together.
_ _ _ [F#] _ _ _
_ _ [G#m] _ _ _ _ [E] Four chord, walk it [C#] down. _ _ _ _ _
[F#] _ _ _ _ _ [G#m] _ _ [G#] _
See, there's a two-five-one. _ _ _ _
[E] _ _ _ _ _ _ _
[A] Moving on to the verse.
[A#] _ _ _ _ _
_ _ [E] _ _ _ _ _ [A#] _
_ _ _ [E] _ _ _ _ _
[A#] _ [B] _ _ _ _ _ _ _
_ _ [G] Starts out, _ [F#] _ _
_ _ left _ _ [E] hand is on an E, _ _ and then the fifth here [B] is B [E] natural.
_ _ And of course, it's optional, but the primary bass note is E.
_ _ [Am]
Right hand is [F#] in _ _ _ a _ _ G flat
chord, inverted G flat major chord.
_ And this is actually the second chord we did at the intro.
[A#] _ B [F#] flat, D flat, G flat.
[A#] _ _ _ Exceedingly.
[E] _
_ And you're going to rotate up to the fourth. _
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